Paul Newman as Hud Bannon, arrogant rancher’s son
Texas Panhandle, Summer 1962
Release Date: May 29, 1963
Director: Martin Ritt
Costume Designer: Edith Head
WARNING! Spoilers ahead!
Let’s complete this #CarWeek installment by looking at the third of the “Big Three” Detroit automakers: General Motors, specifically its high-end Cadillac division that has offered luxurious American autos for nearly 120 years.
A few years before Paul Newman caught the racing bug while training for Winning at the end of the decade, the car most associated with his screen image was arguably the pink Cadillac convertible he drove as the eponymous cowboy in Hud.
Joaquin Phoenix as Johnny Cash, rising country rock star
Texarkana, Texas, Summer 1955
Film: Walk the Line
Release Date: November 18, 2005
Director: James Mangold
Costume Designer: Arianne Phillips
Tailor: Pam Lisenby
Eighty-nine years ago on February 26, 1932, J.R. Cash was born in Arkansas. His childhood was dominated by music, as there was little else to encourage the family enduring the hard years of the Depression made worse by a dangerous flood and the violent death of Jack, one of the seven Cash children. It was when he joined the military that the 18-year-old Cash expanded his first name as the Air Force wouldn’t allow just initials, though it wasn’t until cutting his first recording at Sun Records that he established the name that would become legendary: Johnny Cash. Continue reading
George Clooney as Seth Gecko, dangerous fugitive bank robber and “real mean motor scooter”
Texas to Mexico, Summer 1995
Film: From Dusk till Dawn
Release Date: January 17, 1996
Director: Robert Rodriguez
Costume Designer: Graciela Mazón
Happy Halloween, BAMF Style readers! Over the last few years, I’ve received a few requests to explore George Clooney’s garb in From Dusk till Dawn, directed by Robert Rodriguez and penned by Quentin Tarantino from a story by Robert Kurtzman.
The action horror thriller marked a significant departure for Clooney— then popular as the charismatic pediatrician Doug Ross on ER, playing against type as the ruthless, Caesar-cut baddie terrorizing the southern plains with his psychotic brother on the road to El Rey.
Don Johnson as Harry Madox, drifter and used car salesman
Texas, Summer 1990
Film: The Hot Spot
Release Date: October 12, 1990
Director: Dennis Hopper
Costume Designer: Mary Kay Stolz
One of the benefits of writing BAMF Style the last eight years has been learning about movies from readers that may have otherwise never crossed by path. Thanks to suggestions from two readers, Peter and Cecil, I discovered The Hot Spot, a neo-noir in the pulp tradition with shades of The Postman Always Rings Twice and Jim Thompson’s hardboiled fiction. Continue reading
Burt Reynolds as Bo “the Bandit” Darville, daredevil driver
Texarkana to Atlanta, Summer 1976
Film: Smokey and the Bandit
Release Date: May 27, 1977
Director: Hal Needham
♫ You’ve heard about the legend of Jesse James and John Henry just to mention some names,
Well, there’s a truck-drivin’ legend in the South today, a man called Bandit from Atlanta, GA… ♫
After seven years of biannual Car Week features, how did it take me this long get around to what might be the most famous “car movie” of all? On a day commemorating the anniversary of American independence, it feels appropriate to celebrate Burt Reynolds bedecked in red, white, and blue (or at least red and blue) as he speeds across half the country in a muscle car, all in the name of beer… or as the Bandit himself declares:
For the money, for the glory, and for the fun… but mostly for the money.
Ed Harris as Gene Kranz, determined, no-nonsense NASA flight director
Houston, Texas, April 1970
Film: Apollo 13
Release Date: June 30, 1995
Director: Ron Howard
Costume Designer: Rita Ryack
Okay, Houston, we’ve had a problem here…
Apollo 13 astronaut Jack Swigert first transmitted this famous (and oft-misquoted) message 50 years ago today at 3:08 AM (GMT) on Tuesday, April 14, 1970, soon repeated by the mission commander Jim Lovell: “Uh, Houston, we’ve had a problem.” (At the Apollo Mission Control Center in Houston, it was still 10:08 PM on Monday, April 13.)
