You Only Live Twice: Bond’s Gray Herringbone Suit in Aki’s Toyota

Sean Connery as James Bond in You Only Live Twice (1967)

Sean Connery as James Bond in You Only Live Twice (1967)

Vitals

Sean Connery as James Bond, British government agent presumed dead

Tokyo, Summer 1966

Film: You Only Live Twice
Release Date: June 13, 1967
Director: Lewis Gilbert
Wardrobe Master: Eileen Sullivan
Tailor: Anthony Sinclair

WARNING! Spoilers ahead!

Background

Welcome to Japan, Mr. Bond.

Sean Connery’s fifth film as James Bond was the first of the franchise to considerably depart from Ian Fleming’s source novel, though it retains the title, the basic plot line and characters, and the Japanese setting. In fact, while most Bond films are continent-hopping travelogues, Japan hosts the majority of the action in You Only Live Twice aside from the pre-credits sequence, set in Hong Kong where Bond is ostensibly murdered.

Of course, it’s hardly a spoiler to reveal that the assassination is a ruse to fool Bond’s enemies into thinking he is out of the picture while the agent himself lives to die another day… in fact, you could say he lived twice! Presumed dead by his enemies after his burial at sea, Bond is free to be sent to Japan to investigate a mysterious spacecraft that has seemingly landed in the Sea of Japan. Bond soon makes contact with his lovely ally Aki (Akiko Wakabayashi), who drives him around Tokyo in a sporty Toyota 2000GT that had been customized by the production to accommodate Sean Connery’s height.

I had long wanted to cover this sequence as I love Bond’s tailoring, Aki’s Toyota, and the trio of drinks he imbibes with varying degrees of satisfaction, but it felt particularly appropriate to write about for a #CarWeek post this 00-7th of July given James Bond’s safe pro-masking message…

The face mask may just be a disguise, but extra points for covering both nose and mouth, Mr. Bond.

The face mask may just be a disguise, but extra points for covering both nose and mouth, Mr. Bond.

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Burt Reynolds in Smokey and the Bandit

Burt Reynolds as the Trans Am-driving "Bandit" in Smokey and the Bandit (1977)

Burt Reynolds as the Trans Am-driving “Bandit” in Smokey and the Bandit (1977)

Vitals

Burt Reynolds as Bo “the Bandit” Darville, daredevil driver

Texarkana to Atlanta, Summer 1976

Film: Smokey and the Bandit
Release Date: May 27, 1977
Director: Hal Needham

Background

♫ You’ve heard about the legend of Jesse James and John Henry just to mention some names,

Well, there’s a truck-drivin’ legend in the South today, a man called Bandit from Atlanta, GA… ♫

After seven years of biannual Car Week features, how did it take me this long get around to what might be the most famous “car movie” of all? On a day commemorating the anniversary of American independence, it feels appropriate to celebrate Burt Reynolds bedecked in red, white, and blue (or at least red and blue) as he speeds across half the country in a muscle car, all in the name of beer… or as the Bandit himself declares:

For the money, for the glory, and for the fun… but mostly for the money.

Happy birthday, America... from Burt Reynolds and BAMF Style.

Happy birthday, America… from Burt Reynolds and BAMF Style.

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Meeting Magnum, P.I.: Navy Lacoste Shirt and Ferrari 308 GTS

Tom Selleck as Thomas Magnum in the Magnum P.I. pilot episode, "Don't Eat the Snow in Hawaii"

Tom Selleck as Thomas Magnum in the Magnum P.I. pilot episode, “Don’t Eat the Snow in Hawaii”

Vitals

Tom Selleck as Thomas Magnum, private investigator and former Navy SEAL

Hawaii, Spring 1980 to Summer 1981

Series: Magnum, P.I.
Episodes:
– “Don’t Eat the Snow in Hawaii, Part 1″ (Episode 1.01, dir. Roger Young, aired 12/11/1980)
– “No Need to Know” (Episode 1.05, dir. Lawrence Doheny, aired 1/8/1981)
– “Don’t Say Goodbye” (Episode 1.15, dir. Winrich Kolbe, aired 3/28/1981)
Creator: Donald P. Bellisario & Glen Larson
Costume Designer: Charles Waldo (credited with first season only)
Costume Supervisor: James Gilmore

WARNING! Spoilers ahead!

