Tagged: San Francisco
Spencer Tracy’s Black Suit in Guess Who’s Coming to Dinner
Spencer Tracy as Matt Drayton in Guess Who’s Coming to Dinner (1967)
Vitals
Spencer Tracy as Matt Drayton, newspaper editor
San Francisco, Spring 1967
Film: Guess Who’s Coming to Dinner
Release Date: December 12, 1967
Director: Stanley Kramer
Costume Designer: Joe King
Background
Considered one of the greatest actors in Hollywood history by audiences and peers, Spencer Tracy was born 122 years ago on April 5, 1900 in Milwaukee. His prolific career that spanned nearly half a century culminated with his final role in Guess Who’s Coming to Dinner, for which he received his ninth and final Academy Award nomination (one of ten that the film received), a posthumous honor as Tracy had died only 17 days after completing his work. Continue reading
Zodiac: Robert Graysmith’s Blue Quilted Jacket
Jake Gyllenhaal as Robert Graysmith in Zodiac (2007)
Vitals
Jake Gyllenhaal as Robert Graysmith, newspaper cartoonist and crusading crime investigator
San Francisco Bay Area, Fall 1975 thorough summer 1979
Film: Zodiac
Release Date: March 2, 2007
Director: David Fincher
Costume Designer: Casey Storm
WARNING! Spoilers ahead!
Background
By the mid-1970s, active investigations for the infamous Zodiac Killer had cooled; the intrepid San Francisco detective Dave Toschi (Mark Ruffalo) had been urged to refocus his efforts, his partner Bill Armstrong (Anthony Edwards) had requested to move on, and investigative reporter Paul Avery (Robert Downey Jr.) was no longer writing about the case… leaving the burden of investigation in the surprising hands of San Francisco Chronicle cartoonist Robert Graysmith. Continue reading
Point Blank: Lee Marvin’s Flashback N-1 Deck Jacket
Lee Marvin as Walker in Point Blank (1967)
Vitals
Lee Marvin as Walker, drunken sailor and future thief
San Francisco, early 1960s
Film: Point Blank
Release Date: August 30, 1967
Director: John Boorman
Costume Designer: Margo Weintz
Background
Lee Marvin, Academy Award-winning actor and U.S. Marine Corps veteran of World War II, was born 98 years ago today on February 19, 1924. Marvin would be established as one of the most charismatic tough guys of the screen, particularly due to movies like The Killers (1964), The Professionals (1966), The Dirty Dozen (1967), and Point Blank (1967).
Adapted from Donald E. Westlake’s pulp crime novel The Hunter (published under the pseudonym Richard Stark), Point Blank stars Marvin as the mononymous Walker, a thief left for dead by his wife Lynne (Sharon Acker) and his double-crossing partner-in-crime Mal Reese (John Vernon) after a dangerous heist. Continue reading
Sneakers: Redford’s Varsity Jacket and Karmann Ghia
Robert Redford as Martin Bishop, seated in his Karmann Ghia in Sneakers (1992)
Vitals
Robert Redford as Martin Bishop (formerly Martin Brice), digital security consultant and fugitive hacker
San Francisco, Fall 1991
Film: Sneakers
Release Date: September 11, 1992
Director: Phil Alden Robinson
Costume Designer: Bernie Pollack
WARNING! Spoilers ahead!
Background
Robert Redford looks like he’s having a great time in Sneakers, Phil Alden Robinson’s 1992 crime comedy about a gang of professional computer hackers. Redford stars as Martin Brice, a digital “sneaker” who has spent more than 20 years on the lam legitimizing his talent to become a security consultant, re-christened Martin Bishop. His background leads to recruitment by two men claiming to work for the NSA, forcing Martin and his team to take on a dubiously legitimate job.
Despite its subject matter, Sneakers never feels excessively dated as it focuses less on the technical aspects of digital hacking and more on the camaraderie among Redford’s motley band, consisting of Sidney Poitier, Dan Aykroyd, David Strathairn, River Phoenix, and Mary McDonnell. Redford’s character zips through the City by the Bay in a classic Karmann Ghia convertible, weathered but reliable like the then-56-year-old actor himself. Continue reading
Humphrey Bogart in The Maltese Falcon
Humphrey Bogart as Sam Spade in The Maltese Falcon (1941)
Vitals
Humphrey Bogart as Sam Spade, smooth private detective and “a chap worth knowing”
San Francisco, Spring 1941
Film: The Maltese Falcon
Release Date: October 3, 1941
Director: John Huston
Costume Designer: Orry-Kelly (credited for gowns)
Background
Now considered a seminal film noir, The Maltese Falcon celebrated its 80th anniversary last month. Dashiell Hammett’s excellent 1930 detective novel had already been adapted twice for the screen—once as a “lewd” pre-Code thriller and recycled as a zanier mid-’30s vehicle for Bette Davis—before Warner Bros. finally got it right.
The Maltese Falcon was the directorial debut for John Huston, who had faithfully adapted Hammett’s source material for his sharp script and demonstrated his sense of methodical efficiency, resulting in a masterpiece that benefited from the formula of director of photography Arthur Edelson’s low-key cinematography and a perfect cast led by Humphrey Bogart as the wisecracking gumshoe who “don’t mind a reasonable amount of trouble.” Continue reading
Zodiac: Paul Avery’s Layered Corduroy and Denim
Robert Downey Jr. as Paul Avery in Zodiac (2007)
Vitals
Robert Downey Jr. as Paul Avery, San Francisco Chronicle crime reporter
San Francisco, Fall 1969 to Fall 1970
Film: Zodiac
Release Date: March 2, 2007
Director: David Fincher
Costume Designer: Casey Storm
WARNING! Spoilers ahead!
