Tagged: Gun

Michael Fassbender’s White Polo in X-Men: First Class

Michael Fassbender as Erik Lehnsherr in X-Men: First Class (2011)

Michael Fassbender as Erik Lehnsherr in X-Men: First Class (2011)

Vitals

Michael Fassbender as Erik Lehnsherr, relentless mutant Nazi hunter to be christened Magneto

Villa Gesell, Argentina, Fall 1962

Film: X-Men: First Class
Release Date: June 1, 2011
Director: Matthew Vaughn
Costume Designer: Sammy Sheldon

Background

While I’m not traditionally a fan of superhero movies (at least as not as big a fan as some people!), I’ve appreciated how the recent stretch of Marvel movies have stretched across genres in its multi-billion-dollar appeal to varying audiences. For me, it’s been the entries rooted in history—like the MCU’s Captain America: The First Avenger and Fox’s X-Men: First Class, both released in 2011—that have had the most appeal of those I’ve seen. The latter, released ten years ago this summer, had been a subject of multiple requests since BAMF Style’s early years, so I hope I’m not too late in finally paying tribute to a briefly seen but timelessly stylish outfit from this Cold War-set adventure.

Continue reading

Red Heat: Arnie’s Teal “Gumby” Suit

Arnold Schwarzenegger and Jim Belushi in Red Heat (1988)

Arnold Schwarzenegger and Jim Belushi in Red Heat (1988)

Vitals

Arnold Schwarzenegger as Ivan Danko, disciplined Moscow police captain

Chicago, Summer 1987

Film: Red Heat
Release Date: June 17, 1988
Director: Walter Hill
Costume Designer: Dan Moore
Tailor: Tommy Velasco

WARNING! Spoilers ahead!

Background

Thanks to a recommendation from Pete Brooker of the excellent From Tailors with Love podcast, I beat the summer heat by revisiting Red Heat, the buddy cop actioner that paired Arnold Schwarzenegger as a tough Russian police captain with Jim Belushi as the stereotypical cigarettes-and-coffee American detective, working together to capture the dangerous Georgian gangster Viktor “Rosta” Rostavili (Ed O’Ross).

Continue reading

For Your Eyes Only: Bond’s Green Jacket and Melina’s Citroën

Roger Moore as James Bond, flanked by Lizzie Warville, Alison Worth, Viva, Vanya, Kim Mills, and Laila Dean, in For Your Eyes Only (1981)

Roger Moore as James Bond, flanked by Lizzie Warville, Alison Worth, Viva, Vanya, Kim Mills, and Laila Dean, in For Your Eyes Only (1981).
Photo sourced from Thunderballs.org.

Vitals

Roger Moore as James Bond, British government agent

Spain, Spring 1981

Film: For Your Eyes Only
Release Date: June 24, 1981
Director: John Glen
Costume Designer: Elizabeth Waller

Background

During the 40th anniversary year of For Your Eyes Only, the 00-7th of July feels like the appropriate time to examine the clothes and cars of Mr. Bond himself, after previously exploring the fits of one of his allies and one of his enemies. (This may be a little late for #CarWeek, but isn’t it always a good day for a drive in the country?)

Continue reading

The Omega Man: Charlton Heston’s Safari Jacket and Ford Convertibles

Charlton Heston as Robert Neville in The Omega Man (1971)

Charlton Heston as Robert Neville in The Omega Man (1971)

Vitals

Charlton Heston as Colonel Robert Neville, MD, former military scientist and resourceful survivor

Los Angeles, August 1977

Film: The Omega Man
Release Date: August 1, 1971
Director: Boris Sagal
Costumers: Margo Baxley & Bucky Rous
Tailor: Albert Mariani

Background

As #CarWeek continues, let’s check out the pair of Ford convertibles that a safari-clad Colonel Robert Neville commandeers as one of the last men in the world at the heart of The Omega Man, released 50 years ago in the summer of 1971.

Continue reading

Atlantic City: Burt Lancaster’s White Vintage Sport Jacket

Burt Lancaster as Lou Pascal in Atlantic City (1980)

Burt Lancaster as Lou Pascal in Atlantic City (1980)

Vitals

Burt Lancaster as Lou Pascal, aging numbers runner

Atlantic City, Fall 1979

Film: Atlantic City
Release Date: September 3, 1980
Director: Louis Malle
Costume Designer: François Barbeau

WARNING! Spoilers ahead!

Background

Burt Lancaster kicked off his final decade on the silver screen with Louis Malle’s well-received romantic crime drama, Atlantic City. In addition to securing Lancaster’s fourth and final Academy Award nomination, Atlantic City also earned nomination across all “Big Five” categories, though the film was shut out at the Oscars with Henry Fonda taking home the trophy for his performance in On Golden Pond.

Lancaster plays Lou Pascal, a long-in-the-tooth numbers runner who proudly walks the boardwalk of the titular town, waxing poetic to anyone who’ll listen about the golden age of gangsterdom in America’s Playground, when “it used to be beautiful, whatwith the rackets, whoring, guns.”

Atlantic City had floy floy coming out of its ears in those days. Now it’s all so goddamn legal. Howard Johnson running a casino. Tutti-frutti ice cream with craps don’t mix.

Lou’s comfort among criminality results in a botched cocaine deal that results in a dead dealer and plenty of blow left over for Lou to sell for his own profit as he endeavors to seduce the dealer’s estranged—and now widowed—wife, an attractive and ambitious casino waitress named Sally (Susan Sarandon). Continue reading

The Nice Guys: Ryan Gosling’s ’70s Sportswear

Ryan Gosling as Holland March in The Nice Guys (2016)

Ryan Gosling as Holland March in The Nice Guys (2016)

Vitals

Ryan Gosling as Holland March, unscrupulous private detective and single dad

Los Angeles, Fall 1977

Film: The Nice Guys
Release Date: May 20, 2016
Director: Shane Black
Costume Designer: Kym Barrett

WARNING! Spoilers ahead!