Background

Let’s continue #CarWeek with one of the most famous and popular cars in TV history, the bright red Ferrari 308 GTS driven by Thomas Magnum (Tom Selleck) as a semi-permanent “guest” on author Robin Masters’ Hawaiian estate.

Today is a particularly suitable occasion to write about this set of wheels as we first meet Magnum⁠—and the Ferrari⁠—while our protagonist is clad in a Lacoste tennis shirt, innovated by French tennis icon and Renaissance man René Lacoste, who was born 116 years ago on July 2, 1904. Continue reading

Once Upon a Time in Hollywood: Brad Pitt’s Double Denim and Karmann Ghia

Brad Pitt as Cliff Booth in Once Upon a Time... in Hollywood (2019)

Brad Pitt as Cliff Booth in Once Upon a Time… in Hollywood (2019)

Vitals

Brad Pitt as Cliff Booth, taciturn Hollywood stuntman and personal “gofer”

Los Angeles, February 1969

Film: Once Upon a Time in Hollywood
Release Date: July 26, 2019
Director: Quentin Tarantino
Costume Designer: Arianne Phillips

WARNING! Spoilers ahead!

Background

This summer’s Car Week posts are likely to be more embraced than usual as many are enthusiastically embracing the open road after months of global lockdown and road trips emerging as safer alternatives for summer travel.

My first official Car Week post of the year was an obvious one for me. I went into Once Upon a Time in Hollywood last year knowing I’d be entertained, but the absolute immersion into 1969 Southern California far exceeded my expectations. By the time we were joining Brad Pitt as he worked the gears of his sporty Karmann Ghia through the streets of L.A. to the shifting sounds of Billy Stewart’s “Summertime”, Joe Cocker’s “The Letter”, The Bob Seger System’s “Ramblin’ Gamblin’ Man”, and Aretha Franklin’s “The House That Jack Built”, I was hooked. It’s hardly two minutes of screen time, but the kinetic energy, superb soundtrack (how much did it cost to license music for this scene alone?), and electrifying sense of place made it one of the most memorable sequences I’d seen on the big screen in years and gave me a sense of the entertainment that was to follow. Continue reading

Elliott Gould’s Poolside Leisurewear in Bob & Carol & Ted & Alice

Elliott Gould as Ted Henderson in Bob & Carol & Ted & Alice (1969)

Elliott Gould as Ted Henderson in Bob & Carol & Ted & Alice (1969)

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Elliott Gould as Ted Henderson, married attorney with a wandering eye

Los Angeles, Summer 1969

Film: Bob & Carol & Ted & Alice
Release Date: September 17, 1969
Director: Paul Mazursky
Costume Designer: Moss Mabry

Background

Every month, particularly when passing the time under lockdown this spring, I look forward to the Criterion Channel announcing its new releases which also making it a priority to watch any films leaving the service. When I saw that Bob & Carol & Ted & Alice would be leaving at the end of May 2020, I knew this was my opportunity to watch this influential film considered to be emblematic of the late ’60s zeitgeist. Groundbreaking for its time, Paul Mazurky’s sex comedy enjoyed a recent resurgence in interest as one of ten films Quentin Tarantino cited as a direct influence on his latest hit, Once Upon a Time in Hollywood.

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The Talented Mr. Ripley: Dickie’s White Polo and Pink Shorts

Jude Law with co-stars Matt Damon and Gwyneth Paltrow in The Talented Mr. Ripley (1999)

Jude Law with co-stars Matt Damon and Gwyneth Paltrow in The Talented Mr. Ripley (1999)

Vitals

Jude Law as Dickie Greenleaf, narcissistic profligate playboy

Italy, October 1958

Film: The Talented Mr. Ripley
Release Date: December 25, 1999
Director: Anthony Minghella
Costume Design: Ann Roth & Gary Jones

WARNING! Spoilers ahead!

Background

After exploring some of Alain Delon’s sharply tailored style in Plein soleil (Purple Noon) earlier this week, today’s post shifts attention to the 1999 adaptation of the same source material, Patricia Highsmith’s psychological thriller The Talented Mr. Ripley set on the sunny Italian coast.

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Purple Noon: Alain Delon Tailored in Summer-Weight Gray

Alain Delon as Tom Ripley in Purple Noon (1960)

Alain Delon as Tom Ripley in Purple Noon (1960)

Vitals

Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

Italy, August 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

Few movies so stylishly capture the intriguing possibilities of summer as Plein soleil, balancing a sun-drenched travelogue of beautiful coastal Italy with the provocative thrills and deception to be expected from the dangerous mind of Patricia Highsmith, whose 1955 novel The Talented Mr. Ripley formed the basis for this lush and haunting adaptation.

