Tagged: Arizona
Russell Crowe in 3:10 to Yuma
Vitals
Russell Crowe as Ben Wade, cunning bandit leader
Arizona Territory, Fall 1884
Film: 3:10 to Yuma
Release Date: September 7, 2007
Director: James Mangold
Costume Designer: Arianne Phillips
WARNING! Spoilers ahead!
Background
The remake of the classic 1957 Western 3:10 to Yuma, based on Elmore Leonard’s short story of the same name, was released 15 years ago this week during a renaissance year for Western-themed movies, including the respective masterpieces No Country for Old Men, There Will Be Blood, and The Assassination of Jesse James by the Coward Robert Ford. I have fond memories of seeing each one in theaters with my dad including this one, which we saw one weekend early in my first semester of college and particularly resonated with its themes of fatherhood.
Russell Crowe was James Mangold’s first choice for the role of Ben Wade, the introspective and thoughtful yet still ultimately ruthless outlaw leader who had been originated on screen by Glenn Ford fifty years earlier. With a fear-and-awe-inspiring reputation akin to the real-life Jesse James (who was born today in 1847, 160 years to the day before this version of 3:10 to Yuma was released), Wade defies bandit stereotypes by seemingly preferring quietly sketching to shootouts… but that doesn’t mean he’ll hesitate to shoot fast, straight, and with wicked accuracy when he feels compelled. “I wouldn’t last five minutes leadin’ an outfit like that if I wasn’t as rotten a hell,” Wade reassures us. Continue reading
John Cusack’s Black Suit in The Grifters
Vitals
John Cusack as Roy Dillon, swaggering con man with mommy issues
Phoenix and Los Angeles, Summer 1990
Film: The Grifters
Release Date: December 5, 1990
Director: Stephen Frears
Costume Designer: Richard Hornung
WARNING! Spoilers ahead!
Background
At seventeen going on eighteen, Roy Dillon had left home. He took nothing with him but the clothes he wore—clothes he had bought and paid for himself. He took no money but the little in the pockets of his clothes, and that too he had earned.
He wanted nothing from Lilly. She had given him nothing when he needed it, when he was too small to get for himself, and he wasn’t letting her into the game at this late date.
He had no contact with her during the first six months he was away. Then, at Christmas time, he sent her a card, and on Mother’s Day he sent her another. Both were of the gooey sentimental type, dripping with sickly sweetness, but the latter was a real dilly. Hearts and flowers and fat little angels swarmed over it in an insanely hilarious montage. The engraved message was dedicated to Dear Old Mom, and it gushed tearfully of goodnight kisses and platters and pitchers of oven-fresh cookies and milk when a little boy came in from play.
You would have thought that Dear Old Mom (God bless her silvering hair) had been the proprietor of a combination dairy-bakery, serving no customer but her own little tyke (on his brand-new bike).
He was laughing so hard when he sent it that he almost botched up the address. But afterward, he had some sobering second thoughts. Perhaps the joke was on him, yes? Perhaps by gibing at her he was revealing a deep and lasting hurt, admitting that she was tougher than he. And that, naturally, wouldn’t do. He’d taken everything she had to hand out, and it hadn’t made a dent in him. He damned well mustn’t ever let it think it had.
— Jim Thompson, The Grifters, Chapter 5
Reading this passage from one of my favorite pulp novelists inspired today’s Mother’s Day post, by way of Jim Thompson’s acid pen translated onto the screen.
Nominated for four Academy Awards, Stephen Frears’ slick 1990 neo-noir The Grifters joins Psycho (1960) and The Manchurian Candidate (1962) in a cinematic fraternity of twisted depictions of mother-son relationships, represented by short-con operator Roy Dillon (John Cusack) and his estranged mother Lilly (Anjelica Huston), a fellow swindler who has long been in service to sadistic bookie Bobo Justus (Pat Hingle) and eventually requires resources from her son to make her clean getaway:
I gave you your life twice. I’m asking you to give me mine once.
Roy and Lilly’s reunion is complicated by Roy’s hustler girlfriend Myra Langtry (Annette Bening), who schemes to remove the domineering matriarch as an obstacle to partnering with Roy. Continue reading
Leslie Howard in The Petrified Forest
Vitals
Leslie Howard as Alan Squier, itinerant and nihilistic writer “… in a way”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
Background
“Petrified Forest, eh? A suitable haven for me. Well, perhaps that’s what I’m destined to become… an interesting fossil for future study,” suggests the self-deprecating Alan Squier (Leslie Howard) after he learns more about the surrounding desert region he’s entered after his thumb-powered journey to “set forth and discover America.” Continue reading
Glenn Ford in 3:10 to Yuma
Vitals
Glenn Ford as Ben Wade, bandit leader
Arizona Territory, 1880s
Film: 3:10 to Yuma
Release Date: August 7, 1957
Director: Delmer Daves
Costume Designer: Jean Louis
Background
Looking for a movie to watch on 3/10? I recommend 3:10 to Yuma, the swift, suspenseful, and compelling Western based on an early short story by Elmore Leonard.
Modern audiences may be more familiar with the 2007 adaptation starring Russell Crowe and Christian Bale as the outlaw and the rancher, respectively, though the original black-and-white version was produced in 1957, four years after Leonard’s story was published in Dime Western Magazine.
A decade before revisionist Westerns would become fashionable in “New Hollywood”, the original 3:10 to Yuma followed in the allegorical tradition of High Noon (1952) with complex characters and moral questions that paint a worldview where the concept of right and wrong are less black and white than the cinematography.
