Duane Jones in Night of the Living Dead

Duane Jones in Night of the Living Dead (1968)

Vitals

Duane Jones as Ben, resourceful zombie-hunter

Rural Western Pennsylvania, Spring 1968

Film: Night of the Living Dead
Release Date: October 4, 1968
Director: George A. Romero

WARNING! Spoilers ahead!

Background

Especially here in western Pennsylvania, George A. Romero’s masterclass in economical filmmaking Night of the Living Dead has risen to mythic status among cinephiles. Though born in New York City, Romero graduated from Carnegie Mellon University in 1960 and remained local to Pittsburgh where he filmed short productions including a segment for Mister Rogers’ Neighborhood before his directorial debut that became a landmark in independent film, horror cinema, and movies at large.

Night of the Living Dead premiered at the Fulton Theater in Pittsburgh on October 1, 1968, three days before its wider release that drew controversy due to its violence and bleakness—simultaneously exemplifying what was increasingly permissible in American cinema in the wake of the crumbling Production Code that had restricted filmmakers for more than thirty years.

Despite this harsh reception from critics and audiences not prepared for its content, Night of the Living Dead developed a growing cult following to become one of the most profitable movies ever made. It recouped at least $30 million against its $125,000, which Romero had kept modest through guerrilla filmmaking techniques and casting local actors and friends like legendary Pittsburgh TV presenter “Chilly Billy” Cardille as himself, allowing Romero to reserve most of the modest budget for special effects.

While many rightly include this iconic horror flick among their spooky season watch-lists in October, Night of the Living Dead also qualifies as the rare “Daylight Saving movie”. The action is quickly established to be set on the Sunday in spring when clocks spring forward an hour—much to the chagrin of the cynical Johnny (Russell Streiner), who lost an hour of sleep on the morning he accompanies his sister Barbra (Judith O’Dea) to their father’s grave site, said to be “200 miles into the country” though actually filmed in Evans City… just 30 miles outside of Pittsburgh.

After one of the titular living dead attacks the siblings and knocks Johnny unconscious, Barbra manages to escape in his ’67 Pontiac LeMans and find refuge in an isolated farmhouse, where she comes face-to-face with Ben (Duane Jones)—a serious, resourceful man of action who quickly takes command of the situation… and their survival. Continue reading

Justifed: Raylan’s Grayscale Plaid Shirt and Henley in “The Collection”

Timothy Olyphant as Deputy U.S. Marshal Raylan Givens on Justified (Episode 1.06: “The Collection”)

Vitals

Timothy Olyphant as Raylan Givens, old-fashioned Deputy U.S. Marshal

Between Lexington, Kentucky and Cincinnati, Ohio, Spring 2010

Series: Justified
Episode: “The Collection” (Episode 1.06)
Air Date: April 20, 2010
Director: Rod Holcomb
Creator: Graham Yost
Costume Designer: Ane Crabtree

WARNING! Spoilers ahead!

Background

I’ve recently been rewatching Justified with my wife—her first time seeing the series—and it renewed my interest in how Deputy U.S. Marshal Raylan Givens (Timothy Olyphant) dresses while both on- and off-duty working the Eastern District of Kentucky.

Debuting sixteen years ago this month in March 2010, Justified‘s first season especially blended a case-of-the-week format with the series mythology revolving around how the Givens family feud with Harlan County families like the Crowders and Bennetts translated to Raylan’s crusade against arch criminal Boyd Crowder (Walton Goggins) as well as his ongoing drama with his ex-wife Winona (Natalie Zea).

One of the last standalone episodes outside of this format was the sixth episode, “The Collection”, revolving around crooked Cincinnati art dealer Owen Carnes (Peter Jason), whom Raylan increasingly suspects was murdered by his wife Caryn (Katherine LaNasa), despite being reminded that murder alone doesn’t necessarily fall under the U.S. Marshals Service’s investigative purview. Continue reading

Wake Up Dead Man: Daniel Craig’s Tweed Suits as Benoit Blanc

Daniel Craig as Benoit Blanc in Wake Up Dead Man (2025). Photo by John Wilson.

Vitals

Daniel Craig as Benoit Blanc, Southern private detective and “proud heretic”

Upstate New York, Spring 2025

Film: Wake Up Dead Man: A Knives Out Mystery
Release Date: November 26, 2025
Director: Rian Johnson
Costume Designer: Jenny Eagan

WARNING! Spoilers ahead!

