Category: Black Tie
Rod Taylor’s Velvet-Trimmed Dinner Jacket in The Glass Bottom Boat
Vitals
Rod Taylor as Bruce Templeton, charismatic aerospace lab chief
Long Beach, California, Spring 1966
Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)
Background
In honor of Aussie actor Rod Taylor’s birthday on January 11, 1930, today’s post explores the first movie of his that I’d seen. The Glass Bottom Boat reteamed Taylor with Doris Day after their collaboration the previous year in Do Not Disturb, this time in a Cold War-era romantic comedy where Doris’ PR flack is suspected of being a spy sent by Mother Russia to seduce scientific secrets out of Bruce Templeton, the debonair head of a NASA research facility.
Mad Men: Don Draper’s Decade of Black Tie
Vitals
Jon Hamm as Don Draper, mysterious and award-winning Madison Avenue ad man
Series: Mad Men
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Background
Only three days left in 2020! The tradition of gents wearing black tie on New Year’s Eve, popularized in movies like the 1960 Rat Pack classic Ocean’s Eleven, seems to have fallen out of favor among the general population as standards of formality have decreased. However, given how excited many will be to see 2020 come to an end may herald a resurgence in dinner jackets and tuxedoes as many celebrate the new year in private.
On #MadMenMonday, we can take a few style tips from the enigmatic Don Draper on assembling a classic black tie ensemble from his half-dozen screen-worn dinner jackets. Continue reading
Leonardo DiCaprio’s Black Tie in The Great Gatsby
Vitals
Leonardo DiCaprio as Jay Gatsby, eagerly romantic millionaire and bootlegger
Long Island, New York, Summer 1922
Film: The Great Gatsby
Release Date: May 10, 2013
Director: Baz Luhrmann
Costume Designer: Catherine Martin
Background
On the eve of F. Scott Fitzgerald’s birthday, let’s look at the most recent major adaptation of his most famous work, The Great Gatsby. Fitz’s 1925 novel had been adapted for the big screen at least four times before Baz Luhrmann directed his colorful spectacle during the past decade.
Timothy Dalton’s Shawl-Collar Dinner Jacket in The Living Daylights

Timothy Dalton as James Bond in The Living Daylights (1987). Source: thunderballs.org.
Vitals
Timothy Dalton as James Bond, British government agent
Bratislava, Fall 1986
Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls
Background
Happy birthday to Timothy Dalton, born 74 years ago today on March 21, 1946! To celebrate the Welsh actor’s birthday, I want to revisit Dalton’s debut as James Bond, bringing a serious, Ian Fleming-influenced approach two decades before Daniel Craig would approach the role in a similar manner.
Dalton had long been a contender for the role, turning it down twice due to his youth when the filmmakers sought a replacement for Sean Connery and then for George Lazenby. When it was unclear if Roger Moore would return for his trio of 007 films in the ’80s, Dalton’s name came up each time, but it wasn’t until Pierce Brosnan was contractually obligated to turn down the role to return to Remington Steele in 1986 that a pathway was finally opened for Dalton, then 40 years old and seasoned enough to play the agent, to slip into Bond’s finely tailored dinner jacket for The Living Daylights. Continue reading
Cary Grant’s Final Screen Tuxedo in That Touch of Mink
Vitals
Cary Grant as Philip Shayne, smooth, sophisticated, and suave investment executive and “perfect gentleman”
Bermuda, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Tailor: Cardinal Clothes (credited “for Cary Grant’s suits”)
Background
To commemorate the birthday of Cary Grant, born on this day in 1904, let’s celebrate the debonair actor who was seemingly born to wear a tuxedo. After three decades of a well-tailored career, the erstwhile Archie Leach sported his final on-screen dinner suit in the romantic comedy That Touch of Mink released in 1962, the same year as the first James Bond movie was released, thus heralding the transfer of the definitive screen dinner suit-wearer to 007. Continue reading
Pal Joey: Sinatra’s Red Fleck Mess Jacket
Vitals
Frank Sinatra as Joey Evans, womanizing nightclub singer
San Francisco, Spring 1957
Film: Pal Joey
Release Date: October 25, 1957
Director: George Sidney
Costume Designer: Jean Louis
Background
Joey Evans’s first night with the band finds him already complicating his romantic life, balancing his attraction to the demure singer Linda English (Kim Novak) with the vivacious ex-stripper Vera Prentice-Simpson (Rita Hayworth) when the band is hired to play a gig at Vera’s place as a fundraise for the local children’s hospital.
