Tagged: Plaid Sportcoat

Don Draper’s Dinner Party Plaid Jacket in “Signal 30”

Jon Hamm as Don Draper on Mad Men

Jon Hamm as Don Draper on Mad Men, Episode 5.05: “Signal 30”. From photo by Michael Yarish/AMC.

Vitals

Jon Hamm as Don Draper, smooth ad man

Cos Cob, Connecticut, Summer 1966

Series: Mad Men
Episode: “Signal 30” (Episode 5.05)
Air Date: April 15, 2012
Director: John Slattery
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

To commemorate Jon Hamm’s 51st birthday today, let’s return to his Emmy-winning performance as the conflicted advertising director Don Draper. After four stylish seasons set across the early ’60s, Mad Men‘s fifth season took a darker and experimental turn with its storytelling, reflective of the more disturbing events of a decade that was evolving from the idealistic ’50s into an violent age of assassinations, serial murder, and war.

Following the dark “Mystery Date” with its homicidal fever dreams and Richard Speck references, the fifth episode “Signal 30” took its title from the gruesome instructional film illustrating the dangers of the road, shown to new drivers like Pete Campbell (Vincent Kartheiser), Sterling Cooper Draper Pryce’s ambitious but insecure account manager, who could be argued as the central character of this episode.

Mad Men creator Matthew Weiner described “Signal 30″—which he co-wrote with Dog Day Afternoon‘s Oscar-winning screenwriter Frank Pierson—as “probably the saddest episode we’ve ever had.”

Directed by series regular John Slattery, “Signal 30” is an episode of plumbing mishaps and forbidden passions, culminating in office fisticuffs. These passions range from Ken Cosgrove (Aaron Staton) continuing his literary side hustle against the wishes of his employers, Lane Pryce (Jared Harris) fighting his own battles with personal and professional masculinity, a business trip to a brothel where all attendees but Don indulge themselves, and Pete’s disturbing crush on a teenage girl in his driver’s ed class.

But before Pete lecherously throws himself at anything on legs—or throws any punches at colleagues—he and his delightful wife Trudy (Alison Brie) welcome the Drapers and Cosgroves for a dinner party. Perhaps appropriate for the only season of Mad Men where we don’t see him engaging in extramarital romance, Don allows his new wife Megan (Jessica Paré) to talk him into swapping his staid suit jacket out for a loudly checked sports coat more on trend for the middle of the swingin’ sixties. Continue reading

Cheers: Sam Malone’s Thanksgiving Madras Plaid Jacket and Knitted Tie

Ted Danson as Sam Malone on Cheers (Episode 5.09: "Thanksgiving Orphans")

Ted Danson as Sam Malone on Cheers (Episode 5.09: “Thanksgiving Orphans”)

Vitals

Ted Danson as Sam Malone, bartender and former baseball star

Boston, Thanksgiving 1986

Series: Cheers
Episode: “Thanksgiving Orphans” (Episode 5.09)
Air Date: November 27, 1986
Director:
James Burrows
Created by: Glen Charles, Les Charles, and James Burrows
Costume Designer: Robert L. Tanella

WARNING! Spoilers ahead! 

Background

Happy Thanksgiving! This iconic episode from Cheers‘ fifth season aired 35 years ago this week on Thanksgiving 1986 and has often been included on lists ranking the greatest TV episodes of all time.

Decades before your friends started hosting Friendsgiving celebrations, Carla Tortelli (Rhea Perlman) hosted the Cheers crew at her home, filling the void left by her many children, most of whom are spending the holiday with their dad, Nick; indeed, the fact that we don’t get any Turkey Day time with Dan Hedaya’s character may be the one downside to this marvelous episode.

Of course, the rest of the gang is all here: barkeep Sam Malone (Ted Danson), his famously on-again/off-again paramour Diane Chambers (Shelley Long), her lonely ex Frasier Crane (Kelsey Grammer), honorary barstools Norm (George Wendt) and Cliff (John Ratzenberger), and novice bartender Woody Boyd (Woody Harrelson), who frequently urges “this is gonna be the best Thanksgiving ever!” Continue reading

A Place in the Sun: Montgomery Clift’s Labor Day Glen Plaid Sports Coat

Montgomery Clift and Elizabeth Taylor in A Place in the Sun (1951)

Montgomery Clift and Elizabeth Taylor in A Place in the Sun (1951)

Vitals

Montgomery Clift as George Eastman, dangerously ambitious factory executive

“Loon Lake”, Missouri, Labor Day 1950

Film: A Place in the Sun
Release Date: August 14, 1951
Director: George Stevens
Costume Designer: Edith Head

WARNING! Spoilers ahead!

