Tagged: Gray Suit
Alain Delon in Le Samouraï
Alain Delon as Jef Costello in Le Samouraï (The Samurai) (1967)
Vitals
Alain Delon as Jef Costello, slick, taciturn, and meticulous contract killer
Paris, April 1967
Film: The Samurai
(French title: Le Samouraï)
Release Date: October 25, 1967
Director: Jean-Pierre Melville
WARNING! Spoilers ahead!
Background
On Alain Delon’s 84th birthday, let’s explore Le Samouraï, arguably one of the best, most influential, and most stylish roles of Delon’s career and the frequent subject of requests from BAMF Style readers like Marcus and Mohammed.
Despite being Jean-Pierre Melville’s tribute to 1940s noir, Le Samouraï was also the maverick director’s first color production as he had evidently elected not to film in black-and-white. The color photography allows Melville to make the most of his shadowy settings from Jef Costello’s gray, barren apartment to the throwback glamour of the Parisian nightclub.
Delon stars as Jef Costello, a cold contract killer whose solitary lifestyle nods to Japanese lone warrior mythology—hence the title—and whose personal style co-opts the classic American noir anti-hero. Continue reading
Tom Cruise in Rain Man
Tom Cruise as Charlie Babbitt in Rain Man (1988)
Vitals
Tom Cruise as Charlie Babbitt, yuppie exotic car sales executive
Across the United States, Summer 1988
Film: Rain Man
Release Date: December 16, 1988
Director: Barry Levinson
Wardrobe Credit: Bernie Pollack
WARNING! Spoilers ahead!
Background
Let’s kick off this summer’s #CarWeek! As today, July 3, is Tom Cruise’s birthday, there’s hardly a more appropriate subject than the iconic Buick Roadmaster he drives for his trip across the United States with Dustin Hoffman in Rain Man.
Cruise stars as Charlie Babbitt, an L.A. yuppie with a failing exotic car import and sales business who just had to postpone a romantic getaway with his girlfriend Susanna (Valeria Golino) to return to Cincinnati for his estranged father’s funeral. With his business in trouble, Charlie at least looks forward to the promise of a substantial inheritance until he learns that his sole endowment from the millionaire’s estate is the very 1949 Buick convertible that drove father and son apart in the first place… Continue reading
Don Draper’s Gray Plaid for Summer, Part 2: 1970
Jon Hamm as Don Draper on Mad Men (Episode 7.08: “Severance”)
Vitals
Jon Hamm as Don Draper, somewhat less mysterious advertising creative director
New York City, Summer 1970
Series: Mad Men
Episodes:
– “Severance” (Episode 7.08), dir. Scott Hornbacher, aired 4/5/2015
– “The Forecast” (Episode 7.10), dir. Jennifer Getzinger, aired 4/19/2015
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Ten years after Don Draper (Jon Hamm) walked the halls of Sterling Cooper in a gray-blue plaid summer suit, let’s see how the ad man updated his look for the summer of 1970.
As Monday’s post highlighted a suit worn in the eighth and tenth episodes of Mad Men‘s first season, this post looks at a similar suit worn in the eighth and tenth episodes of the seventh and final season as the late spring of 1970 extended into the summer.
Don Draper’s Gray Plaid for Summer, Part 1: 1960
Jon Hamm as Don Draper on Mad Men (Episode 1.10: “Long Weekend”)
Vitals
Jon Hamm as Don Draper, mysterious advertising creative director
New York City, Summer 1960
Series: Mad Men
Episodes:
– “The Hobo Code” (Episode 1.08), dir. Phil Abraham, aired 9/6/2007
– “Long Weekend” (Episode 1.10), dir. Tim Hunter, aired 9/27/2007
– “Six-Month Leave” (Episode 2.09), dir. Michael Uppendahl, 9/28/2008
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Happy first full week of June! As the weather warms up, let’s take a look at comfortable yet appropriate dressing for the summer workplace with a few cues from the dapper Don Draper. Continue reading
Gig Young in That Touch of Mink
Gig Young as Roger in That Touch of Mink (1962)
Vitals
Gig Young as Roger, neurotic financial advisor
New York City, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Background
Though not regarded among the best of either Cary Grant or Doris Day’s filmographies, That Touch of Mink will always have a special place for me as one of the movies I used to watch with my grandma, who introduced me to many classic stars from the era through her collection of VHS tapes that we watched nearly to oblivion.
