Kevin Costner as Eliot Ness, honest and intrepid federal agent
Canadian border, September 1930
Film: The Untouchables
Release Date: June 3, 1987
Director: Brian De Palma
Costume Designer: Marilyn Vance
Wardrobe: Giorgio Armani
Eliot Ness joins the other “untouchables” on an action-packed mission to the Canadian border following a tip that Al Capone would be importing a shipment of booze. With the help of the Mounties who aren’t yet versed in “the Chicago way”, Ness and his band of three are able to successfully halt the shipment and get their hands on a nervous informant who’s willing to talk… once he stops “muckin’ with the G here,” of course.
The mission comes at the expense of Ness having to take a life in the line of duty. Following some counseling from his cop buddy Jim Malone (“He’s as dead as Julius Caesar… would you rather it was you?”), Ness is able to absolve himself of his guilt and returns home to discover that his wife has given birth to their son. Continue reading
Roger Moore as James Bond, suave and sophisticated British MI6 agent
Cairo, Egypt, August 1977
Film: The Spy Who Loved Me
Release Date: July 7, 1977
Director: Lewis Gilbert
Wardrobe Supervisor: Rosemary Burrows
Tailor: Angelo Vitucci
A man in a sharply tailored tuxedo meets a beautiful woman over martinis in an exotic cocktail lounge. Hours later, he finds himself – Walther PPK in hand – stalking a seemingly unstoppable metal-mouthed killer through the Egyptian pyramids. This quintessential James Bond moment is one of many iconic scenes in Roger Moore’s third 007 outing, The Spy Who Loved Me, and it’s how I remember him on his first birthday since his passing last May at the age of 89. Continue reading
Clint Eastwood as Harry Callahan, tough San Francisco Police Department inspector
San Francisco, August 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Earth tones are a fall favorite for many, so take a few notes for your Friday date night style from Clint Eastwood’s earthy ensemble in Magnum Force, the first of four sequels featuring the incorruptible Inspector Harry Callahan.
Continuing what must be a subconscious focus on tough ’70s cop movies from Wednesday’s Brannigan post, this scene features Harry swilling Schlitz in front of the TV with Carol McCoy (Christine White), the wife of a suicidal traffic officer. When his superiors get word of a potential grocery store holdup, Harry – who had been demoted to stakeout duty – is called into action with his trusty .44. Continue reading
John Wayne as Jim Brannigan, tough Chicago PD lieutenant
London, Fall 1974
Release Date: March 26, 1975
Director: Douglas Hickox
Wardrobe Credit: Emma Porteous
WARNING! Spoilers ahead!
If McQ was John Wayne’s Dirty Harry, then its spiritual successor Brannigan was his Coogan’s Bluff, a “fish out of water” cop film that finds the Duke’s taciturn American lawman in London to secure the extradition of arch-criminal Ben Larkin (John Vernon) under the watchful – and often judgmental – eye of the quintessentially English Scotland Yard Commissioner Swann (Richard Attenborough). Continue reading
Johnny Depp as John Dillinger, maverick Depression-era bank robber
Chicago, Spring 1934
Film: Public Enemies
Release Date: July 1, 2009
Director: Michael Mann
Costume Designer: Colleen Atwood
WARNING! Spoilers ahead!
It’s been quite some time since I’ve visited Public Enemies, the Michael Mann-directed action thriller depicting the life and crimes of Depression-era desperado John Dillinger. The film received mixed to positive reviews upon its release with much of the praise going to Michael Mann’s usual attention to detail as well as Johnny Depp’s performance as the Indiana-born outlaw.
Colleen Atwood’s period costumes are also worthy of attention and praise. High fashion was the signifier of success for Depression-era gangsters, and Dillinger rarely led his gun-toting cronies into a bank without being dressed to the nines.
Even when on the run, such as this scene set not long after Dillinger’s narrow escape from an FBI ambush at the Little Bohemia lodge in Wisconsin, John Dillinger made a consistent effort to dress well. (The film plays with historical accuracy to present its own narrative, pushing Billie Frechette’s arrest to after the Little Bohemia raid; in real life, Billie was arrested on April 9, 1934, two weeks before Melvin Purvis’ federal agents attempted to trap the Dillinger gang at Little Bohemia.) Continue reading
Timothy Olyphant as Raylan Givens, proudly old-fashioned Deputy U.S. Marshal
Harlan County, Kentucky, March 2010
Episode: “Fire in the Hole” (Episode 1.01)
Air Date: March 16, 2010
Director: Michael Dinner
Creator: Graham Yost
Costume Designer: Ane Crabtree
BAMF Style concludes this weeklong focus on first episodes with an outfit from the pilot of Justified, one of my favorite modern crime shows.
Justified‘s pilot has a special place in my heart for being filmed in southwestern Pennsylvania, just outside my hometown of Pittsburgh. According to a June 2009 article in the Pittsburgh Post-Gazette, the region was chosen for both aesthetic and practical reasons as a viable double for the South but with a tax rebate for film and TV productions that Kentucky doesn’t offer (or at least didn’t offer at the time.) Continue reading
Aidan Turner as Philip Lombard, adventurer and ex-mercenary
Devon, England, August 1939
Series Title: And Then There Were None
Air Date: December 26-28, 2015
Director: Craig Viveiros
Costume Designer: Lindsay Pugh
WARNING! Spoilers ahead!
And Then There Were None, Agatha Christie’s classic mystery thriller, finds ten strangers summoned to a mysterious island off the English coast. Aside from the married couple hired to serve as butler and cook, the newcomers are all unknown to each other and are quickly thrown into a spiral of suspicion and death that would engulf them all.
The action in the novel lasted three days, beginning on August 8, 1939, making it 78 years ago to the day that the last survivors of the weekend were forced into a fatal confrontation of their own dangerous pasts. Continue reading