Tagged: Alain Delon

Purple Noon: Alain Delon’s Blue Silk Suit

Alain Delon as Tom Ripley in Purple Noon (1960)

Alain Delon as Tom Ripley in Purple Noon (1960)

Vitals

Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

Rome, Italy, August 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

Today is the 83rd birthday of French actor and worldwide style icon Alain Delon. Born November 8, 1935, in Sceaux, a commune south of Paris, Delon entered the film world during a trip to the Cannes Film Festival shortly after his dishonorable discharge from the French Navy. Attending Cannes with his friend, actress Brigitte Auber, Delon caught the eye of one of David O. Selznick’s talent scouts. A contract was offered, but Delon would later choose to cancel the contract in favor of remaining in France to begin his film career there.

After a few leading roles in France, it was Plein soleil in 1960 that boosted Delon to international stardom. Released as Purple Noon in the English-speaking world, this adaptation of Patricia Highsmith’s 1955 thriller novel The Talented Mr. Ripley starred Delon as the cunning sociopath Tom Ripley, a portrayal that Highsmith herself highly approved of. Continue reading

Purple Noon: The Batik Shirt

Alain Delon as Tom Ripley in Purple Noon (1960)

Alain Delon as Tom Ripley in Purple Noon (1960)

Vitals

Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

Italy, August 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

Purple Noon, released in France as Plein soleil, was the first cinematic adaptation of Patricia Highsmith’s 1955 psychological thriller The Talented Mr. Ripley. Released five years after Highsmith’s novel was published, the film shot 24-year-old Alain Delon to stardom as the charming sociopath who envies the luxurious lifestyle of expatriate playboy Philippe Greenleaf (Maurice Ronet).

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Alain Delon’s Toweling Blazer and Swimwear in Purple Noon

Alain Delon as Tom Ripley and Marie Laforêt as Marge Duval in Purple Noon (1960)

Alain Delon as Tom Ripley and Marie Laforêt as Marge Duval in Purple Noon (1960)

Vitals

Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

Maronti Beach, Italy, September 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

As I’m currently out of town on my annual beach vacation, I wanted to get into the spirit of the summer holidays by looking at swimwear from the movies, beginning with Alain Delon’s classic toweling blazer and swim trunks in Plein soleil, known to English-speaking audiences as Purple Noon.

When Patricia Highsmith’s psychological thriller The Talented Mr. Ripley was first adapted for the big screen in 1960, the author praised the visually appealing cinematography and Alain Delon’s performance as the charismatic sociopath Tom Ripley. Continue reading

Alain Delon’s Striped Boating Blazer in Purple Noon

Alain Delon as Tom Ripley in Purple Noon (1960)

Alain Delon as Tom Ripley in Purple Noon (1960)

Vitals

Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

Italy, Late Summer 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

Adapted from Patricia Highsmith’s 1955 thriller The Talented Mr. RipleyPurple Noon put French actor Alain Delon on the international map. Only 24 years old when Purple Noon was released, Delon earned the endorsement of Ms. Highsmith herself for his performance as the smooth and wily young con artist whose petty crimes and deceptions graduate to multiple murders over the course of the film.

“It’s insidious, the way Highsmith seduces us into identifying with him and sharing his selfishness,” Roger Ebert wrote of both the novel and this cinematic adaptation in his 1996 review. “Ripley believes that getting his own way is worth whatever price anyone else might have to pay. We all have a little of that in us.” Continue reading