Tagged: Harry Callahan
Dirty Harry’s Navy Windbreaker in Magnum Force
Vitals
Clint Eastwood as Harry Callahan, tough San Francisco Police Department inspector
San Francisco, August 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
When the first Dirty Harry sequel was being conceptualized in the early 1970s, Clint Eastwood recalled a plot line introduced by Terrence Malick in an unused first draft for Dirty Harry that was fleshed out by John Milius to center around a group of young rogue officers in the San Francisco Police Department who formed a secret vigilante “death squad” to rid the city of its worst criminals. This neatly responded to criticism of Harry Callahan’s methods from the first film, illustrating that while Harry may be an antihero comfortable with skirting red tape to get the job done, he doesn’t extend down into the villainous domain that truly takes the law into their own hands, illustrated by the movie’s repeated motif that “a man’s got to know his limitations.” Continue reading
Dirty Harry’s Brown Blazer in Magnum Force
Vitals
Clint Eastwood as Harry Callahan, tough San Francisco Police Department inspector
San Francisco, August 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
Earth tones are a fall favorite for many, so take a few notes for your Friday date night style from Clint Eastwood’s earthy ensemble in Magnum Force, the first of four sequels featuring the incorruptible Inspector Harry Callahan.
Continuing what must be a subconscious focus on tough ’70s cop movies from Wednesday’s Brannigan post, this scene features Harry swilling Schlitz in front of the TV with Carol McCoy (Christine White), the wife of a suicidal traffic officer. When his superiors get word of a potential grocery store holdup, Harry—who had been demoted to stakeout duty—is called into action with his trusty .44. Continue reading
Harry’s Suede Shirt-Jacket in The Enforcer
Vitals
Clint Eastwood as Insp. Harry Callahan, reassigned San Francisco inspector
San Francisco, Summer 1976
Film: The Enforcer
Release Date: December 22, 1976
Director: James Fargo
Costume Designer: Glenn Wright
Background
After all the romance of Valentine’s Day, Clint Eastwood is bringing some toughness back to BAMF Style as one of his most iconic characters, “Dirty Harry” Callahan. The third film in the “Dirty Harry” series, The Enforcer, finds Harry teamed up with tough rookie detective Kate Moore (Tyne Daly) against a gang of militant revolutionaries.
Harry begins the final day of his investigation roughing up a massage parlor, noting that it’s the sort of place where “for $75, you get to make it with a rubber dolly.” A tip leads him to a gunfight in a church which ultimately leads to a gunfight at Alcatraz. Continue reading
Dirty Harry’s Brown Tweed in Magnum Force
Vitals
Clint Eastwood as Insp. Harry Callahan, badass San Francisco Police Department inspector
San Francisco, Late Summer 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
Magnum Force was originally developed by John Milius as Vigilance, a simple film about a group of young officers in the SFPD going rogue to exterminate the worst of the city’s crooks. Clint Eastwood quickly got his hands on the script and decided that the film would be a good vehicle to show that Harry Callahan may be harsh in his methods, but he isn’t a total vigilante who takes the law in his hands. (Although some would say the opposite about Eastwood during the film’s production.)
Due to Milius’ extensive knowledge and enthusiasm for firearms, the film included plenty of gun handling both on and off the job with extended scenes set during both practice and competition. Continue reading
Dirty Harry’s Windbreaker in The Enforcer

Clint Eastwood as Inspector “Dirty Harry” Callahan in The Enforcer (1976), the third film of the Dirty Harry series.
Vitals
Clint Eastwood as Insp. Harry Callahan, reassigned San Francisco inspector
San Francisco, Summer 1976
Film: The Enforcer
Release Date: December 22, 1976
Director: James Fargo
Costume Designer: Glenn Wright
Background
After receiving the news that his friend, Inspector Frank DiGiorgio (played by Robert Mitchum’s brother John Mitchum), has been mortally wounded in a gunfight with Patty Hearst-like thugs, Harry immediately heads to the hospital like any good friend would.
It becomes one of the few days in cinema history that begins with visiting a friend in the hospital and ends with holding a bomber at gunpoint in a church pew… with some rocket launcher testing in between. Continue reading
Dirty Harry’s Brown Suit
After stuffing our faces and stomachs during the Thanksgiving holiday this weekend, it’s certainly appropriate that you’d want to return to work feeling like a badass. That’s what Clint Eastwood is here for.
Vitals
Clint Eastwood as Insp. Harry Callahan, frustrated San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
Having established his central look earlier in the film as a sport coat and slacks (gray herringbone and brown plaid), Dirty Harry throws a lateral for the final confrontation against the brutal “Scorpio Killer” by wearing a sharp, slim cut brown three-piece suit.
A brown 3-piece suit is a very traditional look, but the fit and styling of Harry’s suit is very contemporary and fashion-forward for 1971. The traditional suiting makes sense for Harry, a contrast to the more liberal film cops like Bullitt and their more fashionable wardrobes. While not outfitted in a frock coat and striped cravat, Harry still looks more old-fashioned next to Bullitt in his shooting jacket and polo neck jumper. Continue reading
Dirty Harry’s Brown Plaid Sportcoat
Vitals
Clint Eastwood as Insp. Harry Callahan, renegade San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
As mentioned in the previous Dirty Harry post, many travelers are fooled into thinking that San Francisco’s climate is reflective of California as immortalized by the Beach Boys. Instead, the city enjoys cooler Mediterranean-style weather with dry summers and mild winters.
Travelers unaware of the fact that they’ll be enjoying a summer with evenings that can dip into the 40s (Fahrenheit) are easily spotted by their brightly-colored hoodies emblazened with the name “SAN FRANCISCO” on the front, newly purchased from an enterprising street vendor rightly taking advantage of ill-informed tourists.
Harry Callahan defines his distinctive look in the early scenes of Dirty Harry, putting a patterned sportcoat over a sweater vest and tie, matching it all with a pair of comfortable and casual slacks. While the look may suggest “I failed as a writer and settled as a science teacher”, Eastwood’s gritty gaze and the .44 Magnum in his holster say different. Continue reading
Dirty Harry’s Herringbone Tweed and Red Sweater Vest
Vitals
Clint Eastwood as Insp. Harry Callahan, renegade San Francisco inspector
San Francisco, Summer 1971
Film: Dirty Harry
Release Date: December 23, 1971
Director: Don Siegel
Wardrobe Department: Glenn Wright
Background
Voted the “Greatest Movie Badass of All-Time” in a 2009 poll for MTV News, the character of Harry Callahan was originally much different. Although still a tough cop chasing a serial killer with a .44 Magnum, the role was originally envisioned as an older New York City policeman that was gunned down by a sniper during the finale. Offered first to Frank Sinatra, whose wrist injury from The Manchurian Candidate prevented him from firing the .44, then to John Wayne, who refused to accept one of Sinatra’s rejected roles and later proved his regret by starring in McQ, Clint Eastwood was finally offered the role.
One of my first posts was about a similar San Francisco inspector who plays by his own rules. However, Bullitt and Dirty Harry are two very different policemen: both have their own methods and are disliked by superiors, but where Bullitt is more free-wheeling and liberal, Callahan is shoot-first, ask-later and considerably anti-crime.
This change is reflected in their wardrobes as well. Bullitt prefers a casual look, layering a raincoat over a tweed jacket and jumper. Callahan, the more conservative cop, also wears a tweed jacket but with a necktie and sweater vest. Continue reading