Richard Burton as Dr. Edward Hewitt, self-righteous Episcopal boarding school headmaster
Pebble Beach, California, Spring 1965
Film: The Sandpiper
Release Date: June 23, 1965
Director: Vincente Minnelli
Costume Designer: Irene Sharaff
This Thursday, June 13, the USGA U.S. Open begins at Pebble Beach Golf Links, a renowned public golf course in Monterey County celebrating its centennial this year. 2019 marks the sixth time that Pebble Beach has hosted the U.S. Open, the first time being in 1972, seven years after Richard Burton teed off for a brief scene in The Sandpiper.
The Sandpiper recognizes the golf course’s significance in business transactions, even for school headmasters like Dr. Edward Hewitt (Burton) and his group of major donors. One fellow golfer offers to donate $300,000 to the school’s chapel fund if Dr. Hewitt hits the green… unfortunately, his ball flies into the water instead. Continue reading
Pedro Armendáriz as Ali Kerim Bey, gregarious MI6 station chief
Istanbul, Turkey, Spring 1963
Film: From Russia With Love
Release Date: October 10, 1963
Director: Terence Young
Costume Designer: Jocelyn Rickards
WARNING! Spoilers ahead!
Kerim Bey, the gregarious head of MI6’s Station T (T for Turkey), is one of the more memorable characters from the early films of the James Bond franchise. A proudly streetwise counter to the taciturn and sophisticated agent 007, the two got on like gangbusters. It’s tragic that Kerim was designated by Ian Fleming as the story’s “sacrificial lamb” as it would have been satisfying to follow his interactions with Bond across multiple adventures à la Felix Leiter or even René Mathis, who actually returned in Fleming’s novel version of From Russia With Love, though Armendáriz’s death would have prevented this anyway. Today’s 00-7th of May post is a tribute to this charismatic character. Continue reading
James Gandolfini as Tony Soprano, New Jersey mob boss
Monmouth Park, Oceanport, NJ, Fall 2001
Series: The Sopranos
– “Pie-o-My” (Episode 4.05, dir. Henry J. Bronchtein, aired 10/13/2002)
– “Eloise” (Episode 4.12, dir. James Hayman, aired 12/1/2002)
Creator: David Chase
Costume Designer: Juliet Polcsa
WARNING! Spoilers ahead!
In the spirit of the upcoming Kentucky Derby, today’s #MafiaMonday post features a day at the races for Jersey wiseguys Tony Soprano, Silvio Dante, Carlo Gervasi, Hesh Rabkin, and Ralph Cifaretto, whose recent purchase—a racehorse named Pie-O-My—delights the guys by coming from behind to win.
Gig Young as Roger, neurotic financial advisor
New York City, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Though not regarded among the best of either Cary Grant or Doris Day’s filmographies, That Touch of Mink will always have a special place for me as one of the movies I used to watch with my grandma, who introduced me to many classic stars from the era through her collection of VHS tapes that we watched nearly to oblivion.
In this romantic comedy, it’s the leads’ best friends who are the most fun to watch, both Audrey Meadows (who Grant—a fan of her work on The Honeymooners—campaigned to have added to the cast) and Gig Young as Grant’s right-hand man.
Jean-Paul Belmondo as Michel Poiccard, small-time car thief
Marseille, France, August 1959
(French title: À bout de souffle)
Release Date: March 16, 1960
Director: Jean-Luc Godard
Happy birthday, Bébel! Jean-Paul Belmondo was born 86 years ago today in Neuilly-sur-Seine, west of Paris. Following a brief career as an amateur boxer and his compulsory military service, Belmondo began acting in the mid-1950s and found international stardom after his performance in Jean-Luc Godard’s À bout de souffle (Breathless to English-speaking audiences), a seminal example of the burgeoning French New Wave cinematic movement.
Tommy Wiseau as Johnny, a “misunderstood” banker and Lisa’s future husband
San Francisco, Fall 2002
Film: The Room
Release Date: June 27, 2003
Director: Tommy Wiseau
Costume Designer: Safowa Bright-Asare
It’s April Fools’ Day! The perfect time to switch gears from looking at timeless style in great movies and TV shows… and reflect on extremely questionable “style” from a movie celebrated as an unmitigated cinematic disaster.
The Room is nearly two hours of brain-numbing non-sequiturs, unresolved “plot” threads and an inconsistent narrative, more screen time for a single football than The Longest Yard, Any Given Sunday, and Rudy combined, and writing that fails to compare with a monkey pounding on a keyboard… and yet this bizarre melodrama has racked up one of the most loyal cult followings in American cinema. Its nonsensical dialogue (“Do you understand life? Do you?!”) has permeated pop culture and sent packs of people to midnight screenings each year, armed with plastic spoons and questions and praise for the film’s eccentric auteur, Tommy Wiseau. Continue reading
Robert Redford as Roy Hobbs, eager baseball prodigy
Chicago, Spring 1923
Film: The Natural
Release Date: May 11, 1984
Director: Barry Levinson
Costume Design: Gloria Gresham & Bernie Pollack
Tomorrow is MLB Opening Day, meaning baseball season is back and in full swing (forgive the pun), so let’s take a look at a look from one of the most classic of baseball movies, The Natural.
“I guess some mistakes you never stop paying for,” are the words that must echo through Roy Hobbs’ brain every day for the 16 years after he was shot by a self-destructive—or just generally destructive—baseball groupie, Harriet Bird (Barbara Hershey).
When Bernard Malamud was working on his debut novel, The Natural, he took inspiration from the story of Eddie Waitkus, the former first baseman for the Philadelphia Phillies who was shot and nearly killed by an obsessive female stalker who, as she later told an assistant state attorney, wanted “to do something exciting in my life.”