Tagged: Spring
The Italian Connection: Henry Silva’s Leather Jacket
Vitals
Henry Silva as Dave Catania, swaggering Mafia hitman
New York to Milan, Spring 1972
Film: The Italian Connection
(Italian title: La mala ordina)
Release Date: September 2, 1972
Director: Fernando Di Leo
Costume Designer: Francesco Cuppini
WARNING! Spoilers ahead!
Background
Today marks the one-year anniversary of the death of Henry Silva, a screen stalwart whose credits included the Rat Pack-led Ocean’s Eleven (1960) and political thriller The Manchurian Candidate (1962) before his first leading role in the jazzy noir Johnny Cool (1963). The latter set a precedent that would characterize the next decade of Silva’s career as he would star in many “poliziottesco” films like Fernando Di Leo’s The Italian Connection, released 51 years ago this month. Continue reading
Never Say Never Again: Largo’s White Striped Dinner Jacket
Vitals
Klaus Maria Brandauer as Maximillian Largo, billionaire businessman and SPECTRE terrorist
Monte Carlo, Spring 1983
Film: Never Say Never Again
Release Date: October 7, 1983
Director: Irvin Kershner
Costume Designer: Charles Knode
Background
1983 was the year of the dueling James Bonds. Roger Moore continued as the canonical 007 in Eon Productions’ Octopussy, while Bond emeritus Sean Connery surprised audiences by starring in Never Say Never Again, an “unofficial” reimagining of Thunderball released 40 years ago next month by Jack Schwartzman’s Taliafilm.
Never Say Never Again resulted from a two-decade effort by producer Kevin McClory, who had collaborated with Ian Fleming and screenwriter Jack Whittingham on an original Bond screenplay in the late 1950s. When Fleming published a novelization of their unproduced screenplay as Thunderball in 1961, McClory and Whittingham sued and settled out of court, albeit with a string of conditions that ultimately maintained Eon’s rights to the story for up to ten years after the release of their own cinematic adaptation of Thunderball, released in 1965.
By the mid-1970s when McClory announced his plans to produce his own version of the story, both Whittingham and Fleming had died, and Connery had hung up 007’s shoulder holster—presumably for good—after reluctantly returning to the iconic role in Diamonds are Forever. After more legal and production hurdles, the end result released in October 1983 was Never Say Never Again, titled in reference to Connery reprising his role after twice saying he would never play Bond again. (While Moore turned 55 during the production of Octopussy, it’s Never Say Never Again that focuses more on Bond’s advancing age… despite Connery actually being three years younger than Moore and looking considerably more fit than the last time Connery starred as the “official” Bond in Diamonds are Forever a dozen years earlier.)
Not being produced by Eon meant many signature elements were missing, like the James Bond theme, the opening gunbarrel, and a familiar cast portraying 007’s allies at MI6. However, Bond still received his briefing from M (Edward Fox), flirted with Miss Moneypenny (Pamela Salem), and received his equipment from an uncharacteristically jolly Q (Alec McCowen) before jetting off to the Bahamas to investigate a missing nuclear warhead… just as he had in Thunderball.
Never Say Never Again globe-hops with more ferocity than Thunderball, and it’s not long before Bond arrives in southern France, tracking the enigmatic billionaire Maximilian Largo (Klaus Maria Brandauer) and his girlfriend Domino Petachi (Kim Basinger). Bond literally gets his hands on Domino at a Villefranche-sur-Mer massage parlor, where he learns that Largo is hosting a charity ball that night across the border in Monte Carlo. Good thing Bond packed his tuxedo!
Largo: Do you enjoy games, Mr. Bond?
Bond: Depends with whom I’m playing.

If, like me, you spent much of your childhood going over to friends’ house just to watch them play video games, this scene offers the same thrills and more.
An oft-criticized scene from Never Say Never Again pits Bond against Largo during a duel for world domination… in the form of a pixilated video game that Largo invented. Titled “Domination”, the Atari-style game was clearly an attempt to make the story seem fashionable for the 1980s—though it likely seemed dated by the time its first audiences were already out of the theater. A beaming Largo explains that “unlike armchair generals, we will share the pain of our soldiers in the form of electric shocks.” Even after almost passing out from the pain, Bond keeps the game going—is it because he wants to prove a point to Largo, or does he just not want to give $58,000 to a children’s charity?
As September 12 is National Video Games Day (not to be confused with plain old “Video Games Day” observed on July 8), BAMF Style’s inaugural Never Say Never Again post will explore Largo’s creative black tie for the event. Continue reading
Adam Sandler in Uncut Gems: Black Leather Jacket and Yellow Polo
Vitals
Adam Sandler as Howard Ratner, gambling-addicted jeweler
New York City, Spring 2012
Film: Uncut Gems
Release Date: December 13, 2019
Director: Josh Safdie & Benny Safdie
Costume Design: Miyako Bellizzi & Nawaal Hendricks
Costume Consultant: Mordechai Rubinstein
WARNING! Spoilers ahead!
