Tagged: Alain Delon
La Piscine: Alain Delon’s Ivory Open-Knit Sweater and Lee Jeans
Alain Delon in La Piscine (1969)
Vitals
Alain Delon as Jean-Paul Leroy, moody ad agency writer
French Riviera, Summer 1968
Film: The Swimming Pool
(French title: La Piscine)
Release Date: January 3, 1969
Director: Jacques Deray
Costume Designer: André Courrèges
WARNING! Spoilers ahead!
Background
Happy birthday to French screen and style icon Alain Delon, born November 8, 1935. One of Delon’s most popular films is the steamy 1969 thriller La Piscine, which reunited him on screen with former partner Romy Schneider.
La Piscine (released in English as The Swimming Pool) centers around the dangerous passion and possessiveness between four people spending their summer vacations at the same Côte d’Azur villa. Continue reading
La Piscine: Alain Delon’s Windowpane Shirts and Autumn-Ready Storm Rider
Alain Delon and Romy Schneider in La Piscine (1969)
Vitals
Alain Delon as Jean-Paul Leroy, moody ad agency writer on vacation
French Riviera, Summer 1968
Film: The Swimming Pool
(French title: La Piscine)
Release Date: January 3, 1969
Director: Jacques Deray
Costume Designer: André Courrèges
WARNING! Spoilers ahead!
Background
“Actually, I don’t care much for summer,” the glamorous sun-kissed socialite Marianne (Romy Schneider) explains, clarifying “just the in-between seasons.” As tomorrow marks the first day of autumn in the Northern Hemisphere, start finding your style for this transitional “in-between” season! Continue reading
La Piscine: Alain Delon’s Iconic Swimwear
Alain Delon as Jean-Paul in La Piscine (1969)
Vitals
Alain Delon as Jean-Paul Leroy, moody ad agency writer on vacation
French Riviera, Summer 1968
Film: The Swimming Pool
(French title: La Piscine)
Release Date: January 3, 1969
Director: Jacques Deray
Costume Designer: André Courrèges
WARNING! Spoilers ahead!
Background
More than a half-century after its release, La Piscine remains hailed as one of the most stylish movies, not just for French designer André Courrèges’s costumes but also its sun-drenched Côte d’Azur setting, Michel Legrand’s jazzy score, and the smoldering expressions of its quartet of stars. “The less you put in words, the more you will oblige me to have imagination,” director Jacques Deray reportedly screenwriter instructed Jean-Claude Carrière.
Deray’s “imagination” draws the most from the dangerously intense sexual tension among its leads, beginning with Alain Delon and Romy Schneider as the vacationing couple spending their summer in an opulent villa secluded in the French Riviera. Continue reading
Once a Thief: Alain Delon’s Sheepskin Coat and Ford Model A
Alain Delon as Eddie Pedak in Once a Thief (1965)
Vitals
Alain Delon as Eddie Pedak, reformed thief
San Francisco, Spring 1965
Film: Once a Thief
Release Date: September 8, 1965
Director: Ralph Nelson
WARNING! Spoilers ahead!
Background
On the last day of #Noirvember (and Alain Delon’s birthday month) and the first day of this winter’s #CarWeek series, it felt like the perfect time to explore Once a Thief, Ralph Nelson’s moody black-and-white crime drama starring Delon as a reformed criminal-turned-family man.
The jazzy opening credits depict a night at Big Al’s, a smoky den laden with drug pushers and beatniks, including author Zekial Marko, whose novel Scratch a Thief provided the movie’s source material. We follow a young man swaddled in sheepskin as he leaves the club and takes the wheel of a vintage “Model A Ford” roadster, which then becomes his getaway car after a swift but deadly closing-time stickup at a liquor store in Chinatown.
We then learn that the car and coat are a trademark of Eddie Pedak, a reformed armed robber making an honest living as a truck driver with his wife Kristine (Ann-Margret) and their daughter. The arrival of Eddie’s criminal brother Walter (Jack Palance), a syndicate hotshot, brings complications in the form of a proposition for one night’s criminal work—the proverbial “one last job”—which Eddie initially refuses, despite the $50,000 payout.
Scorpio: Alain Delon’s Black Blazers
Alain Delon as Jean Laurier in Scorpio (1973)
Vitals
Alain Delon as Jean Laurier, aka “Scorpio”, dangerous freelance assassin, former French paratrooper, and cat lover
Washington, D.C., and Vienna, Spring 1973
Film: Scorpio
Release Date: April 19, 1973
Director: Michael Winner
Wardrobe Master: Philippe Pickford
WARNING! Spoilers ahead!
