Tagged: Nevada

Desert Fury: John Hodiak’s Suede Loafer Jacket

John Hodiak as Eddie Bendix in Desert Fury (1947)

Vitals

John Hodiak as Eddie Bendix, smooth gangster and gambler

Nevada, Spring 1947

Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head

Background

John Hodiak was born 110 years ago today on April 16, 1914 in Pittsburgh. The actor’s first prominent role was in Alfred Hitchcock’s seagoing 1944 drama Lifeboat, followed by a brief but memorable career—consisting largely of war movies and westerns—before his October 1955 death of a heart attack at age 41.

One of Hodiak’s screen credits was the 1947 crime drama Desert Fury, a “color noir” among the likes of Leave Her to Heaven (1945) and Niagara (1953) that maintain the themes, style, and story elements frequently associated with traditional film noir. Continue reading

The Godfather, Part II: Tom Hagen’s Gray Striped Suit

Robert Duvall as Tom Hagen in The Godfather, Part II (1974)

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Robert Duvall as Tom Hagen, levelheaded Mafia lawyer

Nevada and Washington, D.C., Winter 1958 through Spring 1959

Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle

WARNING! Spoilers ahead!

Background

Today is the 93rd birthday of Robert Duvall, the prolific actor born January 5, 1931 whose extensive filmography includes the first two films of The Godfather saga as Tom Hagen, the orphan informally adopted by the Corleone family—and whose cool head and legal savvy resulted in his position as the family’s trusted consigliere.

As this is the 50th anniversary year of The Godfather Part II, today’s post will explore Tom’s character and costume in this masterful second installment, set across the late 1950s as Michael Corleone (Al Pacino) continues consolidating his power and seeks to legitimatize the family’s interest as Tom had long advised him to do.

Although he’s been transitioned from consigliere to being the family’s lawyer in Las Vegas, Tom still serving as Michael’s right-hand man, with duties beyond legal counsel including everything from buying Christmas presents for the don’s children to blackmailing a senator whom they’ve framed for the murder for a prostitute. Continue reading

Desert Fury: Burt Lancaster’s Colorful Noir Cowboy Style

Burt Lancaster in Desert Fury (1947)

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Burt Lancaster as Tom Hanson, affable deputy sheriff

Nevada, Spring 1947

Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head

Background

Born 110 years ago today on November 2, 1913, Burt Lancaster’s connection to film noir begins with his screen debut in The Killers (1946), followed by performances in Brute Force (1947), I Walk Alone (1947), Sorry, Wrong Number (1948), Criss Cross (1949), and Sweet Smell of Success (1957)—to name just a few of his noir credentials.

While the existence of “color noir” may sound contradictory, there were a handful of films made during the ’40s and ’50s that have been qualified as such, including the 1947 drama Desert Fury which maintains its noir techniques and themes but with lush Technicolor cinematography as opposed to the shadowy black-and-white typically associated with the style.

Let’s kick off #Noirvember in post-World War II Nevada, where Lancaster’s friendly Tom Hanson takes a break from serving as deputy sheriff in the fictional town of Chickawalla to practice his equestrian abilities. Continue reading

Willie Nelson’s Fringe Jacket in The Electric Horseman

Willie Nelson as Wendell Hickson in The Electric Horseman (1979)

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Willie Nelson as Wendell Hickson, trusty talent manager and cowboy singer

Las Vegas, Fall 1978

Film: The Electric Horseman
Release Date: December 21, 1979
Director: Sydney Pollack
Costume Designer: Bernie Pollack

Background

Happy 90th birthday, Willie Nelson! Best known as a country singer/songwriter and prolific stoner, Nelson made his screen acting debut in The Electric Horseman as Wendell Hickson, the laidback and loyal yet understandably weary manager to Sonny Steele (Robert Redford), an increasingly erratic ex-rodeo star who has been reduced to PR appearances promoting cereal for his corporate overlords.

Naturally, Willie also contributed three songs for the film’s soundtrack, including the outlaw standards “Mammas Don’t Let Your Babies Grow Up to Be Cowboys”, “Midnight Rider”, and “My Heroes Have Always Been Cowboys”. Continue reading

Poker Face: Charlie’s Jacquard Cardigan

Natasha Lyonne as Charlie Cale on Poker Face, Episode 1.01: “Dead Man’s Hand”

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Natasha Lyonne as Charlie Cale, casino cocktail waitress and human lie detector

Nevada, November 2021

Series: Poker Face
Episode: “Dead Man’s Hand” (Episode 1.01)
Air Date: January 26, 2023
Director: Rian Johnson
Creator: Rian Johnson
Costume Designer: Trayce Gigi Field

WARNING! Spoilers ahead!

