Viva Las Vegas: Elvis’ Beige Collarless Suit

Elvis Presley and Ann-Margret in Viva Las Vegas (1964)

Elvis Presley and Ann-Margret in Viva Las Vegas (1964)

Vitals

Elvis Presley as “Lucky” Jackson, mechanic and aspiring race car driver

Las Vegas, Summer 1964

Film: Viva Las Vegas
Release Date: May 20, 1964
Director: George Sidney
Costume Designer: Donfeld (Donald Lee Feld)

Background

Regarded as one of the better movies of Elvis Presley’s acting career, Viva Las Vegas stars the singer opposite Ann-Margret, and it’s reported that the very real chemistry between the two was indicative of their off-screen friendship that briefly grew into romance.

On screen, however, Elvis played “Lucky” Jackson, a mechanic who wins – then literally loses – the money he had hoped to use to finance his own race car. To raise the money back, he takes a part-time gig in the Fabulous Flamingo casino in Las Vegas, where he meets sultry swimming instructor Rusty Martin (Ann-Margret, of course).

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John Wayne in The Shootist – J.B. Books’ Lounge Suit

To commemorate the 39th anniversary of the legendary John Wayne’s passing on June 11, 1979, please enjoy this submission from the estimable pen of BAMF Style reader and contributor “W.T. Hatch.”

John Wayne as J.B. Books in The Shootist (1976)

John Wayne as J.B. Books in The Shootist (1976)

Vitals

John Wayne as John Bernard Books, aging gunfighter

Carson City, Nevada, January 1901

Film: The Shootist
Release Date: August 20, 1976
Director: Don Siegel
Wardrobe Credit: Luster Bayless

Background

I won’t be wronged, I won’t be insulted, and I won’t be laid a hand on. I don’t do these things to other people, and I require the same from them.

The Shootist was John Wayne’s final movie role and no actor, before or since, had a more fitting last appearance on the silver screen. Wayne plays John Bernard “J.B.” Books, the most “celebrated shootist extant,” in turn-of-the-century Carson City, Nevada. The film opens with a montage from the Duke’s earlier pictures providing Books’ background as a gunman and occasional lawman in the Old West. Now the last of his kind, Books travels to Carson City seeking assistance from his physician in what may be his final battle against cancer. This deeply compelling story is revealed as Books confronts the consequences of both his life and his own pending mortality. Continue reading →

The Good Place: Michael’s Navy Piped Blazer

Ted Danson as Michael on The Good Place. (Episode 1.02: “Flying”)

Vitals

Ted Danson as Michael, afterlife “architect”

The Good Place, present day

Series: The Good Place
Episode: “Flying” (Episode 1.02)
Air Date: September 19, 2016
Director: Michael McDonald
Creator: Michael Schur
Costume Designer: Kirston Mann

Background

This weekend, my focus returns to NBC’s The Good Place, where Ted Danson’s architect Michael struts some of the snappiest style this side of the afterlife.

I recently researched and wrote about the classic boldly striped boating blazer for an exploration of Alain Delon’s style in Purple Noon (Plein soleil), but that’s only one type of boating blazer. Another variation is a solid-colored blazer with wide piping along the edges.

Though not quite as distinctive as a true rowing blazer, the piped blazer that Michael wears for a conversation about exploding turkey carcasses and coffee cups at the end of The Good Place‘s second episode finds itself worthy of discussion for today’s #NiceDay post.

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Bond’s Beige Bomber Jacket in The Living Daylights

Timothy Dalton as James Bond in The Living Daylights (1987)

Timothy Dalton as James Bond in The Living Daylights (1987)

Vitals

Timothy Dalton as James Bond, British government agent

Tangier, Morocco, Fall 1986

Film: The Living Daylights
Release Date: June 27, 1987
Director: John Glen
Costume Designer: Emma Porteous
Costume Supervisor: Tiny Nicholls

WARNING! Spoilers ahead!

Background

BAMF Style is sticking around in Morocco for the 00-7th of June after this week’s earlier post about the beige linen suit that Brad Pitt’s character wears in a Casablanca-set scene in the World War II thriller Allied (2016).

