Tagged: Snap-Down Shirt
Llewelyn Moss: Cream-and-Brown Plaid Shirt
Josh Brolin as Llewelyn Moss in No Country for Old Men (2007)
Vitals
Josh Brolin as Llewelyn Moss, taciturn welder, hunter, and Vietnam veteran
Del Rio, Texas, to Mexico, Summer 1980
Film: No Country for Old Men
Release Date: November 9, 2007
Director: Joel Coen & Ethan Coen
Costume Designer: Mary Zophres
WARNING! Spoilers ahead!
Background
Having found two million dollars in a briefcase at the scene of a drug deal gone sour, laconic welder Llewelyn Moss also finds himself the target of multiple groups of criminals.
Moss packs up his wife (Kelly MacDonald) and heads to the border town of Del Rio, Texas, where he shacks up in a motel. Eventually, Llewelyn is forced to face the fact that he’s not as wily as he thinks… however, he is crafty. Continue reading
Dirty Mary, Crazy Larry – Larry’s Denim & ’69 Charger
Peter Fonda and Susan George on the poster for Dirty Mary Crazy Larry (1974) as their ’69 Charger blazes away in the background. People who have actually seen the film know how misleading this poster is, and that’s all I’ll say.
Vitals
Peter Fonda as Larry Rayder, wannabe NASCAR driver and small-time robber
San Joaquin County, California, Fall 1973
Film: Dirty Mary Crazy Larry
Release Date: May 17, 1974
Director: John Hough
Wardrobe Mistress: Phyllis Garr
WARNING! Spoilers ahead!
Background
Unload!
Kiss off!
While few would place Dirty Mary Crazy Larry‘s script in the same echelon with Casablanca or The Godfather, there’s no doubting that it has its place among the classic European-influenced but all-American car chase flicks that kicked off with Bullitt and tapered off somewhere in the mid-’70s as more over-the-top fare like Smokey and the Bandit took over as the gearheads’ cinematic servings. It was that brief semi-decade where the sub-genre blossomed with ennui and nihilism driving the motoring protagonists of Vanishing Point, Two-Lane Blacktop, and those of its ilk.
Dirty Mary, Crazy Larry was a transition between the earlier nihilist cult films and the more marketable, humor-laced movies. Larry, Mary, and Deke aren’t necessarily driving without a defined purpose, but one could argue they were just as doomed as Kowalski when they slipped into that lime green ’69 Charger. And it is with that ’69 Charger – which BAMF Style loyalists know by now is my favorite car of all time – that I’m concluding this run of Car Week. Continue reading
Bo Duke (and the General Lee)
John Schneider as Bo Duke on the set of The Dukes of Hazzard (1979-1985).
Vitals
John Schneider as Bo Duke, race car driver & former moonshine runner
Hazzard County, Georgia, Fall 1978
Series: The Dukes of Hazzard
Creators: Gy Waldron & Jerry Rushing
Men’s Costume Supervisors: Bob Christenson & Joseph Roveto
Background
Picture a cool fall day in 2005 on a suburban road just north of Pittsburgh. A young – and charming, if I may say – 16-year-old is out with his dad, taking his red 1992 Plymouth Acclaim for a spin with his learner’s permit freshly in his wallet. After about a half hour of learning how to obey basic traffic laws, the father turns to his son and says: “Okay, let’s turn it around and go home.”
The son nods obediently, yanks the emergency brake release, taps the column shifter into neutral, and – without reducing speed – jams his foot onto the emergency brake. The rear tires of the Acclaim lock up, the steering wheel is yanked to the left, and within seconds, the surprisingly powerful V6 engine roars as the Acclaim is shifted back into gear to head home.
The son smiles smugly with his perfectly-executed first attempt at a bootleggers’ turn while the father breaks his steadfast rule about cursing around the kids:
You’re not Bo fucking Duke!
Luke Duke
Tom Wopat as Luke Duke in “High Octane”, Episode 1.05 of The Dukes of Hazzard.
Vitals
Tom Wopat as Luke Duke, ex-Marine & moonshiner
Hazzard County, Georgia*, Fall 1978
* best represented by Newton County, 35 miles east of Atlanta
Series: The Dukes of Hazzard
Creators: Gy Waldron & Jerry Rushing
Men’s Costume Supervisors: Bob Christenson & Joseph Roveto
Background
I know I said I wouldn’t do it, but the pull of the General Lee was too strong, and I finally decided enough car week posts had been written before I could officially sell out and write about my dream car, the 1969 Dodge Charger R/T, and the show that immortalized it… The Dukes of Hazzard. Continue reading
Burt Reynolds in White Lightning
Burt Reynolds as “Gator” McKlusky in White Lightning (1973).
Vitals
Burt Reynolds as Bobby “Gator” McKlusky, paroled moonshine runner
Bogan County, Arkansas, Summer 1973
Film: White Lightning
Release Date: August 8, 1973
Director: Joseph Sargent
Costume Designer: Michael Butler
Background
This was the first of the “hick flicks”, a series of films that became popular in the ’70s. The story was usually the same, an anti-hero would use his muscle car to face off against a corrupt, and usually fat, Southern lawman with illegal booze as the story’s MacGuffin. Burt Reynolds himself would be associated with this subgenre, with his appearance in White Lightning, the more lighthearted sequel Gator, and the wildly popular Smokey and the Bandit. This first, 1973’s White Lightning, is the most gritty of the trio. Continue reading
Three Days of the Condor
Just in time for Casual Friday and also keeping with the theme of the last post (North by Northwest) about an innocent man who unwillingly finds himself in dangerous circumstances…
Robert Redford in Three Days of the Condor (1975).
Vitals
Robert Redford as Joe Turner, alias “Condor”, CIA researcher
New York City, December 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
Background
In a July 2012 article of GQ, Sydney Pollack’s masterpiece paranoia government thriller Three Days of the Condor was named one of “The 25 Most Stylish Films of All Time.” Pollack apparently was shocked by questions about the wardrobe worn by Robert Redford, saying “He wore one outfit through the whole picture!”
True as that may be, Redford’s versatile costume throughout fits the character of a desk-bound ex-military bookworm who finds himself in dangerous circumstances despite a relatively non-dangerous job with the CIA.
Redford pulls off a great classic fall look and, despite lapels and collars dangerously close to disco-style widths, manages to not look overly dated – not an easy task given that the film was made in 1975, and no era dated itself as much as the 1970s. Continue reading
