Tagged: Colt Police Positive
Bonnie and Clyde: Michael J. Pollard’s Herringbone Jacket and Jeans as C.W.
Michael J. Pollard as C.W. Moss in Bonnie & Clyde (1967)
Vitals
Michael J. Pollard as C.W. Moss, slow-witted mechanic-turned-bank robber
Iowa, Summer 1933
Film: Bonnie & Clyde
Release Date: August 13, 1967
Director: Arthur Penn
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
W.D. “Deacon” Jones may not be as famous as Bonnie Parker or Clyde Barrow, but the Dallas teenager was once among their closest companions in the notorious Barrow gang.
At only 16 years old, Jones was running jobs and riding shotgun on robberies, a role later blended with the gang’s informant Henry Methvin to create the fictionalized composite character C.W. Moss in Arthur Penn’s landmark 1967 film Bonnie & Clyde. Jones lived long enough to see the movie and admitted in a Playboy interview that “Moss was a dumb kid who run errands and done what Clyde told him… that was me, all right.”
Having survived countless shootouts during nearly a year riding with the Barrow gang, Jones ultimately couldn’t escape the fate that had claimed his contemporaries. Fifty-one years ago today in Houston during the early morning hours of August 20, 1974, the 58-year-old Jones was shot three times with a 12-gauge shotgun during an altercation outside a friend’s house. Continue reading
Barry Newman in Fear Is the Key
Barry Newman in Fear is the Key (1972)
Vitals
Barry Newman as John Talbot, “truculent, insolent, and a man of violence”
Louisiana, Spring 1972
Film: Fear Is the Key
Release Date: December 26, 1972
Director: Michael Tuchner
Wardrobe Credit: Mike Jarvis
WARNING! Spoilers ahead!
Background
I had never heard of Fear Is the Key before I had the pleasure of catching it streaming on the Criterion Channel last November, so I feel comfortable describing it as underrated—the kind of raw ’70s-style adventure intended for pure entertainment with a thrilling momentum, great score, and a fine cast led by Barry Newman that also included Suzy Kendall, John Vernon, Dolph Sweet, and a “young”—well… middle-aged—Ben Kingsley. Perhaps best known for his performances in Vanishing Point and the TV series Petrocelli, the Boston-born Newman died one year ago today on May 11, 2023 at the age of 92.
Based on Alistair MacLean’s 1961 novel centered around one man’s mission for revenge against a criminal organization that killed his family, the movie blends classic adventure, ’70s grit, and international intrigue into a package adjacent to contemporary “hick flicks”. Maybe you’d describe it as Smokey and the Bandit meets Crank—or James Bond meets The Dukes of Hazzard—all with a twist of Three Days of the Condor. Continue reading
Odds Against Tomorrow: Harry Belafonte’s Heist Turtleneck
Harry Belafonte in Odds Against Tomorrow (1959)
Vitals
Harry Belafonte as Johnny Ingram, nightclub entertainer-turned-bandit
Upstate New York, Spring 1959
Film: Odds Against Tomorrow
Release Date: October 15, 1959
Director: Robert Wise
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
Today is the first anniversary of Harry Belafonte’s March 1, 1927 birthday since the multi-talented entertainer’s death last April at the age of 96. In addition to a singing career that popularized Calypso music around the world and his tireless activism, Belafonte acted on screen in more than a dozen films spanning over 65 years.
One of Belafonte’s standout performances is also from one of the coolest movies of the 1950s: Odds Against Tomorrow. This Robert Wise-directed film noir features Belafonte as Johnny Ingram, a New York nightclub entertainer whose gambling addiction leads to his recruitment into an upstate bank heist with ex-cop David Burke (Ed Begley) and bigoted career crook Earl Slater (Robert Ryan). Continue reading
Death Wish: Charles Bronson’s Reversible Herringbone Coat
Charles Bronson as Paul Kersey in Death Wish (1974)
Vitals
Charles Bronson as Paul Kersey, vigilante family man
New York City, Winter 1974
Film: Death Wish
Release Date: July 24, 1974
Director: Michael Winner
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Charles Bronson, one of the most legendary cinematic ass-kickers perhaps best known for his starring role as family man-turned-street vigilante Paul Kersey in the 1974 revenge thriller Death Wish.
