Category: Three-Piece Suit
Steve McQueen’s Chalkstripe Suit as Thomas Crown
Steve McQueen as Thomas Crown in The Thomas Crown Affair (1968). Note that he dresses his wrist with his Cartier Tank Cintrée rather than the Patek Philippe pocket watch he wears for the actual scene.
Vitals
Steve McQueen as Thomas Crown, millionaire criminal mastermind
Switzerland, June 1968
Film: The Thomas Crown Affair
Release Date: June 19, 1968
Director: Norman Jewison
Costume Designer: Alan Levine
Tailor: Douglas Hayward
Background
I recently had the pleasure to join Pete Brooker and Matt Spaiser (of Bond Suits) on their excellent podcast From Tailors with Love for an entertaining and informative discussion of Steve McQueen’s suits and style in The Thomas Crown Affair. If you’re not already a subscriber, you can follow the fun via iTunes, Spotify, or Stitcher, and check out highlights from yours truly’s appearance on the latest episode here. Continue reading
Gregory Peck in To Kill a Mockingbird
Gregory Peck as Atticus Finch in To Kill a Mockingbird (1962)
Vitals
Gregory Peck as Atticus Finch, principled Southern lawyer
Maycomb, Alabama, Summer 1932 and 1933
Film: To Kill a Mockingbird
Release Date: December 25, 1962
Director: Robert Mulligan
Costume Designer: Rosemary Odell
Tailor: H. Huntsman & Sons, London
Background
Today marks the birthday of Gregory Peck, born April 5, 1916. Peck’s arguably most iconic role was that of the patient, humble, and earnest defense attorney Atticus Finch, a portrayal that earned Peck the Academy Award and was voted the #1 screen hero of all time in a 2003 AFI poll, outranking cinematic badasses like James Bond, Indiana Jones, and Ellen Ripley and illustrating that the most heroic strength is strength of moral character.
Murder on the Orient Express: Kenneth Branagh’s Navy Suit as Poirot
Kenneth Branagh as Hercule Poirot in Murder on the Orient Express (2017)
Vitals
Kenneth Branagh as Hercule Poirot, obsessive-compulsive Belgian detective
Orient Express, Winter 1934
Film: Murder on the Orient Express
Release Date: November 10, 2017
Director: Kenneth Branagh
Costume Designer: Alexandra Byrne
WARNING! Spoilers ahead!
Background
Readers who have seen my posts focused on adaptations of And Then There Were None, Death on the Nile, and Evil Under the Sun are likely aware that I’ve been a fan of Agatha Christie’s mystery fiction since I was 10 years old. Thus, it’s a continued thrill to find her works thriving as studios on both sides of the pond continue to churn out lavish adaptations of her work a full century after she introduced the world to Hercule Poirot with the publication of her first novel, The Mysterious Affair at Styles, in 1920. In particular, David Suchet has been performing yeoman’s work as the quintessential Poirot across 70 episodes of an ITV-produced drama series that successfully—and relatively faithfully—adapted every novel and story that prominently featured Christie’s master detective.
In the spirit of contemporary BBC adaptations like The ABC Murders, And Then There Were None, Ordeal by Innocence, and The Pale Horse, Kenneth Branagh helmed what’s now the fourth adaptation of Murder on the Orient Express, arguably Christie’s best-known novel famous for its then-groundbreaking solution. Continue reading
Bond Style: Charcoal Suit for Air Travel in Goldfinger
Sean Connery as James Bond in Goldfinger (1964)
Vitals
Sean Connery as James Bond, British government agent
en route Washington, D.C., Fall 1964
Film: Goldfinger
Release Date: September 18, 1964
Director: Guy Hamilton
Tailor: Anthony Sinclair
Wardrobe Supervisor: Elsa Fennell
WARNING! Spoilers ahead!
Background
Following up on Saturday’s post about Frank Sinatra’s jet-setting style in the early ’60s, let’s see how a contemporary style icon dressed for a private flight of his own. As it’s the first 00-7th of the month in 2020, it seems only appropriate to check in with the first James Bond—Sean Connery! (Barry Nelson notwithstanding.)
Come Fly With Me: Sinatra’s Jet-Setting Style
Frank Sinatra, flanked by the stewardesses of his Trans-Canada Air Lines flight, circa 1950. The dawn of the “jet age”—and the best years of Frank’s career—were yet to come.
Vitals
Frank Sinatra, multi-talented entertainer and Rat Pack crooner
(Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars rather than from specific productions.)
Background
Sixty two years ago this week, on January 6, 1958, Frank Sinatra released his ninth concept album for Capitol Records, Come Fly With Me. Anchored by the title track specifically penned for Frank by Sammy Cahn and Jimmy Van Heusen, the album celebrated the contemporary Jet Age, specifically the chic “jet setters” who were able to afford the luxurious amenities offered by BOAC and Pan Am flights that would spirit them between London and New York, Paris and Rome, and Hong Kong and Tokyo.
The album, which was Sinatra’s first collaboration with arranger and conductor Billy May, ascended like a state-of-the-art Boeing to #1 on the Billboard album charts in only its second week and would be nominated for Album of the Year at the first annual Grammy Awards, held May 4, 1959, at the Beverly Hilton Hotel in Los Angeles.
In the spirit of Frank’s musical trip around the world on this #SinatraSaturday, let’s take a look at how the Rat Pack leader himself dressed “where the air is rarified…” Continue reading
The Public Enemy: Cagney’s New Clothes and Car
James Cagney leans on the door of a LaSalle as Tom Powers in The Public Enemy (1931)
Vitals
James Cagney as Tom Powers, dangerous gangster and bootlegger
Chicago, Spring 1920
Film: The Public Enemy
Release Date: April 23, 1931
Director: William A. Wellman
Costume Designer: Edward Stevenson
Wardrobe Credit: Earl Luick
WARNING! Spoilers ahead!
