Tagged: Cowboy Boots
Deadwood: Timothy Olyphant as Seth Bullock
Vitals
Timothy Olyphant as Seth Bullock, taciturn Canadian-born lawman and hardware store owner
Deadwood, Summer 1876 to 1877
Series: Deadwood
Air Dates: March 21, 2004 to August 27, 2006
Creator: David Milch
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
One of my favorite shows of all time, Deadwood aired its final episode 20 years ago tonight on August 27, 2006, shot down in its prime by HBO before series creator David Milch could fully execute his vision. Milch micro-lensed his poetically profane reflection on civilization through the real-life settlement of Deadwood, from its rugged origins as a lawless frontier mining camp to an incorporated town in Dakota Territory within a year. While Deadwood frames its narrative with actual figures and events, the series dramatizes and fictionalizes when needed to serve the story’s greater impact.
Though arguably an ensemble series (and one of the best to do it), Deadwood‘s closest equivalent to a lead character is Timothy Olyphant’s portrayal of real-life lawman Seth Bullock. Continue reading
Taxi Driver: De Niro’s Date-ready Maroon Corduroy Jacket as Travis Bickle
Vitals
Robert De Niro as Travis Bickle, disturbed taxi driver and Vietnam War veteran
New York City, Spring 1976
Film: Taxi Driver
Release Date: February 9, 1976
Director: Martin Scorsese
Costume Designer: Ruth Morley
WARNING! Spoilers ahead!
Background
Ahead of Robert De Niro’s birthday tomorrow, let’s celebrate Taxi Driver‘s 50th anniversary this year by seeing how well Travis Bickle cleans himself up for a date. Paul Schrader’s screenplay indicates the importance of Travis making a good impression on the more sophisticated campaign volunteer Betsy (Cybill Shepherd) by describing his approach:
TRAVIS, dressed to the teeth, walks brightly down the sidewalk. His face is freshly shaved, his hair combed, his tie straightened.
Of course, while Travis may know enough to look the part, he hasn’t quite grasped the concept of taking his first date literally anywhere but a porn palace. Continue reading
The Killer Inside Me: Casey Affleck as Texas Deputy Lou Ford
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Casey Affleck as Lou Ford, diabolical deputy sheriff and sadistic sociopath
West Texas, Summer 1952
Film: The Killer Inside Me
Release Date: June 18, 2010
Director: Michael Winterbottom
Costume Designer: Lynette Meyer
WARNING! Spoilers ahead!
Background
The trouble with growin’ up in a small town is everybody thinks they know who you are…
…begins Casey Affleck’s narration as West Texas deputy sheriff Lou Ford in The Killer Inside Me, Michael Winterbottom’s 2010 adaptation of Jim Thompson’s 1952 novel of the same name. Ford exemplifies a favorite Thompson trope: the amoral Southern lawman who masks his murderous, psychopathic personality behind a dim, folksy exterior; imagine Barney Fife was secretly Ted Bundy, and you’ve got Thompson’s novels like The Killer Inside Me and, my personal favorite, the darkly comic Pop. 1280.
The cinematic possibilties of this rich plot naturally brought Hollywood calling, beginning with 20th Century Fox optioning The Killer Inside Me shortly after its publication with Marlon Brando, Elizabeth Taylor, and Marilyn Monroe to star. Despite this dream cast, setbacks kept The Killer Inside Me out of production for two decades. It finally arrived on screen in 1976, just six months before Thompson’s death, with Stacy Keach now playing Deputy Ford and the action transferred to 1970s Montana.
But Burt Kennedy’s 1976 adaptation wasn’t enough. Quentin Tarantino and Dominic Sena showed interest in directing, with rumors of Leonardo DiCaprio and Brad Pitt to star. When a more faithful adaptation of The Killer Inside Me finally premirered at Sundance in January 2010, it starred Casey Affleck—born 51 years ago today on August 12, 1975—as Lou Ford. Continue reading
John Saxon’s Floral-collared Chambray Shirt in Moonshine County Express
Vitals
John Saxon as J.B. Johnson, race car driver and occasional moonshine runner
Jackson County, Kentucky, Fall 1976
Film: Moonshine County Express
Release Date: June 1, 1977
Director: Gus Trikonis
Wardrobe Coordinator: Adrianne Levesque
WARNING! Spoilers ahead!
