Tagged: Formalwear
The Poseidon Adventure: Ernest Borgnine’s Burgundy Dinner Jacket on New Year’s Eve
Ernest Borgnine and Stella Stevens in The Poseidon Adventure (1972)
Vitals
Ernest Borgnine as Mike Rogo, a tough New York detective
Aboard the S.S. Poseidon en route Athens, New Year’s Eve 1972
Film: The Poseidon Adventure
Release Date: December 12, 1972
Director: Ronald Neame
Costume Designer: Paul Zastupnevich
Background
Happy New Year’s Eve! Fifty years ago, the holiday was celebrated in spectacular fashion aboard the S.S. Poseidon, the fictitious ship at the center of “Master of Disaster” Irwin Allen’s Academy Award-winning 1972 blockbuster The Poseidon Adventure, based on Paul Gallico’s novel on the same name inspired by a journey on the RMS Queen Mary, the now-defunct ship where parts of the movie were filmed. Following the example set by the subgenre-establishing Airport two years earlier, The Poseidon Adventure gathered a group of a stars in a perilous situation that picked them off one by one, allowing its substantial advertising campaign to ask audiences “who will survive?” Continue reading
Paul Muni’s 1932 Tuxedo in Scarface
Paul Muni as Tony Camonte in Scarface (1932)
Vitals
Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1929
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
WARNING! Spoilers ahead!
Background
Several years ago, I published a high-level overview of the various black tie ensembles across the male cast of the original 1932 version of Scarface, adapted from Armitage Trail’s pulp novel of the same name, which had been inspired by the then-contemporary exploits of the infamous Al Capone.
Now, after eight more years of learning, I want to focus specifically on the evening-wear worn by the eponymous Tony Camonte, portrayed by Paul Muni—who was born on this day in 1895—as Tony’s tuxedo had long been one of the driving sartorial influences in my choice to have a double-breasted dinner jacket made for my wedding, which will be one month from today. Continue reading
Nightmare Alley: Bradley Cooper’s White Tie and Tails
Bradley Cooper as Stanton “Stan” Carlisle in Nightmare Alley (2021)
Vitals
Bradley Cooper as Stanton “Stan” Carlisle, opportunistic carny-turned-nightclub mentalist
Buffalo, New York, Winter 1941
Film: Nightmare Alley
Release Date: December 17, 2021
Director: Guillermo del Toro
Costume Designer: Luis Sequeira
WARNING! Spoilers ahead!
Background
On the eve of the 94th Academy Awards, I wanted to revisit the “golden era” style of quadruple-nominee Nightmare Alley, Guillermo del Toro’s evocatively photographed adaptation of William Lindsay Gresham’s novel of the same name. Continue reading
Sam Neill’s Peak-Lapel Dinner Jacket as Sidney Reilly
Sam Neill as Sidney Reilly on Reilly: Ace of Spies, with Jeananne Crowley, Laura Davenport, and Celia Gregory, who portrayed Reilly’s three wives.
Vitals
Sam Neill as Sidney Reilly, shrewd British agent and anti-Bolshevik
New York City and Berlin, Fall 1924
Series: Reilly: Ace of Spies
Episode: “The Trust” (Episode 10)
Air Date: November 2, 1983
Director: Martin Campbell
Costume Designer: Elizabeth Waller
WARNING! Spoilers ahead!
Background
Although there’s little consensus on the details of his life—including his birth name—the famous adventurer who would eventually known as Sidney Reilly is said to have been born on March 24, though even the year is a question of debate; he may have been born Georgy Rosenblum in Odessa in 1873, or he may have been born Sigmund Rosenblum to a wealth Bielsk family in 1874. His escapades as a British agent during the Russian Revolution cemented his self-aggrandized reputation as the “Ace of Spies”, establishing a legend that would inspire no less than Ian Fleming when developing the character of his fictional agent James Bond.
The opportunistic Reilly—as he had rechristened himself during his initial service for Special Branch in the late 1890s—never missed a chance to build his wealth or reputation, crafting a legend during his lifetime that would live well beyond his ostensible execution by the Soviets in 1925. A household name by the end of the decade, Reilly was the subject of multiple books, including Ace of Spies, written by the son of R.H. Bruce Lockhart, the Scottish-born diplomat who had worked with Reilly in the infamous “Ambassadors’ Plot” attempt to overthrow the fledgling Bolshevik government in 1918 and resulted in both men being sentenced to death in absentia. Robin Lockhart’s book was adapted into Reilly: Ace of Spies, a stylish twelve-part miniseries that originally aired in ITV across the fall of 1983. Continue reading
Jack Lemmon’s Bachelor Tuxedo in How to Murder Your Wife
Jack Lemmon as Stanley Ford in How to Murder Your Wife (1965)
Vitals
Jack Lemmon as Stanley Ford, comic strip artist and dedicated bachelor
New York City, Summer 1964
Film: How to Murder Your Wife
Release Date: September 20, 1965
Director: Richard Quine
Wardrobe: Izzy Berne & Marie Osborne
Background
On what would have been the birthday of one of my favorite actors—Jack Lemmon, born February 8, 1925—I want to revisit his style in the first of his filmography that I had ever seen, the swingin’ ’60s comedy How to Murder Your Wife which, as the title implies, balances black comedy with classic screwball elements.
