Tagged: Directed by Billy Wilder
Sunset Boulevard: William Holden’s New Year’s Evening Dress
William Holden and Gloria Swanson in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, “well-known screenwriter, uranium smuggler, and Black Dahlia suspect”
Los Angeles, New Year’s Eve 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Happy New Year! Billy Wilder’s iconic 1950 noir Sunset Blvd. features one of the most lavish yet depressing celebrations of this holiday, as the washed-up “silent movie queen” Norma Desmond (Gloria Swanson) organizes an intimate evening with her latest obsession, desperate screenwriter Joe Gillis.
“It was at her New Year’s party that I found out how she felt about me,” Joe narrates. “Maybe I’d been an idiot not to have sensed it was coming… that sad, embarrassing revelation.”
Clad in the new full evening tailcoat and white tie that Norma purchased for him, Joe strolls into Norma’s ballroom for the party… only to discover that he’s the only guest. Following an awkward tango, the two quarrel when he demands that she not fall in love with him. With less than an hour to midnight, Joe abandons the house “to be with people my own age… I had to hear somebody laugh again.” Continue reading
Humphrey Bogart’s Blazer at Sea in Sabrina
Humphrey Bogart and Audrey Hepburn in Sabrina (1954)
Vitals
Humphrey Bogart as Linus Larrabee, industrious businessman
Long Island, New York, Summer 1954
Film: Sabrina
Release Date: September 3, 1954
Director: Billy Wilder
Costume Supervisor: Edith Head
WARNING! Spoilers ahead!
Background
The talent-laden Sabrina was released in the United States 70 years ago today on September 23, 1954, debuting in New York and Los Angeles twenty days after its Toronto premiere on September 3rd. Directed by the prolific Billy Wilder, the romantic comedy stars Audrey Hepburn as the titular Sabrina Fairchild who finds herself romanced by the opposing Larrabee brothers: playboy David (William Holden) and workaholic Linus (Humphrey Bogart). Continue reading
Sunset Boulevard: William Holden’s Mini-Check Sport Jacket and “Dreadful Shirt”
William Holden as Joe Gillis in Sunset Boulevard (1950)
Vitals
William Holden as Joe Gillis, struggling screenwriter
Los Angeles, Fall 1949
Film: Sunset Boulevard
Release Date: August 10, 1950
Director: Billy Wilder
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
Noirvember continues with Sunset Boulevard, one of the great films noir that shines a light—or, more appropriately, casts a shadow—on the darker side of Hollywood, a theme popular with contemporary dramas like In a Lonely Place (1950) and The Bad and the Beautiful (1952), with an added verisimilitude through mentions of real studios like 20th Century Fox and Paramount Pictures—who, of course, produced Sunset Boulevard—and cameos from Cecil B. DeMille, Hedda Hopper, and Buster Keaton.
William Holden stars as Joe Gillis, who describes himself in the opening narration as “a movie writer with a couple of B pictures to his credit.” On “the day when it all started,” Joe recounts living in a seedy one-room Hollywood apartment where he owes three months back rent, grinding out two original screenplays a week and fretting that he’s lost his touch. Three payments behind on his Plymouth, his screenplays aren’t selling, and his agent isn’t willing to help, instead insisting that “the finest things on the world have been written on an empty stomach,” though that may be just to get out of having to lend his client the $290 he needs to keep his car. Continue reading
The Seven Year Itch: Tom Ewell’s Beige Silk Summer Suit
Tom Ewell and Marilyn Monroe in The Seven Year Itch (1955)
Vitals
Tom Ewell as Richard Sherman, imaginative publishing executive and a self-described “foolish, well-to-do married man”
New York City, Summer 1955
Film: The Seven Year Itch
Release Date: June 3, 1955
Director: Billy Wilder
Costume Designer: Travilla
Wardrobe Director: Charles Le Maire
Men’s Wardrobe: Sam Benson
WARNING! Spoilers ahead!
Background
Born 97 years ago today on June 1, 1926, Hollywood icon Marilyn Monroe may be indelibly associated with the iconic image of the star’s white dress being blown upwards by a subway grate on Lexington Avenue. The much-photographed moment was part of a scene in The Seven Year Itch, which premiered on Monroe’s 29th birthday before its wider release later that month.
