Tagged: Zip-Front Jacket
John Saxon’s Floral-collared Chambray Shirt in Moonshine County Express
John Saxon in Moonshine County Express (1977)
Vitals
John Saxon as J.B. Johnson, race car driver and occasional moonshine runner
Jackson County, Kentucky, Fall 1976
Film: Moonshine County Express
Release Date: June 1, 1977
Director: Gus Trikonis
Wardrobe Coordinator: Adrianne Levesque
WARNING! Spoilers ahead!
Background
Moonshine County Express was produced by Roger Corman’s New World Pictures in 1977 during the height of the cinematic “hick flick” trend that often posited guys like Burt Reynolds as rural heroes driving fast cars full of booze. Directed by Corman favorite Gus Trikonis, Moonshine County Express stars the late John Saxon in its central role—no doubt due to the actor’s own considerable talent and his resemblance to a pre-mustached Reynolds—as well as Susan Howard, William Conrad, a post-Brady Bunch Maureen McCormick as a Daisy Duke protoype, and “hick flick” regulars Jeff Corey and Dub Taylor; Seinfeld fans may also recognize Uncle Leo (aka Len Lesser) in a supporting role as a bargain barn owner. (Both Saxon and McCormick share their August 5th birthday, with McCormick celebrating her 70th today while Saxon would have turned 90 this year.)
Marcia, Marcia, Marcia! Except it’s Betty, Sissy, and Dot.
It would be hard to recommend in good faith to all my readers, but Moonshine County Express is the kind of movie you throw on when you want that raw, Southern-fried tale of fast-driivng whiskey runners in the same authentic, dobro-twanging, semi-exploitative ilk as Moonrunners, the 1975 B-movie that directly inspired The Dukes of Hazzard, though Moonshine County Express also features many of the elements that would be familiar in Hazzard County: a corrupt and corpulent county boss, a white-suited antagonist, short-shorted Southern beauties, and a liquor-hauling hero speeding around in a Dodge muscle car. Continue reading
Paris, Texas: Harry Dean Stanton’s Red Road Trip Shirt and Ranchero
Harry Dean Stanton in Paris, Texas (1984)
Vitals
Harry Dean Stanton as Travis Henderson, once-wandering drifter
Los Angeles to Houston, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
One of my favorite actors, Harry Dean Stanton, was born 100 years ago today on July 14, 1926 in Kentucky. Following his U.S. Navy service during World War II, Stanton began an acting career that lasted more than six decades until his death from heart failure at age 91 in September 2017 after completing his penultimate film Lucky, which also afforded Stanton the rare starring role. He was a close, respected friend of many A-listers like Francis Ford Coppola, David Lynch, and Jack Nicholson, who included Stanton as best man in his 1962 wedding and habitually scrawled “H.D. Stanton” on the sets of his films.
Stanton typically made the most of supporting roles in films like Cool Hand Luke (1967), Dillinger (1973), The Godfather Part II (1974), Alien (1979), Escape from New York (1981), Christine (1983), Red Dawn (1984), Pretty in Pink (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Fear and Loathing in Las Vegas (1998), The Green Mile (1999), and The Avengers (2012)—a filmography so prolific that Roger Ebert once declared that, with the sole exception of Dream a Little Dream (1989), “no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad.”
Despite his prolific supporting career, Stanton was cast in leading parts for back-to-back films released in 1984: Alex Cox’s dark sci-fi comedy Repo Man and Wim Wenders’ elegiac road drama Paris, Texas. The latter won the Palme d’Or when it premiered at the 1984 Cannes Film Festival and, though overlooked by most American award bodies, has grown its cult reputation as one of the greatest movies ever made. With additional style provided by Ry Cooder’s original score and Robby Müller’s masterful cinematography, the script was written by L.M. Kit Carson and Sam Shepard, who offered Stanton the part after the two connected at a Santa Fe film festival. Continue reading
The Rockford Files: Jim’s Beige Safari-style Fishing Jacket
James Garner as Jim Rockford in a promotional photo for The Rockford Files (1974-1980)
Vitals
James Garner as Jim Rockford, wisecracking private detective and ex-convict
Los Angeles to Las Vegas, Summer 1974
Series: The Rockford Files
Episodes:
– “Backlash of the Hunter” (Pilot episode, dir. Richard T. Heffron, aired 3/27/1974)
– “In Pursuit of Carol Thorne” (Episode 1.10, dir. Charles S. Dubin, aired 11/8/1974)
Creator: Roy Huggins & Stephen J. Cannell
Costume Designer: Charles Waldo
Background
Our first scene with James Garner’s titular Malibu-based private eye on The Rockford Files catches Jim Rockford after fishing with his father, Joseph “Rocky” Rockford (played by Robert Donley in the pilot, before he would be recast with Noah Beery Jr.). Rocky accompanies his son back to his trailer parked at Paradise Cove, where Jim’s lovely new prospective client Sara Butler (Lindsay Wagner) awaits him. Jim leads Sara into his “cheap, tax-deductible, earthquake-proof” office, where he introduces his now-iconic fee of:
$200 a day, plus expenses.
