Tagged: Double-Breasted 3-Piece Suit
Warren Beatty as Dick Tracy
Warren Beatty in Dick Tracy (1990)
Vitals
Warren Beatty as Dick Tracy, square-jawed detective
“Homeville”, December 1938
Film: Dick Tracy
Release Date: June 15, 1990
Director: Warren Beatty
Costume Designer: Milena Canonero
Background
Ninety years ago today on Sunday, October 4, 1931, Chester Gould’s comic strip Dick Tracy premiered in the Detroit Mirror, introducing the world—or at least Detroit—to the determined detective in his trademark yellow coat.
Despite the strip’s longevity and popularity, attempts to adapt it for the screen never came into fruition for nearly six decades until the blockbusting success of Tim Burton’s Batman in 1989 proved to studios there a profitable market for comic book adaptations. Bringing Dick Tracy to Hollywood became a passion project for Warren Beatty, who starred as the title character as well as producing, directing, and attracting a cavalcade of stars to portray the colorful—and colorfully dressed—figures of the mysterious Chicago-like city where Tracy faced off against gangsters and gun molls.
Scarface (1932) – Tony’s Brown Striped Suit
Paul Muni, flanked by Vince Barnett and Karen Morley, in Scarface (1932)
Vitals
Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1927
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
Background
Today’s #MafiaMonday post goes back to the Prohibition era, the age that gave rise to the modern American gangster… and the American gangster movie.
After Warner Brothers scored back-to-back hits with Little Caesar (1931) and The Public Enemy (1931), effectively establishing the subgenre of the gangster film, Howard Hughes entered the fray with Scarface, an explosive, influential, and fast-paced criminal epic adapted from Armitage Trail’s novel that had been based on the life of Al Capone. Hughes had been warned against taking on Warner’s dominance in the genre, so he packed his production with talent including screenwriter Ben Hecht, director Howard Hawks, and lead actor Paul Muni, who was born 124 years ago yesterday on September 22, 1895.
In the wake of movies like Little Caesar and The Public Enemy, the Hays Office had been increasing its efforts to censor what it deemed to be glamorization of criminal lifestyles in cinema, but its notoriously restrictive production code had yet to be put into place, giving Scarface full reign to arm its vaguely incestuous central character with a Thompson submachine gun, once dubbed “the gun that made the twenties roar,” as he rose the ranks of the criminal underworld in a series of violent vignettes paralleling the life and crimes of the infamous Capone.
The Last Tycoon: Monroe Stahr’s Navy Christmas Suit
Matt Bomer as Monroe Stahr on The Last Tycoon (Episode 6: “A Brady-American Christmas”)
Vitals
Matt Bomer as Monroe Stahr, charming studio wunderkind
Hollywood, Christmas Eve 1936
Series: The Last Tycoon
Episode: “A Brady-American Christmas” (Episode 6)
Streaming Date: July 28, 2017
Director: Stacie Passon
Developed By: Billy Ray
Costume Designer: Janie Bryant
Background
The sixth episode of Amazon Video’s first and only season of The Last Tycoon, adapted from F. Scott Fitzgerald’s unfinished novel The Love of the Last Tycoon, kicks off the holiday season at Brady-American Studios where studio chief Pat Brady (Kelsey Grammer) and his one-time protégé, ambitious visionary producer Monroe Stahr (Matt Bomer), hoping for a Christmas miracle on their upcoming film, Angels on the Avenue. Continue reading
Scarface (1932) – Tony’s Fancy Basketweave Suit
Paul Muni as Tony Camonte in Scarface (1932)
Vitals
Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1927
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
Background
I’m wrapping up what turned out to be a week focused on classic gangster style with a look at one of my favorite mob movies, the original Scarface released in 1932. Both the film and its source novel of the same name by Armitage Trail (Maurice R. Coons) were undoubtedly inspired by the rise and fall of Chicago kingpin Al Capone, who reportedly grew to love the film so much that the owned his own print of it.
Tony Camonte’s rise through the underworld is depicted by a Thompson submachine gun blowing through the pages of a calendar, stopping somewhere around Friday, August 26, for the action to begin. (August 26 fell on a Friday in 1927 and 1932; as the events that inspired the film occurred throughout the 1920s and production wrapped in mid-1931, it’s safe to assume that this scene picks up the action around the late summer of 1927. Anyway…)
Spectacularly attired in a bold new suit, Tony runs into Poppy (Karen Morley), his boss’s platinum blonde moll, who is getting a little warmer to Tony’s form after his repeated attempts at seduction. Continue reading
Dillinger’s Navy Striped Suit in Public Enemies
Johnny Depp as John Dillinger in Public Enemies (2009)
Vitals
Johnny Depp as John Dillinger, maverick Depression-era bank robber
Chicago, Spring 1934
Film: Public Enemies
Release Date: July 1, 2009
Director: Michael Mann
Costume Designer: Colleen Atwood
WARNING! Spoilers ahead!
Background
It’s been quite some time since I’ve visited Public Enemies, the Michael Mann-directed action thriller depicting the life and crimes of Depression-era desperado John Dillinger. The film received mixed to positive reviews upon its release with much of the praise going to Michael Mann’s usual attention to detail as well as Johnny Depp’s performance as the Indiana-born outlaw.
Colleen Atwood’s period costumes are also worthy of attention and praise. High fashion was the signifier of success for Depression-era gangsters, and Dillinger rarely led his gun-toting cronies into a bank without being dressed to the nines.