Background
Today is the 86th anniversary of the 21st Amendment that repealed Prohibition, the 13-year ban on the manufacture and sale of alcoholic beverages in the United States. Even before Prohibition was repealed on December 5, 1933, the wave of organized crime it inspired across the country was a popular subject for movies of the era, with Warner Brothers taking the lead with hits like Little Caesar, The Public Enemy, and Scarface that made stars out of intense actors like Edward G. Robinson and James Cagney.
The latter was particularly renowned for his performance in The Public Enemy, a “ripped-from-the-headlines” tour de force of violence based on an unpublished novel written by two former newspapermen who had witnessed firsthand the impact of Al Capone’s brutal stronghold on Chicago during the beer wars of the roaring ’20s.
As #CarWeek continues, let’s flash back to the Prohibition era as Cagney’s Tom Powers hopes to make an impression with his new tailored suits and shiny new touring convertible. Continue reading
Scent of a Woman: Al Pacino’s Glenurquhart Plaid Suit
Al Pacino tangos with Gabrielle Anwar in Scent of a Woman (1992)
Vitals
Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel “who likes to spit in everybody’s eye”
New York City, Thanksgiving 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
Background
On the eve of Thanksgiving, today seemed like a fitting occasion to address one of the most requested suits I’ve heard from readers: Al Pacino’s freshly tailored Glenurquhart check three-piece suit as the cantankerous Lieutenant Colonel Frank Slade in Scent of a Woman. Pacino turned in a landmark performance in his prolific career, winning his sole Academy Award after six nominations (with one additional nod the same year for Glengarry Glen Ross), a result of the intense method actor’s painstaking research in meeting with clients of New York’s Associated Blind to understand life—from mood to mobility—as a person without sight.
After 26 years in the Army, a nearly blind Frank “Don’t Call Me ‘Sir'” Slade spends his days sitting in the darkened corner of his modest home, filling lowball glasses to the brim with Jack Daniel’s, berating his family, and spitting anger at anyone brave enough to visit him, including Charlie Simms (Chris O’Donnell), the mild-mannered prep school student hired by Frank’s niece Karen to take care of her uncle through Thanksgiving weekend. Continue reading
Boardwalk Empire: Nucky Thompson’s Final Suit in “Eldorado”
Steve Buscemi as Enoch “Nucky” Thompson on Boardwalk Empire (Episode 5.08: “Eldorado”)
Vitals
Steve Buscemi as Enoch “Nucky” Thompson, corrupt Atlantic City politician and bootlegger
Atlantic City, Late Spring 1931
Series: Boardwalk Empire
Episode: “Eldorado” (Episode 5.08)
Air Date: October 26, 2014
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn
Tailor: Martin Greenfield
WARNING! Spoilers ahead!
Background
Tomorrow marks the fifth anniversary since the final episode of Boardwalk Empire aired. Set in 1931, the fifth and final season of HBO’s Prohibition-set crime drama took a seven-year leap to conclude the stories of Atlantic City’s corrupt ex-treasurer Enoch “Nucky” Thompson (Steve Buscemi) and those in his orbit, whether based on reality like “Lucky” Luciano (Vincent Piazza) or fictional creations for the show like Gillian Darmody (Gretchen Mol). Nucky himself is based on Enoch “Nucky” Johnson, the colorful and indeed corrupt politician from Atlantic City’s heyday in the roaring ’20s.
Walter Matthau’s Navy Striped Suit in Charade
Walter Matthau as Carson Dyle in Charade (1963)
Vitals
Walter Matthau as Carson Dyle, posing as CIA administrator Hamilton Bartholomew
Paris, April 1963
Film: Charade
Release Date: December 5, 1963
Director: Stanley Donen
WARNING! Spoilers ahead!
Background
Today commemorates the 99th birthday of the great Walter Matthau, the New York-born actor and comedian. After playing heavies in movies like the Elvis vehicle King Creole (1958) and his self-directed Gangster Story (1960), Matthau got a chance to exercise his versatility and comedic chops with a delightfully duplicitous role in Stanley Donen’s romantic comedy thriller Charade (1963).
Scarface (1932) – Tony’s Brown Striped Suit
Paul Muni, flanked by Vince Barnett and Karen Morley, in Scarface (1932)
Vitals
Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1927
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
Background
Today’s #MafiaMonday post goes back to the Prohibition era, the age that gave rise to the modern American gangster… and the American gangster movie.
After Warner Brothers scored back-to-back hits with Little Caesar (1931) and The Public Enemy (1931), effectively establishing the subgenre of the gangster film, Howard Hughes entered the fray with Scarface, an explosive, influential, and fast-paced criminal epic adapted from Armitage Trail’s novel that had been based on the life of Al Capone. Hughes had been warned against taking on Warner’s dominance in the genre, so he packed his production with talent including screenwriter Ben Hecht, director Howard Hawks, and lead actor Paul Muni, who was born 124 years ago yesterday on September 22, 1895.
In the wake of movies like Little Caesar and The Public Enemy, the Hays Office had been increasing its efforts to censor what it deemed to be glamorization of criminal lifestyles in cinema, but its notoriously restrictive production code had yet to be put into place, giving Scarface full reign to arm its vaguely incestuous central character with a Thompson submachine gun, once dubbed “the gun that made the twenties roar,” as he rose the ranks of the criminal underworld in a series of violent vignettes paralleling the life and crimes of the infamous Capone.