Humphrey Bogart in The Petrified Forest
Humphrey Bogart as Duke Mantee in The Petrified Forest (1936)
Vitals
Humphrey Bogart as “Duke” Mantee, violent desperado and “the last great apostle of rugged individualism”
Black Mesa, Arizona, January 1936
Film: The Petrified Forest
Release Date: February 6, 1936
Director: Archie Mayo
Costume Designer: Orry-Kelly (uncredited)
WARNING! Spoilers ahead!
Background
This is Duke Mantee, the world-famous killer, and he’s hungry…
Indeed, Humphrey Bogart was hungry. The 36-year-old actor had spent more than a dozen years honing his craft on the stage and had spent the last five going nowhere as a $750-a-week bit player for the Fox Film Corporation.
It wasn’t until a decade after his debut that Hollywood would start opening the front door for the New York-born actor, starring in Raoul Walsh’s crime flick High Sierra as a tough bank robber clearly modeled after real-life outlaw John Dillinger. It’s only fitting that this character be Bogie’s shot at the big time that he should have earned years earlier as yet another Dillinger surrogate, Duke Mantee.
Death Wish: Charles Bronson’s Herringbone Sport Jacket
Charles Bronson as Paul Kersey in Death Wish (1974)
Vitals
Charles Bronson as Paul Kersey, architect and soon-to-be vigilante
Tucson, Arizona, and New York City, Winter 1974
Film: Death Wish
Release Date: July 24, 1974
Director: Michael Winner
Costume Designer: Joseph G. Aulisi
WARNING! Spoilers ahead!
Background
After a wave of films celebrating outlaws during the counterculture era of the late ’60s (i.e. Bonnie and Clyde and Butch Cassidy and the Sundance Kid), an opposing wave crashed through American cinema at the start of the following decade, centered around a philosophy of vigilantism. The trend arguably kicked into high gear with Clint Eastwood’s renegade detective in Dirty Harry who despised the proverbial red tape preventing him from bringing deadly criminals to justice with his famed .44 Magnum. Within five years, Martin Scorsese had already evolved the focus from an endorsement of vigilantism into a cautionary tale with the release of Taxi Driver. Before the troubled Travis Bickle took it upon himself to “wash all this scum off the streets” of New York City, there was Paul Kersey.
Murder on the Orient Express: Kenneth Branagh’s Navy Suit as Poirot
Kenneth Branagh as Hercule Poirot in Murder on the Orient Express (2017)
Vitals
Kenneth Branagh as Hercule Poirot, obsessive-compulsive Belgian detective
Orient Express, Winter 1934
Film: Murder on the Orient Express
Release Date: November 10, 2017
Director: Kenneth Branagh
Costume Designer: Alexandra Byrne
WARNING! Spoilers ahead!
Background
Readers who have seen my posts focused on adaptations of And Then There Were None, Death on the Nile, and Evil Under the Sun are likely aware that I’ve been a fan of Agatha Christie’s mystery fiction since I was 10 years old. Thus, it’s a continued thrill to find her works thriving as studios on both sides of the pond continue to churn out lavish adaptations of her work a full century after she introduced the world to Hercule Poirot with the publication of her first novel, The Mysterious Affair at Styles, in 1920. In particular, David Suchet has been performing yeoman’s work as the quintessential Poirot across 70 episodes of an ITV-produced drama series that successfully—and relatively faithfully—adapted every novel and story that prominently featured Christie’s master detective.