Background
Moonshine County Express was produced by Roger Corman’s New World Pictures in 1977 during the height of the cinematic “hick flick” trend that often posited guys like Burt Reynolds as rural heroes driving fast cars full of booze. Directed by Corman favorite Gus Trikonis, Moonshine County Express stars the late John Saxon in its central role—no doubt due to the actor’s own considerable talent and his resemblance to a pre-mustached Reynolds—as well as Susan Howard, William Conrad, a post-Brady Bunch Maureen McCormick as a Daisy Duke protoype, and “hick flick” regulars Jeff Corey and Dub Taylor; Seinfeld fans may also recognize Uncle Leo (aka Len Lesser) in a supporting role as a bargain barn owner. (Both Saxon and McCormick share their August 5th birthday, with McCormick celebrating her 70th today while Saxon would have turned 90 this year.)
It would be hard to recommend in good faith to all my readers, but Moonshine County Express is the kind of movie you throw on when you want that raw, Southern-fried tale of fast-driivng whiskey runners in the same authentic, dobro-twanging, semi-exploitative ilk as Moonrunners, the 1975 B-movie that directly inspired The Dukes of Hazzard, though Moonshine County Express also features many of the elements that would be familiar in Hazzard County: a corrupt and corpulent county boss, a white-suited antagonist, short-shorted Southern beauties, and a liquor-hauling hero speeding around in a Dodge muscle car. Continue reading
Paris, Texas: Harry Dean Stanton’s Red Road Trip Shirt and Ranchero
Vitals
Harry Dean Stanton as Travis Henderson, once-wandering drifter
Los Angeles to Houston, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
One of my favorite actors, Harry Dean Stanton, was born 100 years ago today on July 14, 1926 in Kentucky. Following his U.S. Navy service during World War II, Stanton began an acting career that lasted more than six decades until his death from heart failure at age 91 in September 2017 after completing his penultimate film Lucky, which also afforded Stanton the rare starring role. He was a close, respected friend of many A-listers like Francis Ford Coppola, David Lynch, and Jack Nicholson, who included Stanton as best man in his 1962 wedding and habitually scrawled “H.D. Stanton” on the sets of his films.
Stanton typically made the most of supporting roles in films like Cool Hand Luke (1967), Dillinger (1973), The Godfather Part II (1974), Alien (1979), Escape from New York (1981), Christine (1983), Red Dawn (1984), Pretty in Pink (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Fear and Loathing in Las Vegas (1998), The Green Mile (1999), and The Avengers (2012)—a filmography so prolific that Roger Ebert once declared that, with the sole exception of Dream a Little Dream (1989), “no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad.”
Despite his prolific supporting career, Stanton was cast in leading parts for back-to-back films released in 1984: Alex Cox’s dark sci-fi comedy Repo Man and Wim Wenders’ elegiac road drama Paris, Texas. The latter won the Palme d’Or when it premiered at the 1984 Cannes Film Festival and, though overlooked by most American award bodies, has grown its cult reputation as one of the greatest movies ever made. With additional style provided by Ry Cooder’s original score and Robby Müller’s masterful cinematography, the script was written by L.M. Kit Carson and Sam Shepard, who offered Stanton the part after the two connected at a Santa Fe film festival. Continue reading
Point Break: Keanu Reeves’ Pale-Blue Camp Shirt and Jeans
Vitals
Keanu Reeves as Johnny Utah, ambitious FBI agent
Los Angeles, Summer 1991
Film: Point Break
Release Date: July 12, 1991
Director: Kathryn Bigelow
Costume Supervisors: Colby P. Bart & Louis Infante
WARNING! Spoilers ahead!
Background
Point Break was released 35 years ago today on July 12, 1991, chronicling Ohio State football star-turned-FBI agent Johnny Utah (Keanu Reeves) infiltrating a group of bank-robbing surfers and skydivers led by the enigmatic Bodhi (Patrick Swayze) while also buying two meatball subs for his supervisor, Angelo Pappas (Gary Busey). It feels especially appropriate to celebrate Point Break‘s cinematic legacy on the day after World Skydiving Day—observed on the second Saturday of July. Continue reading
Kill Me Again: Val Kilmer’s White Shirt and White Cadillac
Vitals
Val Kilmer as Jack Andrews, cynical private investigator
Nevada, Spring 1989
Film: Kill Me Again
Release Date: October 27, 1989
Director: John Dahl
Costume Designer: Terry Dresbach
WARNING! Spoilers ahead!
