Tagged: Al Pacino
Al Pacino in Dog Day Afternoon
Al Pacino in Dog Day Afternoon (1975)
Vitals
Al Pacino as Sonny Wortzik, desperate Army veteran-turned-bank robber
Brooklyn, Summer 1972
Film: Dog Day Afternoon
Release Date: September 21, 1975
Director: Sidney Lumet
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
51 years ago yesterday on August 22, 1972, Brooklyn was abuzz with activity as John “Sonny” Wojtowicz and Salvatore “Sal” Naturile attempted to rob a Gravesend branch of the Chase Manhattan Bank. Having expected up to $200,000 to be delivered that morning, the two hapless heisters had their information wrong—the money had actually been removed from the branch that morning.
After their accomplice Robert “Bobby” Westenberg successfully got away, Sonny and Sal remained inside the bank with a fraction of the money they expected to steal and a handful of bank employees that they took hostage once they learned that the police had surrounded the bank… and what started as a dog day afternoon descended into 14 hours of chaos. Continue reading
Pacino in Heat: Vincent Hanna’s Checked Canali Suit
Al Pacino as Vincent Hanna in Heat (1995)
Vitals
Al Pacino as Vincent Hanna, intense LAPD detective-lieutenant and Marine Corps veteran
Los Angeles, Spring 1995
Film: Heat
Release Date: December 15, 1995
Director: Michael Mann
Costume Designer: Deborah Lynn Scott
WARNING! Spoilers ahead!
Background
Happy 83rd birthday to Al Pacino, the iconic actor born April 25, 1940. Pacino rose to fame after his performance as Michael Corleone in The Godfather (1972) and The Godfather, Part II (1974), the latter also establishing his co-star Robert De Niro. After two decades heralded as two of the best actors of their generation, Pacino and De Niro were finally reunited in Heat, sharing the screen for the first time as their characters in The Godfather, Part II never appeared together.
Michael Mann was inspired by the real-life exploits of Chicago detective Chuck Adamson’s investigation into an early 1960s bank robber named Neil McCauley to write and direct Heat, which was actually Mann’s second go at the story which he had originally filmed as a much lower-budget, less complicated made-for-TV movie in 1989 called L.A. Takedown.
Pacino stars in Heat as Vincent Hanna, an intense and idiosyncratic lieutenant in the LAPD’s Robbery-Homicide Division given to bombastic outbursts (especially when women’s asses are a topic of discussion), explained in the original screenplay as the byproduct of Hanna’s cocaine addiction. Hanna is as “funny as a heart attack,” as described to Neil McCauley (Robert De Niro), the professional armed robber whom Hanna becomes increasingly obsessed with hunting, sure that McCauley is planning on a major score but unsure of what it will be.
The Godfather: Michael Corleone’s Sartorial Journey from War Hero to Wiseguy
Al Pacino as Michael Corleone on the set of The Godfather (1972)
Vitals
Al Pacino as Michael Corleone, Marine hero-turned-mob boss
New York City and Sicily, Summer 1945 to Summer 1955
Film: The Godfather
Release Date: March 14, 1972
Director: Francis Ford Coppola
Costume Designer: Anna Hill Johnstone
WARNING! Spoilers ahead!
Background
The Godfather premiered 50 years ago tonight at Loew’s State Theatre in New York City, forever changing the cultural landscape. Adapted from Mario Puzo’s novel of the same name, the saga to bring the mob-centric epic to the screen could have been a plot within the story itself, but eventually the massive reception to The Godfather cemented its enduring significance, reviving Marlon Brando’s career and making stars of its cast of relative newcomers—including Al Pacino, James Caan, Diane Keaton, and Robert Duvall—as well as its determined director, Francis Ford Coppola.
Spanning the decade following the end of World War II, The Godfather follows the rise of Michael Corleone, a reserved war hero, as he follows the inevitable path of his father’s footsteps to Mafia leadership. Continue reading
The Godfather, Part III: Pacino’s Brick-Red Cardigan
Al Pacino as Michael Corleone in The Godfather Part III (1990)
Vitals
Al Pacino as Michael Corleone, repentant mob boss and World War II veteran
New York City, Fall 1979
Film: The Godfather Part III
Release Date: December 25, 1990
Director: Francis Ford Coppola
Costume Designer: Milena Canonero
WARNING! Spoilers ahead!
Background
Just when he thought he was out, they pulled him back in.
Sixteen years after its masterpiece sequel told the parallel stories of Michael Corleone (Al Pacino) and his father Vito (Robert De Niro) building their crime families, Francis Ford Coppola returned to the Corleone clan with the polarizing coda, The Godfather, Part III. Continue reading
Scent of a Woman: Al Pacino’s Navy Striped Suit
Al Pacino as Lt. Col. Frank Slade in Scent of a Woman (1992)
Vitals
Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel
New York City to New Hampshire, Fall 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
WARNING! Spoilers ahead!
Background
Happy birthday, Al Pacino! As the legendary actor’s 81st birthday coincides with the Academy Awards tonight, let’s take a look at Scent of a Woman, Martin Brest’s 1992 drama that resulted in Pacino’s sole Oscar to date.
