Tagged: Walther PPK

Bond’s Green Safari Jacket in The Man with the Golden Gun

Roger Moore as James Bond in The Man with the Golden Gun (1974)

Roger Moore as James Bond in The Man with the Golden Gun (1974)

Vitals

Roger Moore as James Bond, British government agent

Bangkok, Thailand, Spring 1974

Film: The Man with the Golden Gun
Release Date: December 20, 1974
Director: Guy Hamilton
Tailor: Cyril Castle
Clothes by: Jimmy Chen
Wardrobe Supervisor: Elsa Fennell

Background

Today marks the momentous 20th anniversary of the first time I’d ever seen a James Bond movie. June 19, 1999, was the first Saturday of my summer vacation after 4th grade, and my friend Nate was hosting a dozen friends for his 10th birthday party. Among the pizza, pop, and festivities was a rented copy of The Man with the Golden Gun on VHS… and thus Roger Moore was my introduction to agent 007.

Arguably one of the most iconic outfits—for better or worse—from Moore’s sophomore outing is the green safari shirt-jacket and cream trousers that the agent wears when he arrives to meet Andrea Anders (Maud Adams) at a Muay Thai match to take possession of the film’s MacGuffin, a solex agitator.

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From Russia With Love – Kerim Bey’s Beige Suit

Pedro Armendáriz as Kerim Bey in From Russia With Love (1963)

Pedro Armendáriz as Kerim Bey in From Russia With Love (1963)

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Pedro Armendáriz as Ali Kerim Bey, gregarious MI6 station chief

Istanbul, Turkey, Spring 1963

Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards

WARNING! Spoilers ahead!

Background

Kerim Bey, the gregarious head of MI6’s Station T (T for Turkey), is one of the more memorable characters from the early films of the James Bond franchise. A proudly streetwise counter to the taciturn and sophisticated agent 007, the two got on like gangbusters. It’s tragic that Kerim was designated by Ian Fleming as the story’s “sacrificial lamb” as it would have been satisfying to follow his interactions with Bond across multiple adventures à la Felix Leiter or even René Mathis, who actually returned in Fleming’s novel version of From Russia With Love, though Armendáriz’s death would have prevented this anyway. Today’s 00-7th of May post is a tribute to this charismatic character. Continue reading

Spectre – Bond’s Navy Coat for Austrian Winter

Daniel Craig as James Bond in Spectre (2015)

Daniel Craig as James Bond in Spectre (2015)

Vitals

Daniel Craig as James Bond, British government agent

Altaussee, Austria, Winter 2015

Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime

WARNING! Spoilers ahead!

Background

For the 00-7th of March, Daniel Craig’s birth month (the actor turned 51 on March 2), let’s explore how someone like James Bond keeps warm for a winter mission. Continue reading

Spectre – Bond’s Black Suit and Aston Martin in Rome

Daniel Craig as James Bond, exiting an Aston Martin DB10 prototype in Spectre (2015)

Daniel Craig as James Bond, exiting an Aston Martin DB10 prototype in Spectre (2015)

Vitals

Daniel Craig as James Bond, British government agent

Rome, November 2015

Film: Spectre
Release Date: October 25, 2015
Director: Sam Mendes
Costume Designer: Jany Temime

WARNING! Spoilers ahead!

Background

Spectre, Daniel Craig’s latest outing as James Bond, featured the globe-trotting agent once again battling the international terrorist organization SPECTRE and confronting the evil megalomaniac at its head, Ernst Stavro Blofeld (Christoph Waltz).

One of the most requested outfits from BAMF Style readers is the black three-piece Tom Ford suit that 007 wears when he arrives in style to a gangster’s funeral in Rome with his prototype Aston Martin.  Continue reading

From Russia With Love – Red Grant on the Orient Express

Robert Shaw as Donald "Red" Grant in From Russia With Love (1963)

Robert Shaw as Donald “Red” Grant in From Russia With Love (1963)

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Robert Shaw as Donald “Red” Grant, lethal SPECTRE assassin

The Orient Express, Spring 1963

Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards

Background

Two years ago on the 00-7th of October, I wrote about the gray wool suit that Sean Connery’s James Bond wore in From Russia With Love during his brutal fight with SPECTRE assassin Red Grant (Robert Shaw) aboard the Orient Express. Today’s post features Grant’s suit – also gray wool but in a heavier suiting mixed with brown yarns for a warm, fall-friendly outfit – in addition to the watch and weapons that are the tools of Grant’s unsavory trade. Continue reading

Bond’s Beige Bomber Jacket in The Living Daylights

Timothy Dalton as James Bond in The Living Daylights (1987)

Timothy Dalton as James Bond in The Living Daylights (1987)

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Timothy Dalton as James Bond, British government agent

Tangier, Morocco, Fall 1986

Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls

WARNING! Spoilers ahead!

Background

BAMF Style is sticking around in Morocco for the 00-7th of June after this week’s earlier post about the beige linen suit that Brad Pitt’s character wears in a Casablanca-set scene in the World War II thriller Allied (2016).

Thanks to a suggestion from a great BAMF Style reader, Sonny, today’s post takes a look at another famous spy famous for his sartorial savvy… although Timothy Dalton’s James Bond has a relatively dressed-down approach for his mission in Tangier during the actor’s first 007 film, The Living Daylights (1987).

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Live and Let Die: Roger Moore Arrives in NYC

Roger Moore as James Bond in Live and Let Die (1973)

Roger Moore as James Bond in Live and Let Die (1973)

Vitals

Roger Moore as James Bond, debonair British secret agent

New York City, Spring 1973

Film: Live and Let Die
Release Date: June 27, 1973
Director: Guy Hamilton
Costume Designer: Julie Harris
Tailor: Cyril Castle

Background

Happy 00-7th of May! This month’s focus is on Sir Roger Moore’s debut as James Bond in Live and Let Die.

After a brief sequence that finds Bond briefed at his flat by M and Miss Moneypenny, we are treated to the standard “airport arrival” sequence established in Dr. No and From Russia with Love, creating a sense of continuity with the character if intentionally breaking from the prior characterization.

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