In the spirit of contemporary BBC adaptations like The ABC Murders, And Then There Were None, Ordeal by Innocence, and The Pale Horse, Kenneth Branagh helmed what’s now the fourth adaptation of Murder on the Orient Express, arguably Christie’s best-known novel famous for its then-groundbreaking solution. Continue reading
Gun Crazy: John Dall’s Tweed Jacket
John Dall as Bart Tare in Gun Crazy (1950)
Vitals
John Dall as Bart Tare, armed robber on the run
San Lorenzo Valley, California, Fall 1949, to Albuquerque, New Mexico, Spring 1950
Film: Gun Crazy
(also released as Deadly is the Female)
Release Date: January 20, 1950
Director: Joseph H. Lewis
Costume Designer: Norma Koch (credited with Peggy Cummins’ costumes only)
Background
Fifteen years after armed robbers Clyde Barrow and Bonnie Parker were ambushed and killed on a rural Louisiana road, one of the first attempts to adapt their story for the silver screen arrived in theaters. Sure, there had been Fritz Lang’s sympathetic melodrama You Only Live Once (1937) and the FBI-endorsed propaganda Persons in Hiding (1939), but Gun Crazy—released exactly 70 years ago today—most effectively latched onto the intrigue of a gun-toting couple on the run, and, “more than any other, emphasizes the powerful attraction of weaponry in the growing legend of Bonnie and Clyde,” according to John Treherne, author of The Strange History of Bonnie and Clyde.
Gun Crazy‘s telling original title of Deadly is the Female reflects the narrative leaning into the noir-esque premise of a dominating femme fatale, an expert in firearms who seduces her lovestruck fella into a life of crime… an inverse of the generally accepted reality of the relationship between violent manipulator Clyde Barrow and the vulnerable and troubled Bonnie Parker.
A year after his chilling turn as the calculating, Loeb-like murderer in Hitchcock’s Rope, John Dall stars as the malleable Bart Tare, who finds himself fatefully—and fatally—drawn to the voluptuous carnival sharpshooter Annie Laurie Starr (Peggy Cummins), “the darling of London, England,” though it’s a toss-up whether it’s her tight pants, knowing wink, or dueling pistols that sink the hook into the already doomed Bart. Continue reading
Cagney’s Chalkstripe Suit in The Public Enemy
James Cagney as Tom Powers in The Public Enemy (1931)
Vitals
James Cagney as Tom Powers, dangerous gangster and bootlegger
Chicago, Spring 1922
Film: The Public Enemy
Release Date: April 23, 1931
Director: William A. Wellman
Costume Designer: Edward Stevenson
Wardrobe Credit: Earl Luick
WARNING! Spoilers ahead!
Background
One hundred years ago at midnight tonight, on January 17, 1920, the Volstead Act went into effect, beginning a 13-year prohibition of the manufacture and sale of alcoholic beverages in the United States… and kicking off what Herbert Asbury referred to in his informal history of the Chicago underworld as “the saturnalia of crime and corruption which has been called ‘a noble experiment’,” due to the resulting surge in organized crime that effectively gave rise to the modern gangster.
As moving pictures evolved as a popular medium in the waning years of Prohibition, so too did the gangster movie. Warner Brothers took the lead, exposing audiences to snarling violent hoodlums based on the real-life criminals who bloodied the streets of New York and Chicago. It was in the 1931 hit The Public Enemy that James Cagney made his star-making turn as the psychopathic gangster Tom Powers.
Bogart’s Nautical Blazer and Cap in To Have and Have Not
Humphrey Bogart and Lauren Bacall in To Have and Have Not (1944)
Vitals
Humphrey Bogart as Harry Morgan, cynical fishing boat captain
Fort-de-France, Martinique, Summer 1940
Film: To Have and Have Not
Release Date: October 11, 1944
Director: Howard Hawks
WARNING! Spoilers ahead!
Background
Today is the 75th anniversary of the release of To Have and Have Not, the romantic adventure directed by Howard Hawks and adapted from Ernest Hemingway’s novel that staged the first meeting of iconic classic Hollywood couple Humphrey Bogart and Lauren Bacall.
You must be logged in to post a comment.