Tagged: Businessman
Punch-Drunk Love: Barry’s Blue Suit
Vitals
Adam Sandler as Barry Egan, anxious novelty swag entrepreneur
San Fernando Valley (and Hawaii), Spring 2002
Film: Punch-Drunk Love
Release Date: October 11, 2002
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
Background
Though it would be widely released in theaters five months later, today marks the 20th anniversary of when Paul Thomas Anderson’s offbeat romantic comedy Punch-Drunk Love premiered at Cannes in May 19, 2002.
A fan of his work in lower-brow ’90s comedies like Billy Madison, Happy Gilmore, and The Waterboy, Anderson had been interested in collaborating with Adam Sandler, sensing the greater dramatic potential under his distinctive comedic signature. The unconventional casting choice baffled entertainment journalists and even Sandler himself, though he delivered a career-high performance as Punch-Drunk Love‘s central character, Barry Egan. Continue reading
Spencer Tracy’s Black Suit in Guess Who’s Coming to Dinner
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Spencer Tracy as Matt Drayton, newspaper editor
San Francisco, Spring 1967
Film: Guess Who’s Coming to Dinner
Release Date: December 12, 1967
Director: Stanley Kramer
Costume Designer: Joe King
Background
Considered one of the greatest actors in Hollywood history by audiences and peers, Spencer Tracy was born 122 years ago on April 5, 1900 in Milwaukee. His prolific career that spanned nearly half a century culminated with his final role in Guess Who’s Coming to Dinner, for which he received his ninth and final Academy Award nomination (one of ten that the film received), a posthumous honor as Tracy had died only 17 days after completing his work. Continue reading
The Sopranos: Tony’s “Kevin Finnerty” Navy Blazer
Vitals
James Gandolfini as Anthony Soprano, precision optics salesman with an uncanny resemblance to heating systems merchant Kevin Finnerty
Costa Mesa, California, Spring 2006
Series: The Sopranos
Episodes:
– “Join the Club” (Episode 6.02, dir. David Nutter, aired 3/19/2006)
– “Mayham” (Episode 6.03, dir. Jack Bender, aired 3/26/2006)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Who am I? Where am I going?
Sixteen years ago this week, The Sopranos first aired what became one of my favorite arcs from TV, exploring the mysterious, mythical adventures of the unconscious Tony Soprano, reborn as a de-Jersey-fied defense optics salesman on a surreal business trip in Costa Mesa. Continue reading
Marnie: Sean Connery’s Beige Herringbone Tweed Suit
Vitals
Sean Connery as Mark Rutland, publisher
Philadelphia to Baltimore, Spring 1964
Film: Marnie
Release Date: July 22, 1964
Director: Alfred Hitchcock
Costume Designer: Edith Head
Men’s Costumes: James Linn
WARNING! Spoilers ahead!
Background
Months before Goldfinger was released and cemented Bond-mania among the cinematic zeitgeist of the 1960s, Sean Connery got the opportunity to show audiences that he was capable of more than just suave secret-agenting with the back-to-back releases of thrillers Woman of Straw and Marnie. The latter has been celebrated as the better-regarded of the two, with some even calling it Alfred Hitchcock’s underappreciated masterpiece, though Hitch himself was more dismissive when discussing the work with François Truffaut:
I wasn’t convinced that Sean Connery was a Philadelphia gentleman. You know, if you want to reduce Marnie to its lowest common denominator, it is the story of the prince and the beggar girl. In a story of this kind you need a real gentleman, a more elegant man than what we had.
Say what you will about Connery’s performance, but I’ve considered Hitchcock’s criticism to be somewhat undeserved, particularly considering that the adaptation of Winston Graham’s 1961 novel of the same name condensed the characters of Marnie’s husband, Mark Rutland, and the psychoanalyst that Mark forces Marnie to see. Thus, Connery’s characterization requires him to convincingly depict Mark as first a charismatic cad, then a manipulative rapist, and—ultimately—a quasi-therapist whose motives are depicted more through the lens of spousal support than domination. Given the challenge of the role, I believe Connery ably rose to the occasion, bringing out more savage sides of the character than we may have believed in the hands of Hitch’s erstwhile stalwarts like Cary Grant or Jimmy Stewart.
Wall Street: Meeting Gordon Gekko in Shirt Sleeves and Suspenders
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Michael Douglas as Gordon Gekko, smug and successful corporate raider
New York City, Spring 1985
Film: Wall Street
Release Date: December 11, 1987
Director: Oliver Stone
Costume Designer: Ellen Mirojnick
Tailor: Alan Flusser
Background
Happy birthday to Michael Douglas, the actor, producer, and activist born September 25, 1944, who may be most famous for his iconic Academy Award-winning performance as ruthless financier Gordon Gekko in Wall Street.
