Tagged: Live and Let Die
Live and Let Die: Roger Moore Arrives in NYC
Roger Moore as James Bond in Live and Let Die (1973)
Vitals
Roger Moore as James Bond, debonair British secret agent
New York City, Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle
Background
Happy 00-7th of May! This month’s focus is on Sir Roger Moore’s debut as James Bond in Live and Let Die.
After a brief sequence that finds Bond briefed at his flat by M and Miss Moneypenny, we are treated to the standard “airport arrival” sequence established in Dr. No and From Russia with Love, creating a sense of continuity with the character if intentionally breaking from the prior characterization.
Bond’s Black “Tactileneck” in Live and Let Die
Roger Moore as James Bond in Live and Let Die (1973).
Vitals
Roger Moore as James Bond, debonair British secret agent
“San Monique” (actually Jamaica), Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Background
Despite today being April 1st, this post isn’t timed to be an April Fool’s Day post; instead, BAMF Style is celebrating the return of Archer last night by analyzing the “tactileneck” that started it all—Roger Moore’s all-black assault attire in Live and Let Die.
After the love of his life his temporary lust object is kidnapped, James Bond packs some heavy heat to return to Jamaica San Monique and retrieve her… though he manages to really bungle things up and—although he lands a henchman in a coffin of poisonous snakes—ends up captured right alongside of Solitaire. Continue reading
Live and Let Die: James Bond in New Orleans
Roger Moore as James Bond (sans Rolex) in Live and Let Die (1973)
Vitals
Roger Moore as James Bond, cheeky British secret agent
New Orleans, Spring 1973
Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Background
Ah, Roger Moore’s divisive first outing as James Bond. After getting heat for basing Lazenby almost entirely on Connery’s characterization, the producers (and Moore himself) decided to go a new direction with the Bond character in Live and Let Die. Moore’s “Bond for the ’70s” replaced cigarettes, martinis, and the sleek Walther PPK with cigars, Bourbon, and a Dirty Harry-style .44 Magnum. (OK, so he still carried the PPK at the beginning, but you know what I mean.) Continue reading