Even when on the run, such as this scene set not long after Dillinger’s narrow escape from an FBI ambush at the Little Bohemia lodge in Wisconsin, John Dillinger made a consistent effort to dress well. (The film plays with historical accuracy to present its own narrative, pushing Billie Frechette’s arrest to after the Little Bohemia raid; in real life, Billie was arrested on April 9, 1934, two weeks before Melvin Purvis’ federal agents attempted to trap the Dillinger gang at Little Bohemia.) Continue reading
Nucky Thompson’s Charcoal Striped Credits Suit
Steve Buscemi as Enoch “Nucky” Thompson in the first episode of Boardwalk Empire.
Vitals
Steve Buscemi as Enoch “Nucky” Thompson, corrupt Atlantic City politician and bootlegger
Atlantic City, January 1920
Series: Boardwalk Empire
Episodes:
– “Boardwalk Empire” (Episode 1.01, dir. Martin Scorsese, aired September 19, 2010)
– “The Ivory Tower” (Episode 1.02, dir. Tim Van Patten, aired September 26, 2010)
– “Broadway Limited” (Episode 1.03, dir. Tim Van Patten, aired October 3, 2010)
– “Hold Me in Paradise” (Episode 1.08, dir. Brian Kirk, aired November 7, 2010)
– “A Return to Normalcy” (Episode 1.12, dir. Tim Van Patten, aired December 5, 2010)
– “What Does the Bee Do?” (Episode 2.04, dir. Tim Van Patten, aired October 16, 2011)
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
Background
This week, I’m taking a look at outfits worn by BAMFs in the first episodes of some of my favorite TV shows. #MafiaMonday is a great excuse to start with Boardwalk Empire, particularly the suit worn by Steve Buscemi as Atlantic County treasurer Enoch “Nucky” Thompson in the opening credits of the series’ five-season run… as well as a few early episodes. Continue reading
Philip Lombard’s Blue Chalkstripe Suit
Aidan Turner as Philip Lombard in And Then There Were None (2015)
Vitals
Aidan Turner as Philip Lombard, adventurer and ex-mercenary
Devon, England, August 1939
Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh
WARNING! Spoilers ahead!
Background
And Then There Were None, Agatha Christie’s classic mystery thriller, finds ten strangers summoned to a mysterious island off the English coast. Aside from the married couple hired to serve as butler and cook, the newcomers are all unknown to each other and are quickly thrown into a spiral of suspicion and death that would engulf them all.
The action in the novel lasted three days, beginning on August 8, 1939, making it 78 years ago to the day that the last survivors of the weekend were forced into a fatal confrontation of their own dangerous pasts. Continue reading
Chinatown – J.J. Gittes’ Light Gray Suit
Jack Nicholson on set as J.J. Gittes in Chinatown (1974)
Vitals
Jack Nicholson as J.J. Gittes, private investigator and ex-policeman
Los Angeles, September 1937
Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
Now that summer is upon us in the Northern Hemisphere, it’s high time to make sure that you’ve got some duds in your closet that are as appropriate for a day at the office as they are for the sunniest season.
A self-employed gumshoe like J.J. Gittes calls his own shots. As Chinatown is set in 1937, suits were de rigeur for men, but Gittes is hardly the type to rely on the gray flannel suit trope, especially in the sunny southern California locales. Continue reading
De Niro as Noodles – Charcoal Red-Striped Flannel Suit
Robert De Niro as “Noodles” Aaronson in Once Upon a Time in America (1984).
Vitals
Robert De Niro as David “Noodles” Aaronson, mob bootlegger and violent ex-convict
New York City, December 1933
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
83 years ago today, the 21st amendment was ratified to officially repeal Prohibition, delighting a thirsty American public but leaving many criminals who had made their fortunes from bootlegging effectively “unemployed”. This Mafia Monday post checks in with Robert De Niro as a mobster coming to terms with what that means for his career and personal life in 1984’s Once Upon a Time in America. Continue reading
Jimmy Stewart’s “Charleston” Suit
Donna Reed and James Stewart dance the Charleston as Mary Hatch and George Bailey in It’s a Wonderful Life (1946).
Vitals
James Stewart as George Bailey, bank officer and “nice guy”
Bedford Falls, NY, May 1928
Film: It’s a Wonderful Life
Release Date: December 20, 1946
Director: Frank Capra
Costume Designer: Edward Stevenson
Background
Today would’ve been the 108th birthday of James Stewart, and BAMF Style is honoring this screen legend by looking at Stewart’s own favorite character from his filmography: George Bailey.
Rated #9 on AFI’s 100 Heroes list and #8 on Premiere Magazine’s 100 Greatest Performances of All Time, Stewart’s portrayal of the Capra-esque “every man” still resonates with audiences 70 years later, especially around Christmas time (due to an NTA clerical error in 1974). In fact, the local Regent Square Theater near my house in Pittsburgh hosts a free screening of It’s a Wonderful Life every Christmastime, which I’ve been sure to never miss in the last four years.
One of my favorite scenes – not only in It’s a Wonderful Life but from movie history – is the Charleston contest where George and Mary reconnect and then find themselves drenched when a jealous rival for her affections (played by The Little Rascals‘ Carl “Alfalfa” Switzer) opens the dance floor to send the two flap-happy dancers into the school swimming pool. In fact, this scene was filmed at the Beverly Hills High School in Los Angeles which indeed had a gym floor that could be converted into a pool with the press of a button. Continue reading