Gregory Peck as The Man in the Gray Flannel Suit
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Gregory Peck as Tom Rath, hardworking business writer haunted by his war service
New York City and suburban Connecticut, Fall 1955
Film: The Man in the Gray Flannel Suit
Release Date: April 12, 1956
Director: Nunnally Johnson
Wardrobe Director: Charles Le Maire
WARNING! Spoilers ahead!
Background
Born 105 years ago today on April 5, 1916, Gregory Peck enjoyed one of his most celebrated—and notably tailored—performances in The Man in the Gray Flannel Suit, Nunnally Johnson’s 1956 adaptation of the Sloan Wilson novel of the same name.
Die Hard: Takagi’s “John Phillips” Suit
Vitals
James Shigeta as Joe Takagi, Nakatomi Corporation executive
Los Angeles, Christmas 1987
Film: Die Hard
Release Date: July 15, 1988
Director: John McTiernan
Costume Designer: Marilyn Vance
WARNING! Spoilers ahead!
Background
My latest post focused on yet another chaotic Christmas party on The Office, though the drama of Dunder Mifflin’s holiday celebrations pale in comparison to how the employees of the Nakatomi Corporation are forced to spend Christmas Eve in Die Hard.
James Shigeta kicked off #Noirvember last month when I focused on his style in The Crimson Kimono so, in the spirit of the yuletide season, let’s revisit the actor via his arguably most memorable role as the stylish, unflappable, and ultimately doomed head of the Nakatomi Corporation.
Joseph Yoshinobu Takagi, born Kyoto, 1937. Family emigrated to San Pedro, California, 1939. Interned, Manzanar, 1942 to ’43. Scholarship student, University of California, 1955. Law degree, Stanford, 1962. MBA, Harvard, 1970. President, Nakatomi Trading. Vice Chairman, Nakatomi Investment Group… and father of five.
Steve McQueen’s Chalkstripe Suit as Thomas Crown

Steve McQueen as Thomas Crown in The Thomas Crown Affair (1968). Note that he dresses his wrist with his Cartier Tank Cintrée rather than the Patek Philippe pocket watch he wears for the actual scene.
Vitals
Steve McQueen as Thomas Crown, millionaire criminal mastermind
Switzerland, June 1968
Film: The Thomas Crown Affair
Release Date: June 19, 1968
Director: Norman Jewison
Costume Designer: Alan Levine
Tailor: Douglas Hayward
Background
I recently had the pleasure to join Pete Brooker and Matt Spaiser (of Bond Suits) on their excellent podcast From Tailors with Love for an entertaining and informative discussion of Steve McQueen’s suits and style in The Thomas Crown Affair. If you’re not already a subscriber, you can follow the fun via iTunes, Spotify, or Stitcher, and check out highlights from yours truly’s appearance on the latest episode here. Continue reading
Jack Lemmon’s Double-Breasted Date Blazer in Avanti!
Vitals
Jack Lemmon as Wendell Armbruster, Jr., bitter Baltimore businessman
Ischia, Bay of Naples, Summer 1972
Film: Avanti!
Release Date: December 17, 1972
Director: Billy Wilder
Wardrobe Supervisor: Annalisa Nasalli-Rocca
Background
“I guess there is something to what it says in the tourist guide… it says Italy is not a country, it’s an emotion,” says Pamela Piggott (Juliet Mills), laying naked on a rock surrounded by sun and sea next to an equally bare but considerably more nervous Wendell Armbruster, Jr., who exclaims in response, “Well, it’s certainly been an experience!”
Despite the context, the two aren’t yet lovers, instead brought to the romantic bay of Naples after the death of Wendell’s father and Pamela’s mother who, as they learn, had been enjoying a decade-long extramarital affair. While not among the more celebrated of Jack Lemmon and Billy Wilder’s seven cinematic collaborations, Avanti! is a fitting and still entertaining work as both actor and director were maturing in their age and career. “Billy Wilder’s last great comic romance is an Italian vacation soaked in music, food, scenery and sunshine,” wrote Glenn Erickson in his excellent review for Trailers from Hell. “It’s the best movie ever about Love and Funerals.”
Gary Cooper’s Picnic Blazer and Day Cravat in Love in the Afternoon
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Gary Cooper as Frank Flannagan, wealthy playboy industrialist
Yvelines, France, Summer 1957
Film: Love in the Afternoon
Release Date: May 29, 1957
Director: Billy Wilder
Costume Designer: Jay A. Morley, Jr. (uncredited)
Background
April 23 is celebrated as National Picnic Day, an observance that can still be observed in relative isolation for those willing and able to safely venture outdoors. The word “picnic” derives from the late 17th century French word pique-nique that had originally described restaurant diners who brought their own wine, essentially an early form of BYOB. In the years following the French revolution, the word took on its more familiar connotation as the country’s royal parks were opened to the greater public, who would spend hours and even days preparing lavish luncheons for outdoor dining. Given this French association, let’s check in on two classic film stars enjoying a picnic near Château de Vitry in the 1957 romantic comedy Love in the Afternoon.