Background

Happy 58th birthday to Daniel Craig! Born March 2, 1968, the actor followed his five-film tenure as James Bond with the recurring role of Southern-fried detective Benoit Blanc in three Knives Out movies to date including his latest release, Wake Up Dead Man, which premiered at the 2025 Toronto International Film Festival two months before its limited release in American theaters the week of Thanksgiving 2025. Continue reading

Death on the Nile: George Kennedy’s Brown Striped Sport Jacket

George Kennedy as Andrew Pennington in Death on the Nile (1978)

Vitals

George Kennedy as Andrew Pennington, crooked American lawyer

Egypt, September 1937

Film: Death on the Nile
Release Date: September 29, 1978
Director: John Guillermin
Costume Designer: Anthony Powell

Background

It seems like just yesterday that George Kennedy died at age 91 rocked my corner of Twitter for how so many obituaries eulogized him as a “beefy character actor,” and yet it’s been ten years since the Oscar winner’s death on February 28, 2016.

Kennedy rose to fame after his Academy Award-winning performance in Cool Hand Luke (1967) and was a mainstay of American cinema for decades, often playing tough guys or cops in movies like the Airport and Naked Gun franchises, though the first time I first saw the actor was in John Guillerman’s lavish, star-studded 1978 adaptation of Agatha Christie’s Egyptian-set murder mystery Death on the Nile. Continue reading

Johnny Cash at San Quentin, 1969

Johnny Cash performing at San Quentin State Prison, February 24, 1969. Photo by Jim Marshall.

Vitals

Johnny Cash, country rock superstar

San Quentin State Prison, California, February 1969

Film: Johnny Cash in San Quentin
Release Date: September 6, 1969
Director: Michael Darlow

Background

Today would have been the 94th birthday of Johnny Cash, born February 26, 1932 in Arkansas. After his initial success recording hits like “Folsom Prison Blues” and “I Walk the Line” for Sun Records, Cash began his tradition of performing concerts at prisons with a New Year’s Day 1958 gig at San Quentin State Prison, with a 19-year-old Merle Haggard among the inmates in attendance.

A decade later, Cash was retaking control of his life and career after both had been stalled by his narcotic addictions. It was a fortuitous time for his self-rehabilitation as Columbia Records had recently hired visionary producer Bob Johnston, who was more eager to entertain Cash’s unorthodox collaborations—including the singer’s long-expressed desire to record an album inside a prison. Folsom State Prison responded first after Johnston called them and San Quentin, resulting in Cash recording his now legendary concert there on January 13, 1968.

Despite little promotion from Columbia, At Folsom Prison revitalized Cash’s career as it rose to the top of the U.S. Top Country Albums chart and won a pair of Grammy Awards. A year later, Cash returned inside the walls of a California state prison to record yet another live album to an audience of inmates—this time returning to San Quentin, just north of San Francisco and 100 miles southwest of Folsom.

This was Cash’s first album recorded without longtime lead guitarist Luther Perkins, who died following an August 1968 house fire, so guitarist Bob Wootton joined bassist Marshall Grant and drummer W.S. “Fluke” Holland in Cash’s Tennessee Three backing band. Additional acts included Carl Perkins, the Statler Brothers, and the Carter Family—including June Carter, who had married Johnny the previous March, just weeks after his on-stage proposal in Ontario. The entire group arrived at San Quentin for a performance on February 24, 1969—two days before Cash’s 37th birthday. Continue reading

Twin Peaks: FBI Agent Dale Cooper’s Black Suit

Kyle MacLachlan as FBI Special Agent Dale Cooper on Twin Peaks, in a promotional image for “The Man Behind the Glass” (Episode 2.03).

Vitals

Kyle MacLachlan as Dale Cooper, unusually perceptive FBI agent

Twin Peaks, Washington, February and March 1989

Series: Twin Peaks (Seasons 1-2)
Air Dates: April 8, 1990 to June 10, 1991
Created by: Mark Frost & David Lynch
Costume Design: Sara Markowitz (seasons 1-2) & Patricia Norris (pilot episode only)

WARNING! Spoilers ahead!

Background

Diane… 11:30 a.m., February 24th, entering the town of Twin Peaks. It’s five miles south of the Canadian border, twelve miles west of the state line.

Twin Peaks canon brought FBI Special Agent Dale Cooper (Kyle MacLachlan) into this small upstate Washington town exactly 37 years ago today in 1989, narrating the first of many unreturned missives into a tape recorder after the corpse of popular local teenager Laura Palmer (Sheryl Lee) was discovered washed ashore near the town’s lumber mill. Continue reading

Bottle Rocket: Owen Wilson’s Cabana Shirt

Owen Wilson in Bottle Rocket (1996)

Vitals

Owen Wilson as Dignan, small-time crook and big-time dreamer

Texas, Fall 1995

Film: Bottle Rocket
Release Date: February 21, 1996
Director: Wes Anderson
Costume Designer: Karen Patch

WARNING! Spoilers ahead!