Writing a check (dated June 6, 1974, precisely dating the setting), Sara then hires Jim to look into his father’s under-investigated murder two months later. In the tradition of great detective fiction, the complexities of the case deepen while Rockford gets knocked around by a few heavies before knocking boots with the gorgeous femme fatale. A break in the case sends Jim and Sara speeding east across the Mojave Desert in his famous bronze Pontiac, resulting in a gunfight with Rockford’s unregistered cookie jar gat.
Since June 18th is annually recognized as National Go Fishing Day, let’s look at how Jim Rockford dressed for that day of fishing in his introductory scene. Continue reading
Glenn Ford’s Tanker Jacket in Human Desire
Glenn Ford in Human Desire (1954)
Vitals
Glenn Ford as Jeff Warren, railroad engineer and Army veteran
El Reno, Oklahoma, Fall 1953
Film: Human Desire
Release Date: August 6, 1954
Director: Fritz Lang
Costume Designer: Jean Louis (gowns)
WARNING! Spoilers ahead!
Background
Glenn Ford was born 110 years ago on May 1, 1916. The Quebec-born actor specialized as everymen with a tough side, making him the ideal star in classic film noir like Gilda (1946) and The Big Heat (1953) as well as westerns like 3:10 to Yuma (1957) and the school-set social drama Blackboard Jungle (1955) that featured both “Rock Around the Clock” and a young Sidney Poitier. In addition to being one of the most popular and bankable stars in the United States for a decade, Ford also enlisted in the Marine Corps during World War II and returned to service with a Navy Reserve commission in 1958.
While I always liked Ford’s screen presence which reminds me of my grandfather, the Golden Globe-winning actor’s complicated personal life as a serial womanizer included four marriages that all ended in divorce and—according to his son Peter’s biography—affairs with at least 140 Hollywood actresses, including an on-and-off romance with Gilda co-star Rita Hayworth that lasted four decades. He also recorded all of his home’s phone calls (resulting from a paranoid belief that his first wife Eleanor Powell would discover his frequent infidelity), supported candidates on both sides of the political arena, and was busted for illegally raising 140 white leghorn chickens.
Hardly the best-known from either its stars or director, the solid 1954 film noir Human Desire reteamed Ford with director Fritz Lang and co-star Gloria Grahame one year after their previous collaboration in The Big Heat. Continue reading
The Good Thief: Nick Nolte’s Black Leather Bomber Jacket
Nick Nolte in The Good Thief (2002)
Vitals
Nick Nolte as Bob Montagnet, retired thief and junkie gambler
French Riviera, Spring 2002
Film: The Good Thief
Release Date: February 28, 2003
Director: Neil Jordan
Costume Designer: Penny Rose
WARNING! Spoilers ahead!
Background
Since Nick Nolte turns 85 tomorrow, today’s post responds to a long-overdue request from BAMF Style reader Steve who has asked to see the actor’s style in The Good Thief, Neil Jordan’s remake of Jean-Pierre Melville’s 1956 French film noir Bob le flembeur. Nolte stars as the titular Bob Mantagnet, a retired thief now living as a junkie gambler in the French Riviera, where he receives the opportunity to pull the proverbial “one last job”—stealing priceless art from the vault of a Monte Carlo casino on the eve of the Monaco Grand Prix. Continue reading
Farewell, Friend: Alain Delon’s Casual Jacket and Turtleneck
Alain Delon in Farewell, Friend (1968)
Vitals
Alain Delon as Dino Barran, discharged French Army doctor
Marseilles, France, December 1963
Film: Farewell, Friend
(French title: Adieu l’ami)
Release Date: August 14, 1968
Director: Jean Herman
Costume Designer: Tanine Autré
WARNING! Spoilers ahead!
Background
Last year, the world said adieu to French screen and style icon Alain Delon, who was born 90 years ago tomorrow on November 8, 1935. Among his prolific filmography that includes Plein Soleil (1960), L’Eclisse (1962), The Leopard (1963), Le Samouraï (1967), and La Piscine (1969), one of Delon’s less-remembered films is the 1968 French-Italian heist caper Adieu l’ami—which translates to Farewell, Friend (also re-released as Honor Among Thieves). The film established Charles Bronson’s stardom in Europe, though it wouldn’t be released in the United States for another five years. Continue reading
The Dreamers: Michael Pitt’s Suede Jacket, Jeans, and Chuck Taylors
Michael Pitt in The Dreamers (2003)
Vitals
Michael Pitt as Matthew, expatriate student and self-professed cinephile
Paris, Spring 1968
Film: The Dreamers
Release Date: October 10, 2003
Director: Bernardo Bertolucci
Costume Designer: Louise Stjernsward
WARNING! Spoilers ahead!
