Tagged: Sport Coat & Slacks
In a Lonely Place: Bogie’s Twill Sports Coat and Turtleneck
Humphrey Bogart as Dix Steele in In a Lonely Place (1950)
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Humphrey Bogart as Dixon “Dix” Steele, frustrated screenwriter
Los Angeles, Fall 1949
Film: In a Lonely Place
Release Date: May 17, 1950
Director: Nicholas Ray
Costume Designer: Jean Louis (credited for gowns only)
WARNING! Spoilers ahead!
Background
Today’s post wraps up #Noirvember on what would have been the 100th birthday of silver screen icon Gloria Grahame. Born November 28, 1923, Grahame’s film noir credits include Crossfire (1947) and The Big Heat (1953), though my favorite is In a Lonely Place (1950), directed by her then-husband Nicholas Ray and starring Humphrey Bogart.
Some of Bogie’s friends and acquaintances have described the character of cynical screenwriter Dixon Steele to be the closest that the actor ever came to projecting his true charismatic yet insecure persona onto the screen. Continue reading
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
William Holden as Joe Gillis in Sunset Boulevard (1950)
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William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
Arrested Development: GOB’s Powder-Blue Sports Coat
Will Arnett as GOB Bluth on Arrested Development (Episode 1.01: “Pilot”)
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Will Arnett as George Oscar “GOB” Bluth II, magician (part-time)
Orange County, California, Fall 2003
Series: Arrested Development
Episodes:
– “Pilot” (Episode 1.01, dir. Anthony Russo & Joe Russo, aired 11/2/2003)
– “Altar Egos” (Episode 1.17, dir. Jay Chandrasekhar, aired 3/17/2004)
Creator: Mitchell Hurwitz
Costume Designer: Katie Sparks
WARNING! Spoilers ahead!
Background
TV audiences first met the Bluth family 20 years ago this week when Arrested Development premiered on November 2, 2003. As Ron Howard narrates over each episode’s opening credits, it’s the story of a wealthy family who lost everything and the one son who had no choice but to keep them all together… it’s arrested development.
The son in question is Michael (Jason Bateman), arguably the most responsible of the four Bluth siblings, though it could be argued his sensibility extends into self-righteousness as he seeks to maintain a sense of normalcy while raising his son, the anxious George Michael Bluth (Michael Cera)—named after his father and grandfather and not the singer-songwriter.
In addition to Michael, the avaricious George Sr. (Jeffrey Tambor) and Lucille (Jessica Walter) also raised the absurd GOB (Will Arnett), the spoiled Lindsay (Portia di Rossi), and the sheltered Buster (Tony Hale).
Like his fellow “eldest son” Connor Roy, GOB—pronounced “jobe”, though not everyone in-universe has received the message—harbors some resentment that his smarter and more ambitious little brother has been tapped to succeed their corrupt father’s footsteps in taking over the family’s real estate firm. Instead, GOB is left to defend his magic tricks illusions against his family’s disapproval and mockery. Continue reading
A Bronx Tale: Sonny’s Gray Silk Jacket
Chazz Palminteri in A Bronx Tale (1993)
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Chazz Palminteri as Sonny LoSpecchio, local mob capo
The Bronx, New York, Fall 1960
Film: A Bronx Tale
Release Date: September 29, 1993
Director: Robert De Niro
Costume Designer: Rita Ryack
WARNING! Spoilers ahead!
Background
Thirty years ago this week, A Bronx Tale was released in theaters across the United States, two weeks after it premiered at the Toronto International Film Festival. This mobbed-up coming-of-age story was adapted from Chazz Palminteri’s autobiographical one-man show of the same name, recalling Palminteri’s own childhood experiences growing up in the Bronx during the 1960s. Continue reading
Salt and Pepper: Peter Lawford’s Plaid Sports Coat
Peter Lawford as Christopher Pepper in Salt and Pepper (1968)
Vitals
Peter Lawford as Christopher Pepper, nightclub owner
London, Spring 1968
Film: Salt and Pepper
Release Date: June 21, 1968
Director: Richard Donner
Costume Designer: Cynthia Tingey
Tailor: Douglas Hayward
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Peter Lawford, born September 7, 1923. Though primarily an actor, the London-born Lawford may be best remembered for his affiliations with the Rat Pack and the Kennedy family, the latter by way of his 12-year marriage to Patricia Kennedy.
It was shortly after Lawford’s divorce from Pat that he was reunited with fellow Rat Pack entertainer Sammy Davis, Jr., in Salt and Pepper, one of the many spy comedies released in the late 1960s as filmmakers spoofed Bond-mania with films like Our Man Flint (1966), the satirized 007 adaptation Casino Royale (1967), and the quartet of Matt Helm movies starring Dean Martin—also of Rat Pack fame.
Salt and Pepper was the second feature directed by Richard Donner, who would later—and arguably more successfully—revisit the concept of high-stakes buddy comedies with the Lethal Weapon series. When Salt and Pepper was bafflingly greenlit for the sequel suggested by Davis’ vocals over the end credits, it wasn’t Donner but Jerry Lewis who directed the two Rat Packers in One More Time (1970).
