Tagged: Turtleneck
Tony Rome’s Yellow Turtleneck and Ford Galaxie
Frank Sinatra slides behind the wheel of a 1961 Ford Galaxie Sunliner with Jill St. John in Tony Rome (1967)
Vitals
Frank Sinatra as Tony Rome, private investigator and compulsive gambler
Miami Beach, Spring 1967
Film: Tony Rome
Release Date: November 10, 1967
Director: Gordon Douglas
Costume Designer: Moss Mabry
Background
BAMF Style’s biannual Car Week is back! For the first post of this summer’s installment of Car Week, let’s check in with Frank Sinatra in the sunny setting of late 1960s Miami Beach, where he plays the beer-swilling, boat-dwelling private eye Tony Rome. Continue reading
Don Draper’s Plaid Sportcoat at the Movies
Jon Hamm as Don Draper on Mad Men. (Episode 6.12: “The Quality of Mercy”)
Vitals
Jon Hamm as Don Draper, Madison Avenue ad man and movie buff
New York City, October 1968
Series: Mad Men
Episode: “The Quality of Mercy” (Episode 6.12)
Air Date: June 16, 2013
Director: Phil Abraham
Costume Designer: Janie Bryant
Background
Don Draper has always turned to the escapism of the movies in times of crisis or loneliness, most notably (and humorously) in “The Good News” (Episode 4.03) when drunkenly accompanying Lane Pryce to a screening of Gamera: The Giant Monster in during the men’s lonely week between Christmas and New Year’s Eve.
Two seasons later, Don is slightly less lonely with his new wife Megan (and his new upstairs mistress, Sylvia) but still frequents the movies whenever he can. “The Quality of Mercy” finds Don and Megan seeing Rosemary’s Baby when they run into Ted and Peggy, claiming to be on a client research mission. Continue reading
Samuel L. Jackson in The Long Kiss Goodnight
Samuel L. Jackson as Mitch Henessey in The Long Kiss Goodnight (1996).
Vitals
Samuel L. Jackson as Mitch Henessey, wisecracking private detective and ex-con
New Jersey, Christmas 1996
Film: The Long Kiss Goodnight
Release Date: October 11, 1996
Director: Renny Harlin
Costume Designer: Joanna Johnston
Background
As Christmas is only two weeks away, BAMF Style is taking a look at the Die Hard-meets-The Bourne Identity holiday action flick, The Long Kiss Goodnight.
The Long Kiss Goodnight has received a generally positive reception in the 20 years since it’s release, but there’s one review that stands out of particular importance for this blog. In 2001, an IMDB reviewer gave the movie the top rating of 10 stars with the added note:
Saw this film on TV just now for the first time in ages and realised what makes it so good… SAMUEL L. JACKSON’S WARDROBE.
The Man from U.N.C.L.E. (2015) – Illya’s Brown Suede Blouson
Armie Hammer as Illya Kuryakin in The Man from U.N.C.L.E. (2015)
Vitals
Armie Hammer as Illya Kuryakin, proud, strong, and serious KGB operative
Berlin and Rome, Late Spring 1963
Film: The Man from U.N.C.L.E.
Release Date: August 2, 2015
Director: Guy Ritchie
Costume Designer: Joanna Johnston
Background
Plans to reboot The Man from U.N.C.L.E. had been in the works for more than two decades by the time Guy Ritchie’s adaptation hit the big screen in the summer of 2015. The original series was created by Ian Fleming, Norman Felton, and Sam Rolfe, debuting in September 1964 as the American response to the wildly successful James Bond franchise… also the brainchild of Ian Fleming.
Bond’s Black “Tactileneck” in Live and Let Die
Roger Moore as James Bond in Live and Let Die (1973).
Vitals
Roger Moore as James Bond, debonair British secret agent
“San Monique” (actually Jamaica), Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Background
Despite today being April 1st, this post isn’t timed to be an April Fool’s Day post; instead, BAMF Style is celebrating the return of Archer last night by analyzing the “tactileneck” that started it all – Roger Moore’s all-black assault attire in Live and Let Die.
After the love of his life his temporary lust object is kidnapped in keeping with the movie’s rampant polyester-flavored blend of racism and sexism, James Bond packs some heavy heat to return to Jamaica San Monique and retrieve her… mostly so he can have someone to have sex with during his return trip.
Bond manages to really bungle things up and, although he lands a henchman in a coffin of poisonous snakes, he gets captured right alongside of Solitaire. Continue reading
The Last Run: Harry’s Navy Flannel Jacket
George C. Scott as Harry Garmes in The Last Run (1971).
Vitals
George C. Scott as Harry Garmes, washed-up expatriate getaway driver
Portugal, Spring 1971
Film: The Last Run
Release Date: July 7, 1971
Director: Richard Fleischer
Wardrobe Supervisor: Annalisa Nasalli-Rocca
WARNING! Spoilers ahead!
Background
The Last Run is a relatively obscure crime flick from the early ’70s that starred George C. Scott, fresh off of his Oscar-winning turn in Patton, as a retired Bogart-esque criminal living the easy expatriate life in Europe à la Hemingway when he is called back for the proverbial “one last job”. Of course, anyone who’s ever seen any movie ever knows that “one last job” is never quite as easy as it sounds, and our aging protagonist finds himself facing more than he bargained for when driving escaped killer Paul Rickard (Tony Musante) and his girlfriend Claudie Scherrer (Trish Van Devere) across Portugal and Spain into France. Continue reading
Terry Leather’s Herringbone Coat in The Bank Job
Jason Statham as Terry Leather in The Bank Job (2008).
Vitals
Jason Statham as Terry Leather, fledging bank robber and former car salesman
East London, September 1971
Film: The Bank Job
Release Date: February 29, 2008
Director: Roger Donaldson
Costume Designer: Odile Dicks-Mireaux
Background
Based partially on some possibly true events (or at least theories) surrounding the famous Baker Street robbery of 1971, The Bank Job is a fun caper flick from 2008 that stars Jason Statham in a decidedly less Statham-esque role than usual, leading a team of non-violent petty criminals chosen by the British government to burglarize a bank.
Of course, it’s not that simple as Statham’s crew isn’t even aware that they’re working for the government and wedging themselves between a sadistic London gangster and a militant revolutionary. Continue reading
