The Beach Boys: Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love, and David Marks
Malibu, California, Summer 1962
Photographs by Ken Veeder
Part of BAMF Style’s Iconic Photo Series, focusing on style featured in famous photography of classic stars and style icons rather than from specific productions.
Sixty years ago this month, The Beach Boys debuted their first arguable hit single, “Surfin’ Safari” (with “409” on the B side) for Capitol Records in June 1962. The group of southern California youngsters had released their first single (“Surfin'”) with the short-lived Candix Records the previous fall… and the resulting regional success essentially bankrupted the fledgling record company, who could barely afford to pay the group a thousand dollars in royalties for a single that had charted on the Billboard Hot 100.
After signing with Capitol Records, the teens realized they were now in the big leagues. When Brian Wilson turned 20 in June 1962, “Surfin’ Safari”—the simple song he’d written years earlier with his cousin Mike Love—was now rising up the Billboard charts to peak at #14. The lineup now consisted of Wilson and Love with Wilson’s younger brothers Dennis and Carl as well as the 13-year-old David Marks, who had replaced their friend Al Jardine in February, though Jardine—who had left the group to attend dental school—would be back to replace Marks within the year.
On October 1, 1962, Capitol released the first full-length Beach Boys album, named Surfin’ Safari after the hit single that led the album. As their song titles implied, the Beach Boys were heavily influenced by surf music pioneers like Dick Dale, adding harmonies that provided more mainstream pop appeal and popularized what came to be known as the “California sound”.
To visually communicate this West Coast spirit, Capitol photographer joined the Wilsons, Love, and Marks on the seaside sands of Paradise Cove in Malibu for an album cover shoot that would visually communicate the spirit of California with the boys, complete with Dennis’ nine-foot Hermosa surfboard and a palm frond-decorated yellow 1929 Ford Model A pickup truck that Capitol art director Ed Thrasher rented for $50 from a local “beach contractor” known as “Calypso Joe”. In the tradition of all the rising young bands of the day, the Beach Boys dressed identically for that overcast August afternoon in the surf, all clad in woolen board shirts that evoked the band’s original name: the Pendletones. Continue reading
Susumu Terajima as Ken, laconic yakuza lieutenant
Ishigaki Island, Japan, Summer 1993
(Japanese title: ソナチネ)
Release Date: September 10, 1993
Director: Takeshi Kitano
Costume Design: Junichi Goto & Alen Mikudo
WARNING! Spoilers ahead!
Takeshi Kitano wrote, directed, edited, and starred in Sonatine, an offbeat yakuza film that blends the genre’s usual violence with elements of black comedy and an almost surreal, dreamlike beauty. Kitano stars as Murakawa, a Tokyo crime boss who has grown increasingly numb as he advances into middle age.
Murakawa and his loyal right-hand man, Ken (Susumu Terajima), are sent to Okinawa with a gang ranging from veteran gangsters to young gunsels like the eager Ryōji (Masanobu Katsumura).
Before any progress can be made in their ostensible mission to mediate and intra-gang conflict, the body count rises after their headquarters are bombed and their number further diminished during a barroom ambush. Murakawa and his fellow survivors—including the increasingly convivial Ken and Ryōji—take refuge on the isolated beaches of Ishigaki Island, where their day-to-day life devolves into a surreally idyllic getaway full of games, gags, and gunplay. Continue reading
Johnny Depp as George Jung, burgeoning pot dealer
Manhattan Beach, California, Summer 1968
Release Date: April 6, 2001
Director: Ted Demme
Costume Designer: Mark Bridges
Blow presents the story of real-life drug smuggler George Jung (1942-2021), presented not unlike Goodfellas: beginning in media res at a crucial turning point in our anti-hero protagonist’s life, reaching back into his childhood, and then following his criminal career over the ’60s, ’70s, and ’80s until it descends into a cocaine-fueled nightmare of betrayals and bad hair, all set to a packed soundtrack of hits and deep cuts from the era.
After meeting the adolescent George, raised by an attentive Ray Liotta and a neglectful Rachel Griffiths, we skip ahead to young adulthood as a twentysomething George and his oversized pal Tuna (Ethan Suplee) as they relocate across the country from Massachusetts to Manhattan Beach:
I moved to California in the summer of 1968 with the Tuna. We had $300 and a black TR3. There sure was nothin’ like this back home. It was paradise… and everyone was getting stoned.
Mel Gibson as Dale “Mac” McKussic, retired drug dealer
Los Angeles, Summer 1988
Film: Tequila Sunrise
Release Date: December 2, 1988
Director: Robert Towne
Costume Designer: Julie Weiss
Following his success as a screenwriter—credited and uncredited—on some of the most memorable movies of the ’70s, Robert Towne intended for his sophomore directorial film, Tequila Sunrise, to be something of a spiritual follow-up to Chinatown, which… it isn’t.
Don’t get me wrong, I did get some enjoyment out of Tequila Sunrise and there’s no denying that it’s refreshingly original—almost to a questionable degree—but I would argue it’s not even close to the same league as Chinatown, let alone Bonnie & Clyde, The Godfather, The Last Detail, Marathon Man, or the other excellent films that benefited from Towne’s contributions.
