Tagged: Gray Suit
The Birds: Mitch’s Donegal Tweed Suit
Vitals
Rod Taylor as Mitch Brenner, defense lawyer
Bodega Bay, California, Summer 1962
Film: The Birds
Release Date: March 28, 1963
Director: Alfred Hitchcock
Wardrobe Supervisor: Rita Riggs
WARNING! Spoilers ahead!
Background
Today is the 60th anniversary of the release of The Birds, Alfred Hitchcock’s avian horror yarn adapted from Daphne du Maurier’s 1952 novella and a real-life incident in August 1961 as scores of birds crashed into the streets and rooftops of the central California town of Capitola.
The Birds centers around Melanie Daniels (Tippi Hedren), an attractive travelers’ aid secretary from San Francisco whose flirtatious pranks with the charming attorney Mitch Brenner (Rod Taylor) lead about an hour north to the idyllic seaside village of Bodega Bay. Melanie’s surprise visit isn’t ultimately unwelcome, and Mitch invites her to join his little sister Cathy’s 11th birthday parry the following day. Continue reading
The Ivy Newlywed — Robert Redford’s Gray Suit in Barefoot in the Park
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Robert Redford as Paul Bratter, newlywed lawyer
New York City, February 1967
Film: Barefoot in the Park
Release Date: May 25, 1967
Director: Gene Saks
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
With Valentine’s Day a few days behind us, I want to focus on a movie that takes a lighthearted look at that awkward period in a new marriage between the “honeymoon phase” and the hard truths of reality setting in. Adapted from Neil Simon’s play of the same name, Barefoot in the Park was an early star-making role for Robert Redford, reprising the role of Paul Bratter that he had played in more than 1,500 performances over nearly four years on Broadway. Continue reading
Gene Hackman as Royal Tenenbaum
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Gene Hackman as Royal Tenenbaum, hedonistic patriarch
New York City, Fall to winter 2001
Film: The Royal Tenenbaums
Release Date: December 14, 2001
Director: Wes Anderson
Costume Designer: Karen Patch
WARNING! Spoilers ahead!
Background
Happy 93rd birthday to Gene Hackman, the versatile two-time Oscar-winning actor born January 30, 1930 in San Bernardino. Hackman’s prolific career began during the “New Hollywood” era with excellent performances in films like Bonnie & Clyde, The French Connection, and The Conversation, with many more hits in the decades to follow. Before he retired from acting in 2004, Hackman delivered one of his most memorable performances as the eponymous estranged patriarch in The Royal Tenenbaums. Continue reading
The Great Gatsby: Howard Da Silva as Meyer Wolfsheim
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Howard Da Silva as Meyer Wolfsheim, legendary gambler
New York City, Summer 1925
Film: The Great Gatsby
Release Date: March 29, 1974
Director: Jack Clayton
Costume Designer: Theoni V. Aldredge
Background
Though perhaps not as well known as his gangland contemporaries today, Prohibition-era racketeer Arnold Rothstein served as the basis for generations of fictional characters in pop culture for generations after his 1928 murder.
Born on this day in 1882, Rothstein began gambling at a young age, was reportedly a millionaire by the time he turned 30, and was most likely integral in the infamous “Black Sox Scandal” that accused eight members of the Chicago White Sox of throwing the 1919 World Series to the Cincinnati Reds.
It may be coincidence that the Volstead Act became official nationwide on his 38th birthday, a gift for the visionary Rothstein who has been considered among the first to recognize the business potential of Prohibition. He was one of the most influential figures in organized crime during the roaring ’20s, forging a bootlegging empire that included notable mobsters like Meyer Lansky, “Lucky” Luciano, and Dutch Schultz, many of whom looked up to Rothstein as a mentor.
Despite these dangerous connections, it’s likely that Rothstein met his early end due to nothing more nefarious than a poker game. After racking up a debt of more than $300,000 due to what Rothstein called a fixed game, the 46-year-old gangster was shot during a business meeting at the Park Central Hotel on November 4, 1928, dying two days later.
