Tagged: Italy
The Honeymoon Machine: Steve McQueen’s Blue Sweater
Steve McQueen in The Honeymoon Machine (1961)
Vitals
Steve McQueen as LT Ferguson “Fergie” Howard, enterprising U.S. Navy officer
Venice, Summer 1961
Film: The Honeymoon Machine
Release Date: August 23, 1961
Director: Richard Thorpe
Costume Designer: Helen Rose
Background
To commemorate Steve McQueen’s birthday 91 years ago today, let’s take a look at how the King of Cool incorporated some of his personal style into one of his earliest—and least popular—movies.
Based on Lorenzo Semple Jr.’s 1959 play The Golden Fleecing, The Honeymoon Machine belongs to that unique sub-genre of ’60s farce that made light of Cold War paranoia and seemed to end up with everyone throwing punches (executed suitably in The Glass Bottom Boat, poorly in the 1967 Casino Royale.)
The role of the mischievously ambitious, Nietzsche-quoting naval lieutenant Fergie Howard was originally intended for Cary Grant, however the middle-aged actor was nearing his retirement and turned the job down. Rather than casting another screen vet of Grant’s age and standing, the production went in the opposite direction and brought on Steve McQueen for what would be his third top-billed movie after The Blob (1958) and The Great St. Louis Bank Robbery (1959).
The Honeymoon Machine turned a profit but McQueen considered it a dark mark on his career, reportedly walking out of the first public screening and vowing never to work for MGM again. Don’t worry, Steve… The Great Escape is only two years away! Continue reading
La grande bellezza (The Great Beauty): Jep’s Red Jacket
Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)
Vitals
Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist
Rome, Summer 2012
Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini
Background
Valentine’s Day is this Sunday, and whether you’re celebrating with a great beauty in your life or observing Singles Appreciation Day, you may want to have some eye-catching red ready to wear in the spirit of the season.
La Dolce Vita: Mastroianni’s Black Suit
Marcello Mastroianni and Anita Ekberg in La Dolce Vita (1960)
Vitals
Marcello Mastroianni as Marcello Rubini, playboy gossip journalist
Rome, Spring 1959
Film: La Dolce Vita
Release Date: February 5, 1960
Director: Federico Fellini
Costume Designer: Piero Gherardi
Tailor: Brioni
WARNING! Spoilers ahead!
Background
The two headlining stars of Fellini’s classic La Dolce Vita would have celebrated their birthdays this week—Marcello Mastroianni tomorrow (September 28, 1924) and Anita Ekberg the following day (September 29, 1931)—and watching these two Libras glide together through the Trevi Fountain at daybreak has become one of the most enduring images of Italian cinema.
La grande bellezza (The Great Beauty): Jep’s Yellow Jacket
Toni Servillo as Jep Gambardella in The Great Beauty (La grande bellezza) (2013)
Vitals
Toni Servillo as Jep Gambardella, cultured art critic and one-time novelist
Rome, Summer 2012
Film: The Great Beauty
(Italian title: La grande bellezza)
Release Date: May 21, 2013
Director: Paolo Sorrentino
Costume Designer: Daniela Ciancio
Tailor: Cesare Attolini
Background
I first learned of The Great Beauty when it added an Oscar for Best Foreign Language Film to its many deserved accolades during the 86th Academy Awards. Impressed by its vibrant clothing and cinematography, and encouraged by friends and followers who were hoping to learn more about the film’s signature style, I recently had the privilege to watch Paolo Sorrentino’s masterpiece, winner of nine David di Donatello Awards.
It wouldn’t be inaccurate to consider The Great Beauty a spiritual successor the Fellini’s surrealist homages to Rome and creatively blocked auteurs from a half-century earlier—and one can easily envision the elevator pitch as “La Dolce Vita or 8½ for the post-Berlusconi era”—though that would overgeneralize the shimmering journey that Paolo Sorrentino presents.
The beautiful film is anchored by the central performance of Toni Servillo as the dapper but disillusioned Jep Gambardella, a popular columnist-cum-socialite whose 65th birthday awakens him to the superficiality of his achieved ambition as “king of the high life”. Continue reading
The Talented Mr. Ripley: Dickie’s White Polo and Pink Shorts
Jude Law with co-stars Matt Damon and Gwyneth Paltrow in The Talented Mr. Ripley (1999)
Vitals
Jude Law as Dickie Greenleaf, narcissistic profligate playboy
Italy, October 1958
Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones
WARNING! Spoilers ahead!
Background
After exploring some of Alain Delon’s sharply tailored style in Plein soleil (Purple Noon) earlier this week, today’s post shifts attention to the 1999 adaptation of the same source material, Patricia Highsmith’s psychological thriller The Talented Mr. Ripley set on the sunny Italian coast.
