Tagged: Purple Noon
Purple Noon: Alain Delon Tailored in Summer-Weight Gray
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Few movies so stylishly capture the intriguing possibilities of summer as Plein soleil, balancing a sun-drenched travelogue of beautiful coastal Italy with the provocative thrills and deception to be expected from the dangerous mind of Patricia Highsmith, whose 1955 novel The Talented Mr. Ripley formed the basis for this lush and haunting adaptation.
Alain Delon’s Black Linen Shirt in Purple Noon
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
on Mediterranean Sea off Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
As I leave for my annual week at the beach tomorrow, I’ll be hoping to channel the style—if not the discomfort and petty cruelty—of the idyllic-looking, sun-drenched Mediterranean voyage where sociopathic American con man Tom Ripley (Alain Delon) forms an uncomfortable seagoing trio with the brash, arrogant playboy Philippe Greenleaf (Maurice Ronet) and Philippe’s demure girlfriend Marge (Marie Laforêt). Continue reading
Purple Noon: Alain Delon’s White Suit
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, American con artist and sophisticated sociopath
Rome, Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Whether or not you subscribe to the mindset that it’s only appropriate in the Northern Hemisphere after Memorial Day, there’s a strong chance you’ll be seeing a lot more white over the summer months to follow. For gents interested in standing out with a white suit this summer, Alain Delon sets a characteristic gold standard in Plein soleil, itself a paean to elegant summer style. Continue reading
Purple Noon: Alain Delon’s Blue Silk Suit
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Rome, Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Today is the 83rd birthday of French actor and worldwide style icon Alain Delon. Born November 8, 1935, in Sceaux, a commune south of Paris, Delon entered the film world during a trip to the Cannes Film Festival shortly after his dishonorable discharge from the French Navy. Attending Cannes with his friend, actress Brigitte Auber, Delon caught the eye of one of David O. Selznick’s talent scouts. A contract was offered, but Delon would later choose to cancel the contract in favor of remaining in France to begin his film career there.
After a few leading roles in France, it was Plein soleil in 1960 that boosted Delon to international stardom. Released as Purple Noon in the English-speaking world, this adaptation of Patricia Highsmith’s 1955 thriller novel The Talented Mr. Ripley starred Delon as the cunning sociopath Tom Ripley, a portrayal that Highsmith herself highly approved of. Continue reading
Purple Noon: The Batik Shirt
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Purple Noon, released in France as Plein soleil, was the first cinematic adaptation of Patricia Highsmith’s 1955 psychological thriller The Talented Mr. Ripley. Released five years after Highsmith’s novel was published, the film shot 24-year-old Alain Delon to stardom as the charming sociopath who envies the luxurious lifestyle of expatriate playboy Philippe Greenleaf (Maurice Ronet).
Alain Delon’s Toweling Blazer and Swimwear in Purple Noon
Alain Delon as Tom Ripley and Marie Laforêt as Marge Duval in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Maronti Beach, Italy, September 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
As I’m currently out of town on my annual beach vacation, I wanted to get into the spirit of the summer holidays by looking at swimwear from the movies, beginning with Alain Delon’s classic toweling blazer and swim trunks in Plein soleil, known to English-speaking audiences as Purple Noon.
When Patricia Highsmith’s psychological thriller The Talented Mr. Ripley was first adapted for the big screen in 1960, the author praised the visually appealing cinematography and Alain Delon’s performance as the charismatic sociopath Tom Ripley. Continue reading
Alain Delon’s Striped Boating Blazer in Purple Noon
Alain Delon as Tom Ripley in Purple Noon (1960)
Vitals
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Italy, Late Summer 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
Background
Adapted from Patricia Highsmith’s 1955 thriller The Talented Mr. Ripley, Purple Noon put French actor Alain Delon on the international map. Only 24 years old when Purple Noon was released, Delon earned the endorsement of Ms. Highsmith herself for his performance as the smooth and wily young con artist whose petty crimes and deceptions graduate to multiple murders over the course of the film.
“It’s insidious, the way Highsmith seduces us into identifying with him and sharing his selfishness,” Roger Ebert wrote of both the novel and this cinematic adaptation in his 1996 review. “Ripley believes that getting his own way is worth whatever price anyone else might have to pay. We all have a little of that in us.” Continue reading