Though directly portrayed on screen by the likes of F. Murray Abraham (in the 1991 film Mobsters) and Michael Stuhlbarg (in the first four seasons of Boardwalk Empire), Rothstein’s legacy also includes a bevy of fictional characters that he inspired, including Nathan Detroit in the musical Guys and Dolls and Meyer Wolfsheim in F. Scott Fitzgerald’s novel The Great Gatsby, as most clearly suggested by an exchange that cites the real Rothstein’s arguably most infamous “achievement”. Continue reading
The Silent Partner: Elliott Gould’s Gray Christmas Party Suit
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Elliott Gould as Miles Cullen, mild-mannered bank teller
Toronto, Christmas 1977
Film: The Silent Partner
Release Date: September 7, 1978
Director: Daryl Duke
Wardrobe Credit: Debi Weldon
Background
Among all the Christmas and Christmas-adjacent cinematic classics, I feel like The Silent Partner has yet to receive its due. Written on spec by Curtis Hanson—who later directed and co-wrote L.A. Confidential, among many others—this Canadian-made thriller blends touches of comedy with genuine thrills and a unique plot. Elliott Gould stars as Miles Cullen, a bored bank teller who foils a robbery plot attempted by the psychotic Harry Reikle (Christopher Plummer), whose wardrobe frequently alternates between a mall Santa costume and drag.
Through one of Harry’s abandoned hold-up notes, Miles caught wind of the robbery plan in advance and decided to let the crook’s larcenous plans benefit him as well by squirreling away a small fortune in anticipation of the heist. When Harry finally carried out the robbery, Miles was ready and handed over only a fraction of the money to the gun-toting Santa.
Miles’ coolness under pressure makes him popular among his colleagues, particularly the attractive Julie Carver (Susannah York), who shifts her attention from their married manager Charles Packard (Michael Kirby) to Miles, who accompanies her to a Christmas party at the Packard home on the following Sunday. Unfortunately, his quick thinking during the holdup has also attracted the attention of a bitter Harry Reikle, who realizes what Miles has done and begins threatening the scheming teller for the remaining money he feels he rightfully owed. Continue reading
Cary Grant in The Bishop’s Wife
For this holiday treat, I again welcome BAMF Style contributor Ken Stauffer (@oceansographer on Instagram), here sharing his thoughtful analysis of a screen icon in a holiday classic.
Vitals
Cary Grant as Dudley, debonair angel
New York City, December 1947
Film: The Bishop’s Wife
Release Date: December 9, 1947
Director: Henry Koster
Costume Designer: Irene Sharaff
Background
Happy holidays, BAMF Style readers! To celebrate the season, we’re looking back at the Christmas classic The Bishop’s Wife, which premiered at the Astor Theater in Times Square exactly 75 years ago today. Interestingly, general audiences would not have a chance to see the movie until the following February, an odd marketing decision that shows how much the film industry has evolved over the years.
The film stars Cary Grant as Dudley, a literal angel on Earth, assigned to help Manhattan-based Episcopalian Bishop Henry Brougham, drolly performed by David Niven. While acting as the bishop’s assistant, Dudley finds himself drawn to his eponymous wife Julia, played by Loretta Young in an enchanting turn. Continue reading
Steve Martin in Planes, Trains & Automobiles
Vitals
Steve Martin as Neal Page, advertising executive and family man
New York City to Chicago… via Kansas and Missouri, Fall 1987
Film: Planes, Trains & Automobiles
Release Date: November 25, 1987
Director: John Hughes
Costume Designer: April Ferry
Steve Martin’s Costumer: Dennis Schoonderwoerd
Background
It’s two days to Thanksgiving! If you’re an ad man in New York for a creative presentation with an indecisive client, that should give you just enough time to unsuccessfully race Kevin Bacon for a taxi and join up with a talkative shower curtain ring salesman—excuse me, shower curtain ring sales director—for a series of transportation-related hijinks to make it home to Chicago just as that stuffed bird is ready to come out of the oven on Thursday.