Lemmon stars as Stanley Ford, a successful newspaper cartoonist whose spun his success writing the daily adventures of super-spy “Bash Brannigan” into an enviable bachelor lifestyle, complete with a swanky Lenox Hill townhouse and his devoted valet Charles (Terry-Thomas), whose daily duties include cleaning up after Stanley’s latest romantic conquests, providing reassurance and advice, and ensuring that a “properly chilled” vodka martini awaits Stanley at the end of each day. Continue reading
Marlene Dietrich in Morocco
Marlene Dietrich as Amy Jolly in Morocco (1930)
Vitals
Marlene Dietrich as Amy Jolly, sultry French nightclub singer
Essaouira, Morocco, Summer 1930
Film: Morocco
Release Date: November 14, 1930
Director: Josef von Sternberg
Costume Designer: Travis Banton (uncredited)
Background
The white tie dress code dates to before the turn of the 20th century, designed to make any man look his best when appropriately tailored, so there’s considerable irony in the fact that one of the most iconic film appearances of a white tie, top hat, and tails was worn by a woman: Marlene Dietrich, the German screen legend born 120 years ago today on December 27, 1901.
As previously featured on this site, today’s post continues the blog’s regular focus on menswear but here memorably worn by a woman, specifically the impeccable evening ensemble that Dietrich wore for her Academy Award-nominated performance as the brassy club singer at the center of the intrigue in the pre-Code drama Morocco, her second of seven eventual collaborations with director Josef von Sternberg. Continue reading
The Grass is Greener: Cary Grant’s Velvet Dinner Jacket
Cary Grant as Victor, Earl of Rhyall, in The Grass is Greener (1960)
Vitals
Cary Grant as Victor, Earl of Rhyall, deadpan but debonair nobleman
Rural England, Spring 1960
Film: The Grass is Greener
Release Date: December 23, 1960
Director: Stanley Donen
Wardrobe Supervisor: John Wilson-Apperson
Background
Today marks the 35th anniversary since the death of screen legend and style icon Cary Grant. To commemorate the actor’s prolific career, I wanted to highlight his characteristically stylish clothing from one of his lesser-discussed works, the Stanley Donen-directed romantic comedy The Grass is Greener.
While The Grass is Greener isn’t among my favorite of Grant’s filmography, I can certainly appreciate its cast and style! The execution feels a little too stagey for my liking, which makes sense as it was adapted by Hugh Williams and Margaret Vyner from their own hit play, deriving its title from the centuries-old idiom that is paraphrased by Grant’s character when he admits that “indeed, the grass is always greener on the other side of the hedge.”
Death on the Nile: Peter Ustinov’s Dinner Suit as Poirot
Peter Ustinov as Hercule Poirot in Death on the Nile (1978)
Vitals
Peter Ustinov as Hercule Poirot, eccentric Belgian detective
Egypt, September 1937
Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell
Background
Today would have been the 100th birthday of Peter Ustinov, the brilliant dramatist and diplomat who—among his many achievements—played Agatha Christie’s celebrated sleuth Hercule Poirot in a half-dozen productions.
Fluent in multiple languages, Ustinov was easily able to glide between the English and French required to play the fussy Belgian detective and was able to provide his own voice in the French and German versions of his movies, including several of the Poirot productions.
Death on the Nile was the first—and often considered the strongest—of Ustinov’s six films as Poirot. Continue reading
The Awful Truth: Cary Grant’s White Tie and Tails
Cary Grant and Irene Dunne in The Awful Truth (1937)
Vitals
Cary Grant as Jerry Warriner, witty divorcee
New York, Fall 1937
Film: The Awful Truth
Release Date: October 21, 1937
Director: Leo McCarey
Costume Designer: Robert Kalloch
WARNING! Spoilers ahead!
Background
Archibald Leach was born 117 years ago today on January 18, 1904. Though he’d established his now-iconic stage name just before his film debut in This is the Night (1932), I consider Leo McCarey’s 1937 screwball comedy The Awful Truth to be the symbolic start of Cary Grant’s screen persona as a stylish yet self-deprecating gentleman with a remarkable penchant for physical comedy as well as wit. Continue reading
Rod Taylor’s Velvet-Trimmed Dinner Jacket in The Glass Bottom Boat
Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)
Vitals
Rod Taylor as Bruce Templeton, charismatic aerospace lab chief
Long Beach, California, Spring 1966
Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)
Background
In honor of Aussie actor Rod Taylor’s birthday on January 11, 1930, today’s post explores the first movie of his that I’d seen. The Glass Bottom Boat reteamed Taylor with Doris Day after their collaboration the previous year in Do Not Disturb, this time in a Cold War-era romantic comedy where Doris’ PR flack is suspected of being a spy sent by Mother Russia to seduce scientific secrets out of Bruce Templeton, the debonair head of a NASA research facility.