Paul Newman as Butch Cassidy, affable leader of the Hole-in-the-Wall bandit gang
Wyoming, Colorado, and Utah, Fall 1898
Film: Butch Cassidy and the Sundance Kid
Release Date: September 23, 1969
Director: George Roy Hill
Costume Designer: Edith Head
“He speaks well and quickly, and has been all his life a leader of men; but if you asked him, he would be damned if he could tell you why,” William Goldman introduced Robert Leroy Parker in his Academy Award-winning screenplay, inspired by the true story of Parker and his partner-in-crime Harry Longabaugh… aka Butch Cassidy and The Sundance Kid, respectively. Continue reading
Keith Carradine as James Butler “Wild Bill” Hickok, legendary gunfighter, gambler, and erstwhile lawman
Deadwood, Summer 1876
– “Deadwood” (Episode 1.01, dir. Walter Hill, aired 3/21/2004)
– “Deep Water” (Episode 1.02, dir. Davis Guggenheim, aired 3/28/2004)
– “Reconnoitering the Rim” (Episode 1.03, dir. Davis Guggenheim, aired 4/4/2004)
– “Here Was a Man” (Episode 1.04, dir. Alan Taylor, aired 4/11/2004)
Creator: David Milch
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Famously killed 145 years ago today holding the “dead man’s hand”, James Butler Hickok was a living Wild West legend by the time his caravan pulled into Deadwood, then a lawless mining camp in the Black Hills of Dakota Territory, during the summer of 1876. Continue reading
Don Cheadle as Buck Swope, porn actor and aspiring electronics store owner
San Fernando Valley, Summer 1977
Film: Boogie Nights
Release Date: October 10, 1997
Director: Paul Thomas Anderson
Costume Designer: Mark Bridges
In the mood for some midweek summer leisure looks, I was inspired by the parade of ’70s style in Boogie Nights. As with so many period productions set during the disco era, Boogie Nights features plenty of the big collars, flashy jewelry, and polyester we’ve come to associate with that decade, and its focus on the porn industry—despite Jack Horner’s insistence that his “pictures” may be a higher art than the era’s run-of-the-mill smut—takes us through the tackier side of a decade already oft reviled for its sartorial excess.
Among the sprawling ensemble cast, I’ve always enjoyed Don Cheadle’s performance as Buck Swope, the conflicted actor in Horner’s troupe constantly wrangling with his identity. Continue reading
Glenn Ford as Ben Wade, bandit leader
Arizona Territory, 1880s
Film: 3:10 to Yuma
Release Date: August 7, 1957
Director: Delmer Daves
Costume Designer: Jean Louis
Looking for a movie to watch on 3/10? I recommend 3:10 to Yuma, the swift, suspenseful, and compelling Western based on an early short story by Elmore Leonard.
Modern audiences may be more familiar with the 2007 adaptation starring Russell Crowe and Christian Bale as the outlaw and the rancher, respectively, though the original black-and-white version was produced in 1957, four years after Leonard’s story was published in Dime Western Magazine.
A decade before revisionist Westerns would become fashionable in “New Hollywood”, the original 3:10 to Yuma followed in the allegorical tradition of High Noon (1952) with complex characters and moral questions that paint a worldview where the concept of right and wrong are less black and white than the cinematography.
Clark Gable as Gay Langland, aging cowboy
Nevada desert, Summer 1960
Film: The Misfits
Release Date: February 1, 1961
Director: John Huston
The Misfits was released sixty years ago today on what would have been star Clark Gable’s 60th birthday. As the actor died three months earlier in November 1960 (just days after filming wrapped), audiences strolling into the theater were already aware that it had been the screen icon’s swan song but were tragically unaware that it would be the last for Marilyn Monroe, who died in 1962 before she could complete production in Something’s Gotta Give.
As it turned out, none of the film’s leading trio would survive the decade as third-billed Montgomery Clift died at the age of 45 in July 1966.
