Tagged: Cowboy Boots
Desert Fury: Burt Lancaster’s Colorful Noir Cowboy Style
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Burt Lancaster as Tom Hanson, affable deputy sheriff
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
Born 110 years ago today on November 2, 1913, Burt Lancaster’s connection to film noir begins with his screen debut in The Killers (1946), followed by performances in Brute Force (1947), I Walk Alone (1947), Sorry, Wrong Number (1948), Criss Cross (1949), and Sweet Smell of Success (1957)—to name just a few of his noir credentials.
While the existence of “color noir” may sound contradictory, there were a handful of films made during the ’40s and ’50s that have been qualified as such, including the 1947 drama Desert Fury which maintains its noir techniques and themes but with lush Technicolor cinematography as opposed to the shadowy black-and-white typically associated with the style.
Let’s kick off #Noirvember in post-World War II Nevada, where Lancaster’s friendly Tom Hanson takes a break from serving as deputy sheriff in the fictional town of Chickawalla to practice his equestrian abilities. Continue reading
The Way We Were: Robert Redford’s Navy CPO Shirt
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Robert Redford as Hubbell Gardiner, Hollywood screenwriter and Navy veteran
Malibu, California, Fall 1947 through Spring 1948
Film: The Way We Were
Release Date: October 19, 1973
Director: Sydney Pollack
Costume Design: Dorothy Jeakins & Moss Mabry
WARNING! Spoilers ahead!
Background
This week marks the 50th anniversary of The Way We Were, released October 19, 1973. Adapted by Arthur Laurents from his own novel of the same name, the story follows the privileged and carefree Hubbell Gardiner (Robert Redford) and politically driven Katie Morosky (Barbra Streisand) through a decade of their on-and-off romance.
After a contentious and unrequited flirtation while at the same college in the late 1930s, Hubbell and Katie reunite by chance during the latter years of World War II, when Hubbell is serving in the U.S. Navy. Despite some early tumultuousness, the two gently compromise their differing personalities and enter a relationship that continues after the war and through the Red Scare of the late ’40s. The growing paranoia of McCarthyism—and Katie’s reignited activism in response—threatens their livelihood as Hubbell is working as a Hollywood screenwriter. Continue reading
Lone Starr in Spaceballs
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Bill Pullman as Lone Starr, cynical “hero for hire”
“Once upon a time warp… in a galaxy very, very, very, very far away…”
Film: Spaceballs
Release Date: June 24, 1987
Director: Mel Brooks
Costume Designer: Donfeld (Donald Lee Feld)
Background
Spaceballs was my first exposure to Mel Brooks, having appealed to my being a Star Wars fan through my childhood. Of course, as I was nine years old the first time I watched Spaceballs, many of the meta humor and more mature-minded jokes went straight over my head, but I still thought it was one of the funniest things I’d ever seen. More than two decades later, it’s still a fun watch, as this peerless master of modern comedy riffs on far more than just what had been my favorite sci-fi franchise.
Continuing the Star Wars parallels, Spaceballs merges Han Solo’s persona with Luke Skywalker’s folklore into one character, the swaggering space cowboy Lone Starr (Bill Pullman), traversing the galaxy in his Winnebago spaceship with his loyal half-canine sidekick Barf (John Candy).
The duo are recruited by the desperate King Roland of Druidia (Dick Van Patten) to save his daughter Princess Vespa (Daphne Zuniga) and her gilt droid-of-honor Dot Matrix (Joan Rivers) from the clutches of the evil Dark Helmet (Rick Moranis), who also turns out to be Lone Starr’s father’s brother’s nephew’s cousin’s former roommate. The adventure becomes a life-changing journey for Lone Starr as he learns how to harness the mysterious power of “the Schwartz”. Continue reading
Stacy Keach’s Trucker Jacket in Roadgames
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Stacy Keach as Pat Quid, energetic American trucker and Navy veteran
Southern Australia, Spring 1980
Film: Roadgames
Release Date: June 26, 1981
Director: Richard Franklin
Costume Designer: Aphrodite Kondos
WARNING! Spoilers ahead!
Background
10-4, good buddy! For reasons obvious to anyone even remotely familiar with CB lingo, October 4th is annually celebrated as National Truckers Appreciation Day so today’s post hits the open road with Stacy Keach in the 1981 Ozploitation thriller Roadgames. Continue reading
Russell Crowe in 3:10 to Yuma
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Russell Crowe as Ben Wade, cunning bandit leader
Arizona Territory, Fall 1884
Film: 3:10 to Yuma
Release Date: September 7, 2007
Director: James Mangold
Costume Designer: Arianne Phillips
WARNING! Spoilers ahead!
Background
The remake of the classic 1957 Western 3:10 to Yuma, based on Elmore Leonard’s short story of the same name, was released 15 years ago this week during a renaissance year for Western-themed movies, including the respective masterpieces No Country for Old Men, There Will Be Blood, and The Assassination of Jesse James by the Coward Robert Ford. I have fond memories of seeing each one in theaters with my dad including this one, which we saw one weekend early in my first semester of college and particularly resonated with its themes of fatherhood.
