James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Let’s kick off the winter edition of BAMF Style’s semi-annual (or is that bi-annual) Car Week where I take an additional look at what these well-dressed characters are driving.
Vertigo, Alfred Hitchcock’s noir-esque 1958 thriller and the last of his four collaborations with James Stewart, finds the actor behind the wheel of a white DeSoto coupe as he follows Kim Novak’s character around San Francisco from her Nob Hill apartment and the Podesta Baldocchi flower shop to Mission Dolores and their fateful meeting at Fort Point on the southern end of the Golden Gate Bridge. Continue reading
Humphrey Bogart as Harry Dawes, Hollywood director and screenwriter
Portofino, Italy, Fall 1953
Film: The Barefoot Contessa
Release Date: September 29, 1954
Director: Joseph L. Mankiewicz
Costume Designer: Rosi Gori (uncredited)
Humphrey Bogart’s role in United Artists’ 1954 Technicolor triumph The Barefoot Contessa was not dissimilar to the film’s director, writer, and uncredited producer Joseph L. Mankiewicz, who had been writing in Hollywood for a quarter century. Continue reading
Robert De Niro as Vito Corleone, née Andolini, Sicilian-born gangster
Corleone, Sicily, Summer 1922
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Today’s #MafiaMonday post explores a much requested outfit – indeed, I’ve received at least three separate asks for it in the last 12 months alone – from The Godfather, Part II, often considered one of the greatest films of all time. In a mostly Italian-speaking performance that won him the Academy Award for Best Supporting Actor, Robert De Niro reprised the role of Vito Corleone that had been originated by Marlon Brando in The Godfather two years earlier.
Robert Redford as Roy Hobbs, baseball prodigy and “middle-aged rookie”
New York, June 1939
Film: The Natural
Release Date: May 11, 1984
Director: Barry Levinson
Costume Design: Gloria Gresham & Bernie Pollack
Baseball season is back and in full swing (forgive the pun), and I’m feeling much better about it this year after my hometown Pirates won their home opener against the Twins yesterday, making us 4-0 for the season… after last year, I’ll take all the hope I can get! In the spirit of America’s pastime, today’s post explores one of the great baseball movies ever made.
Based on Bernard Malamud’s 1952 debut novel – and considered by many to be an improvement on it – The Natural stars Robert Redford as Roy Hobbs, an earnest, homespun, and sincere baseball player whose sole ambition is glory on the diamond. As he himself wonders, “What else is there?”
Of course, when we first meet Roy Hobbs in media res, you’d never know it to look at him that he was about to embark on his last shot at big-league stardom.
Emile Hirsch as Clyde Barrow, amateur armed robber
Texas, Easter 1934
Series Title: Bonnie and Clyde
Air Date: December 8, 2013
Director: Bruce Beresford
Costume Designer: Marilyn Vance
The turning point in Clyde Barrow and Bonnie Parker’s criminal career came on Easter Sunday, April 1, 1934. The couple was sitting inside their Ford V8 on a dusty road outside Grapevine, Texas, with their latest recruit, a shifty young son of Louisiana named Henry Methvin. Two months earlier, Clyde was in command of the closest thing he’d ever had to a “gang”, though the few criminal members with any experience quickly disassociated from the trigger-happy amateur, leaving only Clyde, Henry, and Bonnie making up the ranks of “The Barrow Gang”.
Lee Marvin as Charlie Strom, professional mob hitman
Los Angeles, Fall 1963
Film: The Killers
Release Date: July 7, 1964
Director: Don Siegel
Costume Designer: Helen Colvig
WARNING! Spoilers ahead!
Happy first day of March! The observance of St. Patrick’s Day this month means plenty of focus on the “luck o’ the Irish”, so today’s post explores a suit sporting the “clover lapel”, a soft type of notch lapel named for its semblance to two leaves of a clover plant.
One character who took advantage of this unique but subtle type of lapel was Charlie Strom, the paid assassin who subverts “movie hitman” tropes by letting his curiosity get the better of him… why did Johnny North give up so easily? Bothered by this incongruity, Charlie and his partner Lee (Clu Gulager) set out to find the truth. Continue reading
Frank Sinatra as Tony Rome, private investigator and compulsive gambler
Miami Beach, Spring 1967
Film: Tony Rome
Release Date: November 10, 1967
Director: Gordon Douglas
Costume Designer: Moss Mabry
Over on my Instagram feed, I like to commemorate #SinatraSaturday each weekend, but today I felt Ol’ Blue Eyes deserved a dedicated post. Frank Sinatra starred as the titular character in Tony Rome, a 1967 adaptation of Marvin H. Albert’s novel Miami Mayhem. Tony Rome was Sinatra’s first cop role, playing a laidback private eye in the tradition of Humphrey Bogart who seems more interested in gambling, drinking, and skirt-chasing than actually solving a case. Continue reading