Tagged: Colt Detective Special
White Heat: James Cagney’s Chalkstripe Suits and 1949 Mercury
James Cagney with Margaret Wycherly in White Heat (1949)
Vitals
James Cagney as Arthur “Cody” Jarrett, ruthless gang leader and devoted son
Los Angeles, California and Springfield, Illinois, Fall 1949 to Spring 1950
Film: White Heat
Release Date: September 2, 1949
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Background
Closing out Noirvmber but speeding into this winter’s Car Week, Raoul Walsh’s hard-boiled 1949 masterpiece White Heat erupts at the intersection of film noir and the classic Warner Brothers gangster film, which its star James Cagney had a hand in pioneering through his roles in The Public Enemy (1931), Angeles with Dirty Faces (1938), and The Roaring Twenties (1939). The latter had been his final criminal role for nearly a decade, as he evolved toward romantic and comedic roles including his Academy Award-winning performance as George M. Cohan in Yankee Doodle Dandy (1942).
But as his subsequent movies were unsuccessful with audiences, Cagney reluctantly returned to both the cinematic underworld and Jack L. Warner’s kingdom when he signed on to play the volatile gang leader Cody Jarrett in White Heat. Virginia Kellogg’s story was loosely inspired by the myth surrounding the ill-fated “Ma” Barker and her sons during the Depression-era crime wave, purchased for $2,000 by Warner Bros., where Ivan Goff and Ben Roberts spent six months adapting into a fictional screenplay where—much to Jack Warner’s frustration—they only envisioned Cagney to play Cody.
Following a $300,000 mail train robbery in the Sierra Nevada mountains that left four crewmen dead, Cody leads his gang’s retreat from their mountain hideout, splitting off with his sultry wife Verna (Virginia Mayo) and domineering mother (Margaret Wycherly) to hole up in a motel on the outskirts of Los Angeles. We’ve already seen Ma’s powerful influence over her son, both supporting him when he has his mind-splitting migraines and gently suggesting that he execute a wounded gang member rather than take the chance he’ll talk.
When Ma risks a trip into town to buy Cody’s favorite strawberries for him, she picks up a police tail that has Cody again at the wheel of their Mercury to make their getaway. After a night-time police chase through the streets of L.A., Cody ducks the Mercury into a drive-in theater and develops his plan to take the fall for a hotel heist in Illinois that was the same day as their deadly train robbery, giving himself a 2,000-mile alibi:
While those hoodlums were killing those innocent people on the train, I was pushing in a hotel in Springfield! Couldn’t be in both places at once, could I?
Dead End: Humphrey Bogart’s Dandy Gangster Suit
Humphrey Bogart in Dead End (1937)
Vitals
Humphrey Bogart as Hugh “Baby Face” Martin, gangster
New York City, Summer 1937
Film: Dead End
Release Date: August 27, 1937
Director: William Wyler
Costume Designer: Omar Kiam
WARNING! Spoilers ahead!
Background
After his breakthrough screen role as the menacing Duke Mantee in The Petrified Forest (1936), Humphrey Bogart followed it up the next year as another swaggering gangster in Dead End (1937), adapted from Sidney Kingsley’s hit play—which had premiered 90 years ago today, on October 2, 1935.
The play had run for 687 performances on Broadway, so bringing it to the screen became a passion project for producer Samuel Goldwyn and director William Wyler. Goldwyn spent a then-staggering $165,000 for the rights, bracing himself for battles with the Hays Office to keep the play’s thematic grit intact. He even hired the “Dead End Kids”, the scrappy young actors from the stage version, though their chaotic behavior on set soon had Goldwyn regretting it and he later sold their contract to Warner Brothers, where—under names like the East Side Kids and Bowery Boys—they made more than 60 films across the next two decades. Despite his dedication to replicating the realism that made the play a success, the famously fastidious Goldwyn also clashed with Wyler, who had the set decorated with actual garbage to recreate an actual slum atmosphere.
Goldwyn first hoped to cast James Cagney or George Raft as the central gangster “Baby Face” Martin, but the role ultimately went to Humphrey Bogart—already 37 years old at the time, though it still feels like watching a “young” Bogie. Continue reading
The Naked Gun: Leslie Nielsen’s Taupe Suit as Frank Drebin
Leslie Nielsen as Lt. Frank Drebin in The Naked Gun (1988)
Vitals
Leslie Nielsen as Frank Drebin, straight-talking police lieutenant
Los Angeles, Spring 1988
Film: The Naked Gun: From the Files of Police Squad!
