Tagged: Gangster
Tony Soprano’s Aloha Panel-Print Shirt in “Irregular Around the Margins”
James Gandolfini as Tony Soprano on The Sopranos (Episode 5.05: “Irregular Around the Margins”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
Newark, New Jersey, Spring 2004
Series: The Sopranos
Episode: “Irregular Around the Margins” (Episode 5.05)
Air Date: April 4, 2004
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Memorial Day weekend has traditionally been the unofficial start of the summer season with cookouts and amusement park openings, despite the solstice itself still being a month away. (Today also concludes Mental Health Awareness Week in the UK, highlighting a topic that anchors to The Sopranos‘ central narrative.)
Many spent time during self-isolation this spring to catch up on classic TV shows, with The Sopranos frequently cited as a show that people were re-watching or discovering for the first time. As we’re hopefully moving away from the weeks and months of social distancing, I want to take a look at one of many summer-friendly looks from the show’s central character, conflicted Jersey mob boss Tony Soprano played by James Gandolfini, who deservedly racked up three Emmy Awards among other accolades for his portrayal. Tony brings a summery sartorial spirit to a moment of isolated indoor frivolity in “Irregular Around the Margins”, the memorable fifth episode of The Sopranos‘ fifth season.
The Long Good Friday: Bob Hoskins’ White Striped Jacket
Bob Hoskins as Harold Shand in The Long Good Friday (1980)
Vitals
Bob Hoskins as Harold Shand, ambitious English gangster
London, Spring 1979
Film: The Long Good Friday
Release Date: November 3, 1980
Director: John Mackenzie
Costume Designer: Tudor George
WARNING! Spoilers ahead!
Background
Today is Good Friday, a liturgical observance often overshadowed by Easter but certainly not overlooked in the world of British gangster cinema thanks to The Long Good Friday. Considered among the top 25 British movies ever made in separate polls by BFI and Empire, The Long Good Friday has been a frequent request by BAMF Style readers including Dominic, Scott, and Wendi (and thank you, Wendi, for sending me the DVD copy used to source these screenshots!)
The title was intentionally chosen to suggest a tonal alignment with the works of Raymond Chandler, and our boisterous anti-hero, Harold Shand, would be a welcome presence in any noir. Specifically written for the actor, the role of Harold provided Bob Hoskins with his breakthrough performance as a London gangster seeking to take his enterprises in a legitimate direction, though he can’t outrun his criminal legacy as he finds his promising world collapsing among mob hits and bomb scares.
Tony Soprano’s Yachting Clothes in “Funhouse”
James Gandolfini as Tony Soprano on The Sopranos (Episode 2.13: “Funhouse”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Spring 2000
Series: The Sopranos
Episode: “Funhouse” (Episode 2.13)
Air Date: April 9, 2000
Director: Alan Taylor
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Things are good. What the fuck?
Tony Soprano can’t quite seem to believe his luck at the outset of “Funhouse”, the iconic second season finale that aired 20 years ago tonight and is considered to be among The Sopranos‘ finest hours.
All of Tony’s enemies have been vanquished in one way or another, he’s making boatloads of cash due to a lucrative calling card scam, and his daughter is graduating from high school with a promising future at a number of prestigious colleges. And yet, there’s something nagging at Tony Soprano… and it isn’t just the unfamiliar combination of a full Indian dinner followed by Artie Bucco’s potentially tainted zuppa di mussels that’s troubling his stomach.
Goodfellas: Tommy’s “Funny” Gray Silk Suit
Joe Pesci as Tommy DeVito in Goodfellas (1990)
Vitals
Joe Pesci as Tommy DeVito, volatile and violent Mafia associate
Brooklyn, New York, Summer 1963
Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno
Background
You mean, let me understand this cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how, I mean funny like I’m a clown, I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how? How am I funny?
Well, Tommy, it is April Fool’s Day. Continue reading
The Sopranos: Christopher’s Black Leather Blazer
Michael Imperioli with Drea de Matteo and Lola Glaudini on The Sopranos (Episode 4.02: “No Show”)
Vitals
Michael Imperioli as Christopher Moltisanti, Jersey mob acting capo
New Jersey, Fall 2002
Series: The Sopranos
Episodes:
– “No Show” (Episode 4.02, dir. John Patterson, aired 9/22/2002)
– “Whoever Did This” (Episode 4.09, dir. Tim Van Patten, aired 11/10/2002)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Happy birthday, Michael Imperioli! Born 54 years ago today in Mount Vernon, New York, the actor won an Emmy Award for his role of hotheaded Christopher Moltisanti on HBO’s The Sopranos.
With Paulie Walnuts out of commission while he serves a jail sentence in Youngstown (in fact, actor Tony Sirico was out for the first half of the fourth season due to back surgery), Silvio Dante (Steven Van Zandt) breaks the news to the Soprano family—somewhat begrudgingly—that Christopher has been chosen to temporarily take over as capo of Paulie’s crew.