Several had recommended Tequila Sunrise to me for its style, and I’ll admit the name intrigued me, so I mentally scheduled to watch it and write about it in time for #NationalTequilaDay, celebrated annually on July 24… so happy National Tequila Day!
Alexander Skarsgård as Gadi Becker, aka “Peter”, mysterious Mossad agent
Naxos, Greece, Spring 1979
Series: The Little Drummer Girl (Episode 1)
Air Date: October 28, 2018
Director: Park Chan-wook
Costume Design: Sheena Napier & Steven Noble
Today marks the start of my beach vacation, an annual getaway that finds me clad almost exclusively in tropical-printed or terry cloth shirts as I laze about in the sun and sand with tequila in hand, trying not to think about the hundreds of emails amassing to greet me when I open my inbox exactly one week from now.
And then there are those lucky enough who actually get to do this for a living, particularly the globe-trotting super-spies penned by the likes of Ian Fleming and John le Carré, whose 1983 novel The Little Drummer Girl was recently re-adapted for the screen via a stylish six-part miniseries starring Florence Pugh and Alexander Skarsgård. Continue reading
John Garfield as Frank Chambers, restless drifter-turned-diner worker
Laguna Beach, California, Summer 1945
Film: The Postman Always Rings Twice
Release Date: May 2, 1946
Director: Tay Garnett
Costume Supervisor: Irene
As #Noirvember continues, let’s step away from the trench coats and fedoras to see how our hardboiled anti-heroes dress for a day at the beach. An ode to deviance that originated from James M. Cain’s 1934 novel, The Postman Always Rings Twice was adapted twice by European filmmakers before Hollywood dared to tackle it during the golden age of noir in the 1940s.
The lascivious source material had presented a challenge for presenting the story in a way that would satisfy the draconian Motion Picture Production Code and, even before it was published, a synopsis of Cain’s story had been deemed “definitely unsuitable for motion picture production” by the pearl-clutching Hays Office. After the two European adaptations were released, MGM was finally ready to proceed with its own version, inspired by the success of Double Indemnity, another piece from Cain’s poison pen centered around adultery and murder. By this time, nearly a dozen years into the rigid enforcement years of the Production Code, American filmmakers had mastered the art of stylized shadows and suggestive innuendo that allowed—and often enhanced—these films noir set in lurid worlds filled with unscrupulous and unsavory elements.
“It was on a side road outside of Los Angeles,” Frank Chambers begins his story, as the down-on-his-luck hitchhiker stumbles into the Twin Oaks diner boasting a $1.25 “best in the world” chicken dinner. The simple sign, “Man wanted,” echoes both the restaurant’s staffing needs as well as the sensuous needs of Cora (Lana Turner), the ambitious young platinum blonde who runs the roadside lunch room with her proud yet oblivious husband Nick (Cecil Kellaway)… and, even if you haven’t read or seen it, you probably already see where this is going.
Troy Donahue as Johnny Hunter, college student and “silly sentimentalist”
New England, Spring 1959
Film: A Summer Place
Release Date: November 18, 1959
Director: Delmer Daves
Costume Designer: Howard Shoup
Sixty years after shaking up more genteel audiences with its frank but ultimately tame depictions of adultery and sexuality, A Summer Place may be most widely remembered for its serene theme song. Originally written by Max Steiner, it was Percy Faith’s arrangement of “Theme from A Summer Place” that transformed the instrumental ballad into a #1 hit that took the top spot on the Billboard Hot 100 for a record-breaking nine consecutive weeks in early 1960.
Cary Grant as John Robie, retired cat burglar and jewel thief
French Riviera, Summer 1954
Film: To Catch a Thief
Release Date: August 5, 1955
Director: Alfred Hitchcock
Costume Designer: Edith Head
In commemoration of Alfred Hitchcock’s 120th birthday on August 13, this week continues with a look at one of the Master of Suspense’s most stylish movies, the 1955 romantic caper To Catch a Thief.
Leonardo DiCaprio as Frank Wheeler, disillusioned businessman and suburban dad
Sasco Beach, CT, Summer 1955
Film: Revolutionary Road
Release Date: December 15, 2008
Director: Sam Mendes
Costume Designer: Albert Wolsky
While my week at the beach progresses, I’m hoping to channel my sun-soaked energy to my BAMF Style friends and readers with another post featuring classic summer style for a day in the sand and sun.
The film adaptation of Revolutionary Road, Richard Yates’ 1961 tribute to suburban disillusionment, reunited Titanic stars Leonardo DiCaprio and Kate Winslet as the semi-happily married Frank and April Wheeler who find themselves increasingly disgusted with their lives in the Connecticut suburbs.
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
Maronti Beach, Italy, September 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
As I’m currently out of town on my annual beach vacation, I wanted to get into the spirit of the summer holidays by looking at swimwear from the movies, beginning with Alain Delon’s classic toweling blazer and swim trunks in Plein soleil, known to English-speaking audiences as Purple Noon.
When Patricia Highsmith’s psychological thriller The Talented Mr. Ripley was first adapted for the big screen in 1960, the author praised the visually appealing cinematography and Alain Delon’s performance as the charismatic sociopath Tom Ripley. Continue reading