Humphrey Bogart in The Petrified Forest
Vitals
Humphrey Bogart as “Duke” Mantee, violent desperado and “the last great apostle of rugged individualism”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
Background
This is Duke Mantee, the world-famous killer, and he’s hungry…
Indeed, Humphrey Bogart was hungry. The 36-year-old actor had spent more than a dozen years honing his craft on the stage and had spent the last five going nowhere as a $750-a-week bit player for the Fox Film Corporation.
It wasn’t until a decade after his debut that Hollywood would start opening the front door for the New York-born actor, starring in Raoul Walsh’s crime flick High Sierra as a tough bank robber clearly modeled after real-life outlaw John Dillinger. It’s only fitting that this character be Bogie’s shot at the big time that he should have earned years earlier as yet another Dillinger surrogate, Duke Mantee.
Lilies of the Field: Sidney Poitier’s Lee Westerner Jacket and Jeans
Vitals
Sidney Poitier as Homer Smith, helpful handyman
Arizona, Summer 1963
Film: Lilies of the Field
Release Date: October 1, 1963
Director: Ralph Nelson
Wardrobe Credit: Wesley Sherrard
Background
“That is your car?” Mother Maria asks Homer Smith, to which he proudly corrects: “That’s my home!” With that attitude, Homer would have been well-prepared for a road trip decades later in the 2020, when the coronavirus pandemic found Americans taking to the road for their summer getaways in increased numbers said to recall the age of the mid-century “great American road trip.”
In his Academy Award-winning role, Sidney Poitier plays handyman Homer Smith, traveling through the Arizona desert when his station wagon’s dire need for water brings him to the Catholic convent overseen by the solemn Maria (Lilia Skala), who requests that the newcomer stop to assist with a roofing repair. His initial reluctant assistance leads to staying for dinner and an enthusiastic English lesson (“phonograph… record!”) to the German sisters, parlayed into spending the night camped out in the back of his Plymouth, where Mother Maria corners him the next morning and asks—er, orders—him to stay and build the nuns a chapel. Continue reading
Sidney Poitier’s Printed Shirt in Lilies of the Field
Vitals
Sidney Poitier as Homer Smith, helpful handyman
Arizona, Summer 1963
Film: Lilies of the Field
Release Date: October 1, 1963
Director: Ralph Nelson
Wardrobe Credit: Wesley Sherrard
Background
Happy first day of summer! As the Northern Hemisphere officially enters its warmest season, menswear retailers have been dutifully swapping out their pea coats and sweaters in favor of tropical-printed short-sleeved shirts.
While some prints are wild and some just get weird, the most timeless styles of floral or natural patterns have remained the same in the more than eight decades since Ellery Chun first advertised his Aloha shirt in The Honolulu Advertiser in the summer of 1935.
Even the famously fashionable Sidney Poitier wore a classic Aloha shirt for his Academy Award-winning role in Lilies of the Field as Homer Smith, the traveling handyman whose brief stop outside of Tucson for water for his station wagon turns into an extended job as he eventually takes on the task of building a new chapel for a group of nuns. Continue reading
Kirk Douglas as Doc Holliday – Gray Western Suit
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Kirk Douglas as John “Doc” Holliday, hot-tempered gambler, gunslinger, and ex-dentist
Tombstone, AZ, October 1881
Film: Gunfight at the O.K. Corral
Release Date: May 30, 1957
Director: John Sturges
Costume Designer: Edith Head
Background
Today would have been the 165th birthday of Doc Holliday, the irritable dentist who shot to Old West superstardom after his involvement with the Earp brothers during the infamous 1881 Gunfight at the O.K. Corral in Tombstone, Arizona, immortalized on film in the appropriately-named Gunfight at the O.K. Corral (1957) and Tombstone (1993). Continue reading
Kirk Douglas as Doc Holliday – Charcoal Western Suit
Vitals
Kirk Douglas as John “Doc” Holliday, hot-tempered gambler, gunslinger, and ex-dentist
Tombstone, AZ, October 1881
Film: Gunfight at the O.K. Corral
Release Date: May 30, 1957
Director: John Sturges
Costume Designer: Edith Head
Background
Friday’s post focused on Raylan Givens, the dark-suited U.S. Marshal who would’ve been more at home in the Old West rather than the era of cell phones, electric cars, and Bieber. In fact, Raylan would have fit in perfectly 134 years ago today as Doc Holliday joined the Earps for their long walk toward the O.K. Corral and a showdown that would engrain them in western lore.
The Gunfight at the O.K. Corral, as it became known, became a pop culture phenomenon almost instantly. Dime books, paintings, and sketches romanticized the showdown for half a century until 1934’s Frontier Marshal incorporated the events into it largely fictional showdown between fearless lawman Michael Wyatt (George O’Brien) and local crime boss Doc Warren. Half a dozen films and more than two decades later, filmmakers finally came close to getting the names and events straight with the 1957 film Gunfight at the O.K. Corral, directed by John Sturges and starring Burt Lancaster and Kirk Douglas as Wyatt Earp and Doc Holliday, respectively. Continue reading
Val Kilmer as Doc Holliday in Tombstone
Sorry about the length in advance, but I wasn’t totally sure how to structure this one. If there is repeated information, consider it valuable knowledge that you should never ever forget.
Vitals
Val Kilmer as John “Doc” Holliday, failed dentist, proficient gambler, and excellent gunfighter
Tombstone, AZ, October 1881
Film: Tombstone
Release Date: December 24, 1993
Director: George P. Cosmatos (but really, Kurt Russell)
Costume Designer: Joseph A. Porro
Background
Today is the 132nd anniversary of one of the most infamous shootouts in the history of the Old West, the Gunfight at the O.K. Corral! Continue reading