Cary Grant’s Tuxedo in Indiscreet
Vitals
Cary Grant as Philip Adams, sophisticated playboy economist
London, Fall 1957 to Spring 1958
Film: Indiscreet
Release Date: June 26, 1958
Director: Stanley Donen
Tailor: Quintino
Background
Happy birthday to the great Cary Grant, born 115 years ago today on January 18, 1904, in Bristol, England. Born Archibald Leach before he assumed his catchier stage name, Grant’s signature screen presence blended his self-deprecating sense of humor with peerless suavity in both attitude and style. Grant’s popularity during the mid-20th century and the height of the dinner suit’s ubiquity meant the debonair actor would don a tuxedo almost as frequently as James Bond… and it’s not surprising to hear that Grant was an early contender for the role of 007, at least in the mind of the character’s creator Ian Fleming.
Between 1955 and 1962, Grant starred in seven contemporary-set films that didn’t require him to be in military uniform; of these, he sported a tuxedo in all but one (the lone exception, North by Northwest, featured the actor wearing arguably the most famous suit in movie history so there was little need for black tie.) In the middle of this impressive and stylish run of movies is Indiscreet, a Stanley Donen-directed romantic comedy that earned Grant his first of five Golden Globe nominations. Continue reading
The Lady Eve: Henry Fonda’s White Dinner Jacket
Vitals
Henry Fonda as Charles “Hopsie” Pike, brewery heir and ophidiologist
SS Southern Queen, sailing north from South America,
August 1940
Film: The Lady Eve
Release Date: February 25, 1941
Director: Preston Sturges
Costume Designer: Edith Head
Men’s Wardrobe: Richard Bachler
Background
To celebrate the birthday today of my wonderful, patient, and charming girlfriend, I’d like to highlight the elegant evening wear worn by Henry Fonda in The Lady Eve, a classic screwball comedy that I first discovered with her family. Continue reading
Bond’s White Dinner Jacket in Diamonds are Forever

Sean Connery and Lana Wood in the seventh James Bond film, Diamonds are Forever (1971), filmed and set in Las Vegas.
Vitals
Sean Connery as James Bond, British government agent
Las Vegas, Spring 1971
Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair
Background
It’s Friday the 13th! Considered an unlucky day by some, this summer occurrence feels like just the right time to follow James Bond as he tests his own luck in a Las Vegas casino in Diamonds are Forever, the 1971 film that convinced Sean Connery to portray the British secret agent one more time.
Luck appears to be initially on 007’s side as he wins $50,000 at craps and makes the acquaintance of the voluptuous Plenty O’Toole (Lana Wood).
Reilly, Ace of Spies: A Notch-Lapel Dinner Jacket
Vitals
Sam Neill as Sidney Reilly, shrewd British agent and anti-Bolshevik
St. Petersburg, Russia, October 1910, and
London, November 1918
Series: Reilly: Ace of Spies
Episodes:
– “Dreadnoughts and Doublecrosses” (Episode 6), dir. Jim Goddard, aired 10/5/1983
– “After Moscow”(Episode 9), dir. Martin Campbell, aired 10/26/1983
Costume Designer: Elizabeth Waller
Background
Reilly: Ace of Spies fictionalizes the exploits of Russian-born spy Sidney Reilly, often cited as a real-life basis for Ian Fleming’s James Bond. While the showrunners must have been cognizant of the need to place their suave British secret agent in a tuxedo, the series’ narrative also coincided with the rise of the dinner jacket over the first quarter of the 20th century.