Background

Wes Anderson and his friend—and frequent collaborator—Owen Wilson shared their respective directorial and acting debuts thirty years ago today when Bottle Rocket premiered on February 21, 1996.

The director and brothers Owen and Luke Wilson had previously filmed the story as a 13-minute black-and-white short that was screened at the 1993 Sundance Film Festival, where it caught the attention of James L. Brooks, who agreed to finance a full-length version. Brooks’ financial involvement bumped the budget to $5 million, attracting co-star James Caan to bring experience and credibility alongside Anderson and the Wilson brothers’ freshman talent. Continue reading

The Pitt: Dr. Robby’s Season 1 Hoodie, Scrubs, and Seiko

Noah Wyle as Dr. Robby on The Pitt, Episode 1.01: “7:00 A.M.”

Vitals

Noah Wyle as Dr. Michael “Robby” Robinavitch, emergency department attending physician

Pittsburgh, September 2025

Series: The Pitt (Season 1)
Air Dates: January 9, 2025 to April 10, 2025 (Season 1)
Creator: R. Scott Gemmill
Costume Designer: Lyn Paolo

WARNING! Spoilers ahead!

Background

Happy The Pitt Thursday to all who tune in! Especially here in my hometown of Pittsburgh, we’ve been riding high on the success of The Pitt as it continues through its second season.

Conceived by ER creator R. Scott Gemmill and longtime star Noah Wyle as a way to retool the medical drama three decades later, the series trades the late-’90s urgency of Chicago County General for a 21st century emergency department shaped by COVID’s lingering trauma, internet-fueled health misinformation, staffing shortages, and the growing threats of gun violence. And for locals like me, the show’s Pittsburgh specificity lands with a wink, flavored by local institutions from Primanti’s to Wiener World.

The Pitt is set at the fictional Pittsburgh Trauma Medical Center (PTMC), a composite of Allegheny General Hospital on the North Side (which provided the hospital exteriors) and UPMC, with its unmistakable tower standing against the skyline during the opening titles and the roof-set scenes bookending the first season. The Pitt follows a grayer, steadier Wyle as Dr. Michael Robinavitch (“but everyone calls me Dr. Robby”), senior attending in the ED. Far removed from the fresh-faced John Carter, Robby is a seasoned, pragmatic, and quietly haunted leader who delegates with trust, shoulders blame, and never asks of his team what he wouldn’t do himself. Continue reading

Denzel Washington in Déjà Vu

Denzel Washington in Déjà Vu (2006)

Vitals

Denzel Washington as Doug Carlin, ATF agent and Marine Corps veteran

New Orleans, Spring 2006

Film: Déjà Vu
Release Date: November 22, 2006
Director: Tony Scott
Costume Designer: Ellen Mirojnick

WARNING! Spoilers ahead!

Background

On this Fat Tuesday, flash back to 20 years ago when the observance set the scene for Tony Scott’s sci-fi crime thriller Déjà Vu. The movie itself is fine, but it’s a shining example of Denzel Washington’s uncanny ability to elevate any material with his considerable charisma and talent.

Déjà Vu begins with an explosion aboard the Sen. Alvin T. Stumpf passenger ferry which killed 543 people—mostly civilian families and U.S. Navy personnel en route New Orleans’ first Mardi Gras celebration following Hurricane Katrina. A task force across federal agencies and local police includes ATF Special Agent Doug Carlin, given the explosive nature of the act and the responsibilities covered by BAFTE’s final letter. Continue reading

Ben Gazzara’s Navy Suit for The Killing of a Chinese Bookie

Ben Gazzara in The Killing of a Chinese Bookie (1976)

Vitals

Ben Gazzara as Cosmo Vitelli, strip club owner and emcee

Los Angeles, Fall 1975

Film: The Killing of a Chinese Bookie
Release Date: February 15, 1976
Director: John Cassavetes
Wardrobe Credit: Mary Herne

WARNING! Spoilers ahead!

Background

John Cassavetes re-teamed with his friend and frequent collaborator Ben Gazzara for The Killing of a Chinese Bookie, a gritty neo-noir originally released 50 years ago today on February 15, 1976. The original cut ran over two hours, but feedback from audience—and Gazzara himself—resulted in Cassavetes recutting it down to a tighter 108-minute version that was re-released in 1978, maintaining its tone and ambiguously bleak ending.

“My name, if you don’t know it by now, is Cosmo Vitelli, and I own this joint,” Gazzara’s scrappy cabaret owner announces to his audience. “You know, they say everything is sex; sex is everything. Here at the Crazy Horse West, we give you a lot more than that.” Continue reading