Tagged: Smith & Wesson Bodyguard

George Clooney’s Charcoal Car Coat in Out of Sight

I’m pleased to again present a guest post contributed by my friend Ken Stauffer, who has written several pieces for BAMF Style previously and chronicles the style of the Ocean’s film series (and beyond!) on his excellent Instagram account, @oceansographer.

George Clooney as Jack Foley in Out of Sight (1998). Photo credit: Merrick Morton.

Vitals

George Clooney as Jack Foley, charismatic bank robber and prison escapee

Detroit, February 3-5, 1999

Film: Out of Sight
Release Date: June 26, 1998
Director: Steven Soderbergh
Costume Designer: Betsy Heimann

WARNING! Spoilers ahead!

Background

When people lament that Hollywood studios should go back to making more high quality, mid-budget movies, Out of Sight is exactly what they’re referring to, even if they don’t realize it. Looking back on it today, the film is not only perfectly cast and beautifully shot, but it manages to strike the perfect balance of character and plot, humor and drama, while telling a unique story.

Based on a then-just-published novel by Elmore Leonard, the movie stars George Clooney as lifelong bank robber Jack Foley who breaks out of prison in Florida, getting away by hiding himself in a car trunk with U.S. Marshal Karen Sisco (Jennifer Lopez). With the law hot on his tail, Foley and his best friend Buddy (Ving Rhames) hoof it to Detroit to pull off one last score at the home of two-faced businessman Richard Ripley (Albert Brooks), whom they did time with years earlier. They’re forced to form an uneasy alliance with a far more violent crew led by the murderous “Snoopy” Miller (Don Cheadle). Continue reading

Miami Vice: Tubbs in Double-Breasted Dove Gray for the Pilot Episode

Philip Michael Thomas and Sonny Crockett filming "Brother's Keeper", the pilot episode of Miami Vice

Philip Michael Thomas and Sonny Crockett filming “Brother’s Keeper”, the pilot episode of Miami Vice

Vitals

Philip Michael Thomas as Ricardo Tubbs, vengeful undercover detective

Miami, Spring 1984

Series: Miami Vice
Episode: “Brother’s Keeper” (Episode 1.01)
Air Date: September 16, 1984
Director: Thomas Carter
Creator: Anthony Yerkovich
Costume Designer: Jodie Lynn Tillen

WARNING! Spoilers ahead!

Background

This week in 1984, Miami Vice debuted on NBC, introducing us to the cooler-than-ice cops Sonny Crockett (Don Johnson) and Ricardo Tubbs (Philip Michael Thomas). Per the detectives’ duties for the Metro-Dade Police Department’s vice division, the episodes frequently included thrilling gunfights and car chases against drug-peddling foes amidst a stylish backdrop of sleek cars, sleeker clothes, pop music, and a parade of guest stars ranging from Liam Neeson, Willie Nelson, and a young Julia Roberts to… G. Gordon Liddy.

The title of the Emmy-winning pilot episode, “Brother’s Keeper”, refers most specifically to Tubbs, a New York transplant who arrived in Miami seeking vengeance on the wily drug kingpin Calderone, who killed his brother Rafael. Despite their head-butting personalities, Tubbs joins forces with Crockett, hoping to soften the tension between them by bringing coffee and donuts onto his boat as well as the results of his own surveillance on Calderone, but Crockett informs him that “down here, you’re just another amateur.” Continue reading

The Sopranos: Christopher’s Black-on-Black in “D-Girl”

Michael Imperioli as Christopher Moltisani in "D-Girl", Episode 2.07 of The Sopranos (2000).

Michael Imperioli as Christopher Moltisani in “D-Girl”, Episode 2.07 of The Sopranos (2000).

Vitals

Michael Imperioli as Christopher Moltisanti, New Jersey Mafia associate and aspiring screenwriter

New York City, Fall 2000

Series: The Sopranos
Episode: “D-Girl” (Episode 2.07)
Air Date: February 27, 2000
Director: Allen Coulter
Creator: David Chase
Costume Designer: Juliet Polcsa

Background

“D-Girl” is a turning point episode for Christopher Moltisanti. We had seen previous mentions of his screenwriting aspirations, including a poorly-written script on his Mac in “The Legend of Tennessee Moltisanti”, but “D-Girl” provides his Bugsy moment. Continue reading