Background

Despite the mysteries that drive each episode, it was no mystery to me that Poker Face would immediately become one of my favorite new shows of 2023. As intended, this case-of-the-week series could softly be described as a modern update to Columbo, with its “howcatchem” structure (rather than the traditional murder-mystery “whodunit”) and a scrappy lead character with an uncanny ability to read people, here brought to life by the amazing Natasha Lyonne, who celebrates her 44th birthday today. Continue reading

Desert Fury: Wendell Corey’s Herringbone Tweed Suit

Wendell Corey as Johnny Ryan in Desert Fury (1947)

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Wendell Corey as Johnny Ryan, stone-cold mob enforcer

Nevada, Spring 1947

Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head

Background

In the spirit of #Noirvember, I want to celebrate an entry in the relatively rare “color noir” category as well as the career of Wendell Corey, the Massachusetts-born actor and one-time AMPAS President who died on this day in 1968.

Corey was a familiar face in classic film noir like I Walk Alone (1948), Sorry, Wrong Number (1948), and The File on Thelma Jordon (1950) before his perhaps most recognized performance as the skeptical Detective Tom Doyle assisting Jimmy Stewart‘s peeping amateur crime-solver in Rear Window (1954). It had been an impressive rise for an actor whose feature film debut had only been a few years earlier, appearing in Desert Fury (1947) as the gay-coded mob killer Johnny Ryan, right-hand man to smooth racketeer Eddie Bendix (John Hodiak).

Also starring Lizabeth Scott and Burt Lancaster, with whom Corey would again co-star in I Walk AloneDesert Fury joins contemporaries like Leave Her to Heaven (1945) and Niagara (1953) as the rare examples of full-color movies that maintain enough of the themes, style, and sinister story elements of traditional film noir to still qualify for this classification. Continue reading

The Electric Horseman: Robert Redford’s Denim Western Style

Robert Redford in The Electric Horseman (1979)

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Robert Redford as Norman “Sonny” Steele, championship rodeo rider-turned-cowboy cereal spokesman

Red Rock Canyon, Nevada, Fall 1978

Film: The Electric Horseman
Release Date: December 21, 1979
Director: Sydney Pollack
Costume Designer: Bernie Pollack

Background

I’ve been feeling romantic leading up to my wedding this weekend, so today’s fall-inspired fashions come by way of The Electric Horseman, Robert Redford’s fifth collaboration with director Sydney Pollack.

Redford plays Sonny Steele, the eponymous equestrian and former rodeo champion turned cynical after selling out to hock cereal touted as “a champ’s way to start a better day!” Continue reading

The Misfits: Marilyn Monroe’s Denim Western Wear

Marilyn Monroe as Roslyn Tabor in The Misfits (1961)

Marilyn Monroe as Roslyn Tabor in The Misfits (1961). Photo by Eve Arnold.

Vitals

Marilyn Monroe as Roslyn Tabor, recent divorcée

Nevada desert, Summer 1960

Film: The Misfits
Release Date: February 1, 1961
Director: John Huston

WARNING! Spoilers ahead!

Background

Sixty years after her fatal overdose on August 4, 1962, Marilyn Monroe remains a major figure in pop culture, the subject of countless books, art, music, and movies, including Blonde, scheduled to release next month starring Ana de Armas as the actress. Monroe’s final completed film was John Huston’s The Misfits, an elegiac contemporary Western written by her then-husband Arthur Miller that afforded the actress with the opportunity to provide her arguably best performance, which earned her the 1961 Golden Globe Award for “World Film Favorite” despite her own reported contempt for her performance. Continue reading

Dean Martin in Kiss Me, Stupid

Dean Martin in Kiss Me, Stupid (1964)

Dean Martin in Kiss Me, Stupid (1964)

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Dean Martin as Dino, smooth crooner with a passion for booze, golf, and women

Between Las Vegas and Los Angeles, Fall 1964

Film: Kiss Me, Stupid
Release Date: December 22, 1964
Director: Billy Wilder
Wardrobe Credit: Irene Caine & Wesley Jeffries
Tailor: Sy Devore

WARNING! Spoilers ahead!

Background

To celebrate the legendary Dean Martin, born on this day in 1917 in Steubenville, Ohio, today’s post explores when the chsaismatic Italian-American entertainer played… himself! Continue reading

Vanishing Point: Cleavon Little as Super Soul

Cleavon Little as "Super Soul" in Vanishing Point (1971)

Cleavon Little as “Super Soul” in Vanishing Point (1971)

Vitals

Cleavon Little as Super Soul, blind radio DJ

Nevada Desert, Summer 1971

Film: Vanishing Point
Release Date: March 13, 1971
Director: Richard C. Sarafian
Wardrobe Master: Ed Wynigear

WARNING! Spoilers ahead!

Background

Before he blazed into Rock Ridge as the controversial new sheriff, Cleavon Little was already shaking up the desert as Super Soul, the almost mystic blind radio DJ who guides our laconic hero in in his white Dodge Challenger through the blue highways of the west in Vanishing Point, released 50 years ago today on March 13, 1971.

The Oklahoma-born Little was already a stage star at the time he walked Super Soul’s dog to the KOW radio booth in Goldfield, Nevada, having won a Tony Award in Ossie Davis’ Purlie just one year after making his Broadway debut. Vanishing Point was only his third credited screen role, his charismatic energy a contrast to Barry Newman’s taciturn Kowalski, whom Super Soul dubs “the last American hero.” Continue reading