Release Date: December 2, 1988
Director: David Zucker
Costume Designer: Mary E. Vogt
WARNING! Spoilers ahead!
Background
As this year’s The Naked Gun continues to draw laughs, let’s flashback to 1988 when audiences first saw the bumbling Frank Drebin on the big screen.
After decades in dramatic roles (save for a zany turn in the first season of M*A*S*H), Leslie Nielsen’s comic potential was first appropriately realized when David Zucker, Jim Abrahams, and Jerry Zucker cast the Canadian actor as Dr. Rumack in Airplane!, their 1980 spoof of disaster films.
The movie’s success—and Nielsen’s deadpan delivery—prompted ZAZ to craft a send-up of classic cop shows like M Squad, continuing their usual blend of slapstick, sight gags, and verbal puns. Police Squad! debuted as a mid-season replacement in March 1982, introducing viewers to “Sergeant Frank Drebin, Detective-Lieutenant, Police Squad”. Critically acclaimed for its sense of humor far ahead of contemporary programming, Police Squad! was nonetheless canceled by ABC after only six episodes were produced.
Luckily, ZAZ never gave up on Nielsen’s character, co-writing a screenplay with Pat Proft that retooled the formula for a movie that would become arguably one of the funniest comedies of all time, spawning two sequels (which also starred Nielsen as Drebin) and the 2025 continuation with Liam Neeson as Frank Drebin Jr. Continue reading
Daniel Craig’s Cream Linen Suit in Queer
Daniel Craig as William Lee in Queer (2024)
Vitals
Daniel Craig as William Lee, dissolute American expatriate
Mexico City, Spring 1951 and 1953
Film: Queer
Release Date: November 27, 2024
Director: Luca Guadagnino
Costume Designer: Jonathan Anderson
WARNING! Spoilers ahead!
Background
Following the success of Challengers earlier in the year, director Luca Guadagnino kept his 2024 momentum going with Queer, adapted from the 1985 novella by Beat Generation icon William S. Burroughs—who died 28 years ago today, on August 2, 1997. Daniel Craig stars as William Lee, a clear stand-in for Burroughs, complete with the author’s distinctive wardrobe, substance issues, and ever-present handgun—albeit with some of the rougher edges sanded down for the screen. Continue reading
Night Moves: Gene Hackman’s Ivory Levi’s Shirt-Jacket
Gene Hackman as Harry Moseby in Night Moves (1975)
Vitals
Gene Hackman as Harry Moseby, private detective and former professional football player
Florida Keys, Fall 1973
Film: Night Moves
Release Date: June 11, 1975
Director: Arthur Penn
Costumer: Arnie Lipin
Costume Supervisor: Rita Riggs
Background
Arthur Penn’s neo-noir Night Moves premiered 50 years ago today on June 11, 1975, starring the late Gene Hackman as football pro-turned-private eye Harry Moseby, one of the most effective roles in demonstrating Hackman’s talent for balancing traditional masculinity with emotional depth and vulnerability.
Harry was recently hired by a washed-up Hollywood starlet to find her 16-year-old daughter Delly (Melanie Griffith), whom he eventually traces to the Florida Keys, where she’s living with her stepfather Tom (John Crawford) and his girlfriend Paula (Jennifer Warren) who eventually spends a night with Harry before he returns to L.A.
After a simple runaway case twists into murky layers of smuggling, betrayal, incest, and an increasing body count, Harry takes a late TWA flight back to the Keys—to the resigned dismay of his estranged wife Ellen (Susan Clark). Continue reading
Public Enemies: Christian Bale’s Hunting Gear as Melvin Purvis
Christian Bale as Melvin Purvis in Public Enemies (2009)
Vitals
Christian Bale as Melvin Purvis, ambitious FBI agent
Columbiana County, Ohio, October 1934
Film: Public Enemies
Release Date: July 1, 2009
Director: Michael Mann
Costume Designer: Colleen Atwood
WARNING! Spoilers ahead!
Background
Ninety years ago today, a law enforcement team combined of local police and federal agents led by Melvin Purvis cornered and killed the Depression-era desperado Charles “Pretty Boy” Floyd on a farm outside of Clarkson in western Ohio. Purvis had risen to national prominence for his role in the death of bank robber John Dillinger three months earlier in Chicago, an incident that propelled the Oklahoma-born outlaw Floyd to the top of J. Edgar Hoover’s list of “Public Enemies”.
