Tagged: Gun

Gun Crazy: John Dall’s Tweed Jacket

John Dall as Bart Tare in Gun Crazy (1950)

John Dall as Bart Tare in Gun Crazy (1950)

Vitals

John Dall as Bart Tare, armed robber on the run

San Lorenzo Valley, California, Fall 1949, to Albuquerque, New Mexico, Spring 1950

Film: Gun Crazy
(also released as Deadly is the Female)
Release Date: January 20, 1950
Director: Joseph H. Lewis
Costume Designer: Norma Koch (credited with Peggy Cummins’ costumes only)

Background

Fifteen years after armed robbers Clyde Barrow and Bonnie Parker were ambushed and killed on a rural Louisiana road, one of the first attempts to adapt their story for the silver screen arrived in theaters. Sure, there had been Fritz Lang’s sympathetic melodrama You Only Live Once (1937) and the FBI-endorsed propaganda Persons in Hiding (1939), but Gun Crazy—released exactly 70 years ago today—most effectively latched onto the intrigue of a gun-toting couple on the run, and, “more than any other, emphasizes the powerful attraction of weaponry in the growing legend of Bonnie and Clyde,” according to John Treherne, author of The Strange History of Bonnie and Clyde.

Gun Crazy‘s telling original title of Deadly is the Female reflects the narrative leaning into the noir-esque premise of a dominating femme fatale, an expert in firearms who seduces her lovestruck fella into a life of crime… an inverse of the generally accepted reality of the relationship between violent manipulator Clyde Barrow and the vulnerable and troubled Bonnie Parker.

A year after his chilling turn as the calculating, Loeb-like murderer in Hitchcock’s Rope, John Dall stars as the malleable Bart Tare, who finds himself fatefully—and fatally—drawn to the voluptuous carnival sharpshooter Annie Laurie Starr (Peggy Cummins), “the darling of London, England,” though it’s a toss-up whether it’s her tight pants, knowing wink, or dueling pistols that sink the hook into the already doomed Bart. Continue reading

Cagney’s Chalkstripe Suit in The Public Enemy

James Cagney as Tom Powers in The Public Enemy (1931)

James Cagney as Tom Powers in The Public Enemy (1931)

Vitals

James Cagney as Tom Powers, dangerous gangster and bootlegger

Chicago, Spring 1922

Film: The Public Enemy
Release Date: April 23, 1931
Director: William A. Wellman
Costume Designer: Edward Stevenson
Wardrobe Credit: Earl Luick

WARNING! Spoilers ahead!

Background

One hundred years ago at midnight tonight, on January 17, 1920, the Volstead Act went into effect, beginning a 13-year prohibition of the manufacture and sale of alcoholic beverages in the United States… and kicking off what Herbert Asbury referred to in his informal history of the Chicago underworld as “the saturnalia of crime and corruption which has been called ‘a noble experiment’,” due to the resulting surge in organized crime that effectively gave rise to the modern gangster.

As moving pictures evolved as a popular medium in the waning years of Prohibition, so too did the gangster movie. Warner Brothers took the lead, exposing audiences to snarling violent hoodlums based on the real-life criminals who bloodied the streets of New York and Chicago. It was in the 1931 hit The Public Enemy that James Cagney made his star-making turn as the psychopathic gangster Tom Powers.

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The Irishman: De Niro’s Brown Fleck Suit

Robert De Niro as Frank Sheeran in The Irishman (2019)

Robert De Niro as Frank Sheeran in The Irishman (2019)

Vitals

Robert De Niro as Frank “the Irishman” Sheeran, tough Mafia enforcer

Philadelphia to Chicago, Spring 1960

Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson

Background

I heard you paint houses.

After years of proving himself as an enforcer to Mafia families around Philadelphia and northeast Pennsylvania, former truck driver Frank Sheeran (Robert De Niro) gets the phone call of his life when controversial labor leader Jimmy Hoffa (Al Pacino) gets in touch with him for a “situation… that needs to be attended to.”

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The Bridges at Toko-Ri: William Holden’s Naval Flight Jacket

William Holden as LT Harry Brubaker in The Bridges at Toko-Ri (1954)

William Holden as LT Harry Brubaker in The Bridges at Toko-Ri (1954)

Vitals

William Holden as LT Harry Brubaker, bitter U.S. Navy Reserve aviator

Off the Korean coast, November 1952

Film: The Bridges at Toko-Ri
Release Date: December 1954
Director: Mark Robson
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

Mid-century flight must be my subconscious theme heading into the new year given my last few posts about Frank Sinatra’s jet-setting style and then Sean Connery’s charcoal traveling suit in Goldfinger. Let’s at least move forward from the fuselage to the cockpit where William Holden sits at the controls of his Grumman F9F-2 Panther in The Bridges at Toko-Ri as military aviator LT Harry Brubaker, flying for the U.S. Navy during the Korean War.

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Bond Style: Charcoal Suit for Air Travel in Goldfinger

Sean Connery as James Bond in Goldfinger (1964)

Sean Connery as James Bond in Goldfinger (1964)

Vitals

Sean Connery as James Bond, British government agent

en route Washington, D.C., Fall 1964

Film: Goldfinger
Release Date: September 18, 1964
Director: Guy Hamilton
Tailor: Anthony Sinclair
Wardrobe Supervisor: Elsa Fennell

WARNING! Spoilers ahead!

