Tagged: Gangster
The Irishman: De Niro’s Burgundy Christmas Blazer
Robert De Niro flanked by co-star Stephanie Kurtzuba and director Martin Scorsese on the set of The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
Philadelphia, Christmas 1960
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Background
Last year’s holiday season, there was plenty of buzz around The Irishman, Martin Scorsese’s latest mob epic which had been released to Netflix following a brief limited theatrical run. At 209 minutes, The Irishman clocked in as Scorsese’s longest movie to date, following real-life enforcer Frank Sheeran (Robert de Niro) through his connections to the mob via Philadelphia boss Russell Bufalino (Joe Pesci) and his friendship with outspoken labor leader Jimmy Hoffa (Al Pacino).
Everything seems to change for the boys after the Kennedy administration puts the mob in the government’s crosshairs, but they get one final moment of peace at Christmas 1960, just less than a month before JFK would take office. Frank and Russell gather with their families for an intimate holiday celebration where the only real tension is Frank’s 11-year-old daughter Peggy withholding her affection for the Bufalino patriarch, refusing to see him as a benevolent “Uncle Russell” despite his Christmas gift of skates lined with a C-note.
On #MafiaMonday with just a week until Christmas, let’s look a little deeper at Frank Sheeran’s seasonal style during this brief holiday scene. Continue reading
Donnie Brasco: Pacino’s Red Christmas Tracksuit
Al Pacino as Benjamin “Lefty” Ruggiero in Donnie Brasco (1997)
Vitals
Al Pacino as Benjamin “Lefty” Ruggiero, washed-up Mafia soldier
New York City, Christmas 1978
Film: Donnie Brasco
Release Date: February 28, 1997
Director: Mike Newell
Costume Designer: Aude Bronson-Howard & David C. Robinson
Background
Like The Godfather and Goodfellas, Donnie Brasco follows the tradition of great Mafia movies by featuring some Cosa Nostra Christmas celebrations. The frequency with which the holidays appear in mob cinema is no coincidence, as Catholic traditions are very important to we Italian-Americans.
Donnie Brasco features a casual Christmas on Mulberry Street, perhaps more reflective than the Phil Spector-scored Goodfellas party of how many yuletide observances will look in 2020. Continue reading
The Godfather, Part III: Vincent Mancini’s Leather Jacket
Andy Garcia as Vincent Mancini in The Godfather, Part III (1990)
Vitals
Andy Garcia as Vincent Mancini, hotheaded mob enforcer
New York City, Spring 1979
Film: The Godfather Part III
Release Date: December 25, 1990
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Caddyshack II.
Speed 2: Cruise Control.
Jaws 4: The Revenge.
The Godfather, Part III.
Francis Ford Coppola’s conclusion to the saga of the Corleone family may not be as bad as its fellow reviled franchise continuations, but it was certainly among the more disappointing given the quality and prestige of The Godfather‘s first two installments. Coppola sought to rectify its reputation with Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone, a recut and restructured version released this month to coincide with the 30th anniversary of The Godfather, Part III‘s original theatrical release. The limited theatrical run of Coda began on Friday, December 4, and will be scheduled to release to streaming services and home video on Tuesday, December 8.
“In musical term, a coda is sort of like an epilogue, a summing up, and that’s what we intended the movie to be,” explained Coppola. “You’ll see a film which has a different beginning and ending, many scenes throughout have been repositioned, and the picture has been given, I think, a new life.” Continue reading
Tony Soprano’s Black Bullethole Shirt in “The Weight”
James Gandolfini as Tony Soprano on The Sopranos (Episode 4.04: “The Weight”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Fall 2001
Series: The Sopranos
Episode: “The Weight” (Episode 4.04)
Air Date: October 6, 2002
Director: Jack Bender
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
I know it’s only been a week since my last post about the style of The Sopranos, but I have a great reason for returning to my favorite show as today happens to be the birthday of my friend Gabe, the hardworking curator of @tonysopranostyle on Instagram. Having attained more than 30,000 followers in less than a year on the platform, @tonysopranostyle remains an authoritative and entertaining source of information for everything James Gandolfini wore during his iconic tenure portraying the boss of the New Jersey Mafia, from his boldly printed shirts and velvet tracksuits to his gold jewelry and cigars.