Purple Noon: Alain Delon Tailored in Summer-Weight Gray
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Few movies so stylishly capture the intriguing possibilities of summer as Plein soleil, balancing a sun-drenched travelogue of beautiful coastal Italy with the provocative thrills and deception to be expected from the dangerous mind of Patricia Highsmith, whose 1955 novel The Talented Mr. Ripley formed the basis for this lush and haunting adaptation.
Jack Lemmon’s Double-Breasted Date Blazer in Avanti!
Jack Lemmon as Wendell Armbruster Jr. in Avanti! (1972)
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Jack Lemmon as Wendell Armbruster, Jr., bitter Baltimore businessman
Ischia, Bay of Naples, Summer 1972
Film: Avanti!
Release Date: December 17, 1972
Director: Billy Wilder
Wardrobe Supervisor: Annalisa Nasalli-Rocca
Background
“I guess there is something to what it says in the tourist guide… it says Italy is not a country, it’s an emotion,” says Pamela Piggott (Juliet Mills), laying naked on a rock surrounded by sun and sea next to an equally bare but considerably more nervous Wendell Armbruster, Jr., who exclaims in response, “Well, it’s certainly been an experience!”
Despite the context, the two aren’t yet lovers, instead brought to the romantic bay of Naples after the death of Wendell’s father and Pamela’s mother who, as they learn, had been enjoying a decade-long extramarital affair. While not among the more celebrated of Jack Lemmon and Billy Wilder’s seven cinematic collaborations, Avanti! is a fitting and still entertaining work as both actor and director were maturing in their age and career. “Billy Wilder’s last great comic romance is an Italian vacation soaked in music, food, scenery and sunshine,” wrote Glenn Erickson in his excellent review for Trailers from Hell. “It’s the best movie ever about Love and Funerals.”
It Started in Naples: Clark Gable’s Taupe Suit
Clark Gable as Mike Hamilton in It Started in Naples (1960)
Vitals
Clark Gable as Michael Hamilton, Philadelphia lawyer and World War II veteran
Naples to Capri, Italy, Late Summer 1959
Film: It Started in Naples
Release Date: August 7, 1960
Director: Melville Shavelson
Costume Designer: Orietta Nasalli-Rocca
Background
Screen legend Clark Gable was born 119 years ago today on February 1, 1901, the start of a storied life that included an Academy Award for It Happened One Night (1934), acclaimed performances in iconic movies like Gone with the Wind (1939) and Mogambo (1953), and decorated service with the U.S. Army Air Force during World War II. While The Misfits (1961) co-starring Marilyn Monroe was Gable’s final film to be theatrically released, It Started in Naples was his final performance released during his lifetime. Continue reading
Yesterday, Today and Tomorrow: Mastroianni’s Beige Summer Suit
Marcello Mastroianni with Sophia Loren in the third and final segment of Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)
Vitals
Marcello Mastroianni as Augusto Rusconi, bombastic Bolognese businessman and bon vivant
Rome, Summer 1963
Film: Yesterday, Today and Tomorrow
(Italian title: Ieri, oggi, domani)
Release Date: December 19, 1963
Director: Vittorio De Sica
Costume Designer: Piero Tosi
Background
“It is sometimes said that the French spend their money on their food, the English on their gardens, and the Italians on their clothes,” wrote Sir Hardy Amies for his seminal ABCs of Men’s Fashion in 1964. “Certainly the Italians give the impression of taking great pains with their appearance, especially in summer when we see most of them.”
As summer comes to a close, let’s heed Sir Hardy’s words by focusing on the warm-weather menswear worn by Marcello Mastroianni in Yesterday, Today, and Tomorrow, which marked the fifth of his 13 collaborations with his frequent screen partner and real-life friend Sophia Loren, who celebrates her 85th birthday today. Continue reading
The Mechanic: Charles Bronson’s Black Leather Racer Jacket
Charles Bronson as Arthur Bishop in The Mechanic (1972). Photo by MGM.
Vitals
Charles Bronson as Arthur Bishop, disciplined but depressed contract killer
Los Angeles to Naples, Italy, Fall 1972
Film: The Mechanic
Release Date: November 17, 1972
Director: Michael Winner
Costume Designer: Lambert Marks
WARNING! Spoilers ahead!
Background
After serving in supporting roles for many great Westerns and war movies of the ’60s—including The Magnificent Seven, The Great Escape, The Dirty Dozen, and Once Upon a Time in the West—Hollywood was ready for Charles Bronson to take on leading roles that would establish him as one of the greatest silver screen “tough guys” of all time.
The Mechanic starred Bronson as Arthur Bishop, a skilled assassin whose quiet, luxurious lifestyle is disrupted when he takes on a protégé, Steve McKenna (Jan-Michael Vincent), the hotheaded, sociopathic son of his former boss “Big Harry” (Keenan Wynn) who he was assigned to kill. Arthur begins mentoring Steve after Big Harry’s death, taking the narcissistic young man flying, giving him shooting lessons, and eventually bringing him along for several hits.