Background

Following up on Saturday’s post about Frank Sinatra’s jet-setting style in the early ’60s, let’s see how a contemporary style icon dressed for a private flight of his own. As it’s the first 00-7th of the month in 2020, it seems only appropriate to check in with the first James Bond—Sean Connery! (Barry Nelson notwithstanding.)

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The V.I.P.s: Richard Burton’s Astrakhan Coat and Holiday Red

Richard Burton as Paul Andros in The V.I.P.s (1963)

Richard Burton as Paul Andros in The V.I.P.s (1963)

Vitals

Richard Burton as Paul Andros, millionaire industrialist

Heathrow Airport, London, Winter 1963

Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)

Background

As December continues and plans are being made to travel home for the holidays, we’d be well-served to recall Anthony Asquith’s paean to the Jet Age, The V.I.P.s, a lavish and star-studded drama released five years after more passengers were making their transatlantic crossings by air than by sea.

Also known as Hotel InternationalThe V.I.P.s was released in September 1963, just three months after Elizabeth Taylor and Richard Burton scandalized the silver screen in Cleopatra. Though Cleopatra met with polarizing reviews, the buzz around Taylor and Burton’s illicit affair generated enough buzz about their subsequent cinematic collaboration, though The V.I.P.s was a relatively tame effort when compared to the Egyptian epic that had been the most expensive movie ever made at the time of its release.

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Black Christmas (1974): John Saxon as Lt. Fuller

John Saxon as Lt. Ken Fuller in Black Christmas (1974)

John Saxon as Lt. Ken Fuller in Black Christmas (1974)

Vitals

John Saxon as Ken Fuller, intrepid police lieutenant

Toronto…or some small American college town near the Canadian border, Christmas 1973

Film: Black Christmas
(U.S. title: Silent Night, Evil Night)
Release Date: October 11, 1974
Director: Bob Clark
Wardrobe Credit: Debi Weldon

Background

The second remake of Bob Clark’s cult holiday horror classic, Black Christmas, was released in theaters today, more than 45 years after the original starring Olivia Hussey, Keir Dullea, Margot Kidder, and John Saxon as police lieutenant Ken Fuller. Continue reading

Clint Eastwood’s Climbing Outfit in The Eiger Sanction

Clint Eastwood as Dr. Jonathan Hemlock in The Eiger Sanction (1975)

Clint Eastwood as Dr. Jonathan Hemlock in The Eiger Sanction (1975) (Source: MovieStillsDB.com)

Vitals

Clint Eastwood as Dr. Jonathan Hemlock, college art professor and former assassin

Swiss Alps, Summer 1974

Film: The Eiger Sanction
Release Date: May 21, 1975
Director: Clint Eastwood
Costume Supervisor: Glenn Wright

Background

December 11 is International Mountain Day, an observance established by the United Nations in 2003 to encourage sustainable development of mountains and recognize the importance of protecting the resources they provide and the populations that depend on them.

One of the most famous movies about mountain climbing is The Eiger Sanction, directed by Clint Eastwood who also stars as former assassin and expert climber Jonathan Hemlock. Continue reading

The Irishman: De Niro’s Brown Leather Jacket

Robert De Niro as Frank Sheeran in The Irishman (2019)

Robert De Niro as Frank Sheeran in The Irishman (2019)

Vitals

Robert De Niro as Frank “the Irishman” Sheeran, tough truck driver-turned-Mafia enforcer

Philadelphia, winter 1956 through spring 1961

Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson

Background

Martin Scorsese’s latest crime epic, The Irishman, has been the subject of several requests since it was released on Netflix at the beginning of November. With one of my favorite directors helming some of my favorite actors in a subject and setting that held personal interest for me, The Irishman had been eagerly anticipated by me since the project was first announced… though I admit that I did have some hesitations about the running time and the advanced ages of all involved. As it turns out, the very factors I was most concerned about are what arguably contributed to the film being a modern masterpiece.

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Scent of a Woman: Al Pacino’s Glenurquhart Plaid Suit

Al Pacino tangos with Gabrielle Anwar in Scent of a Woman (1992)

Al Pacino tangos with Gabrielle Anwar in Scent of a Woman (1992)

Vitals

Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel “who likes to spit in everybody’s eye”

New York City, Thanksgiving 1992

Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield

Background

On the eve of Thanksgiving, today seemed like a fitting occasion to address one of the most requested suits I’ve heard from readers: Al Pacino’s freshly tailored Glenurquhart check three-piece suit as the cantankerous Lieutenant Colonel Frank Slade in Scent of a Woman. Pacino turned in a landmark performance in his prolific career, winning his sole Academy Award after six nominations (with one additional nod the same year for Glengarry Glen Ross), a result of the intense method actor’s painstaking research in meeting with clients of New York’s Associated Blind to understand life—from mood to mobility—as a person without sight.

After 26 years in the Army, a nearly blind Frank “Don’t Call Me ‘Sir'” Slade spends his days sitting in the darkened corner of his modest home, filling lowball glasses to the brim with Jack Daniel’s, berating his family, and spitting anger at anyone brave enough to visit him, including Charlie Simms (Chris O’Donnell), the mild-mannered prep school student hired by Frank’s niece Karen to take care of her uncle through Thanksgiving weekend. Continue reading