Marlon Brando as Sky Masterson, smooth gambler
New York, Spring 1955
Film: Guys and Dolls
Release Date: November 3, 1955
Director: Joseph L. Mankiewicz
Costume Designer: Irene Sharaff
I always found it interesting to watch a method—ahem, that’s Method—actor like Marlon Brando navigating the artificially staged Broadway of Guys and Dolls, the gangland-adjacent musical by Frank Loesser, which had been based on a book by Jo Swerling and Abe Burrows… which had itself been based on several stories by Damon Runyon.
Burt Lancaster as Lou Pascal, aging numbers runner
Atlantic City, Fall 1979
Film: Atlantic City
Release Date: September 3, 1980
Director: Louis Malle
Costume Designer: François Barbeau
WARNING! Spoilers ahead!
Burt Lancaster kicked off his final decade on the silver screen with Louis Malle’s well-received romantic crime drama, Atlantic City. In addition to securing Lancaster’s fourth and final Academy Award nomination, Atlantic City also earned nomination across all “Big Five” categories, though the film was shut out at the Oscars with Henry Fonda taking home the trophy for his performance in On Golden Pond.
Lancaster plays Lou Pascal, a long-in-the-tooth numbers runner who proudly walks the boardwalk of the titular town, waxing poetic to anyone who’ll listen about the golden age of gangsterdom in America’s Playground, when “it used to be beautiful, whatwith the rackets, whoring, guns.”
Atlantic City had floy floy coming out of its ears in those days. Now it’s all so goddamn legal. Howard Johnson running a casino. Tutti-frutti ice cream with craps don’t mix.
Lou’s comfort among criminality results in a botched cocaine deal that results in a dead dealer and plenty of blow left over for Lou to sell for his own profit as he endeavors to seduce the dealer’s estranged—and now widowed—wife, an attractive and ambitious casino waitress named Sally (Susan Sarandon). Continue reading
Gustaf Gründgens as “The Safecracker”, criminal community leader
Berlin, Fall 1930
(German title: M – Eine Stadt sucht einen Mörder)
Release Date: May 11, 1931
Director: Fritz Lang
WARNING! Spoilers ahead!
Fritz Lang’s groundbreaking masterpiece M was released 90 years ago. Self-described by the director as his magnum opus, M drew on the wave of sadistic child-murderers that had terrorized Germany through the previous decade—monsters like Carl Großmann, Fritz Haarmann, and Peter Kürten—to create a fictionalized cautionary tale centered around the crimes of Hans Beckert (Peter Lorre), a creepy little killer who signals his presence by whistling “In the Hall of the Mountain King”, one of the first leitmotifs on screen as Lang experimented with the capabilities of sound in his first non-silent film.
As the increased police attention has disrupted Berlin’s underworld, the ruthless master criminal known only as “Der Schränker” (The Safecracker) calls together the city’s crime lords to form a united front against the killer. Continue reading
Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel
New York City to New Hampshire, Fall 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
WARNING! Spoilers ahead!
Happy birthday, Al Pacino! As the legendary actor’s 81st birthday coincides with the Academy Awards tonight, let’s take a look at Scent of a Woman, Martin Brest’s 1992 drama that resulted in Pacino’s sole Oscar to date.
Pacino played retired Lieutenant Colonel Frank Slade, a blind and irascible alcoholic who secretly plans on spending the Thanksgiving holiday with a lavish weekend in New York City before ending his life. Somewhat reluctantly along for the ride is Charlie Simms (Chris O’Donnell), a mild-mannered prep student hired to care for Frank, though the cantankerous colonel seems more than willing to watch out for himself.
Leonardo DiCaprio as Jay Gatsby, eagerly romantic millionaire and bootlegger
Long Island, New York, Summer 1922
Film: The Great Gatsby
Release Date: May 10, 2013
Director: Baz Luhrmann
Costume Designer: Catherine Martin
On the eve of F. Scott Fitzgerald’s birthday, let’s look at the most recent major adaptation of his most famous work, The Great Gatsby. Fitz’s 1925 novel had been adapted for the big screen at least four times before Baz Luhrmann directed his colorful spectacle during the past decade.