Background

With Labor Day weekend ahead, today’s post explores the style from one of my favorite movies set across the late summer holiday. A Place in the Sun was adapted by Michael Wilson and Harry Brown from Theodore Dreiser’s novel An American Tragedy, which was itself based on Chester Gillette’s 1906 murder of his pregnant partner Grace Brown in the Adirondacks.

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Mad Men: Stan Rizzo’s Mustard Plaid Sport Jackets

Jay R. Ferguson as Stan Rizzo on Mad Men (Episode 6.04: "To Have and To Hold")

Jay R. Ferguson as Stan Rizzo on Mad Men (Episode 6.04: “To Have and To Hold”)

Vitals

Jay R. Ferguson as Stan Rizzo, maverick advertising agency art director

New York City, Summer 1965 through Spring 1968

Series: Mad Men
Episodes:
– “Chinese Wall” (Episode 4.11), dir. Phil Abraham, aired 10/3/2010
– “A Little Kiss, Part 1” (Episode 5.01), dir. Jennifer Getzinger, aired 3/25/2012
– “Mystery Date” (Episode 5.04), dir. Matt Shakman, aired 4/8/2012
– “Far Away Places” (Episode 5.06), dir. Scott Hornbacher, aired 4/22/2012
– “Lady Lazarus” (Episode 5.08), dir. Phil Abraham, aired 5/6/2012
– “The Phantom” (Episode 5.13), dir. Matthew Weiner, aired 6/10/2012
– “To Have and to Hold” (Episode 6.04), dir. Michael Uppendahl, aired 4/21/2013
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

Anyone who has been a regular BAMF Style reader or Instagram follower knows that I have a fascination with these random observances—particularly those food-related ones—that dot the calendar, typically of unconfirmed origins but celebrating everything from root beer floats (August 6) to ranch dressing (March 10, as I once commemorated with Gene Hackman’s ranch suit in Prime Cut.)

Thus, you’ve probably already deduced—with an audible groan, no doubt—that today is National Mustard Day, commemorated the first Saturday in August. Continue reading

Don Draper’s Plaid Party Jacket in “The Runaways”

Jon Hamm as Don Draper on Mad Men (Episode 7.05: "The Runaways")

Jon Hamm as Don Draper on Mad Men (Episode 7.05: “The Runaways”)

Vitals

Jon Hamm as Don Draper, conflicted ad man

Los Angeles, Spring 1969

Series: Mad Men
Episode: “The Runaways” (Episode 7.05)
Air Date: May 11, 2014
Director: Christopher Manley
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

Despite being one of the most popular shows in the streaming service’s stable of non-original content, today marks the last day that Mad Men is available to Netflix subscribers in the U.S. The first part of Mad Men‘s seventh and final season spends time with displaced ad man Don Draper as he travels from coast to coast by plane, juggling his professional aspirations in New York with his slowly stagnating marriage in L.A.

The geographic reversal is interesting, not only in the context of Mad Men but also in the east vs. west trope espoused by F. Scott Fitzgerald and Henry David Thoreau, as we’re used to seeing Don romanticizing California even when professionally soaring through the ranks of Madison Avenue’s advertising world. Now, his position has shifted with decided roots in L.A. via second wife Megan (Jessica Paré) taking up residence in Laurel Canyon to further her acting career while, back in New York, he’s been reduced to a glorified intern at the agency he helped to start… and that’s just in the eyes of those who are comfortable working with him.