Background
Happy 57th birthday to Adam Sandler, born September 9, 1966. The Sandman turned in an arguably career best performance in Uncut Gems, the Safdie brothers’ excellent and stress-inducing callback to gritty ’70s crime cinema, set during the 2012 NBA finals. The uncut gem at the center of the story is a rare black opal that we follow from the mines of Ethiopia to New York City’s Diamond District—specifically KMH, a store run by the frenetic Howard Ratner.
Salt and Pepper: Peter Lawford’s Plaid Sports Coat
Vitals
Peter Lawford as Christopher Pepper, nightclub owner
London, Spring 1968
Film: Salt and Pepper
Release Date: June 21, 1968
Director: Richard Donner
Costume Designer: Cynthia Tingey
Tailor: Douglas Hayward
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of Peter Lawford, born September 7, 1923. Though primarily an actor, the London-born Lawford may be best remembered for his affiliations with the Rat Pack and the Kennedy family, the latter by way of his 12-year marriage to Patricia Kennedy.
It was shortly after Lawford’s divorce from Pat that he was reunited with fellow Rat Pack entertainer Sammy Davis, Jr., in Salt and Pepper, one of the many spy comedies released in the late 1960s as filmmakers spoofed Bond-mania with films like Our Man Flint (1966), the satirized 007 adaptation Casino Royale (1967), and the quartet of Matt Helm movies starring Dean Martin—also of Rat Pack fame.
Salt and Pepper was the second feature directed by Richard Donner, who would later—and arguably more successfully—revisit the concept of high-stakes buddy comedies with the Lethal Weapon series. When Salt and Pepper was bafflingly greenlit for the sequel suggested by Davis’ vocals over the end credits, it wasn’t Donner but Jerry Lewis who directed the two Rat Packers in One More Time (1970).
Davis and Lawford brought their time-tested chemistry to their respective roles as Charlie Salt and Christopher Pepper, a pair of swingin’ London nightclub owners who find themselves at the center of a deadly mystery involving a revolution brewing among the top ranks of the British government. “I’m Pepper, he’s Salt,” Lawford’s character informs a bemused police inspector during the opening scene. Continue reading
Richard Attenborough in The Great Escape
Vitals
Richard Attenborough as Roger Bartlett, aka “Big X”, RAF Squadron Leader and escape artist
Sagan-Silesia (now Żagań, Poland), Spring 1944
Film: The Great Escape
Release Date: July 4, 1963
Director: John Sturges
Wardrobe Credit: Bert Henrikson
WARNING! Spoilers ahead!
Background
Today would have been the 100th birthday of English actor and director Richard Attenborough, born August 29, 1923 in Cambridge. One of this prolific stage and screen actor’s best-known roles was leading the ensemble cast of The Great Escape (1963) as Roger Bartlett, aka “Big X”, the Royal Air Force officer who organized the mass breakout from Stalag Luft III.
Bartlett was based on real-life RAF Squadron Leader Roger Bushell, whose birthday was only one day after (and 13 years before) the actor who portrayed him—born August 30, 1910 in Springs, Transvaal, South Africa. Bushell pursued his secondary education in England, first at Wellington College before studying law at Cambridge, where the athletic scholar distinguished himself as a champion skier. A skiing accident scarred Bushell’s left eye for the rest of his life, represented in The Great Escape by a scar painted over Richard Attenborough’s opposite eye as the fictionalized Roger Bartlett.
“He was a big, tempestuous man with broad shoulders and the most chilling, pale-blue eyes I ever saw,” Paul Brickhill described Bushell in his excellent 1950 chronicle The Great Escape, which formed the basis for the film of the same name. “After it had been sewn up, the corner of his eye drooped permanently, and the effect on his look was strangely sinister and brooding.”
The adventurous Bushell yearned to fly and was commissioned as a Royal Air Force officer in 1932. He continued practicing law, defending fellow RAF fliers including Paddy Byrne, with whom he would eventually be imprisoned at Stalag Luft III. After England entered World War II, Bushell was given command of No. 92 Squadron and promoted to Squadron Leader (OF-3). In May 1940, Bushell was leading his squadron against their first enemy engagement and damaged two German planes before he himself was shot down, crash-landing his Supermarine Spitfire fighter in occupied France. The downed Bushell was quickly captured by the Germans and transferred into a prisoner-of-war camp for Allied airmen. “If the Germans had realized what a troublesome man they had caught, they would possibly have shot him then,” Brickhill editoralized. Continue reading
The Godfather, Part II: De Niro’s Blue Two-Toned Shirt as Young Vito
Vitals
Robert De Niro as Vito Corleone, née Andolini, Sicilian-born immigrant-turned-gangster
New York City, Summer 1917 to Spring 1920
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
On screen legend Robert De Niro’s 80th birthday, today’s post revisits his star-making, Oscar-winning role as the young Vito Corleone in The Godfather, Part II.
