Tagged: Chambray Shirt
Burt Reynolds in Double Denim as Gator McKlusky
Burt Reynolds in Gator (1976)
Vitals
Burt Reynolds as Bobby “Gator” McKlusky, paroled moonshine runner
Okefanokee Swamp, Summer 1975
Film: Gator
Release Date: August 25, 1976
Director: Burt Reynolds
Costume Designer: Norman Salling
Background
Burt Reynolds followed up his sweaty 1973 “hick flick” White Lightning with his self-directed sequel Gator, widely released 50 years ago today on August 25, 1976. The three-year gap had been kind to Reynolds, who had since grown his stardom… and that trademark mustache. (Unlike Sterling Archer, I prefer White Lightning over its lighter-hearted sequel.)
Reynolds reprises his role as moonshiner Bobby “Gator” McKlusky, recently released after serving 26 months in a Georgia state prison where he proudly learned how to make “quality license plates”. As in White Lightning, Gator is called back into government service, this time to help nab his one-time pal “Bama” McCall (Jerry Reed), now a ruthless crime boss in the fictional Dunston County. Of course, the government has to catch Gator first, kicking things off with a raucous speedboat chase through the Okefanokee Swamp. Continue reading
John Saxon’s Floral-collared Chambray Shirt in Moonshine County Express
John Saxon in Moonshine County Express (1977)
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John Saxon as J.B. Johnson, race car driver and occasional moonshine runner
Jackson County, Kentucky, Fall 1976
Film: Moonshine County Express
Release Date: June 1, 1977
Director: Gus Trikonis
Wardrobe Coordinator: Adrianne Levesque
WARNING! Spoilers ahead!
Background
Moonshine County Express was produced by Roger Corman’s New World Pictures in 1977 during the height of the cinematic “hick flick” trend that often posited guys like Burt Reynolds as rural heroes driving fast cars full of booze. Directed by Corman favorite Gus Trikonis, Moonshine County Express stars the late John Saxon in its central role—no doubt due to the actor’s own considerable talent and his resemblance to a pre-mustached Reynolds—as well as Susan Howard, William Conrad, a post-Brady Bunch Maureen McCormick as a Daisy Duke protoype, and “hick flick” regulars Jeff Corey and Dub Taylor; Seinfeld fans may also recognize Uncle Leo (aka Len Lesser) in a supporting role as a bargain barn owner. (Both Saxon and McCormick share their August 5th birthday, with McCormick celebrating her 70th today while Saxon would have turned 90 this year.)
Marcia, Marcia, Marcia! Except it’s Betty, Sissy, and Dot.
It would be hard to recommend in good faith to all my readers, but Moonshine County Express is the kind of movie you throw on when you want that raw, Southern-fried tale of fast-driivng whiskey runners in the same authentic, dobro-twanging, semi-exploitative ilk as Moonrunners, the 1975 B-movie that directly inspired The Dukes of Hazzard, though Moonshine County Express also features many of the elements that would be familiar in Hazzard County: a corrupt and corpulent county boss, a white-suited antagonist, short-shorted Southern beauties, and a liquor-hauling hero speeding around in a Dodge muscle car. Continue reading
Two-Lane Blacktop: James Taylor as a ’55 Chevy Driver
James Taylor with Dennis Wilson and Laurie Bird in Two-Lane Blacktop (1971)
Vitals
James Taylor as “The Driver”, laconic race car driver
Arizona through Tennessee, Fall 1970
Film: Two-Lane Blacktop
Release Date: July 7, 1971
Director: Monte Hellman
Costume Designer: Richard Bruno
WARNING! Spoilers ahead!
Background
Monte Hellman’s offbeat cult classic road movie Two-Lane Blacktop was released 55 years ago this week on July 7, 1971, starring musicians James Taylor and Dennis Wilson as the unnamed driver and mechanic of a ’55 Chevy gasser that picks up a hitchhiker (Laurie Bird) and falls into a cross-country race for pinks against the blustering driver of a new Pontiac GTO, played by Warren Oates.
Always an unorthodox maverick, Hellman was inspired to cast Taylor after spying his face on a Sunset Boulevard billboard, recalling that he “just flipped over his face.” Both Taylor and his late co-star Oates recalled the first-time actor feeling frustrated with his lack of control as Hellman and his 30-person crew shot the film in sequence, offering the cast only a few pages of the script at a time. “I’m not talking out of turn when I say Jimmy Taylor had terrible struggles relinquishing control to Monte,” Oates later shared.
The on-set strife reached a point where Hellman convinced Taylor not to quit the production by finally allowing him to read the entirety of Rudy Wurtlizer’s screenplay… which he didn’t do. Still, Taylor didn’t see Two-Lane Blacktop as the detour to a new path in his career, explaining in a contemporary interview with the Los Angeles Times that “I’m not an actor. I’ll never do this again. If I ever did another film I’d have to be the director and writer, I’d have to be in control.” To date, this remains the six-time Grammy-winning Taylor’s sole big-screen acting credit apart from cameos.