Planes, Trains & Automobiles remains one of the few bona fide classic Thanksgiving comedies, released 35 years ago this week as commemorated today with an all-new 4K home video release that includes more than an hour of deleted and extended footage. The movie arguably succeeds best thanks to the comedic chemistry between Steve Martin and John Candy, balancing humor and heart as both the banal Neal and garrulous Del are humanized beyond initial stereotypes in what both actors described as a career-favorite film. Continue reading
Desert Fury: Wendell Corey’s Herringbone Tweed Suit
Vitals
Wendell Corey as Johnny Ryan, stone-cold mob enforcer
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
In the spirit of #Noirvember, I want to celebrate an entry in the relatively rare “color noir” category as well as the career of Wendell Corey, the Massachusetts-born actor and one-time AMPAS President who died on this day in 1968.
Corey was a familiar face in classic film noir like I Walk Alone (1948), Sorry, Wrong Number (1948), and The File on Thelma Jordon (1950) before his perhaps most recognized performance as the skeptical Detective Tom Doyle assisting Jimmy Stewart‘s peeping amateur crime-solver in Rear Window (1954). It had been an impressive rise for an actor whose feature film debut had only been a few years earlier, appearing in Desert Fury (1947) as the gay-coded mob killer Johnny Ryan, right-hand man to smooth racketeer Eddie Bendix (John Hodiak).
Also starring Lizabeth Scott and Burt Lancaster, with whom Corey would again co-star in I Walk Alone, Desert Fury joins contemporaries like Leave Her to Heaven (1945) and Niagara (1953) as the rare examples of full-color movies that maintain enough of the themes, style, and sinister story elements of traditional film noir to still qualify for this classification. Continue reading
Dr. No: Bond’s Gray Mohair Suit and Walther in Jamaica
Vitals
Sean Connery as James Bond, sophisticated and resourceful British government agent
Morgan’s Harbour, Jamaica, Spring 1962
Film: Dr. No
Release Date: October 5, 1962
Director: Terence Young
Wardrobe Master: John Brady
Tailor: Anthony Sinclair
WARNING! Spoilers ahead!
Background
With the release of Dr. No sixty years ago today, October 5 has since been immortalized as Global James Bond Day in commemoration of when Sean Connery first uttered that now-iconic character introduction:
Bond. James Bond.
Dr. No had actually been Ian Fleming’s sixth novel featuring the worldly secret agent, set primarily in Jamaica as he penned the novel from his Jamaican estate Goldeneye. The author had tired of the character and left Bond’s fate somewhat ambiguous at the end of his previous novel From Russia With Love, though ultimately choosing that the agent would live to die another day and beginning Dr. No with 007’s recovery from the poison inflicted by the sharp-shoed Rosa Klebb.
Back to relatively full health, Bond finds his punishment in the form of a simple assignment meant to ease him back into duty (and possibly penalize him for letting his guard down), investigating the disappearance of a station chief and his secretary in Jamaica. There, Bond learns that the late chief had been investigating an eccentric recluse with the equally eccentric name of Doctor Julius No (Joseph Wiseman). With the help of his CIA buddy Felix Leiter (Jack Lord) and local contact Quarrel (John Kitzmiller), Bond ultimately determines that he and his newly issued Walther owe the good bad doctor a long-overdue visit. Continue reading
Sid Caesar in It’s a Mad, Mad, Mad, Mad World
Vitals
Sid Caesar as Melville Crump, honeymooning dentist
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
Background
Today would have been the 100th birthday of Sid Caesar, the pioneering comic actor whose influential variety series Your Show of Shows set a new standard during what some call the first “Golden Age of Television”, though I first knew Caesar for his part among the ensemble cast of It’s a Mad, Mad, Mad, Mad World.