Tagged: Brogue Shoes
Django Reinhardt: Cream Suit on Stage
Reda Kateb as Django Reinhardt in Django (2017)
Vitals
Reda Kateb as Django Reinhardt, gypsy jazz guitar virtuoso
Paris, Summer 1943
Film: Django
Release Date: April 26, 2017
Director: Étienne Comar
Costume Designer: Pascaline Chavanne
Background
My interest in Django Reinhardt’s music began in the spring of 2004, when 14-year-old me eagerly purchased Mafia: The City of Lost Heaven, a computer game that was essentially the Grand Theft Auto series with a Prohibition-era twist and a dash of Scorsese-ese inspiration. Set in 1930s New Jersey, the game was scored by period music including familiar favorites by Duke Ellington and a style that was all new to me, the rhythmic, guitar-driven gypsy jazz pioneered by Django Reinhardt. Continue reading
Scent of a Woman: Al Pacino’s Glenurquhart Plaid Suit
Al Pacino tangos with Gabrielle Anwar in Scent of a Woman (1992)
Vitals
Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel “who likes to spit in everybody’s eye”
New York City, Thanksgiving 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
Background
On the eve of Thanksgiving, today seemed like a fitting occasion to address one of the most requested suits I’ve heard from readers: Al Pacino’s freshly tailored Glenurquhart check three-piece suit as the cantankerous Lieutenant Colonel Frank Slade in Scent of a Woman. Pacino turned in a landmark performance in his prolific career, winning his sole Academy Award after six nominations (with one additional nod the same year for Glengarry Glen Ross), a result of the intense method actor’s painstaking research in meeting with clients of New York’s Associated Blind to understand life—from mood to mobility—as a person without sight.
After 26 years in the Army, a nearly blind Frank “Don’t Call Me ‘Sir'” Slade spends his days sitting in the darkened corner of his modest home, filling lowball glasses to the brim with Jack Daniel’s, berating his family, and spitting anger at anyone brave enough to visit him, including Charlie Simms (Chris O’Donnell), the mild-mannered prep school student hired by Frank’s niece Karen to take care of her uncle through Thanksgiving weekend. Continue reading
Havana – Robert Redford’s Blue Camp Shirt and Cadillac
Robert Redford as Jack Weil driving a 1955 Cadillac in Havana (1990)
Vitals
Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran
Santa Clara, Cuba, December 1958
Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
Extending #CarWeek to get to casual Friday gives us the opportunity to pay tribute to Robert Redford’s classic casual warm-weather attire behind the wheel of a grand Cadillac convertible from the fabulous ’50s. The film in question is, of course, Havana, Sydney Pollack’s 1990 paean to Casablanca that starred Redford as Jack Weil, a cynical American gambler who finds love in the form of Cuban revolutionary Roberta “Bobby” Duran (Lena Olin) on the eve of that country’s revolution.
Havana – Robert Redford’s Cream Linen Jacket
Robert Redford as Jack Weil in Havana (1990)
Vitals
Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran
Havana, December 1958
Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
As Memorial Day is often considered the start of the American summer fashion season, today’s post explores an example of timeless warm-weather apparel sported by Robert Redford in Havana.
Havana, Sydney Pollack’s 1990 ode to Casablanca, stars Redford as a cynical American gambler who finds romance in the Cuban capital on the eve of the country’s revolution. The object of his affection is Roberta “Bobby” Duran (Lena Olin), a revolutionary sympathizer who is forced to determine if her heart remains with her husband and the revolution or the chance of a life in America with Redford’s Jack Weil. Continue reading
Leo’s Charcoal Jacket and Gray Flannels in Miller’s Crossing
Albert Finney as Leo O’Bannon in Miller’s Crossing (1990)
Vitals
Albert Finney as Liam “Leo” O’Bannon, Irish Mob-connected political boss
Upstate New York, Fall 1929
Film: Miller’s Crossing
Release Date: September 21, 1990
Director: Joel Coen & Ethan Coen
Costume Designer: Aude Bronson-Howard
WARNING! Spoilers ahead!
Background
Following an assassination attempt that he foiled with his Thompson artistry, small-town political boss Leo O’Bannon summons his troops to his office. One of said troops, Hammett-esque anti-hero Tom Reagan (Gabriel Byrne) uses the opportunity to earn the ire of his boss by revealing his affair with Leo’s main squeeze, Verna (Marcia Gay Harden).
