Tagged: Architect
Gary Cole’s Brown-and-Green Leisure Suit in A Very Brady Sequel
Gary Cole as Mike Brady in A Very Brady Sequel (1996)
Vitals
Gary Cole as Mike Brady, architect and family man
Los Angeles, Summer 1996
Film: A Very Brady Sequel
Release Date: August 23, 1996
Director: Arlene Sanford
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
Earlier this summer, my corner of Twitter was briefly ablaze with people celebrating the adaptations of The Brady Bunch that hit big screens back to back in the ’90s, specifically the breakfast scene in A Very Brady Sequel where the insecure middle-child Jan (Jennifer Elise Cox) conceptualizes her made-up boyfriend over blueberry pancakes, only for her older sister Marcia (Christine Taylor) to shut it down with “that’s funny, I’ve never heard of a George Glass at our schœl,” as parents Mike (Gary Cole) and Carol (Shelley Long) look on—the latter pouring an approximate gallon of sugar into her coffee.
The conceit of both The Brady Bunch Movie and the subsequent A Very Brady Sequel maintains the family’s groovy ’70s style, but transplants them—and their MCM home with its astroturfed lawn—directly into the ’90s, where they couldn’t be more obliviously out of place. Released thirty years ago this week on August 23, 1996, A Very Brady Sequel revived a few second-season subplots—including George Glass, the home’s horse statue, and a trip to Hawaii—while also lampshading the fact that the series never addressed the fate of Carol’s first husband by introducing him as the conniving Roy Martin (Tim Matheson). Continue reading
Don’t Look Now: Donald Sutherland’s Glen Plaid Jacket
Donald Sutherland in Don’t Look Now (1973)
Vitals
Donald Sutherland as John Baxter, architect and grieving father
Venice, Italy, Winter/Spring 1973
Film: Don’t Look Now
Release Date: October 16, 1973
Director: Nicolas Roeg
Wardrobe Credit: Anna Maria Feo
WARNING! Spoilers ahead!
Background
Today’s post pays tribute to the late, great Donald Sutherland (1935-2024), the Canadian-born actor who died last week at the age of 88. One of the actor’s most-discussed films is Nicolas Roeg’s haunting horror tale Don’t Look Now, for which he received a BAFTA nomination. Continue reading
The Towering Inferno: Paul Newman’s Tan Suede Jacket
Paul Newman as Doug Roberts in The Towering Inferno (1974)
Vitals
Paul Newman as Doug Roberts, ambitious architect
San Francisco, Summer 1974
Film: The Towering Inferno
Release Date: December 14, 1974
Director: John Guillermin
Costume Designer: Paul Zastupnevich
WARNING! Spoilers ahead!
Background
Alongside disco and bell-bottoms, one major cultural trend that emerged during the 1970s—for better or worse—was the disaster movie. True, the genre had existed since the early days of film, but the ’70s saw a boom in these high-budget, star-studded dramas that introduced as many calamities as the decade’s most popular celebrities could handle. After conquering air (Airport), earth (Earthquake), and water (The Poseidon Adventure), the Hollywood gods—specifically Irwin Allen—turned their attention to the one remaining element.
Thus, on the eve of National Fire Prevention Week, let’s take a look at one of the protagonists who was trapped in The Towering Inferno!
Stanford White’s Midnight Blue Dinner Jacket
Ray Milland as Stanford White in The Girl in the Red Velvet Swing (1955).
Vitals
Ray Milland as Stanford White, debonair playboy architect
New York City, June 1906
Film: The Girl in the Red Velvet Swing
Release Date: October 1, 1955
Director: Richard Fleischer
Wardrobe Director: Charles Le Maire
Background
Tomorrow is the 110th anniversary of the famous Madison Square Garden shooting of architect Stanford White by the deranged Harry Kendall Thaw, one of the first of many incidents dubbed as “The Trial of the Century” by contemporary reporters due to the juicy scandal embellished by manipulative millionaires and illicit sex.
On June 25, 1906, the psychotic Thaw was escorting his wife, actress and artists’ model Evelyn Nesbit, to the premiere performance of Mam’zelle Champagne at Madison Square Garden’s rooftop theater. Nesbit, renowned for her beauty as the archetypical “Gibson Girl”, had married Thaw the previous year despite his violent and manipulative desire to control her. One of Thaw’s most tenacious provocations was the subject of Stanford White, Nesbit’s former lover and the man who had – in Thaw’s eyes – robbed her of her virtue. Continue reading
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