Tagged: Mafia
A Bronx Tale: Sonny’s Gray Silk Jacket
Vitals
Chazz Palminteri as Sonny LoSpecchio, local mob capo
The Bronx, New York, Fall 1960
Film: A Bronx Tale
Release Date: September 29, 1993
Director: Robert De Niro
Costume Designer: Rita Ryack
WARNING! Spoilers ahead!
Background
Thirty years ago this week, A Bronx Tale was released in theaters across the United States, two weeks after it premiered at the Toronto International Film Festival. This mobbed-up coming-of-age story was adapted from Chazz Palminteri’s autobiographical one-man show of the same name, recalling Palminteri’s own childhood experiences growing up in the Bronx during the 1960s. Continue reading
The Godfather, Part II: De Niro’s Blue Two-Toned Shirt as Young Vito
Vitals
Robert De Niro as Vito Corleone, née Andolini, Sicilian-born immigrant-turned-gangster
New York City, Summer 1917 to Spring 1920
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
On screen legend Robert De Niro’s 80th birthday, today’s post revisits his star-making, Oscar-winning role as the young Vito Corleone in The Godfather, Part II.
Born August 17, 1943, De Niro’s birthday falls the day after the traditional August 16th observance of the Feast of San Rocco—the backdrop of the young Vito’s 1917 assassination of Black Hand extortionist Don Fanucci (Gastone Moschin) that propels his gangland ascension. Continue reading
Boardwalk Empire: Al Capone’s Ivory Suit in 1931
Vitals
Stephen Graham as Al Capone, infamous mob boss
Chicago, Spring 1931
Series: Boardwalk Empire
Episode: “Eldorado” (Episode 5.08)
Air Date: October 26, 2014
Director: Tim Van Patten
Creator: Terence Winter
Costume Designer: John A. Dunn
WARNING! Spoilers ahead!
Background
Happy 50th birthday to Stephen Graham, whose memorable performance as Al Capone on Boardwalk Empire counts among the best cinematic depictions of the real-life Chicago crime lord, who was also been portrayed on screen by Robert De Niro, Ben Gazzara, Tom Hardy, Rod Steiger, Neville Brand, and—curiously, given Al’s stout physique—F. Murray Abraham and Jason Robards.
To the appropriately funereal tune of Vince Giordano and his Nighthawks Orchestra adapting Duke Ellington’s 1930 classic “Mood Indigo”, the Boardwalk Empire series finale spends one last moment with Graham’s Capone as he surrenders himself at a Chicago federal court to face trials for tax evasion and Volstead Act violations. Though the wily Capone had managed to evade consequences for building his criminal empire over the decade, the roaring ’20s are now over and Capone seems aware that it’s all over for him. Continue reading
The Sopranos: The Don Wearing Shorts

James Gandolfini as Tony Soprano on The Sopranos (Episode 2.01: “Guy Walks into a Psychiatrist’s Office…”)
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
North Caldwell, New Jersey, Summer 1999
Series: The Sopranos
Episode: “Guy Walks into a Psychiatrist’s Office…” (Episode 2.01)
Air Date: January 16, 2000
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
“A Don doesn’t wear shorts.” Yeah, yeah, every fan of The Sopranos knows the story… but after the record-breaking heat last month, I think we can all agree that Tony Soprano would get a pash for that as we head into August.
Once Upon a Time in America: Max’s Beige Beachwear
Vitals
James Woods as Max Bercovicz, ambitious mob bootlegger
Miami Beach, Fall 1933
Film: Once Upon a Time in America
Release Date: May 23, 1984
Director: Sergio Leone
Costume Designer: Gabriella Pescucci
Background
Happy first weekend of summer… at least to my fellow readers in the Northern Hemisphere! Today’s post continues embracing sun-friendly resort-wear, this time by way of Sergio Leone’s controversial gangster epic Once Upon a Time in America.
Robert De Niro and James Woods star as Noodles and Max, a pair of gangsters who worked their way up from teenage street hoods to bootleggers viciously ruling the streets of New York in the latter Prohibition era. Between Max’s megalomania and Noodles having spent much of their mob’s formative years in prison, resentments grow between the pair, but the influx of cash is enough to bury any problems… at least until late 1933.
While lazing under the sun with their respective molls in Miami Beach to the dulcet tones of Cole Porter’s “Night and Day”, Noodles learns from the newspaper that they’re about to be “unemployed” with the repeal of the Volstead Act just weeks away. Continue reading
Tony Soprano’s Mint-and-Black Bowling Shirt in “Members Only”
Vitals
James Gandolfini as Tony Soprano, New Jersey mob boss
New Jersey, Spring 2006
Series: The Sopranos
Episode: “Members Only” (Episode 6.01)
Air Date: March 12, 2006
Director: Tim Van Patten
Creator: David Chase
Costume Designer: Juliet Polcsa
Background
Ten years ago today, James Gandolfini died suddenly of a heart attack after a day spent sightseeing in Rome with his family. To commemorate this brilliant, influential, and beloved actor’s legacy, I want to revisit the style from his iconic, Emmy-winning performance as Tony Soprano.