Thanks to a suggestion from a great BAMF Style reader, Sonny, today’s post takes a look at another famous spy famous for his sartorial savvy… although Timothy Dalton’s James Bond has a relatively dressed-down approach for his mission in Tangier during the actor’s first 007 film, The Living Daylights (1987).

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Brad Pitt’s Beige Summer Suit in Allied

Brad Pitt as Max Vatan in Allied (2016)

Brad Pitt as Max Vatan in Allied (2016)

Vitals

Brad Pitt as Max Vatan, Royal Canadian Air Force intelligence officer

Casablanca, Morocco, Fall 1942

Film: Allied
Release Date: November 23, 2016
Director: Robert Zemeckis
Costume Designer: Joanna Johnston

Background

On the eve of D-Day, when Allied forces landed on the beaches of France 74 years ago to turn the tide of World War II, I’m taking a look at a stylish wartime thriller that received plenty of attention for its sartorial sapience.

Allied begins as Wing Commander Max Vatan (Brad Pitt), an intelligence officer with the Royal Canadian Air Force, parachutes into Morocco. The first step in his mission to assassinate a German ambassador is to make contact with a French Resistance agent, Marianne Beauséjour (Marion Cotillard), who will be posing as his wife. After changing out of his khaki field jacket and into a snazzy suit befitting his cover and his warm surroundings, Max strolls into a nightclub to the tune of a boozy, contemporary take on “The Sheik of Araby” and meets his pseudo-wife. Continue reading →

Sweet Smell of Success – Tony Curtis’ Striped Flannel Suit

Tony Curtis as Sidney Falco in Sweet Smell of Success (1957)

Tony Curtis as Sidney Falco in Sweet Smell of Success (1957)

Vitals

Tony Curtis as Sidney Falco, unscrupulous publicity agent

New York City, Fall 1956

Film: Sweet Smell of Success
Release Date: June 27, 1957
Director: Alexander Mackendrick
Costume Designer: Mary Grant

Background

Happy birthday to Tony Curtis, born 93 years ago today on June 3, 1925. The actor will always hold a special place for me as one of my earliest brushes with a known celebrity.

It occurred in the summer of 1998, during a vacation with my family to Las Vegas. We were approaching the exit to the MGM Grand as we came face-to-face with another entourage striding through the entrance. Flanked by two tall, voluptuous blondes at the front of the formation was a tuxedoed man with messy gray hair, considerably energetic for his age.

“That was Tony Curtis!” my family began murmuring to each other. Being only 9 years old at the time, I was concerned about feeling left out of the gossip until my grandma leaned in and explained to me that this was “Josephine” from Some Like It Hot, one of our favorite movies to watch together at the time.

Some Like It Hot will always have a place on my personal cinematic Mount Rushmore, but my favorite Tony Curtis performance is likely in Alexander Mackendrick’s atmospheric 1957 noir Sweet Smell of Success. Curtis stars as a Manhattan publicity agent oozing with opportunistic sleaze.

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Alain Delon’s Striped Boating Blazer in Purple Noon

Alain Delon as Tom Ripley in Purple Noon (1960)

Alain Delon as Tom Ripley in Purple Noon (1960)

Vitals

Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath

Italy, Late Summer 1959

Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément

WARNING! Spoilers ahead!

Background

Adapted from Patricia Highsmith’s 1955 thriller The Talented Mr. Ripley, Purple Noon put French actor Alain Delon on the international map. Only 24 years old when Purple Noon was released, Delon earned the endorsement of Ms. Highsmith herself for his performance as the smooth and wily young con artist whose petty crimes and deceptions graduate to multiple murders over the course of the film.

“It’s insidious, the way Highsmith seduces us into identifying with him and sharing his selfishness,” Roger Ebert wrote of both the novel and this cinematic adaptation in his 1996 review. “Ripley believes that getting his own way is worth whatever price anyone else might have to pay. We all have a little of that in us.” Continue reading →