Pacino played retired Lieutenant Colonel Frank Slade, a blind and irascible alcoholic who secretly plans on spending the Thanksgiving holiday with a lavish weekend in New York City before ending his life. Somewhat reluctantly along for the ride is Charlie Simms (Chris O’Donnell), a mild-mannered prep student hired to care for Frank, though the cantankerous colonel seems more than willing to watch out for himself.
The Godfather, Part II: Michael Corleone’s Navy Jacket and Cravats
Al Pacino as Michael Corleone in The Godfather Part II (1974)
Vitals
Al Pacino as Michael Corleone, calculating Mafia boss
Havana, December 1958, and Lake Tahoe, Spring 1959
Film: The Godfather Part II
Release Date: December 12, 1974
Director: Francis Ford Coppola
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
When “gangster style” comes to mind, you may think first of the silk suits from Goodfellas or tracksuits of The Sopranos, but Michael Corleone established an aristocratic sense of style as he grew into his leadership role in accordance with his reserved nature. Continue reading
Donnie Brasco: Pacino’s Red Christmas Tracksuit
Al Pacino as Benjamin “Lefty” Ruggiero in Donnie Brasco (1997)
Vitals
Al Pacino as Benjamin “Lefty” Ruggiero, washed-up Mafia soldier
New York City, Christmas 1978
Film: Donnie Brasco
Release Date: February 28, 1997
Director: Mike Newell
Costume Designer: Aude Bronson-Howard & David C. Robinson
Background
Like The Godfather and Goodfellas, Donnie Brasco follows the tradition of great Mafia movies by featuring some Cosa Nostra Christmas celebrations. The frequency with which the holidays appear in mob cinema is no coincidence, as Catholic traditions are very important to we Italian-Americans.
Donnie Brasco features a casual Christmas on Mulberry Street, perhaps more reflective than the Phil Spector-scored Goodfellas party of how many yuletide observances will look in 2020. Continue reading
The Irishman: Jimmy Hoffa’s Florida Meeting Suit
Al Pacino as Jimmy Hoffa in The Irishman (2019)
Vitals
Al Pacino as Jimmy Hoffa, pugnacious and passionate labor official
Miami, Summer 1972
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
Tailor: Leonard Logsdail
WARNING! Spoilers ahead!
Background
It was on this day in 1975 that James R. Hoffa was last seen outside the Machus Red Fox restaurant in a suburb of Detroit. The outspoken labor leader had spent his decades in and out of power making dangerous enemies from law enforcement and the Mafia to the executive branch and his own union. Martin Scorsese’s latest epic, The Irishman, was released to Netflix last year, adapting Charles Brandt’s I Hear You Paint Houses that purportedly “closed the case” on what happened to Hoffa after he disappeared 45 years ago today.
That afternoon, Hoffa had been planning to meet with Anthony “Tony Jack” Giacalone and Anthony “Tony Pro” Provenzano, two La Cosa Nostra capos, though The Irishman suggests that the animosity that stemmed from a prior meeting between Hoffa and Tony Pro made disaster inevitable for the pugnacious Teamster boss.
The Irishman: Pacino’s Burgundy Polo as Hoffa
Al Pacino as Jimmy Hoffa in The Irishman (2019)
Vitals
Al Pacino as Jimmy Hoffa, pugnacious and passionate labor official
Detroit, Summer 1975
Film: The Irishman
Release Date: November 1, 2019
Director: Martin Scorsese
Costume Design: Sandy Powell & Christopher Peterson
WARNING! Spoilers ahead!
Background
In addition to today famously being St. Valentine’s Day, it’s also the birthday of Jimmy Hoffa, who was born February 14, 1913, and was most recently portrayed by Al Pacino in The Irishman. The crime drama epic was released on Netflix more than three months ago with considerable fanfare, eventually garnering ten Academy Award nominations (but no wins) including Best Picture, Best Director, and Best Supporting Actor for both Pacino and Joe Pesci.
Scent of a Woman: Al Pacino’s Glenurquhart Plaid Suit
Al Pacino tangos with Gabrielle Anwar in Scent of a Woman (1992)
Vitals
Al Pacino as Frank Slade, blind and bitter retired U.S. Army Lieutenant Colonel “who likes to spit in everybody’s eye”
New York City, Thanksgiving 1992
Film: Scent of a Woman
Release Date: December 23, 1992
Director: Martin Brest
Costume Designer: Aude Bronson-Howard
Tailor: Martin Greenfield
Background
On the eve of Thanksgiving, today seemed like a fitting occasion to address one of the most requested suits I’ve heard from readers: Al Pacino’s freshly tailored Glenurquhart check three-piece suit as the cantankerous Lieutenant Colonel Frank Slade in Scent of a Woman. Pacino turned in a landmark performance in his prolific career, winning his sole Academy Award after six nominations (with one additional nod the same year for Glengarry Glen Ross), a result of the intense method actor’s painstaking research in meeting with clients of New York’s Associated Blind to understand life—from mood to mobility—as a person without sight.
After 26 years in the Army, a nearly blind Frank “Don’t Call Me ‘Sir'” Slade spends his days sitting in the darkened corner of his modest home, filling lowball glasses to the brim with Jack Daniel’s, berating his family, and spitting anger at anyone brave enough to visit him, including Charlie Simms (Chris O’Donnell), the mild-mannered prep school student hired by Frank’s niece Karen to take care of her uncle through Thanksgiving weekend. Continue reading