Russell Crowe was James Mangold’s first choice for the role of Ben Wade, the introspective and thoughtful yet still ultimately ruthless outlaw leader who had been originated on screen by Glenn Ford fifty years earlier. With a fear-and-awe-inspiring reputation akin to the real-life Jesse James (who was born today in 1847, 160 years to the day before this version of 3:10 to Yuma was released), Wade defies bandit stereotypes by seemingly preferring quietly sketching to shootouts… but that doesn’t mean he’ll hesitate to shoot fast, straight, and with wicked accuracy when he feels compelled. “I wouldn’t last five minutes leadin’ an outfit like that if I wasn’t as rotten a hell,” Wade reassures us. Continue reading
Justified: The last time we saw Raylan Givens
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Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal
Miami to Lebec, California, Fall 2018
Series: Justified
Episode: “The Promise” (Episode 6.13)
Air Date: April 14, 2015
Director: Adam Arkin
Creator: Graham Yost
Costume Designer: Patia Prouty
WARNING! Spoilers ahead!
Background
Raylan Givens is coming back to TV in just three days! The mini-series Justified: City Primeval will premiere on FX on Tuesday, July 18, with Timothy Olyphant reprising his extremely charismatic portrayal of the Deputy U.S. Marshal created by author Elmore Leonard.
I’m typically wary of revivals, reboots, and reunions, especially after a series finale as neatly wrapped as Justified, but I have faith in the team and the fact that it looks like the Detroit-set Justified: City Primeval will be focusing on an original story rather than revisiting the plot that had been so well-resolved in “The Promise”. Continue reading
Once Upon a Time in the West: Charles Bronson as Harmonica
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Charles Bronson as “Harmonica”, vengeful drifter
Arizona, circa 1875
Film: Once Upon a Time in the West
(Italian title: C’era una volta il West)
Release Date: December 21, 1968
Director: Sergio Leone
Costume Designer: Carlo Simi
Background
After establishing the spaghetti Western with the popular “Dollars trilogy”, Sergio Leone had intended to move away from the genre until Paramount Pictures compelled him to follow up his success with another Western. With Paramount’s substantial budget in his coffers, Leone reteamed with iconic composer Ennio Morricone and cinematographer Tonino Delli Colli, working with Dario Argento and Bernardo Bertolucci (and, once production began, also Sergio Donati) to conceptualize the vengeance-driven epic that would become Once Upon a Time in the West.
Unlike the Dollars trilogy, which invariably starred Clint Eastwood among a mostly Italian and Spanish cast (with the rare exception for Lee Van Cleef and Eli Wallach), Once Upon a Time in the West featured a cast well-known to Americans, led by Henry Fonda playing one of the few villains of his career. The cast also included Claudia Cardinale (who was a Tunisian-born Italian actress but known to Americans thanks to films like The Pink Panther), Jason Robards, Keenan Wynn, American Western regulars like Jack Elam and Woody Strode, and Charles Bronson, who was recruited after Eastwood turned down the role. Continue reading
Willie Nelson’s Fringe Jacket in The Electric Horseman
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Willie Nelson as Wendell Hickson, trusty talent manager and cowboy singer
Las Vegas, Fall 1978
Film: The Electric Horseman
Release Date: December 21, 1979
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
Happy 90th birthday, Willie Nelson! Best known as a country singer/songwriter and prolific stoner, Nelson made his screen acting debut in The Electric Horseman as Wendell Hickson, the laidback and loyal yet understandably weary manager to Sonny Steele (Robert Redford), an increasingly erratic ex-rodeo star who has been reduced to PR appearances promoting cereal for his corporate overlords.
Naturally, Willie also contributed three songs for the film’s soundtrack, including the outlaw standards “Mammas Don’t Let Your Babies Grow Up to Be Cowboys”, “Midnight Rider”, and “My Heroes Have Always Been Cowboys”. Continue reading
Jack Nicholson in Easy Rider
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Jack Nicholson as George Hanson, civil rights attorney
New Mexico to Louisiana, February 1968
Film: Easy Rider
Release Date: July 14, 1969
Director: Dennis Hopper
WARNING! Spoilers ahead!
Background
Today is the 86th birthday of Jack Nicholson, the screen icon who recently [sort of] made headlines—and more than a few memes—after being photographed for the first time in 18 months, proving that not even an octogenarian retiree is spared superficial judgements about appearance.
Nicholson’s prolific career spanned six decades, and his 12 Academy Award nominations establish him as the most nominated male acting nominee in Oscar history. His first nomination recognized his memorable turn in Easy Rider as George Hanson, the easygoing lawyer who joins countercultural bikers Wyatt (Peter Fonda) and Billy (Dennis Hopper) on their freewheeling trek across America. Continue reading
Tom Selleck in Quigley Down Under
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Tom Selleck as Matthew Quigley, taciturn sharpshooter from Wyoming
Western Australia, early 1870s
Film: Quigley Down Under
Release Date: October 17, 1990
Director: Simon Wincer
Costume Designer: Wayne A. Finkelman
WARNING! Spoilers ahead!
Background
I only recently learned that January 26 is observed as Australia Day, a national holiday that commemorates the landing of the First Fleet at Sydney Cove in 1788 and is celebrated today by presentations of the Australian of the Year Awards and announcement of the Australia Day Honours. Since at least 1938, which was the 150th anniversary of the landing, there has been a movement led by Indigenous Australians to redefine the observance as Invasion Day or Survival Day, a Day of Mourning for the British arrival that resulted in often violent colonization.
Given the movie’s setting and themes of a protagonist who refuses to engage in violence against Aborigines, the unique 1990 Western Quigley Down Under felt like an appropriate choice to write about today.
As suggested by the latter two-thirds of its title, Quigley Down Under follows the tradition of predecessors like The Sundowners (1960) and Ned Kelly (1970) as an Australian-set Western, or “meat pie Western”. The eponymous Quigley is Matthew Quigley (Tom Selleck), a cowboy with a penchant for riflery. Continue reading