Tagged: Rome
La Dolce Vita: Mastroianni’s Black Suit
Marcello Mastroianni and Anita Ekberg in La Dolce Vita (1960)
Vitals
Marcello Mastroianni as Marcello Rubini, playboy gossip journalist
Rome, Spring 1959
Film: La Dolce Vita
Release Date: February 5, 1960
Director: Federico Fellini
Costume Designer: Piero Gherardi
Tailor: Brioni
WARNING! Spoilers ahead!
Background
The two headlining stars of Fellini’s classic La Dolce Vita would have celebrated their birthdays this week—Marcello Mastroianni tomorrow (September 28, 1924) and Anita Ekberg the following day (September 29, 1931)—and watching these two Libras glide together through the Trevi Fountain at daybreak has become one of the most enduring images of Italian cinema.
Yesterday, Today and Tomorrow: Mastroianni’s Beige Summer Suit
Marcello Mastroianni with Sophia Loren in the third and final segment of Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)
Vitals
Marcello Mastroianni as Augusto Rusconi, bombastic Bolognese businessman and bon vivant
Rome, Summer 1963
Film: Yesterday, Today and Tomorrow
(Italian title: Ieri, oggi, domani)
Release Date: December 19, 1963
Director: Vittorio De Sica
Costume Designer: Piero Tosi
Background
“It is sometimes said that the French spend their money on their food, the English on their gardens, and the Italians on their clothes,” wrote Sir Hardy Amies for his seminal ABCs of Men’s Fashion in 1964. “Certainly the Italians give the impression of taking great pains with their appearance, especially in summer when we see most of them.”
As summer comes to a close, let’s heed Sir Hardy’s words by focusing on the warm-weather menswear worn by Marcello Mastroianni in Yesterday, Today, and Tomorrow, which marked the fifth of his 13 collaborations with his frequent screen partner and real-life friend Sophia Loren, who celebrates her 85th birthday today. Continue reading
The Talented Mr. Ripley: Dickie’s Navy Silk Blazer
Jude Law as Dickie Greenleaf in The Talented Mr. Ripley (1999)
Vitals
Jude Law as Dickie Greenleaf, narcissistic profligate playboy
Italy, October 1958
Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones
WARNING! Spoilers ahead!
Background
Whether you’re dressing for a snazzy summer brunch this sunny Sunday morning or taking sprezzatura inspiration for the office, Jude Law’s wardrobe from The Talented Mr. Ripley radiates mid-century Mediterranean luxury essential for your spring-to-summer sartorial transformation.
This 1999 adaptation of Patricia Highsmith’s classic psychological thriller novel spends more time with the doomed Dickie Greenleaf (Jude Law) than its stylish French predecessor, Plein soleil (1960), including this brief foray from Naples to Rome where the obsessive Tom Ripley (Matt Damon) joins Dickie for some drinks al fresco.
Spectre – Bond’s Black Suit and Aston Martin in Rome
Daniel Craig as James Bond, exiting an Aston Martin DB10 prototype in Spectre (2015)
Vitals
Daniel Craig as James Bond, British government agent
Rome, November 2015
Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime
WARNING! Spoilers ahead!
Background
Spectre, Daniel Craig’s latest outing as James Bond, featured the globe-trotting agent once again battling the international terrorist organization SPECTRE and confronting the evil megalomaniac at its head, Ernst Stavro Blofeld (Christoph Waltz).
One of the most requested outfits from BAMF Style readers is the black three-piece Tom Ford suit that 007 wears when he arrives in style to a gangster’s funeral in Rome with his prototype Aston Martin. Continue reading
The Man from U.N.C.L.E. (2015) – Solo’s Blue Teal Windowpane Suit
Henry Cavill as Napoleon Solo in The Man from U.N.C.L.E. (2015)
Vitals
Henry Cavill as Napoleon Solo, smooth CIA operative
Berlin and Rome, Spring 1963
Film: The Man from U.N.C.L.E.
Release Date: August 2, 2015
Director: Guy Ritchie
Costume Designer: Joanna Johnston
Background
The Man from U.N.C.L.E. is one of the more stylish films released in recent years, transporting audiences back to the oft-romanticized height of Cold War spying in mid-’60s Europe. The movie reboot serves as a prequel for the popular TV show, which starred Robert Vaughn and David McCallum as American spy Napoleon Solo and KGB operative Illya Kuryakin, respectively.
Henry Cavill’s interpretation of Solo retains much of the easygoing efficiency and sophistication originated by Vaughn in the role, and I left the theater wishing I was heading directly to the shop of Timothy Everest, who tailored Cavill’s distinctive and debonair suits for the film.
For my inaugural Solo post, in response to requests from readers Noel and Andrew, I am choosing to focus on a flashy suit that gets plenty of screen time. Continue reading
The Man from U.N.C.L.E. (2015) – Illya’s Brown Suede Blouson
Armie Hammer as Illya Kuryakin in The Man from U.N.C.L.E. (2015)
Vitals
Armie Hammer as Illya Kuryakin, proud, strong, and serious KGB operative
Berlin and Rome, Late Spring 1963
Film: The Man from U.N.C.L.E.
Release Date: August 2, 2015
Director: Guy Ritchie
Costume Designer: Joanna Johnston
Background
Plans to reboot The Man from U.N.C.L.E. had been in the works for more than two decades by the time Guy Ritchie’s adaptation hit the big screen in the summer of 2015. The original series was created by Ian Fleming, Norman Felton, and Sam Rolfe, debuting in September 1964 as the American response to the wildly successful James Bond franchise… also the brainchild of Ian Fleming.
Clooney’s Train Station “Double Coat” in The American
George Clooney as Jack in The American (2010)
Vitals
George Clooney as Jack (aka “Edward”), weary paid assassin/hitman and gunsmith
Rome, April 2010
Film: The American
Release Date: September 1, 2010
Director: Anton Corbijn
Costume Designer: Suttirat Anne Larlarb
Background
George Clooney is the titular hitman in The American, a 2010 film directed by Anton Corbijn based on Martin Booth’s novel A Very Private Gentleman. Though he’d played gun-wielding badasses before, The American was the first role placing Clooney in the now mythic film profession of paid assassin. Continue reading