The title and concept were inspired by a then-common psychological term for the period in a marriage when a partner’s eye supposedly begins to wander, aligned with the mid-20th century practice of wives and children traveling to the country or seaside for the summer while their husbands remain in the city to work… though The Seven Year Itch proposes that their work was more focused on bedrooms than boardrooms. (Mad Men fans may recall a relevant plot from the first season episode “Long Weekend”, set during Labor Day 1960.)
After shipping his wife Helen and son Ricky up to Maine, our protagonist Richard Sherman seems to think he’s above that level of sleaze… until a falling tomato plant introduces him to The Girl, a voluptuous blonde living upstairs in a neighboring couple’s apartment for the summer:
Boy, if anybody were to walk in here right now, would they ever get the wrong idea… cinnamon toast for two, strange blonde in the shower, you go explain that to someone. Don’t tell ’em you spent the whole night wrapping a paddle!
Inexplicably billed as “Tommy Ewell”, Tom Ewell reprised the role he originated on Broadway as Richard Sherman. Viennese-born actress Vanessa Brown (who had an IQ of 165 and whose family fled Europe in 1937 to avoid Nazi persecution) had played The Girl on stage, but the part was recast for the screen, in turn providing Marilyn Monroe with one of her most enduring performances. Interestingly, there were several actors considered to play Richard before the part went to Ewell, who had already won a Tony for his stage portrayal and wasn’t expecting to be cast. Despite that, there was never any question that The Girl would be played on screen by anyone but Monroe. Continue reading
William Holden in Stalag 17
In recognition of POW/MIA Day, observed on the third Friday of September, let’s delve into one of the first major movies to shine a light on the POW experience.
William Holden as Staff Sergeant J.J. Sefton in Stalag 17 (1953)
Vitals
William Holden as J.J. Sefton, USAAF Staff Sergeant and prisoner of war
“Somewhere on the Danube”, December 1944
Film: Stalag 17
Release Date: May 29, 1953
Director: Billy Wilder
Wardrobe Credit: J. Allen Slone
Background
I don’t know about you, but it always makes me sore when I see those war pictures… all about flying leathernecks and submarine patrols and frogmen and guerrillas in the Philippines. What gets me is there never was a movie about POWs… about prisoners of war.
… and so Clarence Harvey Cook (Gil Stratton) begins his narration, setting the scene for the week leading up to Christmas 1944 when he and his fellow downed colleagues discovered a potential informant—er, a “dirty stinkin’ stoolie”—in their barracks.
After two airmen are shot trying to escape, suspicion eventually falls on J.J. Sefton, the cigarette-dealing but cigar-chomping staff sergeant whose cynicism has already rendered him unpopular with most of the Americans aside from Cookie, who serves as Sefton’s unofficial batman and describes him as “one of the most unforgettable ch-characters you’ve ever met.” Continue reading
Dean Martin in Kiss Me, Stupid
Dean Martin in Kiss Me, Stupid (1964)
Vitals
Dean Martin as Dino, smooth crooner with a passion for booze, golf, and women
Between Las Vegas and Los Angeles, Fall 1964
Film: Kiss Me, Stupid
Release Date: December 22, 1964
Director: Billy Wilder
Wardrobe Credit: Irene Caine & Wesley Jeffries
Tailor: Sy Devore
WARNING! Spoilers ahead!
Background
To celebrate the legendary Dean Martin, born on this day in 1917 in Steubenville, Ohio, today’s post explores when the chsaismatic Italian-American entertainer played… himself! Continue reading
Jack Lemmon’s Double-Breasted Date Blazer in Avanti!
Jack Lemmon as Wendell Armbruster Jr. in Avanti! (1972)
Vitals
Jack Lemmon as Wendell Armbruster, Jr., bitter Baltimore businessman
Ischia, Bay of Naples, Summer 1972
Film: Avanti!
