Tagged: Tailored by Cyril Castle

Bond’s Cream Safari Jacket and Tie in The Man with the Golden Gun

Roger Moore, flanked by co-stars Maud Adams and Britt Ekland, in his second film as James Bond, The Man with the Golden Gun (1974)

Roger Moore, flanked by co-stars Maud Adams and Britt Ekland, in his second film as James Bond, The Man with the Golden Gun (1974)

Vitals

Roger Moore as James Bond, British government agent

Macau, Spring 1974

Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Wardrobe Supervisor: Elsa Fennell

Background

Following the release of Orlebar Brown’s 007-inspired collection earlier this year, the company’s take on Roger Moore’s green safari jacket from The Man with the Golden Gun renewed my interest in the actor’s sophomore adventure as James Bond which also happened to be the first 007 movie I had ever seen.

After Bond retrieves a gold bullet during his rendezvous with Saida the belly dancer, Q identifies the soft 23-karat gold dum-dum bullet plopped from Saida’s navel as a product of Portuguese gunmaker Lazar (Marne Maitland), currently living in Macau.

“An unexpected honor, Mr. Bond,” Lazar greets him. “Your reputation precedes you.” Well… so much for that whole “secret agent” thing. Continue reading

Advertisements

Live and Let Die: Roger Moore Arrives in NYC

Roger Moore as James Bond in Live and Let Die (1973)

Roger Moore as James Bond in Live and Let Die (1973)

Vitals

Roger Moore as James Bond, debonair British secret agent

New York City, Spring 1973

Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle

Background

Happy 00-7th of May! This month’s focus is on Sir Roger Moore’s debut as James Bond in Live and Let Die.

After a brief sequence that finds Bond briefed at his flat by M and Miss Moneypenny, we are treated to the standard “airport arrival” sequence established in Dr. No and From Russia with Love, creating a sense of continuity with the character if intentionally breaking from the prior characterization.

Continue reading

Bond’s Black “Tactileneck” in Live and Let Die

Roger Moore as James Bond in Live and Let Die (1973).

Roger Moore as James Bond in Live and Let Die (1973).

Vitals

Roger Moore as James Bond, debonair British secret agent

“San Monique” (actually Jamaica), Spring 1973

Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris

Background

Despite today being April 1st, this post isn’t timed to be an April Fool’s Day post; instead, BAMF Style is celebrating the return of Archer last night by analyzing the “tactileneck” that started it all – Roger Moore’s all-black assault attire in Live and Let Die.

After the love of his life his temporary lust object is kidnapped in keeping with the movie’s rampant polyester-flavored blend of racism and sexism, James Bond packs some heavy heat to return to Jamaica San Monique and retrieve her… mostly so he can have someone to have sex with during his return trip.

Bond manages to really bungle things up and, although he lands a henchman in a coffin of poisonous snakes, he gets captured right alongside of Solitaire. Continue reading

Bond Style – Blue in Beirut (The Man with the Golden Gun)

Roger Moore as James Bond in The Man with the Golden Gun (1974).

Roger Moore as James Bond in The Man with the Golden Gun (1974).

Vitals

Roger Moore as James Bond, British government agent

Beirut, Lebanon, Spring 1974

Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Wardrobe Supervisor: Elsa Fennell

Background

Happy 00-7th of April!

Following a lead on the gold “007” bullet received at MI6 headquarters takes James Bond to Beirut in search of information related to deceased agent Bill Fairbanks. Naturally, this being a Bond movie, that search leads him directly into the arms of a slinky Lebanese belly dancer named Saida. Continue reading

The Man with the Red and Black Check Sportcoat

Roger Moore as James Bond in The Man with the Golden Gun (1974).

Roger Moore strikes a pose as James Bond in The Man with the Golden Gun (1974).

Vitals

Roger Moore as James Bond, British government agent

Thailand, Spring 1974

Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Wardrobe Supervisor: Elsa Fennell

Background

The Man with the Golden Gun was the first Bond movie I ever saw. Given that my first Connery Bond was Diamonds are Forever and my first theater-seen Bond was Die Another Day, it’s a miracle at all that I became the Bond enthusiast I am today after starting with these three. (Britt Ekland in a bikini in The Man with the Golden Gun may have helped keep me enthused, though.)

The film’s plot ditches the majority of Ian Fleming’s mostly-ghostwritten finale to the Bond canon, keeping only the primary villain – golden gun-wielding assassin Francisco Scaramanga – intact. The simple story of Bond infiltrating Scaramanga’s organization is replaced with a current events story that weaves in the then-contemporary energy crisis and finds Bond and Scaramanga to be instant enemies.

After some cheeky cat-and-mouse (made rendered by corny jokes, the return of Sheriff J.W. Pepper, and a slide whistle), Bond finally catches up to Scaramanga for the film’s climax on Khao Phing Kan, an island off the coast of Thailand now known as “James Bond Island” for this reason alone. Continue reading

Live and Let Die: James Bond in New Orleans

Roger Moore as James Bond (sans Rolex) in Live and Let Die (1973)

Roger Moore as James Bond (sans Rolex) in Live and Let Die (1973)

Vitals

Roger Moore as James Bond, cheeky British secret agent

New Orleans, Spring 1973

Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris

Background

Ah, Roger Moore’s divisive first outing as James Bond. After getting heat for basing Lazenby almost entirely on Connery’s characterization, the producers (and Moore himself) decided to go a new direction with the Bond character in Live and Let Die. Moore’s “Bond for the ’70s” replaced cigarettes, martinis, and the sleek Walther PPK with cigars, Bourbon, and a Dirty Harry-style .44 Magnum. (OK, so he still carried the PPK at the beginning, but you know what I mean.) Continue reading