In this romantic comedy, it’s the leads’ best friends who are the most fun to watch, both Audrey Meadows (who Grant—a fan of her work on The Honeymooners—campaigned to have added to the cast) and Gig Young as Grant’s right-hand man.
Lee Marvin’s Plaid Suit in Prime Cut
Lee Marvin as Nick Devlin in Prime Cut (1972)
Vitals
Lee Marvin as Nick Devlin, mob enforcer
Kansas City, summer 1972
Film: Prime Cut
Release Date: June 28, 1972
Director: Michael Ritchie
Costume Designer: Patricia Norris
WARNING! Spoilers ahead!
Background
Lee Marvin’s submachine gun-packing mob enforcer Nick Devlin gets plenty of opportunities for badass action in Michael Ritchie’s sophomore film, Prime Cut, but the smooth gangster also takes the chance to show a more genteel side, such as when escorting Poppy (Sissy Spacek) to a fancy dinner in a hotel restaurant.
Sidney Poitier in In the Heat of the Night
Sidney Poitier as Virgil Tibbs in In the Heat of the Night (1967)
Vitals
Sidney Poitier as Virgil Tibbs, Philadelphia homicide detective
Sparta, Mississippi, September 1966
Film: In the Heat of the Night
Release Date: August 2, 1967
Director: Norman Jewison
Costume Designer: Alan Levine
Background
Happy birthday to the great Sidney Poitier, born 92 years ago today on February 20, 1927. The actor’s personal favorite among his prolific filmography is In the Heat of the Night, which won the Academy Award for Best Picture in 1967, a year that found him pulling off a peerless hat trick that included that film as well as Guess Who’s Coming to Dinner? and To Sir, with Love. Continue reading
Jack McGurn in The St. Valentine’s Day Massacre
Clint Ritchie as “Machine Gun” Jack McGurn in The St. Valentine’s Day Massacre (1967)
Vitals
Clint Ritchie as “Machine Gun” Jack McGurn, born Vincenzo Gabaldi, Chicago mob enforcer
Chicago, Winter 1928
Film: The St. Valentine’s Day Massacre
Release Date: June 30, 1967
Director: Roger Corman
Background
The St. Valentine’s Day Massacre is one of the few true incidents from mob lore to have expanded into mainstream pop culture. The killing of seven men affiliated with Chicago’s North Side Gang on February 14, 1929, startled and intrigued the public with its brutality, and the event became symbolic of the ugly violence that permeated through Prohibition-era America. Continue reading
Lassiter: Tom Selleck’s Gray Tweed and Argyle
Tom Selleck as Nick Lassiter in Lassiter (1984)
Vitals
Tom Selleck as Nick Lassiter, debonair jewel thief
London, June 1939
Film: Lassiter
Release Date: February 17, 1984
Director: Roger Young
Costume Designer: Barbara Lane
Background
Happy birthday, Tom Selleck!
On the actor’s 74th birthday, I’m responding to a frequent request from a fellow Tom who kindly brought my attention to Selleck’s pre-World War II style in the little-known 1984 caper film Lassiter, made during the actor’s Magnum P.I. heyday. Selleck starred as the title character, Nick Lassiter, a daring and debonair jewel thief in the tradition of David Niven’s “Phantom” from the Pink Panther series with a twist of Indiana Jones… perhaps to make up for the fact that Selleck had turned down Raiders of the Lost Ark before Harrison Ford made the iconic role his own.
White Christmas: Bing’s Gray Plaid Suit
Bing Crosby as Bob Wallace in White Christmas (1954)
Vitals
Bing Crosby as Bob Wallace, Broadway crooner and World War II veteran
Pine Tree, Vermont, December 1954
Film: White Christmas
Release Date: October 14, 1954
Director: Michael Curtiz
Costume Designer: Edith Head
Background
Happy holidays, BAMF Style readers! I hope all who celebrate are having a very merry Christmas whether you’re spending it with loved ones or beloved movies.
One of the most esteemed entries in the ever-expanding world of holiday cinema is White Christmas (1954), the story of two World War II veterans who go into show business together. Continue reading