As this summer’s Car Week feature stretches on, let’s follow Sweet Baby James in that primer-gray Chevy along America’s blue highways stretching east from Arizona. Continue reading
Downhill Racer: Hometown Hero Redford’s Wrangler Denim and ’57 Chevy
Robert Redford as David Chappellet in Downhill Racer (1969)
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Robert Redford as Dave Chappellet, U.S. Olympic ski team star
Idaho Springs, Colorado, Summer 1967
Film: Downhill Racer
Release Date: November 6, 1969
Director: Michael Ritchie
Costume Designer: Edith Head (uncredited!)
Wardrobe Credit: Cynthia May
Background
To coincide with the United States celebrating its 250th anniversary today, let’s launch this summer’s Car Week with an all-American star driving an all-American car while sporting all-American denim.
Robert Redford starred in three films released in 1969, arguably a breakthrough year for the late screen icon. His most notable would be the latter role in Butch Cassidy and the Sundance Kid, though the contemporary sports drama Downhill Racer gave the ambitious future producer/director a taste of production as he wielded some of his newfound influence to recruit both screenwriter James Salter and director Michael Ritchie after Roman Polanski left the project.
Without having read Oakley Hall’s source novel, Salter followed Polanski’s original vision of adapting the High Noon concept on the Olympic slopes; instead of a downed sheriff requiring a replacement, it’s the U.S. national ski team who needs a replacement for its lead skier after an accident. Call in Redford’s arrogant but talented David Chappellet, inspired by elements of real-life skiers Billy Kidd, Spider Sabich, and Buddy Werner. Continue reading
Gene Hackman’s Leather Jacket in Hoosiers
Gene Hackman in Hoosiers (1986)
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Gene Hackman as Norman Dale, controversial high school basketball coach and Navy veteran
Indiana, Fall 1951
Film: Hoosiers
Release Date: November 14, 1986
Director: David Anspaugh
Costume Designer: Jane Anderson
WARNING! Spoilers ahead!
Background
Welcome to Indiana basketball…
The legendary late actor Gene Hackman was born 96 years ago today on January 30, 1930. On the first anniversary of his birthday since his death last February, today’s post centers around Hackman’s celebrated performance in the 40-year-old sports drama Hoosiers as Norman Dale, hired to coach a small Indiana town’s basketball team whose roster includes names like Merle, Rade, Strap, and Whit—which I think is just great.
Though set in the fictional town of Hickory, Hoosiers was loosely inspired by the true story of the Milan High School basketball team’s victory against Muncie Central High School to win the 1954 state championship. And if you don’t think that’s a big deal, just take it from Norm himself:
I thought everybody in Indiana played basketball.
Chilly Scenes of Winter: John Heard’s Moth-eaten Maroon Sweater
John Heard in Chilly Scenes of Winter (1979)
Vitals
John Heard as Charles Richardson, obsessive state analyst
Salt Lake City, Winter 1979/80
Film: Chilly Scenes of Winter
Release Date: October 19, 1979
Director: Joan Micklin Silver
Costume Designer: Rosanna Norton
WARNING! Spoilers ahead!
Background
The wintry weather this first full week of the year feels appropriate to slip into John Heard’s deceptively cozy wardrobe in Joan Micklin Silver’s 1979 comedy Chilly Scenes of Winter. Originally marketed by United Artists as a zany, lighthearted rom-com that the studio re-titled Head Over Heels (much to its cast and crew’s dismay), Chilly Scenes of Winter is actually an all-too-real exploration of the depths to which a seemingly sane person can fall when tortured by their concept of love.
Heard plays Charles Richardson, a seemingly normal Utah State Department of Development report analyst who begins dating his colleague Laura (Mary Beth Hurt), only to grow increasingly and desperately obsessed with winning back her affection after she ends their relationship. Continue reading
Al Lettieri in The Getaway: From Chalk-striped Suit to Corduroy and Chambray
Al Lettieri in The Getaway (1972)
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Al Lettieri as Rudy Butler, menacing and duplicitous armed robber
Texas, Spring 1972
Film: The Getaway
Release Date: December 13, 1972
Director: Sam Peckinpah
Men’s Costumer: Kent James
WARNING! Spoilers ahead!
Background
From The Godfather and The Getaway to McQ and Mr. Majestyk, if you needed a swarthy, mean, and snakishly charming son-of-a-bitch in the early ’70s, chances are you would call Al Lettieri. A bona fide tough guy who channeled his real-life connections to less reputable characters into his dynamic performances, Lettieri was only 47 years old when he died of a heart attack fifty years ago today on October 18, 1975.
Adapted from pulp author Jim Thompson’s 1958 crime novel of the same name, The Getaway was released in the final weeks of 1972—Lettieri’s breakthrough year, following the release of The Godfather in March. Continue reading
La Collectionneuse: Patrick Bauchau’s Slate Sweater and Swimwear
Patrick Bauchau and Haydée Politoff in La Collectionneuse (1967)
Vitals
Patrick Bauchau as Adrien, art gallery owner
French Riviera, Summer 1966
Film: The Collector
(French title: La Collectionneuse)
Release Date: March 2, 1967
Director: Éric Rohmer
WARNING! Spoilers ahead!
