Michael Caine as Alfie Elkins, charming part-time car service driver and full-time cad
London, Summer 1965
Release Date: March 24, 1966
Director: Lewis Gilbert
Wardrobe Supervisor: Jean Fairlie
Tailor: Douglas Hayward
Make a married woman laugh and you’re halfway there with her.
Right off the bat, we learn that the titular Alfie Elkins is no gentleman.
Although he had already featured in several major British films through the ’60s, it was his Academy Award-nominated breakthrough role in Alfie that led Michael Caine to global stardom. Continue reading
Danny Huston as Ben “the Butcher” Diamond, sadistic and volatile Miami gangster
Miami Beach, spring 1959
Series: Magic City
– “Castles Made of Sand” (Episode 1.03, dir: Ed Bianchi, aired April 20, 2012)
– “Time and Tide” (Episode 1.08, dir: Ed Bianchi, aired June 1, 2012)
– “Crossroads” (Episode 2.04, dir: Ed Bianchi, aired July 12, 2013)
– “World in Changes” (Episode 2.05, dir: Simon Cellan Jones, aired July 19, 2013)
– “…And Your Enemies Closer” (Episode 2.07, dir: Simon Cellan Jones, aired August 2, 2013)
Creator: Mitch Glazer
Costume Designer: Carol Ramsey
In these waning weeks of spring, some folks may be anxious to get an early start to summer fun, so light up a Habanas Partagas cigar and head for a warm weekend retreat – or at least a Sunday in the sun – in the spirit of Magic City‘s baddest antagonist. Continue reading
Pierce Brosnan as James Bond, sophisticated British secret agent
St. Petersburg, Russia, April 1995
Release Date: November 13, 1995
Director: Martin Campbell
Costume Designer: Lindy Hemming
I’ve been featuring a number of looks from the James Bond series lately, but I would hate to let that get in the way of the 00-7th of March! Since we’re celebrating St. Patrick’s Day this month, it seems obvious to me that we should also be celebrating the Irish actor who delivered his own brand of debonair charm to the role of 007.
In his inaugural outing, GoldenEye, Pierce Brosnan’s Bond is relaxing in the pool of his St. Petersburg hotel when he is cornered by the alluring assassin Xenia Onatopp (Famke Janssen). Bond gets the upper hand – among other parts – and convinces Xenia to introduce him to the mysterious syndicate behind the disappearance of a missing satellite. Continue reading
Henry Cavill as Napoleon Solo, smooth CIA operative
Berlin and Rome, Spring 1963
Film: The Man from U.N.C.L.E.
Release Date: August 2, 2015
Director: Guy Ritchie
Costume Designer: Joanna Johnston
The Man from U.N.C.L.E. is one of the more stylish films released in recent years, transporting audiences back to the oft-romanticized height of Cold War spying in mid-’60s Europe. The movie reboot serves as a prequel for the popular TV show, which starred Robert Vaughn and David McCallum as American spy Napoleon Solo and KGB operative Illya Kuryakin, respectively.
Henry Cavill’s interpretation of Solo retains much of the easygoing efficiency and sophistication originated by Vaughn in the role, and I left the theater wishing I was heading directly to the shop of Timothy Everest, who tailored Cavill’s distinctive and debonair suits for the film.
For my inaugural Solo post, in response to requests from readers Noel and Andrew, I am choosing to focus on a flashy suit that gets plenty of screen time. Continue reading
Nick Offerman as Ron Swanson, surly libertarian city parks director and jazz saxophonist
Pawnee, Indiana, Fall 2009
Series: Parks and Recreation
Episode: “Ron and Tammy” (Episode 2.08)
Air Date: November 5, 2009
Director: Troy Miller
Created by: Greg Daniels & Michael Schur
Costume Designer: Kelli Jones
By design, little attention is paid to Ron Swanson’s clothing throughout Parks and Recreation. In fact, Ron’s style could best be summed up by saying he dresses like a non-threatening suburban dad, as opposed to Tom Haverford (Aziz Ansari), who basks in the show’s sartorial attention with his “Brooks Brothers Boys” suits. We even learn, in “Ron and Tammys” (Episode 4.02), that Ron has only spent $40 on clothes in the past five years.
That said, there is one thing that gets Ron to care about what he pulls out of his closet that morning… and that’s his activity from the night before. Continue reading
Cillian Murphy as Thomas “Tommy” Shelby, cunning Peaky Blinders gang leader and jaded WWI veteran
Birmingham, England, February 1924
Series: Peaky Blinders
Episode: Episode 3.01
Air Date: May 5, 2016
Director: Tim Mielants
Creator: Steven Knight
Costume Designer: Alexandra Caulfield
WARNING! Spoilers ahead!
Today’s Week of Weddings post focuses on the sadly short-lived union of Tommy Shelby and Grace Burgess that kicked off the third season of Peaky Blinders.
This is the second Peaky Blinders wedding to be featured on BAMF Style after the first season nuptials of John Shelby and Esme Lee. While that first wedding was considerably spontaneous (at least for the groom), this union had been in the fire since Tommy and Grace first laid eyes on each other across the Garrison in 1919. Five years and one dead Irish investigator later, the two are finally tying the knot.
Grace’s family is comprised of several members of the “King’s Irish” cavalrymen that nearly abandoned the Peaky Blinders on the battlefield a decade earlier, so Tommy is forced to lay down some relatively unorthodox rules for a wedding:
No cocaine. No sport. No telling fortunes. No racing. No fucking sucking petrol out of their fucking cars… But the main thing is, you bunch of fuckers, despite the provocation from the cavalry, no fighting!
Cary Grant as T.R. Devlin, American government agent
Miami and Rio de Janeiro, Spring 1946
Release Date: September 6, 1946
Director: Alfred Hitchcock
It’s impossible to over-celebrate the elegant yet understated sartorialism of Cary Grant, born this day in 1904. One of my favorite of Grant’s movies is Notorious, the 1946 espionage adventure that paired him with Ingrid Bergman as a pair of American spies tasked with exposing Alexander Sebastian, a former Nazi played with charmingly evil affability by Claude Rains.
Notorious was the second collaboration between Grant and director Alfred Hitchcock, and it marked the start of a string of wildly successful and ultimately timeless movies that Hitch would direct over the next two decades. Continue reading