Tom Savini as “Sex Machine”, whip-snapping biker
Mexico, Summer 1995
Film: From Dusk till Dawn
Release Date: January 17, 1996
Director: Robert Rodriguez
Costume Designer: Graciela Mazón
Though it may be a few days late to celebrate Halloween, it’s always the right time to celebrate Tom Savini, my fellow Pittsburgher who turns 76 tomorrow!
Born November 3, 1946, Savini grew up in the Bloomfield neighborhood and served in the Vietnam War before following his cinematic passion to become an iconic figure in horror movies, working extensively on both sides of the lens as a prosthetic makeup artist, stunt performer, actor, and director. (Non-horror fans may recognize Savini as the beleaguered shop teacher Mr. Callahan in the Pittsburgh-filmed The Perks of Being a Wallflower.)
Perhaps best known for his six (to date) collaborations with George A. Romero, Savini memorably appeared in From Dusk till Dawn, perhaps one of his earliest prominent roles in which he was solely credited as an actor. Savini co-stars as “Sex Machine”, a biker who becomes one of only a half-dozen initial survivors after the vampiric employees of a rowdy bar in the Mexican desert turn on its customers. Continue reading
I’m again pleased to present a guest post contributed by my friend Ken Stauffer, who has written several pieces for BAMF Style previously and chronicles the style of the Ocean’s film series on his excellent Instagram account, @oceansographer.
Hugh Jackman as Logan a.k.a Wolverine, itinerant and amnesiac cage-fighter and part-time superhero
Northern Alberta, Canada and Westchester, New York, in the not too distant future
Release Date: July 15, 2000
Director: Bryan Singer
Costume Designer: Louise Mingenbach
Happy Birthday to Hugh Jackman! The charismatic Australian song-and-dance man turns 54 today.
Earlier this month, Ryan Reynolds broke the Internet with his announcement that Hugh would be strapping on the claws to play Wolverine once more in Deadpool III. Despite his repeated declarations that James Mangold’s Logan in 2017 would be his last dance with the character, it seems he just couldn’t say no to the prospect of reprising the role that made him famous. Continue reading
To celebrate Kurt Russell’s 70th birthday, please enjoy this submission from BAMF Style reader and contributor “W.T. Hatch” featuring a frequently requested character said to be the actor’s personal favorite from his filmography.
Kurt Russell as S.D. “Snake” Plissken, “cycloptic cynic ’80s cyberpunk” as one reader eloquently described
Manhattan Island Maximum Security Prison, Summer 1997
Film: Escape from New York
Release Date: July 10, 1981
Director: John Carpenter
Costume Designer: Stephen Loomis
Call me Snake.
Set in John Carpenter’s dystopian vision of the future, Escape from New York is the story of a one-man rescue attempt to save the President of the United States from a maximum security penitentiary located on Manhattan Island. Police Commissioner Bob Hauk, played by the legendary Lee Van Cleef, offers recently captured bank robber S.D. “Snake” Plissken a deal: save the President (Donald Pleasence) in under 24 hours and receive a full pardon. Continue reading
Marlon Brando as Johnny Strabler, outlaw motorcycle club leader
Central California, Summer 1953
Film: The Wild One
Release Date: December 30, 1953
Director: László Benedek
“Hey, Johnny, what are you rebelling against?”
This famous exchange originated among the actual biker gangs that producer Stanley Kramer had brought on set to play themselves. When Kramer asked what it was they were “rebelling” against, a member cracked back to him, “Well, whaddaya got?” The line so encapsulated the culture and attitude of bikers during the era that it was incorporated into The Wild One, though the question is posed by Mildred, the platinum blonde beauty salon operator that one of Johnny’s boys picked up in a bar.
Inspired by actual events over a rambunctious fourth of July weekend in Hollister, California, in 1947, The Wild One was based on Frank Rooney’s short story “The Cyclists’ Raid” that appeared in Harper’s magazine in January 1951. It was swiftly adapted for the screen, though the locations involved were changed to the fictional California burgs of Carbondale and Wrightsville, the latter being the “screwball town”—according to Dextro (Jerry Paris)—where most of the action takes place.
The credits are a bit misleading, introducing Marlon Brando to us as The Wild One, though his character Johnny Strabler turns out to be the most restrained of his hell-raising confederates, particularly when compared to the obnoxious pipsqueak Mouse (Gil Stratton), the larcenous, simple-minded Pigeon (Alvy Moore), or rival gang leader Chino (Lee Marvin). Continue reading
Charles Bronson as Arthur Bishop, disciplined but depressed contract killer
Los Angeles to Naples, Italy, Fall 1972
Film: The Mechanic
Release Date: November 17, 1972
Director: Michael Winner
Costume Designer: Lambert Marks
WARNING! Spoilers ahead!
After serving in supporting roles for many great Westerns and war movies of the ’60s—including The Magnificent Seven, The Great Escape, The Dirty Dozen, and Once Upon a Time in the West—Hollywood was ready for Charles Bronson to take on leading roles that would establish him as one of the greatest silver screen “tough guys” of all time.
The Mechanic starred Bronson as Arthur Bishop, a skilled assassin whose quiet, luxurious lifestyle is disrupted when he takes on a protégé, Steve McKenna (Jan-Michael Vincent), the hotheaded, sociopathic son of his former boss “Big Harry” (Keenan Wynn) who he was assigned to kill. Arthur begins mentoring Steve after Big Harry’s death, taking the narcissistic young man flying, giving him shooting lessons, and eventually bringing him along for several hits.