Tagged: Colt Detective Special
Black Sunday: Robert Shaw in Brown Silk at the Super Bowl
Robert Shaw in Black Sunday (1977)
Vitals
Robert Shaw as David Kabakov, experienced Mossad agent and Major
Miami, January 1976
Film: Black Sunday
Release Date: April 1, 1977
Director: John Frankenheimer
Costume Designer: Ray Summers
WARNING! Spoilers ahead!
Background
It’s Super Bowl Sunday! To many of us, the Big Game (as the NFL would prefer us unlicensed folks call it) is an opportunity to spend a Sunday with friends, beer, and buffalo chicken dip while halfheartedly rooting for a team that we may not care about and catching a glimpse of some over-produced multimillion-dollar ad buys. For director John Frankenheimer, it’s an opportunity to yet again present the thrills and cynicism of ruthless criminals exploiting geopolitical dilemmas for their own gain with considerable human lives at stake. In short: Black Sunday.
L.A. Confidential: Ed Exley in Donegal Tweed
Guy Pearce as Ed Exley in L.A. Confidential (1997)
Vitals
Guy Pearce as Ed Exley, by-the-book LAPD detective-lieutenant
Los Angeles, Spring 1953
Film: L.A. Confidential
Release Date: September 19, 1997
Director: Curtis Hanson
Costume Designer: Ruth Myers
WARNING! Spoilers ahead!
Background
Today is the 25th anniversary since the official release of L.A. Confidential, which premiered at Cannes in May 1997 but would finally hit theaters four months later on September 19, introducing audiences to James Ellroy’s murky world of corrupt cops, crooks, celebrities, and courtesans in ’50s Los Angeles.
Among its ensemble cast, L.A. Confidential centers around three LAPD officers: the tough but unsophisticated “Bud” White (Russell Crowe), the smooth yet morally compromised Jack Vincennes (Kevin Spacey), and the ambitious and stubbornly upright Ed Exley (Guy Pearce). Not to spoil too much of the plot for those who have missed this gem in the last quarter-century, but one of my favorite Letterboxd reviews—submitted by user David Sims—compares the movie to The Wizard of Oz as “Bud gets a brain, Jack gets a heart, Ed gets the courage.” Continue reading
John Garfield in He Ran All the Way
John Garfield as Nick Robey in He Ran All the Way (1951)
Vitals
John Garfield as Nick Robey, desperate small-time thief
Los Angeles, Summer 1951
Film: He Ran All the Way
Release Date: June 19, 1951
Director: John Berry
Wardrobe Credit: Joe King
Background
John Garfield, one of the most talented and naturalistic actors of Hollywood’s “golden age”, died 70 years ago today on May 21, 1952. Garfield had long been troubled with heart health issues, but it’s been argued that the resulting stress brought on by harassment from the notorious House Un-American Activities Committee contributed to his early death at the age of 39, nearly a year after the release of his final film, He Ran All the Way (1951).
Once Upon a Time in America: De Niro’s Herringbone for a Heist
Robert De Niro as David “Noodles” Aaronson in Once Upon a Time in America (1984)
Vitals
Robert De Niro as David “Noodles” Aaronson, mob bootlegger and ex-convict
Detroit, Fall 1932
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
After premiering at Cannes in May and undergoing a truncated release stateside that summer, Sergio Leone’s controversial mob saga Once Upon a Time in America was finally released in the Italian-born director’s home country on this day in 1984. Leone’s final film, and the first he had directed in 13 years, Once Upon a Time in America marked the conclusion to his unofficial “Once Upon a Time…” trilogy.
Body Heat: William Hurt’s Lawyerly Seersucker
William Hurt as Ned Racine in Body Heat (1981)
Vitals
William Hurt as Ned Racine, unscrupulous attorney
Palm Beach, Florida, Summer 1981
Film: Body Heat
Release Date: August 28, 1981
Director: Lawrence Kasdan
Costume Designer: Renié
WARNING! Spoilers ahead!
Background
I couldn’t let the hottest summer of my lifetime end without talking about Body Heat, especially as Lawrence Kasdan’s sweaty directorial debut will celebrate the 40th anniversary of its release in two days.
The term “neo-noir” has often been used—and, indeed, overused—to describe stylish, shadowy, and sexy crime dramas with elements recalling film noir’s golden era in the ’40s and ’50s, though Body Heat struck me as one of the prized handful of movies most deserving of the description, perfectly balancing the spirit of classic noir with contemporary cinematic expectations without falling too far in either direction. Continue reading
Robert De Niro in Midnight Run
Robert De Niro as Jack Walsh in Midnight Run (1988)
Vitals
Robert De Niro as Jack Walsh, tough bounty hunter
New York to Los Angeles, Fall 1987
Film: Midnight Run
Release Date: July 20, 1988
Director: Martin Brest
Costume Designer: Gloria Gresham
WARNING! Spoilers ahead!
