Tagged: Fedora

The Natural – Roy Hobbs’ Leather Jacket

Robert Redford as Roy Hobbs in The Natural (1984)

Robert Redford as Roy Hobbs in The Natural (1984)

Vitals

Robert Redford as Roy Hobbs, baseball prodigy and “middle-aged rookie”

New York, June 1939

Film: The Natural
Release Date: May 11, 1984
Director: Barry Levinson
Costume Design: Gloria Gresham & Bernie Pollack

Background

Baseball season is back and in full swing (forgive the pun), and I’m feeling much better about it this year after my hometown Pirates won their home opener against the Twins yesterday, making us 4-0 for the season… after last year, I’ll take all the hope I can get! In the spirit of America’s pastime, today’s post explores one of the great baseball movies ever made.

Based on Bernard Malamud’s 1952 debut novel – and considered by many to be an improvement on it – The Natural stars Robert Redford as Roy Hobbs, an earnest, homespun, and sincere baseball player whose sole ambition is glory on the diamond. As he himself wonders, “What else is there?”

Of course, when we first meet Roy Hobbs in media res, you’d never know it to look at him that he was about to embark on his last shot at big-league stardom.

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Clyde Barrow’s Brown Striped Easter Suit

Emile Hirsch as Clyde Barrow in Bonnie & Clyde (2013)

Emile Hirsch as Clyde Barrow in Bonnie & Clyde (2013)

Vitals

Emile Hirsch as Clyde Barrow, amateur armed robber

Texas, Easter 1934

Series Title: Bonnie and Clyde
Air Date: December 8, 2013
Director: Bruce Beresford
Costume Designer: Marilyn Vance

Background

The turning point in Clyde Barrow and Bonnie Parker’s criminal career came on Easter Sunday, April 1, 1934. The couple was sitting inside their Ford V8 on a dusty road outside Grapevine, Texas, with their latest recruit, a shifty young son of Louisiana named Henry Methvin. Two months earlier, Clyde was in command of the closest thing he’d ever had to a “gang”, though the few criminal members with any experience quickly disassociated from the trigger-happy amateur, leaving only Clyde, Henry, and Bonnie making up the ranks of “The Barrow Gang”.

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Lee Marvin’s Navy Suit in The Killers

Lee Marvin as Charlie Strom in The Killers (1964)

Lee Marvin as Charlie Strom in The Killers (1964)

Vitals

Lee Marvin as Charlie Strom, professional mob hitman

Los Angeles, Fall 1963

Film: The Killers
Release Date: July 7, 1964
Director: Don Siegel
Costume Designer: Helen Colvig

WARNING! Spoilers ahead!

Background

Happy first day of March! The observance of St. Patrick’s Day this month means plenty of focus on the “luck o’ the Irish”, so today’s post explores a suit sporting the “clover lapel”, a soft type of notch lapel named for its semblance to two leaves of a clover plant.

One character who took advantage of this unique but subtle type of lapel was Charlie Strom, the paid assassin who subverts “movie hitman” tropes by letting his curiosity get the better of him… why did Johnny North give up so easily? Bothered by this incongruity, Charlie and his partner Lee (Clu Gulager) set out to find the truth. Continue reading

Tony Rome’s Charcoal Flannel Suit

Frank Sinatra in Tony Rome (1967)

Frank Sinatra in Tony Rome (1967)

Vitals

Frank Sinatra as Tony Rome, private investigator and compulsive gambler

Miami Beach, Spring 1967

Film: Tony Rome
Release Date: November 10, 1967
Director: Gordon Douglas
Costume Designer: Moss Mabry

Background

Over on my Instagram feed, I like to commemorate #SinatraSaturday each weekend, but today I felt Ol’ Blue Eyes deserved a dedicated post. Frank Sinatra starred as the titular character in Tony Rome, a 1967 adaptation of Marvin H. Albert’s novel Miami Mayhem. Tony Rome was Sinatra’s first cop role, playing a laidback private eye in the tradition of Humphrey Bogart who seems more interested in gambling, drinking, and skirt-chasing than actually solving a case. Continue reading

White Christmas: Bing’s Powder Blue Jacket

Bing Crosby as Bob Wallace in White Christmas (1954)

Bing Crosby as Bob Wallace in White Christmas (1954)

Vitals

Bing Crosby as Bob Wallace, Broadway crooner, World War II veteran, and “a lonely and miserable man”

Florida, December 1954

Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head

Background

Happy holidays! This Christmas Eve felt like an appropriate time to focus on White Christmas, the most successful film of 1954 and one of the most beloved holiday classics. Continue reading

Sidney Reilly’s Gray Shawl-Collar Cardigan

Sam Neill as Sidney Reilly in Reilly: Ace of Spies (Episode 10: "The Trust")

Sam Neill as Sidney Reilly in Reilly: Ace of Spies (Episode 10: “The Trust”)

Vitals

Sam Neill as Sidney Reilly, shrewd anti-Bolshevik and former British agent

Long Island, Fall 1924

Series: Reilly: Ace of Spies
Episode: “The Trust” (Episode 10)
Air Date: November 2, 1983
Director: Martin Campbell
Costume Designer: Elizabeth Waller

Background

Following his trial in absentia for plotting against the Bolsheviks during the Russian Revolution, British agent Sidney Reilly (Sam Neill) has been living in exile in New York, feverishly plotting an anti-Bolshevik invasion of Russia to be led by his comrade Boris Savinkov. Continue reading

Scarface (1932) – Tony’s Fancy Basketweave Suit

Paul Muni as Tony Camonte in Scarface (1932)

Paul Muni as Tony Camonte in Scarface (1932)

Vitals

Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer

Chicago, Summer 1927

Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks

Background

I’m wrapping up what turned out to be a week focused on classic gangster style with a look at one of my favorite mob movies, the original Scarface released in 1932. Both the film and its source novel of the same name by Armitage Trail (Maurice R. Coons) were undoubtedly inspired by the rise and fall of Chicago kingpin Al Capone, who reportedly grew to love the film so much that the owned his own print of it.

Tony Camonte’s rise through the underworld is depicted by a Thompson submachine gun blowing through the pages of a calendar, stopping somewhere around Friday, August 26, for the action to begin. (August 26 fell on a Friday in 1927 and 1932; as the events that inspired the film occurred throughout the 1920s and production wrapped in mid-1931, it’s safe to assume that this scene picks up the action around the late summer of 1927. Anyway…)

Spectacularly attired in a bold new suit, Tony runs into Poppy (Karen Morley), his boss’s platinum blonde moll, who is getting a little warmer to Tony’s form after his repeated attempts at seduction. Continue reading