Not just an expert, Gabe also puts his money where his mouth is, tracking down and purchasing many shirts in the original designs from the manufacturers who were sourced by costume designer Juliet Polcsa for the series. Gabe started his collection in late 2016 when, having read Christopher Hooton’s interview with Polcsa for The Independent, he used the brands cited by Polcsa to find a black Alan Stuart shirt with the same scattered abstract pattern that Gandolfini wore for a few scenes in the fourth season episode “The Weight”. Continue reading
The Sopranos: Paulie’s Black Velvet Tracksuit
Tony Sirico as “Paulie Walnuts” Gualtieri in “The Strong, Silent Type”, the tenth episode of the fourth season of The Sopranos.
Vitals
Tony Sirico as “Paulie Walnuts” Gualtieri, mob captain and Army veteran
New Jersey, Spring 2002 and Fall 2006
Series: The Sopranos
Episodes:
– “The Strong, Silent Type” (Episode 4.10, dir. Alan Taylor, aired 11/17/2002)
– “Moe n’ Joe” (Episode 6.10, dir. Steve Shill, aired 5/14/2006)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
November 21 was proclaimed World Television Day by the United Nations in 1996, so this Saturday evening feels like a fine opportunity to pop down in your favorite plastic-covered chair to read about one of the greatest TV shows of all time. And, as I discovered far too late in life, there are few outfits more comfortable for such indulgence than a velvet tracksuit.
I feel that I’ve demonstrated several times my appreciation for the once-in-a-lifetime character of Paulie Walnuts on The Sopranos, a perfect character for the world of the acclaimed series as well as a role that could have only been played by Tony Sirico, the Brooklyn-born actor and one-time “half a wiseguy” who lent his quirks, mannerisms, style, and even biographical details to the character.
Goodfellas: Henry’s Adidas Tracksuit in Prison
Ray Liotta as Henry Hill in Goodfellas (1990)
Vitals
Ray Liotta as Henry Hill, imprisoned New York mob associate
United States Penitentiary, Lewisburg, Fall 1975
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
Background
As an Italian-American with no known organized crime affiliations, I was always drawn to Goodfellas for how much I could resonate with the prominence of food—particularly Italian food—throughout my life, such as large family dinners with heaping portions of delicious pasta, sauce, and meats, usually with Dean Martin or Tony Bennett crooning from the hi-fi in the corner. In the spirit of that most relatable element from my favorite movie, I wish you all a Happy National Pasta Day! (And for those outside the United States, let’s all come together to celebrate World Pasta Day a week from now on October 25.)
Last month, as I was rounding up my 30 favorite style moments for Goodfellas‘ 30th anniversary, I realized it had been almost four years since I last explored any of Ray Liotta’s mobbed-up threads as famous turncoat Henry Hill. When I saw back-to-back celebrations of the Italian culinary tradition in October, I knew it was time to explore one of the most famous scenes from Martin Scorsese’s magnum opus.
The Sopranos: Paulie’s Black Leather-and-Suede Jacket
Tony Sirico as “Paulie Walnuts” Gualtieri in “Where’s Johnny?”, the third episode of the fifth season of The Sopranos.
Vitals
Tony Sirico as “Paulie Walnuts” Gualtieri, mob captain and Army veteran
New Jersey, early 2000s
Series: The Sopranos
Episodes:
– “From Where to Eternity” (Episode 2.09, dir. Henry J. Bronchtein, aired 3/12/2000)
– “Second Opinion” (Episode 3.07, dir. Tim Van Patten, aired 4/8/2001)
– “…To Save Us All from Satan’s Power” (Episode 3.10, dir. Jack Bender, aired 4/29/2001)
– “Army of One” (Episode 3.13, dir. John Patterson, aired 5/20/2001)
– “Mergers and Acquisitions” (Episode 4.08, dir. Dan Attias, aired 11/3/2002)
– “Whoever Did This” (Episode 4.09, dir. Tim Van Patten, aired 11/10/2002)
– “Where’s Johnny?” (Episode 5.03, dir. John Patterson, aired 3/21/2004)
– “The Ride” (Episode 6.09, dir. Alan Taylor, aired 5/7/2006)
– “Made in America” (Episode 6.21, dir. David Chase, aired 6/10/2007)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Heh, heh… happy #MafiaMonday, folks. In response to a request I received from a BAMF Style reader, today’s subject would be particularly recognizable for fans of The Sopranos as a sartorial signature from the wardrobe of the singular Paulie Walnuts.
