Tagged: London
Lassiter: Tom Selleck’s Gray Tweed and Argyle
Tom Selleck as Nick Lassiter in Lassiter (1984)
Vitals
Tom Selleck as Nick Lassiter, debonair jewel thief
London, June 1939
Film: Lassiter
Release Date: February 17, 1984
Director: Roger Young
Costume Designer: Barbara Lane
Background
Happy birthday, Tom Selleck!
On the actor’s 74th birthday, I’m responding to a frequent request from a fellow Tom who kindly brought my attention to Selleck’s pre-World War II style in the little-known 1984 caper film Lassiter, made during the actor’s Magnum P.I. heyday. Selleck starred as the title character, Nick Lassiter, a daring and debonair jewel thief in the tradition of David Niven’s “Phantom” from the Pink Panther series with a twist of Indiana Jones… perhaps to make up for the fact that Selleck had turned down Raiders of the Lost Ark before Harrison Ford made the iconic role his own.
Cary Grant’s Tuxedo in Indiscreet
Cary Grant and Ingrid Bergman in Indiscreet (1958)
Vitals
Cary Grant as Philip Adams, sophisticated playboy economist
London, Fall 1957 to Spring 1958
Film: Indiscreet
Release Date: June 26, 1958
Director: Stanley Donen
Tailor: Quintino
Background
Happy birthday to the great Cary Grant, born 115 years ago today on January 18, 1904, in Bristol, England. Born Archibald Leach before he assumed his catchier stage name, Grant’s signature screen presence blended his self-deprecating sense of humor with peerless suavity in both attitude and style. Grant’s popularity during the mid-20th century and the height of the dinner suit’s ubiquity meant the debonair actor would don a tuxedo almost as frequently as James Bond… and it’s not surprising to hear that Grant was an early contender for the role of 007, at least in the mind of the character’s creator Ian Fleming.
Between 1955 and 1962, Grant starred in seven contemporary-set films that didn’t require him to be in military uniform; of these, he sported a tuxedo in all but one (the lone exception, North by Northwest, featured the actor wearing arguably the most famous suit in movie history so there was little need for black tie.) In the middle of this impressive and stylish run of movies is Indiscreet, a Stanley Donen-directed romantic comedy that earned Grant his first of five Golden Globe nominations. Continue reading
The V.I.P.s: Louis Jourdan’s Tweed Jacket
Louis Jourdan and Elizabeth Taylor in The V.I.P.s (1963)
Vitals
Louis Jourdan as Marc Champselle, “a gigolo… a buffoon… a professional diner-outer… a notorious sponger!”
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Background
Happy December! For the first month of winter in the Northern Hemisphere, we look to the stylish 1963 film The V.I.P.s, a cinematic celebration of jet-age luxury starring an impressive international cast as a group of travelers stranded at London’s Heathrow Airport and the neighboring Hotel International for a cold but passionate January night.
Arabesque – Gregory Peck’s Windowpane Sport Jacket
Gregory Peck and Sophia Loren in Arabesque (1966)
Vitals
Gregory Peck as David Pollock, American hieroglyphics professor
Oxford to London, Wednesday, June 16, 1965
Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
Three years after helming “the best Hitchcock movie that Hitchcock never made,” director Stanley Donen again returned to the romantic world of lighthearted espionage with Arabesque, based on Alex Gordon’s 1961 novel The Cypher. Like Charade before it, Donen brought two glamorous and popular stars together for a lighthearted and stylish spy story against a European backdrop.
Mitchum as Marlowe: Striped Summer Suit in The Big Sleep
Robert Mitchum as Philip Marlowe in The Big Sleep (1978)
Vitals
Robert Mitchum as Philip Marlowe, American private investigator
London, September 1977
Film: The Big Sleep
Release Date: March 13, 1978
Director: Michael Winner
Costume Designer: Ron Beck
WARNING! Spoilers ahead!
Background
Raymond Chandler’s birthday was 130 years ago today (July 23, 1888), so I’m celebrating the hard-boiled author’s big day with a look at a cinematic portrayal of one of his most enduring creations, cynical private eye Philip Marlowe, as played by Robert Mitchum in this 1978 update of The Big Sleep.
Reilly, Ace of Spies: A Notch-Lapel Dinner Jacket
Sam Neill as Sidney Reilly in Reilly: Ace of Spies (Episode 6: “Dreadnoughts and Doublecrosses”)
Vitals
Sam Neill as Sidney Reilly, shrewd British agent and anti-Bolshevik
St. Petersburg, Russia, October 1910, and
London, November 1918
Series: Reilly: Ace of Spies
Episodes:
– “Dreadnoughts and Doublecrosses” (Episode 6), dir. Jim Goddard, aired 10/5/1983
– “After Moscow”(Episode 9), dir. Martin Campbell, aired 10/26/1983
Costume Designer: Elizabeth Waller
Background
Reilly: Ace of Spies fictionalizes the exploits of Russian-born spy Sidney Reilly, often cited as a real-life basis for Ian Fleming’s James Bond. While the showrunners must have been cognizant of the need to place their suave British secret agent in a tuxedo, the series’ narrative also coincided with the rise of the dinner jacket over the first quarter of the 20th century.
Mitchum as Marlowe: Striped Jacket in The Big Sleep
Robert Mitchum as Philip Marlowe in The Big Sleep (1978)
Vitals
Robert Mitchum as Philip Marlowe, American private investigator
London, September 1977
Film: The Big Sleep
Release Date: March 13, 1978
Director: Michael Winner
Costume Designer: Ron Beck
Background
Philip Marlowe is a bold dresser. We learn that from the opening paragraph of Raymond Chandler’s inaugural novel, The Big Sleep, with the description of the detective’s powder blue suit, dark blue underpinnings, and socks with clocks. The rest of the United States may have adopted a somber approach to dressing during the years of the Depression, but Marlowe is an L.A. private eye. He’s gotta turn heads.
Decades after the novel’s publication and Bogie and Bacall sizzled in its first cinematic adaptation, the story was once again slated for the silver screen. Continue reading