The two-part final season of The Sopranos begins with “Members Only”, an episode rich with themes that set in place the series’ endgame—with some even citing its title as a significant clue to the finale episode. Despite its gangster characters and depiction of the underworld, The Sopranos was always far more philosophical than just a show about the mob, reflecting on themes of identity, masculinity, and mental health, or, as Tony so eloquently describes to Dr. Melfi (Lorraine Bracco) during this episode’s therapy session:
The circle jerk of life.
Tony Soprano’s Depressed Dad Duds in “Isabella”
Vitals
James Gandolfini as Tony Soprano, depressed New Jersey mob chief
Montclair, New Jersey, Fall 1998
Series: The Sopranos
Episode: “Isabella” (Episode 1.12)
Air Date: March 28, 1999
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Since 1949, May has been observed as Mental Health Awareness Month. The first day of May aligning with the informal BAMF Style observance of “Mafia Monday” feels fortuitous as it was The Sopranos that helped me get more in touch with my own anxiety and depression.
I was starting college when I first watched The Sopranos, just months after the final episode stymied audiences when it cut to black. I had long loved movies like Goodfellas, Casino, and The Godfather, so I was excited when my roommate introduced me to this acclaimed HBO series centered around the mob… and I was instantly intrigued when it pulled me into a deeper exploration of identity, masculinity, and mental health. Tony’s psychiatric treatment with Dr. Melfi helped me recognize symptoms that I thought were just “normal” sadness as brought me to a point where—with the added help of real-life professionals (of course!)—I was more comfortable with healthy expression than repression.
The twelfth episode, “Isabella”, arguably presents Tony Soprano at his lowest point—heavily medicated to the point of hallucination, barely dressing himself, and hardly enough wits to fight back during an attempted assassination as two gunmen corner him on Bloomfield Avenue in Montclair. Continue reading
Paul Muni’s 1932 Tuxedo in Scarface
Vitals
Paul Muni as Tony Camonte, ruthless Italian-born bootlegger and mob enforcer
Chicago, Summer 1929
Film: Scarface
Release Date: April 9, 1932
Director: Howard Hawks
WARNING! Spoilers ahead!
Background
Several years ago, I published a high-level overview of the various black tie ensembles across the male cast of the original 1932 version of Scarface, adapted from Armitage Trail’s pulp novel of the same name, which had been inspired by the then-contemporary exploits of the infamous Al Capone.
Now, after eight more years of learning, I want to focus specifically on the evening-wear worn by the eponymous Tony Camonte, portrayed by Paul Muni—who was born on this day in 1895—as Tony’s tuxedo had long been one of the driving sartorial influences in my choice to have a double-breasted dinner jacket made for my wedding, which will be one month from today. Continue reading
The Sopranos: Saying Goodbye to Paulie Walnuts
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Tony Sirico as “Paulie Walnuts” Gualtieri, mob captain and Army veteran
Kearny, New Jersey, Late Fall 2007
Series: The Sopranos
Episode: “Made in America” (Episode 6.21)
Air Date: June 10, 2007
Director: David Chase
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
This weekend, fans of The Sopranos mourned the death of Tony Sirico, who had played the eccentric gangster “Paulie Walnuts” in addition to appearances in movies like Goodfellas, Dead Presidents, and Cop Land.
Sirico was born July 29, 1942 in Brooklyn, beginning a colorful life that would be paralleled by his character’s succinct autobiography as shared in a third-season episode:
I was born, grew up, spent a few years in the Army, a few more in the can, and here I am: a half a wise guy.
The Sopranos: Tony’s Cookout Camp Shirt and Shorts
Vitals
James Gandolfini as Tony Soprano, New Jersey mob chief
North Caldwell, New Jersey, Summer 1998
Series: The Sopranos
Episode: “The Sopranos” (Episode 1.01)
Air Date: January 10, 1999
Director: David Chase
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
Background
Father’s Day today often means cookouts and looking ahead to the start of summer. From its first episode, The Sopranos centered around the two “families” beleaguering Tony Soprano: the network of gangsters comprising the DeMeo crime family and as the suburban dad at the head of his biological family.
On a day celebrating dads and to honor James Gandolfini on the ninth anniversary of his death, let’s revisit the final scenes from the pilot episode as the actor ably balanced both of Tony’s “family” roles during a backyard cookout ostensibly for his son Anthony Jr.’s birthday. Continue reading