The craft had launched three days prior from Kennedy Space Center, manned by Swigert, Fred Haise, and mission commander Jim Lovell. The mission was intended to be the third of the American space program that would land on the Moon until the notorious “problem”—an explosion resulting from a failed oxygen tank in the service module—forced the three-man crew and their mission controllers in Houston to improvise solutions that ultimately resulted in the three astronauts safely returning to Earth, splashing down in the South Pacific on April 17 when they were swiftly met by a U.S. Navy recovery team.
While Apollo 13 was technically unsuccessful in its initial objective of a lunar landing, the mission and its outcome have been deemed “a successful failure” due to how different individuals, teams, and departments were able to work together in as tight timeframe to solve the almost-impossible task of bringing the three astronauts home safely, requiring not only the best efforts of Lovell, Haise, and Swigert, but also ingenuity and dedication from the Mission Control team centered in Houston under the “tough and competent” leadership of flight director Gene Kranz.
Gregory Peck as Jim McKay, “neat, clean, and polite” former sea captain and aspiring rancher
West Texas, Summer 1886
Film: The Big Country
Release Date: August 13, 1958
Director: William Wyler
Costume Design: Emile Santiago & Yvonne Wood
A couple years ago, I had received a request via Twitter from venerated BAMF Style reader Ryan to explore Gregory Peck’s “taupe city slicker suit” in The Big Country, which also happened to be the favorite movie of former U.S. President Dwight D. Eisenhower, born 129 years ago today on October 14, 1890. In fact, Ike was such a fan of William Wyler’s Technicolor Western that he screened the 166-minute epic on four separate occasions during his administration’s second term in the White House.
Ryan Gosling as Neil Armstrong, NASA astronaut and former U.S. Navy pilot
Houston, Texas, August 1962 through March 1966
Film: First Man
Release Date: October 12, 2018
Director: Damien Chazelle
Costume Designer: Mary Zophres
In addition to being my 30th birthday, today is also the 50th anniversary of when Neil Armstrong became the first person to step onto the surface of the Moon at 02:56:15 UTC on July 21, 1969, six hours after he and Buzz Aldrin landed the Apollo Lunar Module Eagle as part of the Apollo 11 spaceflight, a mission also manned by command module pilot Michael Collins.
Last year, Damien Chazelle directed Ryan Gosling in First Man, a biopic focused on Neil Armstrong’s life and career through the 1960s from the tragic death of his young daughter Karen to his triumphant first steps on the Moon… “one small step for man, one giant leap for mankind.” Continue reading
Kevin Costner as Frank Hamer, tough Texas special investigator and former Texas Ranger
Texas and Louisiana, Spring 1934
Film: The Highwaymen
Release Date: March 15, 2019 (March 29, 2019, on Netflix)
Director: John Lee Hancock
Costume Designer: Daniel Orlandi
Following a decorated career in law enforcement that found him bravely and successfully leading investigations and captures of violent criminals, Frank Hamer is not the sort of man who should need a cultural reevaluation in his defense. And yet, it was the most celebrated victory of Hamer’s career—bringing an end to Clyde Barrow and Bonnie Parker’s violent crime spree—that would eventually result in the former Texas Ranger being villianized in the 1967 film Bonnie and Clyde that romanticized the titular outlaw couple to carry out its countercultural message.
Gary Cooper as Cadet White, U.S. Army Aviation Section, Signal Corps aviator
Camp Kelly (San Antonio, Texas), Spring 1917
Release Date: August 12, 1927
Director: William A. Wellman
Costume Design: Travis Banton & Edith Head (uncredited)
Ninety years ago today, Wings won the first Academy Award for Best Picture—more accurately, the award read “Academy Award for Outstanding Picture.” Though silent movies were still the norm at the time of Wings’ release in August 1927, The Jazz Singer introduced recorded sound to film upon its release two months later, and Wings remains the only true silent film (unless you include The Artist) to take home the Best Picture prize.