Background
Much discourse around Bertolucci’s 2003 erotic drama The Dreamers (which premiered in Italy 22 years ago today) centers around what the characters aren’t wearing, so I’ll flip the script by focusing on Louise Stjernsward’s evocative costume design that brings to life Parisian culture against the backdrop of the 1968 student protests.
Hailing from San Diego and studying in Paris, Matthew encounters sibling activists Isabelle (Eva Green) and Théo Fontaine (Louis Garrel) among his “freemasonry of cinephiles”—introduced during the very French situation of Isabelle asking Matthew to take her cigarette during a police demonstration at the storied Cinémathèque française. He’s quickly drawn into the siblings’ strange dynamic of deeply incestuous overtones littered with cinematic references epitomized by Isabelle’s insistence on leading the trio on a run through the Louve as seen in Bande à part. Continue reading
Kill Me Again: Michael Madsen’s Leather Jacket
Michael Madsen in Kill Me Again (1989)
Vitals
Michael Madsen as Vince Miller, ruthless armed robber
Nevada, Spring 1989
Film: Kill Me Again
Release Date: October 27, 1989
Director: John Dahl
Costume Designer: Terry Dresbach
WARNING! Spoilers ahead!
Background
This year has seen the loss of screen legends across generations, from Gene Hackman and Robert Redford to Val Kilmer and Michael Madsen. On the first anniversary of Madsen’s September 25, 1957 birthday, let’s look at the one film where he and Kilmer starred together—the 1989 crime thriller Kill Me Again, where both men are drawn into a dangerous web spun by Fay, a femme fatale played by Kilmer’s then-wife Joanne Whalley.
Madsen steadily grew his career as a supporting actor through the ’80s in movies like WarGames (1982) and The Natural (1984) before appearing in Kill Me Again as the murderous thief Vince Miller, who could be argued as a template for the vicious villains he would play in movies like Reservoir Dogs (1992), The Getaway (1994), and Donnie Brasco (1997). Continue reading
It’s a Mad, Mad, Mad, Mad World: Dick Shawn’s Red Dodge Dart and Beach Duds
Dick Shawn as Sylvester Marcus in It’s a Mad, Mad, Mad, Mad World (1963)
Vitals
Dick Shawn as Sylvester Marcus, impulsive lifeguard
Southern California, Summer 1962
Film: It’s a Mad, Mad, Mad, Mad World
Release Date: November 7, 1963
Director: Stanley Kramer
Costume Designer: Bill Thomas
WARNING! Spoilers ahead!
Background
I like to spend a week every summer exploring the intersection of costumes and cars as they define characters on screen. For this year’s first Car Week post, I’m revisiting a sentimental favorite: the 1963 slapstick comedy It’s a Mad, Mad, Mad, Mad World with its sprawling cast of the era’s most recognizable comic actors from Milton Berle, Sid Caesar, and Buddy Hackett to Ethel Merman, Mickey Rooney, and Dick Shawn.
The latter is introduced later in the daylong pursuit of $350,000 stashed under a “big W” by the late Smiler Grogan (Jimmy Durante), portraying beach lifeguard Sylvester Marcus, described by his brother-in-law J. Russell Finch (Berle) as “an irresponsible, unreliable, big loudmouth, no-good bum who, if he isn’t a crook, it’s only because he hasn’t got the brains or ambition to even become a crook.”
Finch and his wife Emeline (Dorothy Provine) are traveling with her overbearing mother, Mrs. Marcus (Ethel Merman), whose relentless nagging during their search for the buried loot finally pushes Finch over the edge. The resulting blow-up leaves Emeline and her mother to fend for themselves, but—knowing she can count on her hopelessly devoted son—Mrs. Marcus calls Sylvester to send him ahead of them to Santa Rosita to find the loot.
Unfortunately for her quick payday, Sylvester’s sole brain cell is distracted somewhere between a beer and a bikini-clad brunette. Distracted by his mother’s description of Finch’s “assault”, Sylvester leaps into action and into the brunette’s shining red Dodge Dart convertible, tearfully determined to rescue his mother and sister without actually having listened to why they called him in the first place. Continue reading
Moonlighting: Bruce Willis’ First Brown Leather Jacket
Bruce Willis as David Addison on the pilot episode of Moonlighting
Vitals
Bruce Willis as David Addison Jr., wisecracking private detective
Los Angeles, Spring 1985
Series: Moonlighting
Episodes:
– “Pilot” (Episodes 1.01-1.02, dir. Glenn Gordon Caron, aired 3/3/1985)
– “The Murder’s in the Mail” (Episode 1.07, dir. Peter Werner, aired 4/2/1985)
– “Funeral for a Door Nail” (Episode 2.17, dir. Allan Arkush, aired 4/26/1986)
Creator: Glenn Gordon Caron
Costume Designer: Robert Turtrice
WARNING! Spoilers ahead!
Background
For Bruce Willis’ 70th birthday today, I was inspired by a reader’s recent comment to revisit the series that launched the actor to initial fame. Moonlighting premiered with its two-part pilot episode 40 years ago this month, starring Willis opposite Cybill Shepherd. Continue reading
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