Tagged: Spring
Guess Who’s Coming to Dinner: Sidney Poitier in a Navy Suit
Sidney Poitier as Dr. John Prentice in Guess Who’s Coming to Dinner (1967)
Vitals
Sidney Poitier as Dr. John Wade Prentice, widowed physician and professor
San Francisco, Spring 1967
Film: Guess Who’s Coming to Dinner
Release Date: December 12, 1967
Director: Stanley Kramer
Costume Designer: Joe King
Background
As we gear up for arguably the biggest family dinner of the year this week, I want to revisit one of the most famous “dinner movies” despite never actually seeing the titular meal on screen. Guess Who’s Coming to Dinner broke ground upon its release 55 years ago for its positive portrayal of an interracial relationship when the white Joanna Drayton (Katharine Houghton) returns from a Hawaiian vacation with her new fiancé, a widowed black doctor named John Prentice (Sidney Poitier). Continue reading
James Coburn in The Great Escape
James Coburn as Louis Sedgwick in The Great Escape (1963)
Vitals
James Coburn as Louis Sedgwick, Australian RAAF Flying Officer
Sagan-Silesia (Zagan, Poland), Spring 1944
Film: The Great Escape
Release Date: July 4, 1963
Director: John Sturges
Wardrobe Credit: Bert Henrikson
WARNING! Spoilers ahead!
Background
Today is the 20th anniversary of the death of James Coburn, the prolific and reliable Nebraska-born star who grew to fame through memorable appearances in the ’60s, including the requisite Westerns and war films including the 1963 ensemble epic The Great Escape, dramatizing the real-life mass breakout of more than six dozen Allied airmen from Stalag Luft III during World War II. Ultimately, there were three successful escapees; of the 73 captured, 50 were summarily executed on Hitler’s direct orders.
Coburn portrayed the fictional Australian officer Louis Sedgwick, an amalgamation of the camp “manufacturer” Johnny Travis (RAF) and Dutch flying ace Bram “Bob” van der Stok, one of the three successful escapees who made his getaway, crossing much of occupied Europe with the help of French Resistance networks. Continue reading
Alan Ladd in This Gun for Hire
Alan Ladd and Veronica Lake in This Gun for Hire (1942)
Vitals
Alan Ladd as Philip Raven, cold-blooded, cat-loving contract killer
San Francisco to Los Angeles, Spring 1942
Film: This Gun for Hire
Release Date: April 24, 1942
Director: Frank Tuttle
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Background
I had already been planning to write about This Gun for Hire this month when I realized that today would have been the 100th birthday of Veronica Lake, who was born in Brooklyn on November 14, 1922 with the decidedly less glamorous name of Constance Ockelman. Lake was still in her teens when cast in her first starring role in Sullivan’s Travels (1941), the success of which convinced Paramount to cast her in their upcoming thriller, which would also be a vehicle to launch their next up-and-comer, Alan Ladd. Continue reading
Desert Fury: Wendell Corey’s Herringbone Tweed Suit
Wendell Corey as Johnny Ryan in Desert Fury (1947)
Vitals
Wendell Corey as Johnny Ryan, stone-cold mob enforcer
Nevada, Spring 1947
Film: Desert Fury
Release Date: August 15, 1947
Director: Lewis Allen
Costume Designer: Edith Head
Background
In the spirit of #Noirvember, I want to celebrate an entry in the relatively rare “color noir” category as well as the career of Wendell Corey, the Massachusetts-born actor and one-time AMPAS President who died on this day in 1968.
Corey was a familiar face in classic film noir like I Walk Alone (1948), Sorry, Wrong Number (1948), and The File on Thelma Jordon (1950) before his perhaps most recognized performance as the skeptical Detective Tom Doyle assisting Jimmy Stewart‘s peeping amateur crime-solver in Rear Window (1954). It had been an impressive rise for an actor whose feature film debut had only been a few years earlier, appearing in Desert Fury (1947) as the gay-coded mob killer Johnny Ryan, right-hand man to smooth racketeer Eddie Bendix (John Hodiak).
Also starring Lizabeth Scott and Burt Lancaster, with whom Corey would again co-star in I Walk Alone, Desert Fury joins contemporaries like Leave Her to Heaven (1945) and Niagara (1953) as the rare examples of full-color movies that maintain enough of the themes, style, and sinister story elements of traditional film noir to still qualify for this classification. Continue reading
Roddy Piper in They Live
Roddy Piper in They Live (1988)
Vitals
Roddy Piper as “Nada”, tough drifter and anti-alien vigilante
Los Angeles, Spring 1988
Film: They Live
Release Date: November 4, 1988
Director: John Carpenter
Costume Supervisor: Robin Michel Bush
Background
Released on this day in 1988, They Live followed the example of most of John Carpenter’s work by finding a cult following considerably after it came out, though it debuted at the top of the North American box office.
Adapted from Ray Nelson’s 1963 short story “Eight O’Clock in the Morning”, They Live stars Canadian-born wrestler “Rowdy” Roddy Piper as an unnamed drifter who arrives in Los Angeles looking for work… and finds a box of sunglasses that literally open his eyes to the fact that an alien ruling class has been subliminally manipulating the public to conform, consume, and reproduce. Continue reading
Bull Durham: Kevin Costner’s Green Bomber Jacket
Kevin Costner as Crash Davis in Bull Durham (1988)
Vitals
Kevin Costner as Lawrence “Crash” Davis, minor league baseball catcher
North Carolina, Spring and Summer 1987
Film: Bull Durham
Release Date: June 15, 1988
Director: Ron Shelton
Costume Designer: Louise Frogley
Background
Tonight is game 1 of the World Series! One of my favorite baseball movies, Bull Durham, shines a light on Minor League Baseball, based on writer and director Ron Shelton’s own experiences as a Minor League infielder.
