Tagged: The Godfather Part II
The Godfather, Part II: Michael Corleone’s Navy Jacket and Cravats
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, calculating Mafia boss
Havana, December 1958, and Lake Tahoe, Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
When “gangster style” comes to mind, you may think first of the silk suits from Goodfellas or tracksuits of The Sopranos, but Michael Corleone established an aristocratic sense of style as he grew into his leadership role in accordance with his reserved nature. Continue reading
The Godfather, Part II: Tom Hagen’s Seersucker Suit
Robert Duvall as Tom Hagen in The Godfather, Part II (1974)
Vitals
Robert Duvall as Tom Hagen, levelheaded Mafia lawyer
Lake Tahoe, Fall 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
The second Thursday in June is recognized as National Seersucker Day in the United States, an observance that began in Congress during the late 1990s to celebrate the traditional congressional summer dress in the days of the early 20th century before air conditioning reached the Capitol.
Apropos his quiet persona, Tom Hagen makes his inconspicuous return in The Godfather, Part II, seen almost in silhouette against the window as he greets the smarmy, crooked, and proudly blunt Senator Pat Geary (G.D. Spradlin) in the Don’s Lake Tahoe estate on the day of his son’s first communion. Continue reading
Michael Corleone’s Black New Year’s Eve Suit
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, cold and calculating Mafia boss
Havana, New Year’s Eve 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
Happy New Year’s Eve!
On this transitional #MafiaMonday, we transport back 60 years to New Year’s Eve 1958, a tumultuous night in world history as armed rebels connected to the vanguard 26th of July Movement overthrew Cuba’s incumbent president Fulgencio Batista, ending the five-year Cuban Revolution and establishing a communist government under the movement’s leader Fidel Castro.
“Gentlemen, to a night in Havana! Happy New Year… Feliz Año Nuevo!” toasts a gregarious Fredo Corleone (John Cazale) as he holds court in the Cuban capital with a bevy of politicians and his brother, taciturn and thoughtful mob boss Michael (Al Pacino). Continue reading
The Godfather, Part II: Vito’s Brown Suit for Revenge
Robert De Niro as Vito Corleone in The Godfather, Part II (1974)
Vitals
Robert De Niro as Vito Corleone, née Andolini, Sicilian-born gangster
Corleone, Sicily, Summer 1922
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Today’s #MafiaMonday post explores a much requested outfit – indeed, I’ve received at least three separate asks for it in the last 12 months alone – from The Godfather, Part II, often considered one of the greatest films of all time. In a mostly Italian-speaking performance that won him the Academy Award for Best Supporting Actor, Robert De Niro reprised the role of Vito Corleone that had been originated by Marlon Brando in The Godfather two years earlier.
Michael Corleone’s Black Three-Piece Suit
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, cold and calculating Mafia boss
Long Island, Las Vegas, and Lake Tahoe, Winter 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
For #MafiaMonday, I’m exploring Michael Corleone at his most iconic, coldly receiving his siblings and family while holding court at his mother’s funeral. Continue reading
Michael Corleone’s Tan Check Suit and Day Cravat in Havana
Al Pacino as Michael Corleone in The Godfather Part II (1974).
Vitals
Al Pacino as Michael Corleone, cold and calculating Mafia boss
Havana, December 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
Get into a smooth, summer relaxation mood for this Mafia Monday post that takes a look at Michael Corleone’s style for Hyman Roth’s birthday party in Havana… an appropriately timed post as my dad just returned from a trip to Cuba. (Yes, he brought back some Cohibas!)
What’d He Wear?
For all of his power and prestige, Michael Corleone has a considerably limited wardrobe, designed by the legendary Theadora Van Runkle (Bonnie and Clyde, Bullitt, and The Thomas Crown Affair are all among her repertoire.)
Michael makes good use of his four unique suits in The Godfather Part II, sometimes wearing a three-piece suit without a vest or, as we see in this case, adopting a more luxuriously casual look by swapping out the shirt and tie for a soft polo and a day cravat.
Although it appears a flat tan at the outset, this fully cut two-piece suit consists of a fine tan and cream plain weave glen check with teal blue on the outer check to create a teal windowpane effect throughout. Continue reading
Michael Corleone’s Gray Dupioni Silk Suit
Al Pacino as Michael Corleone in The Godfather, Part II (1974)
Vitals
Al Pacino as Michael Corleone, powerful Mafia boss
Lake Tahoe, Fall 1958
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
Background
The Godfather is an American cultural phenomenon that needs no explanation. (For all the people secretly bummed out that I won’t give an explanation, here: It’s an epic three film journey following the rise of a Mafia family in the United States from 1901 to 1979).
There are differing opinions as to whether the first or the second part was the best. (No one ever says it’s the third one.)
In the first two films especially, costumes were a large indicator of the story. Much credit for this should be given to costume designer Theadora Van Runkle. When Michael is a proud Marine, he wears his uniform. When he is a college man looking for work, he wears a simple odd jacket, tie, and trousers. As he grows into the Don we have come to know, he wears expensive suits. Interestingly, Michael never wears a hat (aside from his USMC officer’s cap) until he becomes involved in the family.
This post will focus on the first act of The Godfather, Part II, where Michael Corleone is holding court on the day of his son’s Communion. Continue reading