Tagged: Turnback Cuff Shirt

Live and Let Die: Roger Moore Arrives in NYC

Roger Moore as James Bond in Live and Let Die (1973)

Roger Moore as James Bond in Live and Let Die (1973)

Vitals

Roger Moore as James Bond, debonair British secret agent

New York City, Spring 1973

Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle

Background

Happy 00-7th of May! This month’s focus is on Sir Roger Moore’s debut as James Bond in Live and Let Die.

After a brief sequence that finds Bond briefed at his flat by M and Miss Moneypenny, we are treated to the standard “airport arrival” sequence established in Dr. No and From Russia with Love, creating a sense of continuity with the character if intentionally breaking from the prior characterization.

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Bond Style – Connery’s Navy Velvet Dinner Jacket

Sean Connery as James Bond in Diamonds are Forever (1971)

Sean Connery as James Bond in Diamonds are Forever (1971)

Vitals

Sean Connery as James Bond, British government agent in repose

At sea, Spring 1971

Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair

Background

Sean Connery’s final scene as the official James Bond finds him in a quintessentially 007 scenario enjoying a romantic dinner with a beautiful woman. Having foiled the nefarious plans of Ernst Stavro Blofeld once more, Bond and Tiffany Case (Jill St. John) take to the sea for a leisurely cruise across the pond, reminiscent of the novel’s own passages set aboard the Queen Elizabeth. Continue reading

You Only Live Twice: Bond’s Blue Suit in Japan

Sean Connery as James Bond in You Only Live Twice (1967)

Vitals

Sean Connery as James Bond, sophisticated British MI6 agent

Miyazaki, Japan, Summer 1966

Film: You Only Live Twice
Release Date: June 13, 1967
Director: Lewis Gilbert
Wardrobe Master: Eileen Sullivan
Tailor: Anthony Sinclair

Background

Sean Connery’s wardrobe as James Bond is remembered for its timeless elegance, developed for his first appearance as the character in Dr. No. The elements of Connery’s Bond style generally differed from Ian Fleming’s literary vision, with Connery often sporting gray suits rather than blue, long-sleeve shirts rather than short-sleeved, and derby shoes rather than non-laced casuals.

However, there are a few occasions where Connery’s 007 sartorially overlapped with Fleming’s vision. His dark blue suit when visiting Osato’s Tokyo office in You Only Live Twice thus serves as an appropriate post for the 00-7th of May, Ian Fleming’s birth month. Continue reading

From Russia With Love – Bond’s Istanbul Suits, Pt. 5: Gray Pick

Sean Connery as James Bond in From Russia With Love (1963).

Sean Connery as James Bond in From Russia With Love (1963).

Vitals

Sean Connery as James Bond, British government agent and legendary super spy

The Orient Express, Spring 1963

Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
Tailor: Anthony Sinclair

Background

For the 00-7th of October, I want to focus on a nice fall suit while also marking a milestone for this blog; this post marks the first 007 film where each of James Bond’s on screen outfits has been exhaustively analyzed by BAMF Style! Very appropriate too, given that From Russia With Love is my favorite Bond flick and – perhaps coincidence, perhaps not – also features some of my favorite movie suits. (I’m in good company; Sean Connery has also stated that From Russia With Love is his personal favorite 007 adventure.) Continue reading

From Russia With Love – Bond’s Dark Navy Office Suit

Sean Connery as James Bond in From Russia With Love (1963).

Sean Connery as James Bond in From Russia With Love (1963).

Vitals

Sean Connery as James Bond, British government agent and legendary lothario

London, Spring 1963

Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
Tailor: Anthony Sinclair

Background

Bond: Suppose when she meets me in the flesh, I don’t come up to expectations?
M: Just see that you do.

Most office meetings don’t involve a boss slyly encouraging an employee to have sex at all costs (at least, nowhere that I’ve worked), but that’s the world of James Bond for you. Bond attends this somewhat salacious briefing while wearing an intersection of Ian Fleming’s vision for James Bond and the classic image established by Terence Young, Anthony Sinclair, and Sean Connery for the early films in the series. Continue reading

Bond’s Gray Flannel Suit and ’57 Chevy in Dr. No

Sean Connery as James Bond, standing in front of a '57 Chevy Bel Air in Dr. No (1962).

Sean Connery as James Bond, standing in front of a ’57 Chevy Bel Air in Dr. No (1962).

Vitals

Sean Connery as James Bond, sophisticated British government agent

Kingston, Jamaica, Spring 1962

Film: Dr. No
Release Date: October 5, 1962
Director: Terence Young
Wardrobe Master: John Brady
Tailor: Anthony Sinclair

Background

Welcome back to Car Week, BAMF Style’s semi-annual celebration that combines both sartorial and automotive elegance. And what’s more elegant than a sharply-suited James Bond getting behind the wheel of an American classic – the 1957 Chevrolet Bel Air? Continue reading

Bond Style – Cream Linen Suit in Vegas (Diamonds are Forever)

Sean Connery as James Bond in Diamonds are Forever (1971).

Sean Connery as James Bond in Diamonds are Forever (1971).

Vitals

Sean Connery as James Bond, British government agent

Las Vegas, Spring 1971

Film: Diamonds are Forever
Release Date: December 17, 1971
Director: Guy Hamilton
Wardrobe Master: Ray Beck
Tailor: Anthony Sinclair

Background

Apologies for the blog’s inactivity lately; between a friend’s wedding and spring being a very busy event season at work, it’s been difficult to find time for a fun – albeit time-consuming – sideline like BAMF Style. You didn’t expect me to miss the 00-7th of May, though?

And what’s a better way to celebrate the approaching Hallmark holiday of Mother’s Day without exploring a look from one of the most sexist films of an already somewhat chauvinist franchise?! (Hey, at least he wears some pink here.) Continue reading