Release Date: December 17, 1972
Director: Billy Wilder
Wardrobe Supervisor: Annalisa Nasalli-Rocca
Background
“I guess there is something to what it says in the tourist guide… it says Italy is not a country, it’s an emotion,” says Pamela Piggott (Juliet Mills), laying naked on a rock surrounded by sun and sea next to an equally bare but considerably more nervous Wendell Armbruster, Jr., who exclaims in response, “Well, it’s certainly been an experience!”
Despite the context, the two aren’t yet lovers, instead brought to the romantic bay of Naples after the death of Wendell’s father and Pamela’s mother who, as they learn, had been enjoying a decade-long extramarital affair. While not among the more celebrated of Jack Lemmon and Billy Wilder’s seven cinematic collaborations, Avanti! is a fitting and still entertaining work as both actor and director were maturing in their age and career. “Billy Wilder’s last great comic romance is an Italian vacation soaked in music, food, scenery and sunshine,” wrote Glenn Erickson in his excellent review for Trailers from Hell. “It’s the best movie ever about Love and Funerals.”
Gary Cooper’s Picnic Blazer and Day Cravat in Love in the Afternoon
Gary Cooper and Audrey Hepburn in Love in the Afternoon (1957)
Vitals
Gary Cooper as Frank Flannagan, wealthy playboy industrialist
Yvelines, France, Summer 1957
Film: Love in the Afternoon
Release Date: May 29, 1957
Director: Billy Wilder
Costume Designer: Jay A. Morley, Jr. (uncredited)
Background
April 23 is celebrated as National Picnic Day, an observance that can still be observed in relative isolation for those willing and able to safely venture outdoors. The word “picnic” derives from the late 17th century French word pique-nique that had originally described restaurant diners who brought their own wine, essentially an early form of BYOB. In the years following the French revolution, the word took on its more familiar connotation as the country’s royal parks were opened to the greater public, who would spend hours and even days preparing lavish luncheons for outdoor dining. Given this French association, let’s check in on two classic film stars enjoying a picnic near Château de Vitry in the 1957 romantic comedy Love in the Afternoon.
The Apartment: Jack Lemmon’s New Suit and Bowler
Jack Lemmon as C.C. Baxter in The Apartment (1960)
Vitals
Jack Lemmon as C.C. “Bud” Baxter, mild-mannered insurance accountant
New York City, Christmas Eve through New Year’s Eve 1959
Film: The Apartment
Release Date: June 30, 1960
Director: Billy Wilder
Men’s Wardrobe: Forrest T. Butler (uncredited)
WARNING! Spoilers ahead!
Background
The Apartment stars one of my favorite actors, Jack Lemmon, as bored, lonely office drone Calvin Clifford Baxter who, after nearly four years at the toxic Manhattan insurance company where he works (“one of the top five in the country!” he boasts), manages to climb the corporate ladder by lending out his West 67th Street apartment to his superiors for their extramarital affairs… though many of them don’t regard him any higher than “some schnook who works in the office.”
Fred MacMurray’s Flannel Sport Suit in Double Indemnity
Fred MacMurray as Walter Neff in Double Indemnity (1944)
Vitals
Fred MacMurray as Walter Neff, slick insurance salesman
Los Angeles, May through July 1938
Film: Double Indemnity
Release Date: July 3, 1944
Director: Billy Wilder
Costume Designer: Edith Head
Background
What’d you think I was, anyway? A guy that walks into a good-lookin’ dame’s front parlor and says, “Good afternoon, I sell accident insurance on husbands. You got one that’s been around too long, one you’d like to turn into a little hard cash? Just give me a smile and I’ll help you collect?”
Let’s finally kick off Noir-vember with the quintessential film noir, Double Indemnity, the quotable masterpiece from the pen of James M. Cain, adapted for Billy Wilder’s screen direction by pulp writer Raymond Chandler and photographed by inventive cinematographer John F. Seitz. Double Indemnity is the one that has it all: the seductive femme fatale (Barbara Stanwyck), the wisecracking protagonist willing to murder for her (Fred MacMurray), and the intrepid investigator, though in this case it’s not a trench coated private detective but an energetic, experienced, and irascible insurance claims manager played by Edward G. Robinson at his best.
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