Background
Happy 85th birthday to French cinema icon Alain Delon, whose November 8, 1935 birthday makes him a Scorpio and thus a fitting choice for the title role in Michael Winner’s 1973 espionage thriller Scorpio. (Interestingly, Delon was re-teamed with The Leopard co-star Burt Lancaster, whose November 2, 1913 birthday makes him a Scorpio as well!) The astrological overtones sneak into the script as well as a CIA officer suggests to Delon’s character Jean Laurier that his codename “Scorpio” suits him:
We named you well, you’re a perfect Scorpio! You have a penchant for intrigue, violence…
Alain Delon’s Leather Jacket in Any Number Can Win
Alain Delon as Francis Verlot in Any Number Can Win (Mélodie en sous-sol) (1963)
Vitals
Alain Delon as Francis Verlot, swaggering small-time thief
Paris, September 1960
Film: Any Number Can Win
(French title: Mélodie en sous-sol)
Release Date: April 3, 1963
Director: Henri Verneuil
Background
Any Number Can Win was adapted from Zekial Marko’s 1959 novel The Big Grab, the first of the author’s crime stories that would be adapted to films starring Alain Delon. Marko himself would adapt his novel Scratch a Thief into Once a Thief (1965), starring Delon, Ann-Margret, and Van Heflin.
Considered one of the best and certainly among the most stylish movies of the early 1960s, the ice-cool Any Number Can Win—released in France as Mélodie en sous-sol—begins with recently released ex-con Charles (Jean Gabin) searching for a new partner to help him with his ambitious heist. “I have a kid who just might jut cut it… I hope I don’t find him good for scrap.”
We then cut to what looks like a messy bachelor pad, where a young man is sprawled out on his bed, snapping his fingers to the jazz on his record player. He’s already dressed for larceny in his leather jacket, a dinner plate doubling as an ashtray—crowded with spent Gitanes and shelved on a pile of books—not far from his reach. Pulling back, we reveal that the “bachelor pad” is merely a corner of the family apartment that the young man shares with his reasonably concerned mother, whose shout from the kitchen leaps him to attention… revealing the one and only Alain Delon!
Purple Noon: Alain Delon Tailored in Summer-Weight Gray
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Few movies so stylishly capture the intriguing possibilities of summer as Plein soleil, balancing a sun-drenched travelogue of beautiful coastal Italy with the provocative thrills and deception to be expected from the dangerous mind of Patricia Highsmith, whose 1955 novel The Talented Mr. Ripley formed the basis for this lush and haunting adaptation.
Alain Delon in Le Samouraï
Alain Delon as Jef Costello in Le Samouraï (The Samurai) (1967)
Vitals
Alain Delon as Jef Costello, slick, taciturn, and meticulous contract killer
Paris, April 1967
Film: The Samurai
(French title: Le Samouraï)
Release Date: October 25, 1967
Director: Jean-Pierre Melville
WARNING! Spoilers ahead!
Background
On Alain Delon’s 84th birthday, let’s explore Le Samouraï, arguably one of the best, most influential, and most stylish roles of Delon’s career and the frequent subject of requests from BAMF Style readers like Marcus and Mohammed.
Despite being Jean-Pierre Melville’s tribute to 1940s noir, Le Samouraï was also the maverick director’s first color production as he had evidently elected not to film in black-and-white. The color photography allows Melville to make the most of his shadowy settings from Jef Costello’s gray, barren apartment to the throwback glamour of the Parisian nightclub.
Delon stars as Jef Costello, a cold contract killer whose solitary lifestyle nods to Japanese lone warrior mythology—hence the title—and whose personal style co-opts the classic American noir anti-hero. Continue reading
Alain Delon’s Black Linen Shirt in Purple Noon
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
on Mediterranean Sea off Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
As I leave for my annual week at the beach tomorrow, I’ll be hoping to channel the style—if not the discomfort and petty cruelty—of the idyllic-looking, sun-drenched Mediterranean voyage where sociopathic American con man Tom Ripley (Alain Delon) forms an uncomfortable seagoing trio with the brash, arrogant playboy Philippe Greenleaf (Maurice Ronet) and Philippe’s demure girlfriend Marge (Marie Laforêt). Continue reading
Purple Noon: Alain Delon’s White Suit
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, American con artist and sophisticated sociopath
Rome, Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Whether or not you subscribe to the mindset that it’s only appropriate in the Northern Hemisphere after Memorial Day, there’s a strong chance you’ll be seeing a lot more white over the summer months to follow. For gents interested in standing out with a white suit this summer, Alain Delon sets a characteristic gold standard in Plein soleil, itself a paean to elegant summer style. Continue reading