Marlene Dietrich as Amy Jolly, sultry French nightclub singer
Essaouira, Morocco, Summer 1930
Release Date: November 14, 1930
Director: Josef von Sternberg
Costume Designer: Travis Banton (uncredited)
The white tie dress code dates to before the turn of the 20th century, designed to make any man look his best when appropriately tailored, so there’s considerable irony in the fact that one of the most iconic film appearances of a white tie, top hat, and tails was worn by a woman: Marlene Dietrich, the German screen legend born 120 years ago today on December 27, 1901.
As previously featured on this site, today’s post continues the blog’s regular focus on menswear but here memorably worn by a woman, specifically the impeccable evening ensemble that Dietrich wore for her Academy Award-nominated performance as the brassy club singer at the center of the intrigue in the pre-Code drama Morocco, her second of seven eventual collaborations with director Josef von Sternberg. Continue reading
Cary Grant as Victor, Earl of Rhyall, deadpan but debonair nobleman
Rural England, Spring 1960
Film: The Grass is Greener
Release Date: December 23, 1960
Director: Stanley Donen
Wardrobe Supervisor: John Wilson-Apperson
Today marks the 35th anniversary since the death of screen legend and style icon Cary Grant. To commemorate the actor’s prolific career, I wanted to highlight his characteristically stylish clothing from one of his lesser-discussed works, the Stanley Donen-directed romantic comedy The Grass is Greener.
While The Grass is Greener isn’t among my favorite of Grant’s filmography, I can certainly appreciate its cast and style! The execution feels a little too stagey for my liking, which makes sense as it was adapted by Hugh Williams and Margaret Vyner from their own hit play, deriving its title from the centuries-old idiom that is paraphrased by Grant’s character when he admits that “indeed, the grass is always greener on the other side of the hedge.”
Peter Ustinov as Hercule Poirot, eccentric Belgian detective
Egypt, September 1937
Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell
Today would have been the 100th birthday of Peter Ustinov, the brilliant dramatist and diplomat who—among his many achievements—played Agatha Christie’s celebrated sleuth Hercule Poirot in a half-dozen productions.
Fluent in multiple languages, Ustinov was easily able to glide between the English and French required to play the fussy Belgian detective and was able to provide his own voice in the French and German versions of his movies, including several of the Poirot productions.
Death on the Nile was the first—and often considered the strongest—of Ustinov’s six films as Poirot. Continue reading
Cary Grant as Jerry Warriner, witty divorcee
New York, Fall 1937
Film: The Awful Truth
Release Date: October 21, 1937
Director: Leo McCarey
Costume Designer: Robert Kalloch
WARNING! Spoilers ahead!
Archibald Leach was born 117 years ago today on January 18, 1904. Though he’d established his now-iconic stage name just before his film debut in This is the Night (1932), I consider Leo McCarey’s 1937 screwball comedy The Awful Truth to be the symbolic start of Cary Grant’s screen persona as a stylish yet self-deprecating gentleman with a remarkable penchant for physical comedy as well as wit. Continue reading
Rod Taylor as Bruce Templeton, charismatic aerospace lab chief
Long Beach, California, Spring 1966
Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)
In honor of Aussie actor Rod Taylor’s birthday on January 11, 1930, today’s post explores the first movie of his that I’d seen. The Glass Bottom Boat reteamed Taylor with Doris Day after their collaboration the previous year in Do Not Disturb, this time in a Cold War-era romantic comedy where Doris’ PR flack is suspected of being a spy sent by Mother Russia to seduce scientific secrets out of Bruce Templeton, the debonair head of a NASA research facility.
Jon Hamm as Don Draper, mysterious and award-winning Madison Avenue ad man
Series: Mad Men
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Only three days left in 2020! The tradition of gents wearing black tie on New Year’s Eve, popularized in movies like the 1960 Rat Pack classic Ocean’s Eleven, seems to have fallen out of favor among the general population as standards of formality have decreased. However, given how excited many will be to see 2020 come to an end may herald a resurgence in dinner jackets and tuxedoes as many celebrate the new year in private.
On #MadMenMonday, we can take a few style tips from the enigmatic Don Draper on assembling a classic black tie ensemble from his half-dozen screen-worn dinner jackets. Continue reading
Leonardo DiCaprio as Jay Gatsby, eagerly romantic millionaire and bootlegger
Long Island, New York, Summer 1922
Film: The Great Gatsby
Release Date: May 10, 2013
Director: Baz Luhrmann
Costume Designer: Catherine Martin
On the eve of F. Scott Fitzgerald’s birthday, let’s look at the most recent major adaptation of his most famous work, The Great Gatsby. Fitz’s 1925 novel had been adapted for the big screen at least four times before Baz Luhrmann directed his colorful spectacle during the past decade.
Timothy Dalton as James Bond, British government agent
Bratislava, Fall 1986
Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls
Happy birthday to Timothy Dalton, born 74 years ago today on March 21, 1946! To celebrate the Welsh actor’s birthday, I want to revisit Dalton’s debut as James Bond, bringing a serious, Ian Fleming-influenced approach two decades before Daniel Craig would approach the role in a similar manner.
Dalton had long been a contender for the role, turning it down twice due to his youth when the filmmakers sought a replacement for Sean Connery and then for George Lazenby. When it was unclear if Roger Moore would return for his trio of 007 films in the ’80s, Dalton’s name came up each time, but it wasn’t until Pierce Brosnan was contractually obligated to turn down the role to return to Remington Steele in 1986 that a pathway was finally opened for Dalton, then 40 years old and seasoned enough to play the agent, to slip into Bond’s finely tailored dinner jacket for The Living Daylights. Continue reading
Cary Grant as Philip Shayne, smooth, sophisticated, and suave investment executive and “perfect gentleman”
Bermuda, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Tailor: Cardinal Clothes (credited “for Cary Grant’s suits”)
To commemorate the birthday of Cary Grant, born on this day in 1904, let’s celebrate the debonair actor who was seemingly born to wear a tuxedo. After three decades of a well-tailored career, the erstwhile Archie Leach sported his final on-screen dinner suit in the romantic comedy That Touch of Mink released in 1962, the same year as the first James Bond movie was released, thus heralding the transfer of the definitive screen dinner suit-wearer to 007. Continue reading
Frank Sinatra as Joey Evans, womanizing nightclub singer
San Francisco, Spring 1957
Film: Pal Joey
Release Date: October 25, 1957
Director: George Sidney
Costume Designer: Jean Louis
Joey Evans’s first night with the band finds him already complicating his romantic life, balancing his attraction to the demure singer Linda English (Kim Novak) with the vivacious ex-stripper Vera Prentice-Simpson (Rita Hayworth) when the band is hired to play a gig at Vera’s place as a fundraise for the local children’s hospital.