Davis and Lawford brought their time-tested chemistry to their respective roles as Charlie Salt and Christopher Pepper, a pair of swingin’ London nightclub owners who find themselves at the center of a deadly mystery involving a revolution brewing among the top ranks of the British government. “I’m Pepper, he’s Salt,” Lawford’s character informs a bemused police inspector during the opening scene. Continue reading
Milton Berle in It’s a Mad, Mad, Mad, Mad World
Milton Berle as J. Russell Finch in It’s a Mad, Mad, Mad, Mad World (1963)
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Milton Berle as J. Russell Finch, seaweed salesman and beleaguered son-in-law
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Car Week continues with a look at a road movie very close to my heart, Stanley Kramer’s 1963 epic comedy It’s a Mad, Mad, Mad, Mad World, released 60 years ago this November. I used to spend many weekends at my grandma’s house watching this cavalcade of comics—many of whom had died even before I was born—as they sped, flew, and chased each other through southern California in pursuit of a $350,000 payday.
The movie begins as a black two-door Ford Fairlane recklessly snakes its way along Seven Level Hill, a mountainous segment of California State Route 74 just south of Palm Desert, honking as it weaves through traffic. The Fairlane shakes its way past an Imperial Crown convertible, but the driver loses control of the car and the Fairlane goes careening—no, sailing—off a cliff. The four carloads of people behind it all pull to a stop and get out—surely no one could survive such a fatal tumble. But alas, the significantly schnozzed driver Smiler Grogan (Jimmy Durante) hasn’t kicked the bucket yet, sprawled out among the rocky hillside.
In his dying moments, Smiler tells the gathered men of a hidden fortune, the $350,000 proceeds from a 15-year-old tuna factory robbery, buried under “a big W!” in Santa Rosita Park. He indeed kicks the bucket (and how!) before he can elaborate on the admission, leaving the witnesses to debate its veracity amongst themselves and as a group. When it becomes abundantly clear that, no matter what way they figure it, “it’s every man—including the old bag—for himself”, the four groups run back to their respective automobiles and tear off for the fictional Santa Rosita.
Though they’d been leading traffic when the Fairlane went sailing right past them off the cliff, the Imperial Crown is now trailing the others. At the wheel of the Imperial is mild-mannered J. Russell Finch (Milton Berle), an edible-seaweed entrepreneur from Fresno on his way to Lake Meade with his prim wife Emeline (Dorothy Provine) and her brash mother (Ethel Merman).
On the 115th anniversary of Uncle Milty’s July 12, 1908 birthday, let’s dig into this iconic entertainer’s wardrobe from It’s a Mad, Mad, Mad, Mad World. Continue reading
And Then There Were None: Roland Young’s Tweed as Blore
Roland Young as William Henry Blore in And Then There Were None (1945)
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Roland Young as William Henry Blore, oblivious private investigator
Devon, England, Summer 1945
Film: And Then There Were None
Release Date: October 30, 1945
Director: René Clair
Costume Designer: René Hubert (uncredited)
WARNING! Spoilers ahead!
Background
The great English character actor Roland Young died 70 years ago today on June 5, 1953. Perhaps best known for his Academy Award-nominated performance as Cosmo Topper in Topper (1937) and its two subsequent sequels, Young was also a memorable performer among the ensemble cast of René Clair’s 1945 adaptation of And Then There Were None. Continue reading
S.O.S. Titanic: David Warner’s Tweed Norfolk Jacket as Lawrence Beesley
David Warner as Lawrence Beesley in S.O.S. Titanic (1979)
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David Warner as Lawrence Beesley, serious and sensitive schoolteacher
North Atlantic Ocean, April 1912
Film: S.O.S. Titanic
Air Date: September 23, 1979
Director: William Hale
Costume Designer: Barbara Lane
WARNING! Spoilers ahead!
Background
Nearly twenty years before he chased Leonardo DiCaprio and Kate Winslet through the flooding corridors of the sinking ship, the late David Warner made his first foray in Titanic cinematic lore in S.O.S. Titanic, a made-for-TV movie that aired on ABC in September 1979.
A far cry from the cynical, pistol-packing Spicer Lovejoy, Warner starred as Lawrence Beesley, a real-life passenger who sailed on RMS Titanic during her fateful maiden voyage 111 years ago this week in April 1912. Continue reading
Leslie Howard in The Petrified Forest
Leslie Howard and Bette Davis in The Petrified Forest (1936)
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Leslie Howard as Alan Squier, itinerant and nihilistic writer “… in a way”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
Background
“Petrified Forest, eh? A suitable haven for me. Well, perhaps that’s what I’m destined to become… an interesting fossil for future study,” suggests the self-deprecating Alan Squier (Leslie Howard) after he learns more about the surrounding desert region he’s entered after his thumb-powered journey to “set forth and discover America.” Continue reading
A Warm December: Sidney Poitier’s Camel Blazer
Sidney Poitier as Dr. Matt Younger in A Warm December (1973)
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Sidney Poitier as Matt Younger, widowed father and clinic physician
London, Summer 1972
Film: A Warm December
Release Date: May 23, 1973
Director: Sidney Poitier
Wardrobe Supervisor: John Wilson-Apperson
Background
To remember the late screen legend Sidney Poitier KBE—born 96 years ago today on February 20, 1927—today’s post returns to the Oscar-winning actor’s second directorial effort, A Warm December.
In addition to directing, Poitier also stars as the recently widowed Dr. Matt Younger, who arrives in London with his daughter Stefanie (Yvette Curtis). Looking for nothing more than a mindless vacation with his daughter and riding his motorbike, Matt’s trip becomes considerably more complicated after an interesting encounter outside his Pall Mall hotel with the mysterious Catherine Oswandu (Ester Anderson). Continue reading