Background

Released five years ago this, week, The Nice Guys has been long overdue for some appreciation on here for its depiction of disco-era style and refreshing sense of humor.

The Nice Guys was directed and co-written by action cinema vet Shane Black, who explained to IndieWire that he wanted to make a playful tribute to the hardboiled detective thrillers he had grown up, choosing the ’70s to capitalize on the exuberance of the era and the “sense that we are all in it together… instead of all this divisiveness that we see now.” Anthony Bagarozzi, who co-wrote the script with Black, explained the irony of its title to Variety: “You know they’re two not-very-nice guys. One breaks arms for a living and the other cons old ladies out of money. It was literally the two worst people that we could think of and then trying to make that fun.”

Continue reading

Pierrot le Fou: Belmondo’s Red Shirt and Herringbone Jacket

Jean-Paul Belmondo as Ferdinand Griffon in Pierrot le Fou (1965)

Jean-Paul Belmondo and Anna Karina in Pierrot le Fou (1965). As cool as those sunglasses look, Bébel unfortunately never wears them with this outfit on screen.

Vitals

Jean-Paul Belmondo as Ferdinand Griffon, runaway husband

French Riviera, Summer 1965

Film: Pierrot le Fou
Release Date: November 5, 1965
Director: Jean-Luc Godard

WARNING! Spoilers ahead!

Background

He may spend most of Pierrot le Fou insisting his name is Ferdinand, but we all know he’s actually Jean-Paul Belmondo—also known as Bébel—the French star born 88 years ago today on April 9, 1933!

Pierrot le Fou was the third and final feature-length collaboration between Belmondo and Jean-Luc Godard, who had directed him to worldwide fame as the criminal protagonist in A bout de souffle (Breathless), considered a seminal work in establishing the French New Wave cinematic movement.

While both of these stylish films shared themes of criminality, philosophy, and doomed love, Pierrot le Fou pops from the screen with its colorful and surreal pop art-inspired presentation of the increasingly desperate Ferdinand Griffon abandoning his family life to join his dangerously free-spirited ex-girlfriend Marianne (Anna Karina) in a life of crime and seaside seclusion. Continue reading

Blood Simple: M. Emmet Walsh’s Yellow Leisure Suit

M. Emmet Walsh as Loren Visser in Blood Simple (1984)

M. Emmet Walsh as Loren Visser in Blood Simple (1984)

Vitals

M. Emmet Walsh as Loren Visser, sleazy private detective

Texas, Fall 1982

Film: Blood Simple
Release Date: January 18, 1985
Director: Joel & Ethan Coen
Costume Designer: Sara Medina-Pape

WARNING! Spoilers ahead!

Background

Spring is officially here, the season of warmer weather and bright colors… though a tacky yellow leisure suit may not be exactly what you had in mind! On the 86th birthday of prolific character actor M. Emmet Walsh, today’s post explores his eccentric but dangerous private eye in Blood Simple, the directorial debut of brothers Joel and Ethan Coen.

Continue reading

Glenn Ford in 3:10 to Yuma

Glenn Ford as Ben Wade in 3:10 to Yuma

Glenn Ford as Ben Wade in 3:10 to Yuma (1957)

Vitals

Glenn Ford as Ben Wade, bandit leader

Arizona Territory, 1880s

Film: 3:10 to Yuma
Release Date: August 7, 1957
Director: Delmer Daves
Costume Designer: Jean Louis

Background

Looking for a movie to watch on 3/10? I recommend 3:10 to Yuma, the swift, suspenseful, and compelling Western based on an early short story by Elmore Leonard.

Modern audiences may be more familiar with the 2007 adaptation starring Russell Crowe and Christian Bale as the outlaw and the rancher, respectively, though the original black-and-white version was produced in 1957, four years after Leonard’s story was published in Dime Western Magazine.

A decade before revisionist Westerns would become fashionable in “New Hollywood”, the original 3:10 to Yuma followed in the allegorical tradition of High Noon (1952) with complex characters and moral questions that paint a worldview where the concept of right and wrong are less black and white than the cinematography.

Continue reading

Robert De Niro in Midnight Run

Robert De Niro as Jack Walsh in Midnight Run (1988)

Robert De Niro as Jack Walsh in Midnight Run (1988)

Vitals

Robert De Niro as Jack Walsh, tough bounty hunter

New York to Los Angeles, Fall 1987

Film: Midnight Run
Release Date: July 20, 1988
Director: Martin Brest
Costume Designer: Gloria Gresham

WARNING! Spoilers ahead!

Background

“This is an easy gig, it’s a midnight run for chrissakes!”

Bounty hunter Jack Walsh has withstood plenty of action and abuse tracking down fugitives for bail bondsman Eddie Moscone (Joe Pantoliano), but the inherent danger of bringing in Jonathan “The Duke” Mardukas (Charles Grodin), an accountant in the crosshairs of the Mafia, has Jack demanding $100,000 for the job. A pro, Jack has an easy enough time finding the Duke in New York, but bringing him back to L.A. and his hundred-grand payday brings a fresh set of challenges between the Duke’s reluctance to fly, the interference of the FBI, a rival bounty hunter sabotaging him at each step, and—oh!—a couple of deadly doofuses sent by the mob to whack the Duke… and anyone who gets in their way.

Continue reading