Born August 17, 1943, De Niro’s birthday falls the day after the traditional August 16th observance of the Feast of San Rocco—the backdrop of the young Vito’s 1917 assassination of Black Hand extortionist Don Fanucci (Gastone Moschin) that propels his gangland ascension. Continue reading
The Cotton Club: Gregory Hines Dances in Houndstooth
Vitals
Gregory Hines as Delbert “Sandman” Williams, affable and ambitious dancer
Harlem, Spring 1929
Film: The Cotton Club
Release Date: December 14, 1984
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
Background
One of the most celebrated tap dancers of all time, the multi-talented Gregory Hines died 20 years ago today on August 9, 2003. His charismatic performance as “Sandman” Williams in The Cotton Club remains a highlight from Francis Ford Coppola’s The Cotton Club, an ambitious and controversial part-musical, part-mob drama that producer Robert Evans spent five years bringing to the screen.
Centered around the legendary Cotton Club in Harlem, the movie boasts all the ingredients to entertain: an evocative Prohibition-era setting at an iconic nightclub, a pitch-perfect period soundtrack from John Barry that replicates the sounds of Duke Ellington and Cab Calloway, and a talented cast that includes then-rising stars like Richard Gere, Diane Lane, Nicolas Cage, Laurence Fishburne, Jennifer Grey, James Remar, and Gregory and Maurice Hines. Continue reading
The Fugitive: Samuel Gerard’s Navy Blazer and Jeans
Vitals
Tommy Lee Jones as Samuel Gerard, intrepid Deputy U.S. Marshal
Chicago, Spring 1993
Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
Today is the 30th anniversary since the release of The Fugitive, Andrew Davis’ 1993 update of the 1960s TV series that followed a doctor wrongly accused of his wife’s murder as he travels the country in the hopes of clearing his name by finding the one-armed man he believes to be guilty.
Pursuing the innocent Dr. Richard Kimble (Harrison Ford) through the Midwest is Samuel Gerard (Tommy Lee Jones), the determined Deputy U.S. Marshal leading the hunt with his team of trusted pros. Though a snarky master of caustic wit, Gerard is serious about doing his job—and only his job—as established during the memorable scene when Kimble tries to dissuade his persuader by assuring him of his innocence.
Dr. Kimble: I didn’t kill my wife!
Gerard: I don’t care!
Boardwalk Empire: Al Capone’s Ivory Suit in 1931
Vitals
Stephen Graham as Al Capone, infamous mob boss
Chicago, Spring 1931
Series: Boardwalk Empire
Episode: “Eldorado” (Episode 5.08)
Air Date: October 26, 2014
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn
WARNING! Spoilers ahead!
Background
Happy 50th birthday to Stephen Graham, whose memorable performance as Al Capone on Boardwalk Empire counts among the best cinematic depictions of the real-life Chicago crime lord, who was also been portrayed on screen by Robert De Niro, Ben Gazzara, Tom Hardy, Rod Steiger, Neville Brand, and—curiously, given Al’s stout physique—F. Murray Abraham and Jason Robards.
To the appropriately funereal tune of Vince Giordano and his Nighthawks Orchestra adapting Duke Ellington’s 1930 classic “Mood Indigo”, the Boardwalk Empire series finale spends one last moment with Graham’s Capone as he surrenders himself at a Chicago federal court to face trials for tax evasion and Volstead Act violations. Though the wily Capone had managed to evade consequences for building his criminal empire over the decade, the roaring ’20s are now over and Capone seems aware that it’s all over for him. Continue reading
The Sopranos: The Don Wearing Shorts

James Gandolfini as Tony Soprano on The Sopranos (Episode 2.01: “Guy Walks into a Psychiatrist’s Office…”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
North Caldwell, New Jersey, Summer 1999
Series: The Sopranos
Episode: “Guy Walks into a Psychiatrist’s Office…” (Episode 2.01)
Air Date: January 16, 2000
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
“A Don doesn’t wear shorts.” Yeah, yeah, every fan of The Sopranos knows the story… but after the record-breaking heat last month, I think we can all agree that Tony Soprano would get a pash for that as we head into August.