Saturday Night Fever: Travolta’s White Disco Suit
John Travolta and Karen Lynn Gorney in an iconic promotional image for Saturday Night Fever (1977).
In the film itself, Gorney wore a white dress rather than the red of the poster. “We shot me in every color dress under the sun… Red sells. I think that’s why it was used for the poster,” she explained in a 2011 interview with Media Mikes.
Vitals
John Travolta as Tony Manero, aimless paint store clerk and disco god
Brooklyn, Spring 1977
Film: Saturday Night Fever
Release Date: December 14, 1977
Director: John Badham
Costume Designer: Patrizia Von Brandenstein
WARNING! Spoilers ahead!
Background
This week marks the 40th anniversary of the premiere of Saturday Night Fever, the definitive film of the disco era. Often remembered for its soundtrack and street style, a closer look reveals an uncompromising film that wasn’t afraid to explore the dark themes that lurked beneath the era’s glittery polyester veneer, all propelled by an equally uncompromising star turn from a 23-year-old John Travolta. Continue reading
Jimmy Stewart’s Green Sweater in Vertigo
James Stewart as John “Scottie” Ferguson in Vertigo (1958)
Vitals
James Stewart as John “Scottie” Ferguson, former San Francisco detective
San Francisco, Fall 1957
Film: Vertigo
Release Date: May 9, 1958
Director: Alfred Hitchcock
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
San Francisco has always been a popular setting for detective movies. From 1940s film noir like The Maltese Falcon through the gritty ’60s and ’70s era with movies like Bullitt, Dirty Harry, and McQ, Hollywood has made the most of its picturesque neighbor to the distant north.
Though Alfred Hitchcock had filmed in the Bay area before, Vertigo was his first cinematic effort actually set in San Francisco and he makes the most of his setting. Continue reading
Chinatown – J.J. Gittes’ Light Gray Suit
Jack Nicholson on set as J.J. Gittes in Chinatown (1974)
Vitals
Jack Nicholson as J.J. Gittes, private investigator and ex-policeman
Los Angeles, September 1937
Film: Chinatown
Release Date: June 20, 1974
Director: Roman Polanski
Costume Designer: Anthea Sylbert
WARNING! Spoilers ahead!
Background
Now that summer is upon us in the Northern Hemisphere, it’s high time to make sure that you’ve got some duds in your closet that are as appropriate for a day at the office as they are for the sunniest season.
A self-employed gumshoe like J.J. Gittes calls his own shots. As Chinatown is set in 1937, suits were de rigeur for men, but Gittes is hardly the type to rely on the gray flannel suit trope, especially in the sunny southern California locales. Continue reading
Havana – Robert Redford’s Tan Suit
Robert Redford as Jack Weil in Havana (1990)
Vitals
Robert Redford as Jack Weil, smooth, cynical gambler and U.S. Navy veteran
Havana, December 1958
Film: Havana
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Background
Gambling is Jack Weil’s raison d’être. Having arrived in Havana on Christmas Day 1958 to make the most of the city’s poker scene, Weil never anticipated getting caught up in the throes of the Cuban Revolution… unless it would get him laid or make him an extra buck.
Of course, his chance meeting with Roberta Duran (Lena Olin) made both possibilities an enticing reason to help the cause. Continue reading
OSS 117’s Blue Suit
Jean Dujardin as Hubert Bonisseur de La Bath in OSS 117: Cairo, Nest of Spies (2006)
Vitals
Jean Dujardin as Hubert Bonisseur de La Bath, suave French agent OSS 117
Cairo, Spring 1955
Film: OSS 117: Cairo, Nest of Spies
(French title: OSS 117: Le Caire, nid d’espions)
Release Date: April 19, 2006
Director: Michel Hazanavicius
Costume Designer: Charlotte David
Tailor: Joseph Kergoat
Background
After exploring the handsome blue suit worn by Sean Connery in that most parodied of 007 flicks, You Only Live Twice, BAMF Style is continuing its theme of debonair international spies in blue suits with a look at Jean Dujardin’s tailored suit in OSS 117: Cairo, Nest of Spies. Continue reading