Background
This summer’s Car Week wraps with Kill Me Again, John Dahl’s little-known (at least to me, before last year) 1989 neo-noir thriller starring the late Val Kilmer and Michael Madsen opposite Kilmer’s then-wife Joanne Whalley as a dangerous femme fatale.
I’ll admit I was drawn to this as a subject this week due to some stylistic similarities with one of my favorite “car movies”, Vanishing Point (1971), which also features a man in a white shirt and jeans desperately racing a white two-door hardtop V8 through the desert until the car meets a fiery end. In this case, it’s not the nihilistic Kowalski in a Dodge Challenger but our widowed gambler P.I. in his quarter-century-old Cadillac, racing through the sand for a bundle of stolen cash. Continue reading
Downhill Racer: Hometown Hero Redford’s Wrangler Denim and ’57 Chevy
Vitals
Robert Redford as Dave Chappellet, U.S. Olympic ski team star
Idaho Springs, Colorado, Summer 1967
Film: Downhill Racer
Release Date: November 6, 1969
Director: Michael Ritchie
Costume Designer: Edith Head (uncredited!)
Wardrobe Credit: Cynthia May
Background
To coincide with the United States celebrating its 250th anniversary today, let’s launch this summer’s Car Week with an all-American star driving an all-American car while sporting all-American denim.
Robert Redford starred in three films released in 1969, arguably a breakthrough year for the late screen icon. His most notable would be the latter role in Butch Cassidy and the Sundance Kid, though the contemporary sports drama Downhill Racer gave the ambitious future producer/director a taste of production as he wielded some of his newfound influence to recruit both screenwriter James Salter and director Michael Ritchie after Roman Polanski left the project.
Without having read Oakley Hall’s source novel, Salter followed Polanski’s original vision of adapting the High Noon concept on the Olympic slopes; instead of a downed sheriff requiring a replacement, it’s the U.S. national ski team who needs a replacement for its lead skier after an accident. Call in Redford’s arrogant but talented David Chappellet, inspired by elements of real-life skiers Billy Kidd, Spider Sabich, and Buddy Werner. Continue reading
Kris Kristofferson’s Western Trucker Gear in Convoy
Vitals
Kris Kristofferson as Martin “Rubber Duck” Penwald, maverick trucker
Arizona to New Mexico, Summer 1978
Film: Convoy
Release Date: June 28, 1978
Director: Sam Peckinpah
Costumers: Carol James & Kent James
WARNING! Spoilers ahead!
Background
Today would have been the 90th birthday of the late Kris Kristofferson, likely best known as a pioneering singer-songwriter in the 1970s “outlaw country” movement alongside friends and fellow “Highwaymen” Johnny Cash, Waylon Jennings, and Willie Nelson. After writing and recording hits like “Me and Bobby McGee” and “Sunday Mornin’ Comin’ Down”, Kristofferson embarked on an acting career that began with Dennis Hopper’s offbeat The Last Movie (1971), his titular starring role in Cisco Pike (1972), and his first collaborations with director Sam Peckinpah in Pat Garrett and Billy the Kid (1973) and a more limited role in Bring Me the Head of Alfredo Garcia (1974). Following Kristofferson’s string in more romantic roles, Peckinpah again tapped him to play an adventurous anti-hero as the trucker Martin “Rubber Duck” Penwald in Convoy (1978). Continue reading
A Face in the Crowd: Andy Griffith’s Silky Shirt, String Tie, and Sport Suit
Vitals
Andy Griffith as Larry “Lonesome” Rhodes, folksy yet power-hungry media personality
Memphis to New York City, Spring 1956
Film: A Face in the Crowd
Release Date: May 28, 1957
Director: Elia Kazan
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Andy Griffith, born June 1, 1926. Already somewhat known as a comedian for routines like his breakthrough 1953 monologue “What It Was, Was Football”, Griffith made his explosive screen debut in Elia Kazan’s excellent 1957 drama A Face in the Crowd, a devastatingly prescient depiction of how susceptible American culture is to populism and celebrity cycloning into demagoguery. Budd Schulberg adapted his own short story “Your Arkansas Traveler” into the screenplay centered around Larry “Lonesome” Rhodes, a charismatic drifter-turned-demagogue plucked from obscurity by radio producer Marcia Jeffries (Patricia Neal) who ascends out of control into an influential public figure. Continue reading











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