Tagged: Brogue Shoes

Leo’s Charcoal Jacket and Gray Flannels in Miller’s Crossing

Albert Finney as Leo O'Bannon in Miller's Crossing (1990)

Albert Finney as Leo O’Bannon in Miller’s Crossing (1990)

Vitals

Albert Finney as Liam “Leo” O’Bannon, Irish Mob-connected political boss

Upstate New York, Fall 1929

Film: Miller’s Crossing
Release Date: September 21, 1990
Director: Joel Coen & Ethan Coen
Costume Designer: Aude Bronson-Howard

WARNING! Spoilers ahead!

Background

Following an assassination attempt that he foiled with his Thompson artistry, small-town political boss Leo O’Bannon summons his troops to his office. One of said troops, Hammett-esque anti-hero Tom Reagan (Gabriel Byrne) uses the opportunity to earn the ire of his boss by revealing his affair with Leo’s main squeeze, Verna (Marcia Gay Harden).

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Saturday Night Fever: Travolta’s White Disco Suit

John Travolta and Karen Lynn Gorney in an iconic promotional image for Saturday Night Fever (1977).

John Travolta and Karen Lynn Gorney in an iconic promotional image for Saturday Night Fever (1977).
In the film itself, Gorney wore a white dress rather than the red of the poster. “We shot me in every color dress under the sun… Red sells. I think that’s why it was used for the poster,” she explained in a 2011 interview with Media Mikes.

Vitals

John Travolta as Tony Manero, aimless paint store clerk and disco god

Brooklyn, Spring 1977

Film: Saturday Night Fever
Release Date: December 14, 1977
Director: John Badham
Costume Designer: Patrizia Von Brandenstein

WARNING! Spoilers ahead!

Background

This week marks the 40th anniversary of the premiere of Saturday Night Fever, the definitive film of the disco era. Often remembered for its soundtrack and street style, a closer look reveals an uncompromising film that wasn’t afraid to explore the dark themes that lurked beneath the era’s glittery polyester veneer, all propelled by an equally uncompromising star turn from a 23-year-old John Travolta. Continue reading

Jimmy Stewart’s Green Sweater in Vertigo

James Stewart as John "Scottie" Ferguson in Vertigo (1958)

James Stewart as John “Scottie” Ferguson in Vertigo (1958)

Vitals

James Stewart as John “Scottie” Ferguson, former San Francisco detective

San Francisco, Fall 1957

Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

San Francisco has always been a popular setting for detective movies. From 1940s film noir like The Maltese Falcon through the gritty ’60s and ’70s era with movies like BullittDirty Harry, and McQ, Hollywood has made the most of its picturesque neighbor to the distant north.

Though Alfred Hitchcock had filmed in the Bay area before, Vertigo was his first cinematic effort actually set in San Francisco and he makes the most of his setting. Continue reading

Chinatown – J.J. Gittes’ Light Gray Suit

Jack Nicholson on set as J.J. Gittes in Chinatown (1974)

Jack Nicholson on set as J.J. Gittes in Chinatown (1974)

Vitals

Jack Nicholson as J.J. Gittes, private investigator and ex-policeman

Los Angeles, September 1937

Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert

WARNING! Spoilers ahead!

Background

Now that summer is upon us in the Northern Hemisphere, it’s high time to make sure that you’ve got some duds in your closet that are as appropriate for a day at the office as they are for the sunniest season.

A self-employed gumshoe like J.J. Gittes calls his own shots. As Chinatown is set in 1937, suits were de rigeur for men, but Gittes is hardly the type to rely on the gray flannel suit trope, especially in the sunny southern California locales. Continue reading

Havana – Robert Redford’s Tan Suit

Robert Redford as Jack Weil in Havana (1990)

Vitals

Robert Redford as Jack Weil, smooth, cynical gambler and U.S. Navy veteran

Havana, December 1958

Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack

Background

Gambling is Jack Weil’s raison d’être. Having arrived in Havana on Christmas Day 1958 to make the most of the city’s poker scene, Weil never anticipated getting caught up in the throes of the Cuban Revolution… unless it would get him laid or make him an extra buck.

Of course, his chance meeting with Roberta Duran (Lena Olin) made both possibilities an enticing reason to help the cause. Continue reading

OSS 117’s Blue Suit

Jean Dujardin as Hubert Bonisseur de La Bath in OSS 117: Cairo, Nest of Spies (2006)

Vitals

Jean Dujardin as Hubert Bonisseur de La Bath, suave French agent OSS 117

Cairo, Spring 1955

Film: OSS 117: Cairo, Nest of Spies
(French title: OSS 117: Le Caire, nid d’espions)
Release Date: April 19, 2006
Director: Michel Hazanavicius
Costume Designer: Charlotte David
Tailor: Joseph Kergoat

Background

After exploring the handsome blue suit worn by Sean Connery in that most parodied of 007 flicks, You Only Live Twice, BAMF Style is continuing its theme of debonair international spies in blue suits with a look at Jean Dujardin’s tailored suit in OSS 117: Cairo, Nest of Spies. Continue reading

Bond in Brioni – The Navy Suit in GoldenEye

Pierce Brosnan as James Bond, armed with an AKS-74U, in GoldenEye (1995)

Pierce Brosnan as James Bond, armed with an AKS-74U, in GoldenEye (1995)

Vitals

Pierce Brosnan as James Bond, sophisticated British secret agent

St. Petersburg, Russia, April 1995

Film: GoldenEye
Release Date: November 13, 1995
Director: Martin Campbell
Costume Designer: Lindy Hemming

Background

I’ve been featuring a number of looks from the James Bond series lately, but I would hate to let that get in the way of the 00-7th of March! Since we’re celebrating St. Patrick’s Day this month, it seems obvious to me that we should also be celebrating the Irish actor who delivered his own brand of debonair charm to the role of 007.

In his inaugural outing, GoldenEye, Pierce Brosnan’s Bond is relaxing in the pool of his St. Petersburg hotel when he is cornered by the alluring assassin Xenia Onatopp (Famke Janssen). Bond gets the upper hand – among other parts – and convinces Xenia to introduce him to the mysterious syndicate behind the disappearance of a missing satellite. Continue reading