Tagged: Sport Coat & Slacks

The Good Place: Michael’s Navy Piped Blazer

Ted Danson as Michael on The Good Place. (Episode 1.02: “Flying”)

Vitals

Ted Danson as Michael, afterlife “architect”

The Good Place, present day

Series: The Good Place
Episode: “Flying” (Episode 1.02)
Air Date: September 19, 2016
Director: Michael McDonald
Creator: Michael Schur
Costume Designer: Kirston Mann

Background

This weekend, my focus returns to NBC’s The Good Place, where Ted Danson’s architect Michael struts some of the snappiest style this side of the afterlife.

I recently researched and wrote about the classic boldly striped boating blazer for an exploration of Alain Delon’s style in Purple Noon (Plein soleil), but that’s only one type of boating blazer. Another variation is a solid-colored blazer with wide piping along the edges.

Though not quite as distinctive as a true rowing blazer, the piped blazer that Michael wears for a conversation about exploding turkey carcasses and coffee cups at the end of The Good Place‘s second episode finds itself worthy of discussion for today’s #NiceDay post.

Continue reading

Alain Delon’s Striped Boating Blazer in Purple Noon

Alain Delon as Tom Ripley in Purple Noon (1960)

Alain Delon as Tom Ripley in Purple Noon (1960)

Vitals

Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

Italy, Late Summer 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

Adapted from Patricia Highsmith’s 1955 thriller The Talented Mr. RipleyPurple Noon put French actor Alain Delon on the international map. Only 24 years old when Purple Noon was released, Delon earned the endorsement of Ms. Highsmith herself for his performance as the smooth and wily young con artist whose petty crimes and deceptions graduate to multiple murders over the course of the film.

“It’s insidious, the way Highsmith seduces us into identifying with him and sharing his selfishness,” Roger Ebert wrote of both the novel and this cinematic adaptation in his 1996 review. “Ripley believes that getting his own way is worth whatever price anyone else might have to pay. We all have a little of that in us.” Continue reading

Havana – Robert Redford’s Cream Linen Jacket

Robert Redford as Jack Weil in Havana (1990)

Robert Redford as Jack Weil in Havana (1990)

Vitals

Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran

Havana, December 1958

Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack

Background

As Memorial Day is often considered the start of the American summer fashion season, today’s post explores an example of timeless warm-weather apparel sported by Robert Redford in Havana.

Havana, Sydney Pollack’s 1990 ode to Casablanca, stars Redford as a cynical American gambler who finds romance in the Cuban capital on the eve of the country’s revolution. The object of his affection is Roberta “Bobby” Duran (Lena Olin), a revolutionary sympathizer who is forced to determine if her heart remains with her husband and the revolution or the chance of a life in America with Redford’s Jack Weil. Continue reading

Ronin: De Niro’s Brown Suede Jacket

Robert De Niro as Sam in Ronin (1998)

Robert De Niro as Sam in Ronin (1998)

Vitals

Robert De Niro as Sam, professional mercenary thief and ex-CIA operative

Nice, France, December 1997

Film: Ronin
Release Date: September 25, 1998
Director: John Frankenheimer
Costume Designer: May Routh

Background

I recently received a request to explore Robert De Niro’s outfit in Ronin when his ex-CIA thief Sam accompanies Deirdre (Natascha McElhone) on a recon mission in Nice. Deirdre has hired Sam’s crew to attack an armed convoy to steal an unidentified briefcase that would serve as the film’s MacGuffin.

Rather than bothering with spy cameras and tactics, Sam merely brings Deirdre and his Leica R6 2 camera to the luxurious Hôtel Barrière Le Majestic (actually located in Cannes), posing as a pair of tourists and thus not raising any suspicions as they take a considerable amount of photos to prepare for the job. Continue reading

Ray: Jamie Foxx in a Windowpane Fleck Jacket

Jamie Foxx as Ray Charles in Ray (2004)

Jamie Foxx as Ray Charles in Ray (2004)

Vitals

Jamie Foxx as Ray Charles, groundbreaking R&B musician

Houston, Summer 1953

Film: Ray
Release Date: October 29, 2004
Director: Taylor Hackford
Costume Designer: Sharen Davis

Background

Jamie Foxx became only the second actor in history to receive a Academy Award for Best Actor, BAFTA, Critics’ Choice award, Golden Globe, and Screen Actors Guild award for a single performance when he played Ray Charles. Though it was released five months after the real Ray Charles died of liver disease at age 73, Ray had the blessing of the real Ray Charles who had received – and approved – a braille version of the original shooting script.

Fresh off the success of his first hit for Atlantic Records, the exciting “Mess Around”, we see Ray Charles’ career shooting skyward. He endorses a group called the Cecil Shaw Singers while on-air at a Houston radio station, resulting in a lunch date with the group’s tenor, Della Bea (Kerry Washington), who is amazed that he was able to pick out her voice. Continue reading

Mitchum as Marlowe: Striped Jacket in The Big Sleep

Robert Mitchum as Philip Marlowe in The Big Sleep (1978)

Robert Mitchum as Philip Marlowe in The Big Sleep (1978)

Vitals

Robert Mitchum as Philip Marlowe, American private investigator

London, September 1977

Film: The Big Sleep
Release Date: March 13, 1978
Director: Michael Winner
Costume Designer: Ron Beck

Background

Philip Marlowe is a bold dresser. We learn that from the opening paragraph of Raymond Chandler’s inaugural novel, The Big Sleep, with the description of the detective’s powder blue suit, dark blue underpinnings, and socks with clocks. The rest of the United States may have adopted a somber approach to dressing during the years of the Depression, but Marlowe is an L.A. private eye. He’s gotta turn heads.

Decades after the novel’s publication and Bogie and Bacall sizzled in its first cinematic adaptation, the story was once again slated for the silver screen. Continue reading

Mad Men, Season 7: Roger Sterling’s Navy Blazer

John Slattery as Roger Sterling on Mad Men. (Episode 7.04: "The Monolith")

John Slattery as Roger Sterling on Mad Men. (Episode 7.04: “The Monolith”)

Vitals

John Slattery as Roger Sterling, hedonistic Madison Avenue ad executive

New York City, spring 1969 and spring 1970

Series: Mad Men
Episodes:
– “The Monolith” (Episode 7.04), dir. Scott Hornbacher, aired 5/4/2014
– “Severance” (Episode 7.08), dir.Scott Hornbacher, aired 4/5/2015
– “Person to Person” (Episode 7.14), dir.Matthew Weiner, aired 5/17/2015
Creator: Matthew Weiner
Costume Designer: Janie Bryant

Background

Though we in the Northern Hemisphere welcomed spring yesterday, some cities (I can speak personally for Pittsburgh) were greeted by the new season with a fresh onslaught of snowfall.

Bitterness aside… spring often finds well-dressed gents pushing their heavy flannel suits to the back of the closet and bringing forth items perfect for greeting sunnier days ahead. The double-breasted navy blazer remains a stalwart menswear staple for transitioning into the warm and wonderful days of spring, whether sporting it for an evening in the Riviera, greeting the morning on your yacht… or spending the afternoon in your Midtown Manhattan office, counting down the days to retirement.

Naturally, the latter situation brings to mind one Roger Sterling, the increasingly redundant but effortlessly witty Madison Avenue executive on AMC’s Mad Men. Continue reading