Humphrey Bogart as “Duke” Mantee, violent desperado and “the last great apostle of rugged individualism”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
This is Duke Mantee, the world-famous killer, and he’s hungry…
Indeed, Humphrey Bogart was hungry. The 36-year-old actor had spent more than a dozen years honing his craft on the stage and had spent the last five going nowhere as a $750-a-week bit player for the Fox Film Corporation.
It wasn’t until a decade after his debut that Hollywood would start opening the front door for the New York-born actor, starring in Raoul Walsh’s crime flick High Sierra as a tough bank robber clearly modeled after real-life outlaw John Dillinger. It’s only fitting that this character be Bogie’s shot at the big time that he should have earned years earlier as yet another Dillinger surrogate, Duke Mantee.
Fabian Forte as Charles “Pretty Boy” Floyd, Depression-era bank robber
Kansas City, Spring 1930 and 1931
Film: A Bullet for Pretty Boy
Release Date: June 1970
Director: Larry Buchanan (and Maury Dexter, uncredited)
Wardrobe Credit: Ron Scott
After Warner Brothers’ success with Bonnie and Clyde in 1967, American International Pictures (AIP) leapt at the chance to capitalize on the emerging trend of Depression-era crime movies using their own brand of inexpensive, exploitative filmmaking. This wasn’t AIP’s first rodeo in the realm of ’30s public enemies, having earlier produced The Bonnie Parker Story and Machine Gun Kelly, both released in May 1958. Their B-movie output in the decade that followed Bonnie and Clyde ranged from fictional stories like Boxcar Bertha (1972) directed by Martin Scorsese to those loosely based on actual criminals like Bloody Mama (1970) starring Shelley Winters as a caricature of “Ma” Barker (alongside a young Robert De Niro as one of her sons) to Dillinger (1973).
Even before that arguably most famous ’30s bank robber would be played by a grizzled Warren Oates, former teen idol Fabian got a shot to rebrand his image by playing Charles “Pretty Boy” Floyd, the outlaw whose moniker alone lent itself to suit the fresh-faced Mr. Forte.
The real Charles Arthur Floyd was born 117 years ago on February 3, 1904, in Adairsville, Georgia, though his family moved to Oklahoma when Floyd was seven, and it was the Cookson Hills that he would consider home for the 30 years of his life.
A fellow Aquarius, Forte was born only three days (and 39 years) later on February 6, 1943, making him 26—the same age as Floyd was for his first bank robbery—when A Bullet for Pretty Boy was filmed from June to October 1969. A Bullet for Pretty Boy loosely follows the facts of Floyd’s life, albeit exaggerated and certainly simplified for the sake of AIP’s low-budget, short-runtime formula for success that would thrill teens at the drive-ins just before these audiences found the real thrills in their own back seats later that night. Continue reading
George Clooney as Seth Gecko, dangerous fugitive bank robber and “real mean motor scooter”
Texas to Mexico, Summer 1995
Film: From Dusk till Dawn
Release Date: January 17, 1996
Director: Robert Rodriguez
Costume Designer: Graciela Mazón
Happy Halloween, BAMF Style readers! Over the last few years, I’ve received a few requests to explore George Clooney’s garb in From Dusk till Dawn, directed by Robert Rodriguez and penned by Quentin Tarantino from a story by Robert Kurtzman.
The action horror thriller marked a significant departure for Clooney— then popular as the charismatic pediatrician Doug Ross on ER, playing against type as the ruthless, Caesar-cut baddie terrorizing the southern plains with his psychotic brother on the road to El Rey.
Leonardo DiCaprio as Jay Gatsby, eagerly romantic millionaire and bootlegger
Long Island, New York, Summer 1922
Film: The Great Gatsby
Release Date: May 10, 2013
Director: Baz Luhrmann
Costume Designer: Catherine Martin
On the eve of F. Scott Fitzgerald’s birthday, let’s look at the most recent major adaptation of his most famous work, The Great Gatsby. Fitz’s 1925 novel had been adapted for the big screen at least four times before Baz Luhrmann directed his colorful spectacle during the past decade.
Steve McQueen as Thomas Crown, millionaire criminal mastermind
Switzerland, June 1968
Film: The Thomas Crown Affair
Release Date: June 19, 1968
Director: Norman Jewison
Costume Designer: Alan Levine
Tailor: Douglas Hayward
I recently had the pleasure to join Pete Brooker and Matt Spaiser (of Bond Suits) on their excellent podcast From Tailors with Love for an entertaining and informative discussion of Steve McQueen’s suits and style in The Thomas Crown Affair. If you’re not already a subscriber, you can follow the fun via iTunes, Spotify, or Stitcher, and check out highlights from yours truly’s appearance on the latest episode here. Continue reading
Gregory Peck as Atticus Finch, principled Southern lawyer
Maycomb, Alabama, Summer 1932 and 1933
Film: To Kill a Mockingbird
Release Date: December 25, 1962
Director: Robert Mulligan
Costume Designer: Rosemary Odell
Tailor: H. Huntsman & Sons, London
Today marks the birthday of Gregory Peck, born April 5, 1916. Peck’s arguably most iconic role was that of the patient, humble, and earnest defense attorney Atticus Finch, a portrayal that earned Peck the Academy Award and was voted the #1 screen hero of all time in a 2003 AFI poll, outranking cinematic badasses like James Bond, Indiana Jones, and Ellen Ripley and illustrating that the most heroic strength is strength of moral character.