Based on Bryan Burrough’s nonfiction volume of the same name, Michael Mann’s 2009 film Public Enemies centered primarily around Purvis’ hunt for Dillinger, following Mann’s formula from films like Manhunter, Heat, and Collateral that reflects the unique mirror between two professionals on opposing sides of the law—in this case represented by the charismatic criminal Dillinger (Johnny Depp) and more laconic lawman Purvis (Christian Bale).
As a result, lip service is paid to Floyd’s notoriety but the circumstances of his October 1934 death are actually positioned a year earlier so that Bale’s Purvis leads the hunt and fires the fatal shot into “Pretty Boy” Floyd (Channing Tatum) before he’s even recruited into the Dillinger manhunt. Continue reading
Tom Hanks in Road to Perdition
Tom Hanks in Road to Perdition (2002)
Vitals
Tom Hanks as Michael Sullivan, recently widowed Irish mob enforcer and dedicated father
The Midwest, Winter 1931
Film: Road to Perdition
Release Date: July 12, 2002
Director: Sam Mendes
Costume Designer: Albert Wolsky
Tailor: John David Ridge
WARNING! Spoilers ahead!
Background
“Natural law… sons were put on this earth to trouble their fathers,” avuncular mob boss John Rooney (Paul Newman) advises his top enforcer Michael Sullivan (Tom Hanks) at a time that both men are facing crises with their respective sons.
Father’s Day feels like the appropriate time to celebrate the style from this unorthodox role for America’s Dad. Tom Hanks pivoted from a career built on playing affable heroes and everymen to a dangerous Depression-era mob hitman in Road to Perdition, Sam Mendes’ 2002 drama adapted by screenwriter David Self from a graphic novel series of the same name by Max Allan Collins and Richard Piers Rayner. Continue reading
On the Waterfront: Marlon Brando’s Buffalo Plaid Jacket
Marlon Brando in On the Waterfront (1954)
Vitals
Marlon Brando as Terry Malloy, dockworker and former prize fighter
Hoboken, New Jersey, Fall 1953
Film: On the Waterfront
Release Date: July 28, 1954
Director: Elia Kazan
Wardrobe Supervisor: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Screen legend Marlon Brando was born 100 years ago today on April 3, 1924 in Omaha, Nebraska. After studying under Stella Adler in the 1940s, Brando shot to stardom with his iconic performances in A Streetcar Named Desire (1951) and The Wild Ones (1953) before receiving his first Academy Award for his powerful portrayal of longshoreman Terry Malloy in On the Waterfront (1954), released 70 years ago this summer.
Including Brando’s recognition, On the Waterfront won in eight of its 12 nominated Oscar categories, including Best Picture, Best Story and Screenplay, and Best Director for Elia Kazan, who would later write of Brando’s work as Terry: “If there is a better performance by a man in the history of film in America, I don’t know what it is.” Continue reading
Shaft: Richard Roundtree’s Brown Leather Asymmetrical-Zip Jacket
Richard Roundtree as John Shaft in Shaft (1971)
Vitals
Richard Roundtree as John Shaft, tough private detective
New York City, January 1971
Film: Shaft
Release Date: June 25, 1971
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Background
Through his life and after his death in October 2023, Richard Roundtree was often considered the “first Black action hero” for his groundbreaking performance as the smooth private detective John Shaft across a trio of thrillers released across the early 1970s. The fact that Shaft had been Roundtree’s first major movie after starting his career as a model makes his dynamic screen presence all the more impressive.
Initially followed by two sequels and a short-lived TV series, the original 1971 movie Shaft—adapted from Ernest Tidyman’s novel of the same name—contained all the elements for success: the gritty New York location, Isaac Hayes’ iconic Oscar-winning theme song and funky score, and the smooth-talking, ass-kicking, leather-clad Roundtree as the lead character.
The start of Black History Month feels like the ideal time to celebrate Roundtree’s legacy as the the cat that won’t cop out when there’s danger all about… right on. Continue reading
Richard Roundtree’s Black Leather as Shaft
Richard Roundtree as John Shaft in Shaft (1971)
Vitals
Richard Roundtree as John Shaft, tough private detective
New York City, Winter 1971 and 1972
Film: Shaft
Release Date: June 25, 1971
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Film: Shaft’s Big Score!
Release Date: June 21, 1972
Director: Gordon Parks
Costume Designer: Joseph G. Aulisi
Background
R.I.P. Richard Roundtree (1942-2023), who shot to stardom in the early 1970s after making his iconic screen debut as the eponymous detective in Shaft. Continue reading
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