Paris, Texas: Harry Dean Stanton’s Red Road Trip Shirt and Ranchero
Vitals
Harry Dean Stanton as Travis Henderson, once-wandering drifter
Los Angeles to Houston, Fall 1983
Film: Paris, Texas
Release Date: September 19, 1984
Director: Wim Wenders
Costume Designer: Birgitta Bjerke
WARNING! Spoilers ahead!
Background
One of my favorite actors, Harry Dean Stanton, was born 100 years ago today on July 14, 1926 in Kentucky. Following his U.S. Navy service during World War II, Stanton began an acting career that lasted more than six decades until his death from heart failure at age 91 in September 2017 after completing his penultimate film Lucky, which also afforded Stanton the rare starring role. He was a close, respected friend of many A-listers like Francis Ford Coppola, David Lynch, and Jack Nicholson, who included Stanton as best man in his 1962 wedding and habitually scrawled “H.D. Stanton” on the sets of his films.
Stanton typically made the most of supporting roles in films like Cool Hand Luke (1967), Dillinger (1973), The Godfather Part II (1974), Alien (1979), Escape from New York (1981), Christine (1983), Red Dawn (1984), Pretty in Pink (1986), Wild at Heart (1990), Twin Peaks: Fire Walk with Me (1992), Fear and Loathing in Las Vegas (1998), The Green Mile (1999), and The Avengers (2012)—a filmography so prolific that Roger Ebert once declared that, with the sole exception of Dream a Little Dream (1989), “no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad.”
Despite his prolific supporting career, Stanton was cast in leading parts for back-to-back films released in 1984: Alex Cox’s dark sci-fi comedy Repo Man and Wim Wenders’ elegiac road drama Paris, Texas. The latter won the Palme d’Or when it premiered at the 1984 Cannes Film Festival and, though overlooked by most American award bodies, has grown its cult reputation as one of the greatest movies ever made. With additional style provided by Ry Cooder’s original score and Robby Müller’s masterful cinematography, the script was written by L.M. Kit Carson and Sam Shepard, who offered Stanton the part after the two connected at a Santa Fe film festival. Continue reading










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