Kenneth Branagh as Hercule Poirot, obsessive-compulsive Belgian detective
Orient Express, Winter 1934
Film: Murder on the Orient Express
Release Date: November 10, 2017
Director: Kenneth Branagh
Costume Designer: Alexandra Byrne
WARNING! Spoilers ahead!
Readers who have seen my posts focused on adaptations of And Then There Were None, Death on the Nile, and Evil Under the Sun are likely aware that I’ve been a fan of Agatha Christie’s mystery fiction since I was 10 years old. Thus, it’s a continued thrill to find her works thriving as studios on both sides of the pond continue to churn out lavish adaptations of her work a full century after she introduced the world to Hercule Poirot with the publication of her first novel, The Mysterious Affair at Styles, in 1920. In particular, David Suchet has been performing yeoman’s work as the quintessential Poirot across 70 episodes of an ITV-produced drama series that successfully—and relatively faithfully—adapted every novel and story that prominently featured Christie’s master detective.
In the spirit of contemporary BBC adaptations like The ABC Murders, And Then There Were None, Ordeal by Innocence, and The Pale Horse, Kenneth Branagh helmed what’s now the fourth adaptation of Murder on the Orient Express, arguably Christie’s best-known novel famous for its then-groundbreaking solution. Continue reading
Sean Connery as James Bond, British government agent
en route Washington, D.C., Fall 1964
Release Date: September 18, 1964
Director: Guy Hamilton
Tailor: Anthony Sinclair
Wardrobe Supervisor: Elsa Fennell
WARNING! Spoilers ahead!
Following up on Saturday’s post about Frank Sinatra’s jet-setting style in the early ’60s, let’s see how a contemporary style icon dressed for a private flight of his own. As it’s the first 00-7th of the month in 2020, it seems only appropriate to check in with the first James Bond—Sean Connery! (Barry Nelson notwithstanding.)
Frank Sinatra, multi-talented entertainer and Rat Pack crooner
Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.
Sixty two years ago this week, on January 6, 1958, Frank Sinatra released his ninth concept album for Capitol Records, Come Fly With Me. Anchored by the title track specifically penned for Frank by Sammy Cahn and Jimmy Van Heusen, the album celebrated the contemporary Jet Age, specifically the chic “jet setters” who were able to afford the luxurious amenities offered by BOAC and Pan Am flights that would spirit them between London and New York, Paris and Rome, and Hong Kong and Tokyo.
The album, which was Sinatra’s first collaboration with arranger and conductor Billy May, ascended like a state-of-the-art Boeing to #1 on the Billboard album charts in only its second week and would be nominated for Album of the Year at the first annual Grammy Awards, held May 4, 1959, at the Beverly Hilton Hotel in Los Angeles.
In the spirit of Frank’s musical trip around the world on this #SinatraSaturday, let’s take a look at how the Rat Pack leader himself dressed “where the air is rarified…” Continue reading
James Cagney as Tom Powers, dangerous gangster and bootlegger
Chicago, Spring 1920
Film: The Public Enemy
Release Date: April 23, 1931
Director: William A. Wellman
Costume Designer: Edward Stevenson
Wardrobe Credit: Earl Luick
WARNING! Spoilers ahead!
Today is the 86th anniversary of the 21st Amendment that repealed Prohibition, the 13-year ban on the manufacture and sale of alcoholic beverages in the United States. Even before Prohibition was repealed on December 5, 1933, the wave of organized crime it inspired across the country was a popular subject for movies of the era, with Warner Brothers taking the lead with hits like Little Caesar, The Public Enemy, and Scarface that made stars out of intense actors like Edward G. Robinson and James Cagney.
The latter was particularly renowned for his performance in The Public Enemy, a “ripped-from-the-headlines” tour de force of violence based on an unpublished novel written by two former newspapermen who had witnessed firsthand the impact of Al Capone’s brutal stronghold on Chicago during the beer wars of the roaring ’20s.
As #CarWeek continues, let’s flash back to the Prohibition era as Cagney’s Tom Powers hopes to make an impression with his new tailored suits and shiny new touring convertible. Continue reading