Background
Last week, the volunteer investigative group The Case Breakers released their research suggesting the identity of the infamous Zodiac Killer was Gary Francis Poste, adding a new suspect to a list that includes Arthur Leigh Allen, Rick Marshall, and Ted Cruz. While many experts have been quick to disprove the Poste theory, the current zeitgeist of fascination with true crime and every other podcast inspiring waves of amateur detectives encouraged me to revisit Zodiac, David Fincher’s extensively researched thriller that has been considered one of the best movies of the 21st century… despite being outgrossed by Wild Hogs during its opening weekend.
In addition to its eponymous killer, Zodiac centers around three real-life figures—San Francisco police inspector Dave Toschi (Mark Ruffalo), San Francisco Chronicle cartoonist Robert Graysmith (Jake Gyllenhaal), and Chronicle crime writer Paul Avery (Robert Downey Jr.)—each driven to obsession by their relentless parallel pursuits to uncover the serial murderer’s identity. Continue reading
After the Thin Man: Nick Charles’ Light Double-Breasted Suit for the New Year
William Powell and Myrna Loy in After the Thin Man (1936)… with Skippy as Asta
Vitals
William Powell as Nick Charles, retired private detective
San Francisco, New Year’s Eve 1936
Film: After the Thin Man
Release Date: December 25, 1936
Director: W.S. Van Dyke
Wardrobe Credit: Dolly Tree
Background
Happy New Year! Dashiell Hammett and “One-Take Woody” Van Dyke continued the runaway success of The Thin Man by reuniting William Powell and Myrna Loy as crime-solving power couple Nick and Nora Charles, coming home to San Francisco after solving the famous “Thin Man” case during their holiday in New York. The three-day train ride returns Nick and Nora to the City by the Bay just in time for New Year’s Eve, where they find their home commandeered by revelers that have already kicked off their celebrations.
Robert Mitchum in Out of the Past
Robert Mitchum as Jeff Markham in Out of the Past (1947)
Vitals
Robert Mitchum as Jeff Markham, aka Jeff Bailey, laconic gas station owner and former private detective
Bridgeport, California, to San Francisco via Lake Tahoe, Fall 1946
Film: Out of the Past
Release Date: November 25, 1947
Director: Jacques Tourneur
Costume Credit: Edward Stevenson
WARNING! Spoilers ahead!
Background
Regarded among the best of classic film noir, Out of the Past showcases the genre’s quintessential elements: shadowy cinematography (thanks to Nicholas Musuraca), a story of double-cross and intrigue told in flashback, a charismatic antagonist, an alluring and ultimately deadly femme fatale, and—of course—a tough-talking, chain-smoking private eye light on words and sentiment:
Baby, I don’t care.
The Candidate: Robert Redford’s Navy Striped Campaign Suit
Robert Redford as Bill McKay in The Candidate (1972)
Vitals
Robert Redford as Bill McKay, charismatic lawyer-turned-senatorial candidate
San Francisco to Los Angeles, Summer through Fall 1972
Film: The Candidate
Release Date: June 29, 1972
Director: Michael Ritchie
Costume Design: Patricia Norris
Costume Supervisor: Bernie Pollack
Background
Tomorrow is Election Day here in the United States… though I doubt anyone has missed the memo given the barrage of emails, texts, social media posts, and more designed to serve as reminders and instructions.
Avoiding any discussion of this year’s contentious political arena, let’s step back nearly 50 years to the early 1970s when Robert Redford was seeking to work again with director Michael Ritchie after their first collaboration in Downhill Racer (1969). The duo reportedly former political writer Jeremy Larner to pen what would become an Academy Award-winning screenplay chronicling “a candidate who sold his soul.” Larner had worked as a speechwriter for Senator Eugene McCarthy during McCarthy’s campaign for the Democratic presidential nomination in 1968, using this experience to draft the story of Bill McKay, the activist lawyer from California tapped to challenge the popular Republican incumbent in the battle for a U.S. Senate seat.
Dirty Harry’s Navy Windbreaker in Magnum Force
Clint Eastwood as Inspector “Dirty Harry” Callahan in Magnum Force (1973)
Vitals
Clint Eastwood as Harry Callahan, tough San Francisco Police Department inspector
San Francisco, August 1972
Film: Magnum Force
Release Date: December 25, 1973
Director: Ted Post
Costume Supervisor: Glenn Wright
Background
When the first Dirty Harry sequel was being conceptualized in the early 1970s, Clint Eastwood recalled a plot line introduced by Terrence Malick in an unused first draft for Dirty Harry that was fleshed out by John Milius to center around a group of young rogue officers in the San Francisco Police Department who formed a secret vigilante “death squad” to rid the city of its worst criminals. This neatly responded to criticism of Harry Callahan’s methods from the first film, illustrating that while Harry may be an antihero comfortable with skirting red tape to get the job done, he doesn’t extend down into the villainous domain that truly takes the law into their own hands, illustrated by the movie’s repeated motif that “a man’s got to know his limitations.” Continue reading