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Blue Hawaii: Elvis’ Brown Tapa Shirt

Elvis Presley in Blue Hawaii (1961)

Elvis Presley in Blue Hawaii (1961)

Vitals

Elvis Presley as Chadwick “Chad” Gates, young tour guide and U.S. Army veteran

Honolulu, Hawaii, Summer 1961

Film: Blue Hawaii
Release Date: November 22, 1961
Director: Norman Taurog
Costume Designer: Edith Head

Background

Summer kicks off this weekend in the Northern Hemisphere with beaches and warm destinations slowly reopening around the world after months of lockdown during the early phases of the coronavirus pandemic. Whatever your summer plans include, I hope all BAMF Style readers enjoy a safe, healthy, and happy season whether enjoying time at home or safely traveling.

Travel or no travel, this is also the season for summer shirts and summer movies. The tenth top-grossing movie of 1961, Blue Hawaii was the first of three movies that Elvis filmed in the “paradise of the Pacific” and remains one of his most popular for its tropical style and memorable soundtrack, which includes dusted-off classics like the title track “Blue Hawaii” (originally written for Bing Crosby in 1937), “Hawaiian Wedding Song” as well as introducing “Can’t Help Falling in Love”, which would become a new standard for the King.

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Tony Soprano’s Tan Herringbone Sport Jacket

James Gandolfini as Tony Soprano on The Sopranos (Episode 6.20: "The Blue Comet")

James Gandolfini as Tony Soprano on The Sopranos (Episode 6.20: “The Blue Comet”)

Vitals

James Gandolfini as Tony Soprano, New Jersey mob boss

Montclair, New Jersey, Fall 2007

Series: The Sopranos
Episodes:
– “The Ride” (Episode 6.09, dir. Alan Taylor, aired May 7, 2006)
– “Chasing It” (Episode 6.16, dir. Tim Van Patten, aired April 29, 2007)
– “The Blue Comet” (Episode 6.20, dir. Alan Taylor, aired June 3, 2007)
Creator: David Chase
Costume Designer: Juliet Polcsa

WARNING! Spoilers ahead!

Background

On the seventh anniversary of James Gandolfini’s death, I chose to celebrate the actor’s legacy with another look from the landmark HBO series The Sopranos. (Fans of the Skip’s outfits should already be following my friend @TonySopranoStyle on Instagram!)

In the series’ penultimate episode, “The Blue Comet”, Tony Soprano had no idea that this therapy session would be his last, blissfully idling his time in Dr. Jennifer Melfi’s waiting room by purloining a pepper-marinated steak recipe from Departures magazine. Unbeknownst to him, it’s one ravaged periodical too many as Dr. Melfi is already having serious concerns about having potentially spent the last seven years enabling a dangerous sociopath rather than helping him.

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Jack Lemmon’s Double-Breasted Date Blazer in Avanti!

Jack Lemmon as Wendell Armbruster Jr. in Avanti! (1972)

Jack Lemmon as Wendell Armbruster Jr. in Avanti! (1972)

Vitals

Jack Lemmon as Wendell Armbruster, Jr., bitter Baltimore businessman

Ischia, Bay of Naples, Summer 1972

Film: Avanti!
Release Date: December 17, 1972
Director: Billy Wilder
Wardrobe Supervisor: Annalisa Nasalli-Rocca

Background

“I guess there is something to what it says in the tourist guide… it says Italy is not a country, it’s an emotion,” says Pamela Piggott (Juliet Mills), laying naked on a rock surrounded by sun and sea next to an equally bare but considerably more nervous Wendell Armbruster, Jr., who exclaims in response, “Well, it’s certainly been an experience!”

Despite the context, the two aren’t yet lovers, instead brought to the romantic bay of Naples after the death of Wendell’s father and Pamela’s mother who, as they learn, had been enjoying a decade-long extramarital affair. While not among the more celebrated of Jack Lemmon and Billy Wilder’s seven cinematic collaborations, Avanti! is a fitting and still entertaining work as both actor and director were maturing in their age and career. “Billy Wilder’s last great comic romance is an Italian vacation soaked in music, food, scenery and sunshine,” wrote Glenn Erickson in his excellent review for Trailers from Hell. “It’s the best movie ever about Love and Funerals.”

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