Tony Soprano’s Gut-shot George Foreman Shirt in “Members Only”
James Gandolfini as Tony Soprano on The Sopranos (Episode 6.01: “Members Only”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
Newark, New Jersey, Spring 2006
Series: The Sopranos
Episode: “Members Only” (Episode 6.01)
Air Date: March 12, 2006
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Fans of The Sopranos are eagerly awaiting the release of David Chase’s prequel, The Many Saints of Newark, directed by Alan Taylor and set during the late 1960s. The movie was originally scheduled for release at the end of this week, but the coronavirus pandemic has delayed the release until March 2021. While it’s too soon for me to take a full look at the style of The Many Saints of Newark, @tonysopranostyle on Instagram has been comprehensively covering many of the outfits seen on set, including those worn by Jon Bernthal as Tony Soprano’s father “Johnny Boy” Soprano and by Michael Gandolfini as a teenage version of his father’s iconic TV character.
In recognition of what would have been James Gandolfini’s 59th birthday last Friday, today’s #MafiaMonday post explores a pivotal scene from the acclaimed series’ sixth season premiere. Continue reading
Goodfellas: 30 Significant Style Moments
Vitals
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Today marks the 30th anniversary since my favorite movie, Goodfellas, was released, ten days after it premiered to rave reviews at the 47th International Venice Film Festival. Based on the true story told in Nicholas Pileggi’s book Wiseguy, this Martin Scorsese-directed mob epic details a life in organized crime as recalled by Lucchese Mafia family associate-turned-informant Henry Hill (Ray Liotta), from his teenage years in the 1950s through adulthood until his arrest on May 11, 1980.
The ensemble cast includes Robert de Niro, Joe Pesci, Paul Sorvino, and Frank Sivero as Henry’s criminal colleagues and Lorraine Bracco as his wife and eventual accomplice.
Pesci, Liotta, and De Niro in Goodfellas.
Tony Soprano’s Chevron-Patterned Polo in “College”
James Gandolfini as Tony Soprano on The Sopranos (Episode 1.05: “College”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New England, Fall 1999
Series: The Sopranos
Episodes:
– “College” (Episode 1.05, dir. Allen Coulter, aired 2/7/1999)
– “Nobody Knows Anything” (Episode 1.11, dir. Henry J. Bronchtein, aired 3/21/1999)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
No man can wear one face to himself and another to the multitude without finally getting bewildered as to which may be true.
So preaches Hawthorne, seemingly speaking directly to Tony Soprano, in the denouement of the classic episode “College” (Episode 1.05) from the first season. Positioned as Bowdoin College’s most famous alum as Tony brings his daughter Meadow (Jamie-Lynn Sigler) to visit the campus, Nathaniel Hawthorne also acts as a moral anchor to our protagonist after an unprecedented act of violence.
The fall 2020 semester will be a surreal experience for many returning to school across the United States as colleges adapt to remote learning or limited exposure in response to the ongoing coronavirus pandemic, making the expected “back-to-school” keggers and social functions a relic of a not-so-distant past.
More than twenty years ago, audiences joined Meadow for her own surreal college experiences with a university tour with her father reveals more about him to her—and to the audience—than one would expect of the canned campus orientation. On August 22, the date established in-universe as Tony Soprano’s birthday (and creator David Chase’s actual birthday), let’s take a closer look at these pivotal scenes from the series’ first season. Continue reading