Tagged: Chambray Shirt
Justified – Raylan Givens’ Tan Suede Jacket
Timothy Olyphant as Deputy U.S. Marshal Raylan Givens, armed with his BlackBerry and a Glock in this promotional still from Justified (Episode 1.02: “Riverbrook”)
Vitals
Timothy Olyphant as Raylan Givens, old school Deputy U.S. Marshal
Harlan County, Kentucky, Spring 2010
Series: Justified
Episodes:
– “Riverbrook” (Episode 1.02, Director: Michael Dinner, Air Date: March 23, 2010)
– “The Collection” (Episode 1.06, Director: Rod Holcomb, Air Date: April 20, 2010)
– “Veterans” (Episode 1.11, Director: Tony Goldwyn, Air Date: May 25, 2010)
Creator: Graham Yost
Costume Designer: Ane Crabtree Continue reading
Harrison Ford’s Tweed Jacket in The Fugitive
Harrison Ford as Dr. Richard Kimble in The Fugitive (1993).
Vitals
Harrison Ford as Dr. Richard Kimble, fugitive and former doctor trying to clear his name
Chicago, Spring 1993
Film: The Fugitive
Release Date: August 6, 1993
Director: Andrew Davis
Costume Designer: Aggie Guerard Rodgers
WARNING! Spoilers ahead!
Background
In addition to being one of the best modern thrillers, The Fugitive is also one of the best TV-to-movie adaptations, seamlessly updating the characters and story to transform four seasons of a 1960s TV show into a compelling and suspenseful 1990s action flick. Continue reading
Justified – Boyd Crowder’s Gray Corded Jacket
Walton Goggins as Boyd Crowder on FX’s Justified.
Vitals
Walton Goggins as Boyd Crowder, scrappy Harlan County criminal and ex-miner
Harlan County, Kentucky, Fall 2010
Series: Justified
Episodes:
– “The Hammer” (Episode 1.10, Director: John Dahl, Air Date: May 18, 2010)
– “Veterans” (Episode 1.11, Director: Tony Goldwyn, Air Date: May 25, 2010)
Costume Designer: Ane Crabtree
Background
Fresh out of prison, Harlan County’s wiliest and wittiest criminal mastermind Boyd Crowder finds himself in the backwoods of his old Kentucky home, teaching his particular brand of religion to a congregation of redneck drug slingers. Not satisfied with having shot him in the chest earlier that year, Deputy U.S. Marshal Raylan Givens shows up and rubs proverbial salt in Boyd’s wound by reminding the “congregation” that there is a standing $50,000 reward for anyone who can provide information sending their new leader back to prison. Continue reading
Justified – Raylan’s Gray Suit Coat and Jeans
Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified. (Episode 2.01: “The Moonshine War”)
Vitals
Timothy Olyphant as Raylan Givens, proudly old-fashioned Deputy U.S. Marshal
Harlan County, KY, Spring 2010
Series: Justified
Episodes:
– “The Lord of War and Thunder” (Episode 1.05, Director: Jon Avnet, Air Date: April 13, 2010)
– “Bulletville” (Episode 1.13, Director: Adam Arkin, Air Date: June 8, 2010)
– “The Moonshine War” (Episode 2.01, Director: Adam Arkin, Air Date: February 9, 2011)
– “The Life Inside” (Episode 2.02, Director: Jon Avnet, Air Date: February 16, 2011)
Creator: Graham Yost
Costume Designers: Ane Crabtree (Season 1) & Patia Prouty (Season 2) Continue reading
Three Days of the Condor
Just in time for Casual Friday and also keeping with the theme of the last post (North by Northwest) about an innocent man who unwillingly finds himself in dangerous circumstances…
Robert Redford in Three Days of the Condor (1975).
Vitals
Robert Redford as Joe Turner, alias “Condor”, CIA researcher
New York City, December 1975
Film: Three Days of the Condor
Release Date: September 24, 1975
Director: Sydney Pollack
Costume Designer: Joseph G. Aulisi
Background
In a July 2012 article of GQ, Sydney Pollack’s masterpiece paranoia government thriller Three Days of the Condor was named one of “The 25 Most Stylish Films of All Time.” Pollack apparently was shocked by questions about the wardrobe worn by Robert Redford, saying “He wore one outfit through the whole picture!”
True as that may be, Redford’s versatile costume throughout fits the character of a desk-bound ex-military bookworm who finds himself in dangerous circumstances despite a relatively non-dangerous job with the CIA.
Redford pulls off a great classic fall look and, despite lapels and collars dangerously close to disco-style widths, manages to not look overly dated – not an easy task given that the film was made in 1975, and no era dated itself as much as the 1970s. Continue reading