The Irishman: Joe Pesci’s Tan Road Trip Sports Coat
Joe Pesci as Russell Bufalino in The Irishman (2019)
Vitals
Joe Pesci as Russell Bufalino, old-school northeast Pennsylvania Mafia boss
Philadelphia to Detroit, Summer 1975
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
WARNING! Spoilers ahead!
Background
Happy 77th birthday, Joe Pesci! The Newark-born actor emerged from nearly 20 years of retirement to again collaborate with director Martin Scorsese and star Robert De Niro in The Irishman, which is up for multiple Academy Awards tonight including Best Picture, Best Director, Best Costume Design, and Best Supporting Actor for both Pesci and his co-star Al Pacino.
Should Pesci take home the statue tonight, it would be his second Academy Award after he received a well-deserved Oscar for Best Supporting Actor recognizing his work in Goodfellas. Continue reading
Tony Soprano’s Red Knit Polo Shirts
James Gandolfini as Tony Soprano on The Sopranos (Episode 3.09: “The Telltale Moozadell”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Winter 2000-2002
Series: The Sopranos
Episodes:
– “Nobody Knows Anything” (Episode 1.11, dir. Henry J. Bronchtein, aired 3/21/1999)
– “The Telltale Moozadell” (Episode 3.09, dir. Dan Attias, aired 4/22/2001)
– “Pine Barrens” (Episode 3.11, dir. Steve Buscemi, aired 5/6/2001)
– “Whoever Did This” (Episode 4.09, dir. Tim Van Patten, aired 11/10/2002)
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Let’s kick off the first 2020 post about James Gandolfini’s expansive wardrobe on The Sopranos by looking ahead this week to Wear Red Day, the American Heart Association’s annual observance on the first Friday of each February that encourages people to wear red to show their support for the awareness of heart disease. Continue reading
Cagney’s Chalkstripe Suit in The Public Enemy
James Cagney as Tom Powers in The Public Enemy (1931)
Vitals
James Cagney as Tom Powers, dangerous gangster and bootlegger
Chicago, Spring 1922
Film: The Public Enemy
Release Date: April 23, 1931
Director: William A. Wellman
Costume Designer: Edward Stevenson
Wardrobe Credit: Earl Luick
WARNING! Spoilers ahead!
Background
One hundred years ago at midnight tonight, on January 17, 1920, the Volstead Act went into effect, beginning a 13-year prohibition of the manufacture and sale of alcoholic beverages in the United States… and kicking off what Herbert Asbury referred to in his informal history of the Chicago underworld as “the saturnalia of crime and corruption which has been called ‘a noble experiment’,” due to the resulting surge in organized crime that effectively gave rise to the modern gangster.
As moving pictures evolved as a popular medium in the waning years of Prohibition, so too did the gangster movie. Warner Brothers took the lead, exposing audiences to snarling violent hoodlums based on the real-life criminals who bloodied the streets of New York and Chicago. It was in the 1931 hit The Public Enemy that James Cagney made his star-making turn as the psychopathic gangster Tom Powers.
The Irishman: De Niro’s Brown Fleck Suit
Robert De Niro as Frank Sheeran in The Irishman (2019)
Vitals
Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer
Philadelphia to Chicago, Spring 1960
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Background
I heard you paint houses.
After years of proving himself as an enforcer to Mafia families around Philadelphia and northeast Pennsylvania, former truck driver Frank Sheeran (Robert De Niro) gets the phone call of his life when controversial labor leader Jimmy Hoffa (Al Pacino) gets in touch with him for a “situation… that needs to be attended to.”
Tony Soprano’s Christmas in “Kaisha”
James Gandolfini as Tony Soprano on The Sopranos (Episode 6.12: “Kaisha”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
North Caldwell, New Jersey, Christmas 2006
Series: The Sopranos
Episode: “Kaisha” (Episode 6.12)
Air Date: June 4, 2006
Director: Alan Taylor
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
On #SopranosSunday with Christmas just a few days away, let’s check in with everyone’s favorite mob family for the second and final holiday-set episode of The Sopranos‘ epic run.
I’m a sucker for Christmas scenes, and I always appreciate “holiday adjacent” movies like The Thin Man, Three Days of the Condor, The Godfather, Goodfellas, and—of course—Die Hard that add a certain mysticism by setting some or all of the action at Christmas, a time of wonderment and hope but often not without melancholy. Although we only spend the last five minutes of the episode in the midst of true yule celebrations, “Kaisha” is framed by family holidays, beginning with the bombing of Phil Leotardo’s New York restaurant just before Thanksgiving and continuing over the weeks to follow throughout the holiday season as the all-too-human characters of Soprano-world navigate the stressful spectrum that ranges from loveliness to an abundance of loved ones.