Though not warmly received at the time of its release, The Misfits‘ reputation has benefited from contemporary reconsideration over the years as critics have come to appreciate this somewhat offbeat take on a group of lovable losers and no-account boozers, to pinch a phrase from Billy Joe Shaver. Continue reading
Clint Eastwood as Blondie, aka “the Man with No Name”, taciturn bounty hunter
New Mexico Territory, Spring 1862
Film: The Good, the Bad, and the Ugly
(Italian title: Il Buono, il brutto, il cattivo)
Release Date: December 23, 1966
Director: Sergio Leone
Costume Designer: Carlo Simi
Today marks the 90th birthday of screen legend Clint Eastwood, born May 31, 1930, in San Francisco. (Between John Wayne on May 26, James Stewart on May 20, and Gary Cooper on May 7, there must be something about being in born in May that positions an actor for stardom in the Western genre!)
After Eastwood’s initial success on the TV series Rawhide, he traveled to Italy to star in a trio of Westerns directed by Sergio Leone, firmly establishing the significance of the “spaghetti Western”. In A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966), Eastwood ostensibly played a variation of the same mysterious, laconic gunfighter alternately known as Joe, Manco, or Blondie, respectively, but immortalized in cinema as “the Man with No Name.”
John Wayne as Reuben J. “Rooster” Cogburn, tough Deputy U.S. Marshal
Fort Smith, Arkansas, into Indian Territory, Fall 1880
Film: True Grit
Release Date: June 12, 1969
Director: Henry Hathaway
Costume Designer: Dorothy Jeakins
Wardrobe: Luster Bayless (uncredited)
To commemorate John Wayne’s birthday 113 years ago today on May 26, 1907, let’s take a look at one of Duke’s most enduring roles and the one that won him the Academy Award after more than forty years making over 200 movies.
Swiftly adapted from Charles Portis’ source novel of the same name, True Grit follows 14-year-old Mattie Ross as she seeks the help of a drunken U.S. Marshal, chosen by virtue of his reputation as the meanest marshal, to avenge the murder of her father. Continue reading
Gary Cooper as Will Kane, newlywed city marshal
Hadleyville, New Mexico Territory, Summer 1873
Film: High Noon
Release Date: July 24, 1952
Director: Fred Zinnemann
Men’s Wardrobe Credit: Joe King
Born 119 years ago today on May 7, 1901, Gary Cooper received his second Academy Award for Best Actor in recognition of his now-iconic performance in High Noon as a laconic lawman whose sense of duty compels him to make a lone stand against a band of dangerous outlaws.
Colin Farrell as Ray Velcoro, troubled and crooked Vinci PD detective
Ventura County, California, October 2014
Series: True Detective
– “Night Finds You” (Episode 2.02, dir. Justin Lin, aired 6/28/2015)
– “Maybe Tomorrow” (Episode 2.03, dir. Janus Metz, aired 7/5/2015)
Creator: Nic Pizzolatto
Costume Designer: Alix Friedberg
WARNING! Spoilers ahead!
As we get deeper into autumn, let’s crib a fall-friendly look from the second episode of True Detective‘s divisive second season. Even if you weren’t a fan of the neo-noir sophomore season of Nic Pizzolatto’s HBO series, there’s still something undoubtedly fun about Ray Velcoro’s cowboy-inspired take on a detective’s daily attire. Continue reading
Gregory Peck as Jim McKay, “neat, clean, and polite” former sea captain and aspiring rancher
West Texas, Summer 1886
Film: The Big Country
Release Date: August 13, 1958
Director: William Wyler
Costume Design: Emile Santiago & Yvonne Wood
A couple years ago, I had received a request via Twitter from venerated BAMF Style reader Ryan to explore Gregory Peck’s “taupe city slicker suit” in The Big Country, which also happened to be the favorite movie of former U.S. President Dwight D. Eisenhower, born 129 years ago today on October 14, 1890. In fact, Ike was such a fan of William Wyler’s Technicolor Western that he screened the 166-minute epic on four separate occasions during his administration’s second term in the White House.