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The Rockford Files: Jim’s Black, White, and Pink Glenurquhart Check Jacket

James Garner as Jim Rockford on The Rockford Files (Episode 2.21: "Foul on the First Play")

James Garner as Jim Rockford on The Rockford Files (Episode 2.21: “Foul on the First Play”)

Vitals

James Garner as Jim Rockford, wisecracking private detective and ex-convict

Los Angeles, Fall 1975

Series: The Rockford Files
Episodes:
– “The Farnsworth Strategem” (Episode 2.02, dir. Lawrence Doheny, aired 9/19/1975)
– “The Deep Blue Sleep” (Episode 2.05, dir. William Wiard, aired 10/10/1975)
– “Pastoria Prime Pick” (Episode 2.11, dir. Lawrence Doheny, aired 11/28/1975)
– “The Girl in the Bay City Boys Club” (Episode 2.13, dir. James Garner, aired 12/19/1975)
– “Joey Blue Eyes” (Episode 2.17, dir. Meta Rosenberg, aired 1/23/1976)
– “Foul on the First Play” (Episode 2.21, dir. Lou Antonio, aired 3/12/1976)
Creator: Roy Huggins & Stephen J. Cannell
Costume Designer: Charles Waldo

Background

James Garner, one of my favorite actors, was born today in 1928. Shortly after his decorated Korean War service that provided him with the relevant background for his eventual role as “the scrounger” in The Great Escape (1963), Garner found early acting success in films like Sayonara (1957) and his breakout role on the ABC western series Maverick. Though he would enjoy an illustrious, varied career for six decades until his death of a heart attack in 2014, the role most associate with Garner is that of the affable, beach-dwelling private detective Jim Rockford on The Rockford Files.

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Black Christmas (1974): John Saxon as Lt. Fuller

John Saxon as Lt. Ken Fuller in Black Christmas (1974)

John Saxon as Lt. Ken Fuller in Black Christmas (1974)

Vitals

John Saxon as Ken Fuller, intrepid police lieutenant

Toronto…or some small American college town near the Canadian border, Christmas 1973

Film: Black Christmas
(U.S. title: Silent Night, Evil Night)
Release Date: October 11, 1974
Director: Bob Clark
Wardrobe Credit: Debi Weldon

Background

The second remake of Bob Clark’s cult holiday horror classic, Black Christmas, was released in theaters today, more than 45 years after the original starring Olivia Hussey, Keir Dullea, Margot Kidder, and John Saxon as police lieutenant Ken Fuller. Continue reading

The Grissom Gang: Tony Musante’s Tan Plaid Jacket

Tony Musante as Eddie Hagen in The Grissom Gang (1971)

Tony Musante as Eddie Hagen in The Grissom Gang (1971)

Vitals

Tony Musante as Eddie Hagan, smooth and ruthless fringe mobster

Kansas City, Summer 1931

Film: The Grissom Gang
Release Date: May 28, 1971
Director: Robert Aldrich
Costume Designer: Norma Koch

WARNING! Spoilers ahead!

Background

Based on James Hadley Chase’s controversial novel No Orchids for Miss Blandish, Robert Aldrich’s sweat-soaked Depression-set crime drama The Grissom Gang hardly features the finest or most inspiring of that elegant era’s sartorialism, but it does showcase unique and interesting approaches to 1930s menswear, particuarly in the wardrobe of the slick underworld dandy Eddie Hagan (Tony Musante).

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Don Draper’s Taupe Plaid Sport Jacket

Jon Hamm as Don Draper on Mad Men (Episode 7.01: "Time Zones")

Jon Hamm as Don Draper on Mad Men (Episode 7.01: “Time Zones”)

Vitals

Jon Hamm as Don Draper, advertising creative director and whiskey aficionado

All around the United States, Summer 1968 through Summer 1969

Series: Mad Men
Episodes:
– “For Immediate Release” (Episode 6.06), dir. Jennifer Getzinger, aired 5/5/2013
– “The Better Half” (Episode 6.09), dir. Phil Abraham, aired 5/26/2013
– “Time Zones” (Episode 7.01), dir. Scott Hornbacher, aired 4/13/2014
– “The Strategy” (Episode 7.06), dir. Phil Abraham, aired 5/18/2014
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead! Continue reading

Arabesque – Gregory Peck’s Windowpane Sport Jacket

Gregory Peck and Sophia Loren in Arabesque (1966)

Gregory Peck and Sophia Loren in Arabesque (1966)

Vitals

Gregory Peck as David Pollock, American hieroglyphics professor

Oxford to London, Wednesday, June 16, 1965

Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London

WARNING! Spoilers ahead!

Background

Three years after helming “the best Hitchcock movie that Hitchcock never made,” director Stanley Donen again returned to the romantic world of lighthearted espionage with Arabesque, based on Alex Gordon’s 1961 novel The Cypher. Like Charade before it, Donen brought two glamorous and popular stars together for a lighthearted and stylish spy story against a European backdrop.

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