Background
Bastille Day feels like a fitting occasion to celebrate French director Éric Rohmer’s first color film, the 1967 drama La Collectionneuse, which has recently resurfaced across summer mood boards. No surprise, given its sun-drenched palette courtesy of cinematographer Néstor Almendros, a frequent Rohmer collaborator who also shot aesthetically satisfying masterpieces like Days of Heaven.
Considered the fourth entry in Rohmer’s “Six Moral Tales”, La Collectionneuse was made with extreme efficiency while the director waited for Jean-Louis Trintignant’s availability to shoot My Night at Maud’s. Rohmer and Almendros worked with a minimal crew, relying on natural light and long takes to ground the characters in their idyllic—and quietly volatile—setting.
La Collectionneuse was also the first starring role for Belgian actor Patrick Bauchau, who had appeared uncredited in Rohmer’s La Carrière de Suzanne four years earlier and would later be known to 007 fans as the henchman Scarpine in Roger Moore’s final James Bond film, A View to a Kill. Here, he plays the narcissistic gallery owner Adrien, who intends to take advantage of the monastic conditions at his rich friend Rodolphe’s rented villa near Saint-Tropez to enjoy “a real vacation” in peace and solitude:
I even tried not to think. I was face-to-face alone with the sea, far from cruises and beaches, fulfilling a childhood dream put off year after year. I lost myself completely in the play of shadow and light, sinking into a lethargy heightened by the water. That state of passivity, of complete availability, promised to last much longer than the euphoria of one’s first summer dip into the ocean. I could easily see myself spending a whole month this summer this way.
However, this peace and solitude are threatened by the feisty young Haydée (Haydée Politoff), unexpectedly staying at the villa. Adrien and his friend Daniel (Daniel Pommereulle) are initially distrustful of the girl who brings a different lover to the villa every night, but he gradually comes to appreciate her company when she joins him on his early morning swims. Continue reading
Jaws: Roy Scheider’s Layers at Sea as Chief Brody
Roy Scheider as Martin Brody in Jaws (1975)
Vitals
Roy Scheider as Martin Brody, pragmatic island police chief
Off the coast of Amity Island, July 1974
Film: Jaws
Release Date: June 20, 1975
Director: Steven Spielberg
Costume Design: Louise Clark, Robert Ellsworth, and Irwin Rose
WARNING! Spoilers ahead!
Background
Today is the 50th anniversary since Jaws first swam into theaters on June 20, 1975, redefining the summer blockbuster and establishing Steven Spielberg as a major director. In addition to breaking box office records and winning three Academy Awards (including one for John Williams’ iconic score), Jaws continues to succeed as a thriller, still terrifying generations with its portrayal of danger lurking beneath the waves.
Adapted from Peter Benchley’s bestselling novel of the same name, the story is relatively simple: after a string of deadly shark attacks off the coast of the fictional Amity Island (filmed on Martha’s Vineyard), three men—grizzled shark-hunter Quint (Robert Shaw), passionate oceanographer Matt Hooper (Richard Dreyfuss), and Amity’s aquaphobic new police chief Martin Brody (Roy Scheider)—set out aboard Quint’s boat to hunt the creature terrorizing the island’s residents and tourists. Continue reading
The Mechanic: Charles Bronson’s Deck Jacket
Charles Bronson in The Mechanic (1972)
Vitals
Charles Bronson as Arthur Bishop, disciplined but depressed contract killer
Los Angeles, Fall 1972
Film: The Mechanic
Release Date: November 17, 1972
Director: Michael Winner
Costume Designer: Lambert Marks
WARNING! Spoilers ahead!
Background
Action star and Army veteran Charles Bronson was born 103 years ago today on November 3, 1921. Born and raised in the Allegheny Mountains of western Pennsylvania where he mined coal before joining the U.S. Army Air Forces during World War II, Bronson brought his tough guy bona fides to supporting roles in 1960s war films and westerns like The Magnificent Seven (1960), The Great Escape (1963), The Dirty Dozen (1967), and Once Upon a Time in the West (1968).
Bronson emerged as the world’s top box-office star by the early 1970s during collaborations with director Michael Winner that included Chato’s Land (1972), The Mechanic (1972), The Stone Killer (1973), and Death Wish (1974). Their sophomore collaboration, The Mechanic, may be my favorite of this group. Conceptualized and written by Lewis John Carlino, the story centers around the skilled but anxiety-ridden assassin Arthur Bishop, whose personal and professional comfort is disrupted after hiring a hotheaded protégé.
True to Carlino’s nuanced original vision, the first sixteen minutes of The Mechanic are devoid of dialogue as we follow the solitary Arthur through the motions of one of his artistic assassinations. Continue reading
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