Alain Delon as Tom Ripley in Purple Noon (1960)
Alain Delon as Tom Ripley, charming American con artist and sophisticated sociopath
on Mediterranean Sea off Italy, August 1959
Film: Purple Noon
(French title: Plein soleil)
Release Date: March 10, 1960
Director: René Clément
Costume Designer: Bella Clément
WARNING! Spoilers ahead!
As I leave for my annual week at the beach tomorrow, I’ll be hoping to channel the style—if not the discomfort and petty cruelty—of the idyllic-looking, sun-drenched Mediterranean voyage where sociopathic American con man Tom Ripley (Alain Delon) forms an uncomfortable seagoing trio with the brash, arrogant playboy Philippe Greenleaf (Maurice Ronet) and Philippe’s demure girlfriend Marge (Marie Laforêt). Continue reading
James Cagney as Cody Jarrett in White Heat (1949)
James Cagney as Arthur “Cody” Jarrett, ruthless gang leader and devoted son
Los Angeles, Spring 1950
Film: White Heat
Release Date: September 2, 1949
Director: Raoul Walsh
Wardrobe Credit: Leah Rhodes
WARNING! Spoilers ahead!
Today would have been the 120th birthday of James Cagney, the intense actor who brought realism and energy to his performances that ranged from deadpan comedy to complex tough guys. It was for the latter that Cagney, who Orson Welles described as “maybe the greatest actor who ever appeared in front of the camera,” is most remembered, particularly for his mature performance as the complex gangster Cody Jarrett in White Heat.
Danny Huston as Ben “the Butcher” Diamond in “Feeding Frenzy”, episode 1.02 of Magic City (2012-2013)
Danny Huston as Ben “the Butcher” Diamond, sadistic and volatile Miami gangster
Miami Beach, spring 1959
Series: Magic City
– “Feeding Frenzy” (Episode 1.02, dir: Ed Bianchi, aired April 13, 2012)
– “The Harder They Fall” (Episode 1.06, dir: Ed Bianchi, aired May 11, 2012)
– “Crime and Punishment” (Episode 2.01, dir: Clark Johnson, aired June 14, 2013)
Creator: Mitch Glazer
Costume Designer: Carol Ramsey
Considering classic gangland style evokes images of pinstripe suits, flashy jewelry, and wide-brimmed fedoras… but what do gangsters wear when the sun’s at its brightest? On #MafiaMonday, let’s travel down to sunny Miami Beach where—even in the middle of January—mobster Ben “the Butcher” Diamond is dressed in lightweight linen for days by the swimming pool and nights at the cocktail lounge in Starz’s canceled-too-soon period drama Magic City. Continue reading
Robert Redford as Jack Weil driving a 1955 Cadillac in Havana (1990)
Robert Redford as Jack Weil, smooth gambler and U.S. Navy veteran
Santa Clara, Cuba, December 1958
Release Date: December 14, 1990
Director: Sydney Pollack
Costume Designer: Bernie Pollack
Extending #CarWeek to get to casual Friday gives us the opportunity to pay tribute to Robert Redford’s classic casual warm-weather attire behind the wheel of a grand Cadillac convertible from the fabulous ’50s. The film in question is, of course, Havana, Sydney Pollack’s 1990 paean to Casablanca that starred Redford as Jack Weil, a cynical American gambler who finds love in the form of Cuban revolutionary Roberta “Bobby” Duran (Lena Olin) on the eve of that country’s revolution.
Cary Grant and Doris Day in That Touch of Mink (1962)
Cary Grant as Philip Shayne, smooth, sophisticated, and suave investment executive and “perfect gentleman”
Bermuda, Spring 1962
Film: That Touch of Mink
Release Date: June 14, 1962
Director: Delbert Mann
Tailor: Cardinal Clothes (credited “for Cary Grant’s suits”)
After being first splashed, then swept, off her feet by the charming tycoon Philip Shayne (Cary Grant), unemployed Manhattanite Cathy Timerblake (Doris Day) finds herself accepting his impromptu invitation to join her for a summery respite in Bermuda. “Nowhere else in the world an you see beaches with pink sand,” Philip promises.
Having purchased every seat on a Pan Am passenger jet to Bermuda, Philip is there to meet her as she deplanes, chauffeuring her in his 1961 Citroën roadster to their luxurious suite at the Victoria Hotel, which is doubled on screen by the Fairmont Miramar Hotel in Santa Monica. Continue reading
George Lazenby as James Bond in On Her Majesty’s Secret Service (1969)
George Lazenby as James Bond, smooth British secret agent
Estoril, Portugal, September 1969
Film: On Her Majesty’s Secret Service
Release Date: December 18, 1969
Director: Peter R. Hunt
Tailor: Dimi Major
Costume Designer: Marjory Cornelius
This year commemorates the 50th anniversary of On Her Majesty’s Secret Service, often considered among the best of the James Bond canon. George Lazenby, the Australian actor who batted 1000 with OHMSS as his sole outing as 007, has also activated his Instagram presence this year, sharing photos of himself in many of the same locations he had made famous a half-century ago as the world’s most famous secret agent.
George’s #OHMSS50 tour included calling on the celebrated Palácio Estoril, the Portuguese hotel where his James Bond spent the early scenes of OHMSS chasing and seducing Diana Rigg’s character, Teresa “Tracy” di Vincenzo. During the visit, he even interacted with many of the hotel’s staff who were still in the Palácio Estoril’s employ 50 years after their on-screen cameos.
Today, on the 00-7th of July, let’s take a look at the timeless summer-friendly style that Lazenby’s James Bond wore when he pulled his Aston Martin into the parking lot at Palácio Estoril some fifty years ago. Continue reading
James Garner as Pete Aron in Grand Prix (1966)
James Garner as Pete Aron, determined Formula One driver
Clermont-Ferrand, France, Summer 1966
Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff
#CarWeek continues with Grand Prix, the action-packed, globe-trotting racing epic that director John Frankenheimer made in the tradition of Grand Hotel with a talented international cast including James Garner, Eva Marie Saint (who celebrated her 95th birthday yesterday), Yves Montand, Toshiro Mifune, Jessica Walter, Brian Bedford, and Thunderball villain Adolfo Celi. As a talented driver in his own right, Garner looks natural behind the wheel as Pete Aron, the Formula One driver hoping to salvage his career after gaining a reckless reputation, and the unique racing cinematography—in part credited to “visual consultant” Saul Bass—make the film a must for fans of the racing genre and earned the film its well-deserved Academy Awards for Best Sound Effects (Gordon Daniel), Best Film Editing, and Best Sound (Franklin Milton).