When not following the national pastime and registry discussions out on the baseball diamond, the extremely quotable Bull Durham follows a romantic triangle with “Church of Baseball” groupie Annie Savoy (Susan Sarandon) balancing her seductions between the Durham Bulls’ rookie pitcher Ebby “Nuke” LaLoosh (Tim Robbins) and catcher Crash Davis (Kevin Costner), a veteran with 12 years in the minor leagues who’s been recruited onto the team to help temper LaLoosh’s wild pitching. (Crash’s name was inspired by real-life second baseman Lawrence “Crash” Davis, who played for the Durham Bulls in the late 1940s and befriended Shelton after the production.) Continue reading
Dr. No: Bond’s Gray Mohair Suit and Walther in Jamaica
Sean Connery as James Bond in Dr. No (1962)
Vitals
Sean Connery as James Bond, sophisticated and resourceful British government agent
Morgan’s Harbour, Jamaica, Spring 1962
Film: Dr. No
Release Date: October 5, 1962
Director: Terence Young
Wardrobe Master: John Brady
Tailor: Anthony Sinclair
WARNING! Spoilers ahead!
Background
With the release of Dr. No sixty years ago today, October 5 has since been immortalized as Global James Bond Day in commemoration of when Sean Connery first uttered that now-iconic character introduction:
Bond. James Bond.
Dr. No had actually been Ian Fleming’s sixth novel featuring the worldly secret agent, set primarily in Jamaica as he penned the novel from his Jamaican estate Goldeneye. The author had tired of the character and left Bond’s fate somewhat ambiguous at the end of his previous novel From Russia With Love, though ultimately choosing that the agent would live to die another day and beginning Dr. No with 007’s recovery from the poison inflicted by the sharp-shoed Rosa Klebb.
Back to relatively full health, Bond finds his punishment in the form of a simple assignment meant to ease him back into duty (and possibly penalize him for letting his guard down), investigating the disappearance of a station chief and his secretary in Jamaica. There, Bond learns that the late chief had been investigating an eccentric recluse with the equally eccentric name of Doctor Julius No (Joseph Wiseman). With the help of his CIA buddy Felix Leiter (Jack Lord) and local contact Quarrel (John Kitzmiller), Bond ultimately determines that he and his newly issued Walther owe the good bad doctor a long-overdue visit. Continue reading
L.A. Confidential: Ed Exley in Donegal Tweed
Guy Pearce as Ed Exley in L.A. Confidential (1997)
Vitals
Guy Pearce as Ed Exley, by-the-book LAPD detective-lieutenant
Los Angeles, Spring 1953
Film: L.A. Confidential
Release Date: September 19, 1997
Director: Curtis Hanson
Costume Designer: Ruth Myers
WARNING! Spoilers ahead!
Background
Today is the 25th anniversary since the official release of L.A. Confidential, which premiered at Cannes in May 1997 but would finally hit theaters four months later on September 19, introducing audiences to James Ellroy’s murky world of corrupt cops, crooks, celebrities, and courtesans in ’50s Los Angeles.
Among its ensemble cast, L.A. Confidential centers around three LAPD officers: the tough but unsophisticated “Bud” White (Russell Crowe), the smooth yet morally compromised Jack Vincennes (Kevin Spacey), and the ambitious and stubbornly upright Ed Exley (Guy Pearce). Not to spoil too much of the plot for those who have missed this gem in the last quarter-century, but one of my favorite Letterboxd reviews—submitted by user David Sims—compares the movie to The Wizard of Oz as “Bud gets a brain, Jack gets a heart, Ed gets the courage.” Continue reading
A Star is Born: Bradley Cooper’s Tan Trucker Jacket
Bradley Cooper as Jackson Maine in A Star is Born (2018)
Vitals
Bradley Cooper as Jackson Maine, charismatic country-rock star
Los Angeles, Spring 2017
Film: A Star is Born
Release Date: October 5, 2018
Director: Bradley Cooper
Costume Designer: Erin Benach
Background
My friend @thestyleisnotenough recently recommended writing about Bradley Cooper’s style in his directorial debut A Star is Born, in which he starred as Jackson Maine, a rock star with an outlaw country image that belies his self-esteem and substance abuse issues. Continue reading
Cary Grant in Father Goose
Cary Grant as Walter Eckland in Father Goose (1964)
Vitals
Cary Grant as Walter Eckland, crude and reluctant wartime coast-watcher
Pacific Islands, Spring 1942
Film: Father Goose
Release Date: December 10, 1964
Director: Ralph Nelson
Costume Designer: Ray Aghayan (uncredited)
Background
Last month, I reflected on the elegant white suit that Cary Grant wore at the start of his stylish career in the pre-Code drama Hot Saturday. More than 30 years later, Grant was firmly established as one of the most charming—and enduringly best-dressed—stars of the era, subverting his screen reputation for his penultimate movie, the World War II-set comedy Father Goose opposite Leslie Caron. Continue reading