Background
“This is an easy gig, it’s a midnight run for chrissakes!”
Bounty hunter Jack Walsh has withstood plenty of action and abuse tracking down fugitives for bail bondsman Eddie Moscone (Joe Pantoliano), but the inherent danger of bringing in Jonathan “The Duke” Mardukas (Charles Grodin), an accountant in the crosshairs of the Mafia, has Jack demanding $100,000 for the job. A pro, Jack has an easy enough time finding the Duke in New York, but bringing him back to L.A. and his hundred-grand payday brings a fresh set of challenges between the Duke’s reluctance to fly, the interference of the FBI, a rival bounty hunter sabotaging him at each step, and—oh!—a couple of deadly doofuses sent by the mob to whack the Duke… and anyone who gets in their way.
Bugsy’s Houndstooth Sports Coat
Warren Beatty as Benjamin “Bugsy” Siegel in Bugsy (1991)
Vitals
Warren Beatty as Benjamin “Bugsy” Siegel, “celebrity” gangster and casino builder
Los Angeles, Spring 1945 and Las Vegas, Fall 1946
Film: Bugsy
Release Date: December 13, 1991
Director: Barry Levinson
Costume Designer: Albert Wolsky
WARNING! Spoilers ahead!
Background
Everybody deserves a fresh start once in a while.
At least three times while wearing this outfit alone, Warren Beatty’s Bugsy Siegel pontificates on the power of fresh starts. While the real Siegel may not have been quite as forgiving, Beatty plays him with the actor’s characteristic charisma to better communicate to audiences how a violent gangster could have charmed the stars of “golden age” Hollywood.
James Shigeta in The Crimson Kimono
James Shigeta as Detective Joe Kojaku in The Crimson Kimono (1959)
Vitals
James Shigeta as Joe Kojaku, LAPD homicide detective
Los Angeles, Summer 1959
Film: The Crimson Kimono
Release Date: October 1959
Director: Samuel Fuller
Costume Supervisor: Bernice Pontrelli
Background
Are you among the many movie buffs who observe #Noirvember, the month-long celebration of shadowy cinema often set in worlds populated by gumshoes, gunsels, and femmes fatale. Defining film noir is often as murky as the outlines of the shadows in some of its seminal works, though even applying the infamous Potter Stewart rule yields at least dozens of crime dramas produced within and beyond the United States during the 1940s and ’50s.
Earlier this year, the Criterion Channel again showcased a collection of noir from Columbia Pictures, the erstwhile Poverty Row studio that churned out some of the most quintessential high-talent noir in including Gilda (1946), The Lady from Shanghai (1947), and In a Lonely Place (1950) as well as an array of criminally underseen B-movies that balanced their low budgets with high quality. One of my favorites from the collection was The Crimson Kimono (1959), directed by former crime reporter and World War II veteran Samuel Fuller.
Modern audiences may recognize James Shigeta as the patient and ultimately doomed Nakatomi executive in Die Hard. Here, a considerably younger Shigeta plays the charismatic Joe Kojaku, an apple-munching, piano-playing Japanese-American homicide detective called in with his partner Charlie Bancroft (Glenn Corbett) to investigate the murder of burlesque dancer Sugar Torch (Gloria Pall) on L.A.’s” Main Street” one brightly lit, jazz-filled night in August 1959. Continue reading
Sinatra on Magnum, P.I.
Frank Sinatra and Tom Selleck during production of “Laura” (Episode 7.18 of Magnum, P.I.)
Vitals
Frank Sinatra as Michael Doheny, experienced and tough retired New York police sergeant
Hawaii, Spring 1987
Series: Magnum, P.I.
Episode: “Laura” (Episode 7.18)
Air Date: February 25, 1987
Director: Alan J. Levi
Creator: Donald P. Bellisario & Glen Larson
Costume Supervisors: James Gilmore & Charlene Tuch
WARNING! Spoilers ahead!
Background
Twenty years after he played Tony Rome, Frank Sinatra returned to the world of private eyes in warm locales with his final major acting role, a special appearance in “Laura”, a seventh season episode of Magnum, P.I. The Voice was already over 70 when the episode was produced, but he’s still as charismatic, wiry, and tough as his reputation had preceded him for the better part of a century. On this summertime #SinatraSaturday, let’s take a deeper look at Frank’s final screen role.
Cagney’s Leather Jacket in White Heat
James Cagney as Cody Jarrett in White Heat (1949)
Vitals
James Cagney as Arthur “Cody” Jarrett, ruthless gang leader and devoted son
Los Angeles, Spring 1950
Film: White Heat
Release Date: September 2, 1949
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
Today would have been the 120th birthday of James Cagney, the intense actor who brought realism and energy to his performances that ranged from deadpan comedy to complex tough guys. It was for the latter that Cagney, who Orson Welles described as “maybe the greatest actor who ever appeared in front of the camera,” is most remembered, particularly for his mature performance as the complex gangster Cody Jarrett in White Heat.