Jeffrey Dean Morgan as Isaac “Ike” Evans, tough and shrewd hotel owner
Miami Beach, Spring into Summer 1959
Series: Magic City
– “Crime and Punishment” (Episode 2.01), dir. Clark Johnson, aired 6/14/2013
– “Adapt or Die” (Episode 2.03), dir. Ed Bianchi, aired 6/28/2013
– “…And Your Enemies Closer” (Episode 2.07), dir. Simon Cellan Jones, aired 8/2/2013
Creator: Mitch Glazer
Costume Designer: Carol Ramsey
In celebration of my friend and BAMF Style reader Eric’s birthday today, I wanted to pay tribute to the Magic City superfan by highlighting more of the magnificent mid-century fashions worn by Ike Evans (Jeffrey Dean Morgan), boss of Miami Beach’s ritzy Miramar Playa hotel.
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
Brooklyn, New York, Summer 1963
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
You mean, let me understand this cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how, I mean funny like I’m a clown, I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how? How am I funny?
Well, Tommy, it is April Fool’s Day. Continue reading
Michael Imperioli as Christopher Moltisanti, Jersey mob acting capo
New Jersey, Fall 2002
Series: The Sopranos
– “No Show” (Episode 4.02, dir. John Patterson, aired 9/22/2002)
– “Whoever Did This” (Episode 4.09, dir. Tim Van Patten, aired 11/10/2002)
Creator: David Chase
Costume Designer: Juliet Polcsa
Happy birthday, Michael Imperioli! Born 54 years ago today in Mount Vernon, New York, the actor won an Emmy Award for his role of hotheaded Christopher Moltisanti on HBO’s The Sopranos.
With Paulie Walnuts out of commission while he serves a jail sentence in Youngstown (in fact, actor Tony Sirico was out for the first half of the fourth season due to back surgery), Silvio Dante (Steven Van Zandt) breaks the news to the Soprano family—somewhat begrudgingly—that Christopher has been chosen to temporarily take over as capo of Paulie’s crew.
Kenneth Branagh as Hercule Poirot, obsessive-compulsive Belgian detective
Orient Express, Winter 1934
Film: Murder on the Orient Express
Release Date: November 10, 2017
Director: Kenneth Branagh
Costume Designer: Alexandra Byrne
WARNING! Spoilers ahead!
Readers who have seen my posts focused on adaptations of And Then There Were None, Death on the Nile, and Evil Under the Sun are likely aware that I’ve been a fan of Agatha Christie’s mystery fiction since I was 10 years old. Thus, it’s a continued thrill to find her works thriving as studios on both sides of the pond continue to churn out lavish adaptations of her work a full century after she introduced the world to Hercule Poirot with the publication of her first novel, The Mysterious Affair at Styles, in 1920. In particular, David Suchet has been performing yeoman’s work as the quintessential Poirot across 70 episodes of an ITV-produced drama series that successfully—and relatively faithfully—adapted every novel and story that prominently featured Christie’s master detective.
In the spirit of contemporary BBC adaptations like The ABC Murders, And Then There Were None, Ordeal by Innocence, and The Pale Horse, Kenneth Branagh helmed what’s now the fourth adaptation of Murder on the Orient Express, arguably Christie’s best-known novel famous for its then-groundbreaking solution. Continue reading
Cary Grant as Philip Shayne, smooth, sophisticated, and suave investment executive and “perfect gentleman”
Bermuda, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Tailor: Cardinal Clothes (credited “for Cary Grant’s suits”)
To commemorate the birthday of Cary Grant, born on this day in 1904, let’s celebrate the debonair actor who was seemingly born to wear a tuxedo. After three decades of a well-tailored career, the erstwhile Archie Leach sported his final on-screen dinner suit in the romantic comedy That Touch of Mink released in 1962, the same year as the first James Bond movie was released, thus heralding the transfer of the definitive screen dinner suit-wearer to 007. Continue reading