Tagged: 1960s

Mad Men, 1970 Style – Sterling’s Sporty Turtleneck

John Slattery as Roger Sterling on Mad Men (Episode 7.14: "Person to Person")

John Slattery as Roger Sterling on Mad Men (Episode 7.14: “Person to Person”)

Vitals

John Slattery as Roger Sterling, aging ad man

New York City, Fall 1970

Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

Mad Men style typically evokes thoughts of men in sleek, ’60s-cut business suits, raising a glass of whiskey behind a veil of Lucky Strike smoke while juggling accounts and affairs. Of course, even a Madison Avenue man dresses down on the weekends.

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Alain Delon’s Leather Jacket in Any Number Can Win

Alain Delon as Francis Verlot in Any Number Can Win (Mélodie en sous-sol) (1963)

Alain Delon as Francis Verlot in Any Number Can Win (Mélodie en sous-sol) (1963)

Vitals

Alain Delon as Francis Verlot, swaggering small-time thief

Paris, September 1960

Film: Any Number Can Win
(French title: Mélodie en sous-sol)
Release Date: April 3, 1963
Director: Henri Verneuil

Background

Any Number Can Win was adapted from Zekial Marko’s 1959 novel The Big Grab, the first of the author’s crime stories that would be adapted to films starring Alain Delon. Marko himself would adapt his novel Scratch a Thief into Once a Thief (1965), starring Delon, Ann-Margret, and Van Heflin.

Considered one of the best and certainly among the most stylish movies of the early 1960s, the ice-cool Any Number Can Win—released in France as Mélodie en sous-sol—begins with recently released ex-con Charles (Jean Gabin) searching for a new partner to help him with his ambitious heist. “I have a kid who just might jut cut it… I hope I don’t find him good for scrap.”

We then cut to what looks like a messy bachelor pad, where a young man is sprawled out on his bed, snapping his fingers to the jazz on his record player. He’s already dressed for larceny in his leather jacket, a dinner plate doubling as an ashtray—crowded with spent Gitanes and shelved on a pile of books—not far from his reach. Pulling back, we reveal that the “bachelor pad” is merely a corner of the family apartment that the young man shares with his reasonably concerned mother, whose shout from the kitchen leaps him to attention… revealing the one and only Alain Delon!

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Patrick McGoohan’s Arrival Suit on The Prisoner

Patrick McGoohan as "Number Six" on The Prisoner (Episode 1: "Arrival")

Patrick McGoohan as “Number Six” on The Prisoner (Episode 1: “Arrival”)

Vitals

Patrick McGoohan as Number Six, recently resigned secret agent

“The Village”, Fall 1967

Series: The Prisoner
Episodes:
– “Arrival” (Episode 1.01, dir. Don Chaffey, aired 9/29/1967)
– “Fall Out” (Episode 1.17, dir. Patrick McGoohan, aired 2/1/1968)
Created by: Patrick McGoohan & George Markstein
Wardrobe: Masada Wilmot & Dora Lloyd
Tailored by: Dimi Major & Douglas Hayward (Major, Hayward Ltd.)

WARNING! Spoilers ahead!

Background

The Prisoner debuted in the UK on this date in 1967, a passion project from Patrick McGoohan after his rise to stardom on the British espionage series Danger Man. Mystery continues to surround the series, which has been argued as a surreal explanation of ego and individualism within the trappings of the then-fashionable “spy-fi” genre mix, inspiring more questions than answers over its seventeen-episode run, including the true identity of McGoohan’s character known only as “Number 6”, suggested to be a continuation of John Drake from Danger Man or possibly even an allegory for the actor himself. Continue reading

Goodfellas: 30 Significant Style Moments

Vitals

Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno

WARNING! Spoilers ahead!

Background

Today marks the 30th anniversary since my favorite movie, Goodfellas, was released, ten days after it premiered to rave reviews at the 47th International Venice Film Festival. Based on the true story told in Nicholas Pileggi’s book Wiseguy, this Martin Scorsese-directed mob epic details a life in organized crime as recalled by Lucchese Mafia family associate-turned-informant Henry Hill (Ray Liotta), from his teenage years in the 1950s through adulthood until his arrest on May 11, 1980.

The ensemble cast includes Robert de Niro, Joe Pesci, Paul Sorvino, and Frank Sivero as Henry’s criminal colleagues and Lorraine Bracco as his wife and eventual accomplice.

Pesci, Liotta, and De Niro in Goodfellas.

Pesci, Liotta, and De Niro in Goodfellas.

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Steve McQueen’s Chalkstripe Suit as Thomas Crown

Steve McQueen as Thomas Crown in The Thomas Crown Affair (1968). Note that he dresses his wrist with his Cartier Tank Cintrée rather than the Patek Philippe pocket watch he wears for the actual scene.

Steve McQueen as Thomas Crown in The Thomas Crown Affair (1968). Note that he dresses his wrist with his Cartier Tank Cintrée rather than the Patek Philippe pocket watch he wears for the actual scene.

Vitals

Steve McQueen as Thomas Crown, millionaire criminal mastermind

Switzerland, June 1968

Film: The Thomas Crown Affair
Release Date: June 19, 1968
Director: Norman Jewison
Costume Designer: Alan Levine
Tailor: Douglas Hayward

Background

I recently had the pleasure to join Pete Brooker and Matt Spaiser (of Bond Suits) on their excellent podcast From Tailors with Love for an entertaining and informative discussion of Steve McQueen’s suits and style in The Thomas Crown Affair. If you’re not already a subscriber, you can follow the fun via iTunes, Spotify, or Stitcher, and check out highlights from yours truly’s appearance on the latest episode here. Continue reading

Lilies of the Field: Sidney Poitier’s Lee Westerner Jacket and Jeans

Sidney Poitier as Homer Smith in Lilies of the Field (1963)

Sidney Poitier as Homer Smith in Lilies of the Field (1963)

Vitals

Sidney Poitier as Homer Smith, helpful handyman

Arizona, Summer 1963

Film: Lilies of the Field
Release Date: October 1, 1963
Director: Ralph Nelson
Wardrobe Credit: Wesley Sherrard

Background

“That is your car?” Mother Maria asks Homer Smith, to which he proudly corrects: “That’s my home!” With that attitude, Homer would have been well-prepared for a road trip decades later in the 2020, when the coronavirus pandemic found Americans taking to the road for their summer getaways in increased numbers said to recall the age of the mid-century “great American road trip.”

In his Academy Award-winning role, Sidney Poitier plays handyman Homer Smith, traveling through the Arizona desert when his station wagon’s dire need for water brings him to the Catholic convent overseen by the solemn Maria (Lilia Skala), who requests that the newcomer stop to assist with a roofing repair. His initial reluctant assistance leads to staying for dinner and an enthusiastic English lesson (“phonograph… record!”) to the German sisters, parlayed into spending the night camped out in the back of his Plymouth, where Mother Maria corners him the next morning and asks—er, orders—him to stay and build the nuns a chapel. Continue reading

Bond Style: Poolside Terry Cloth in Goldfinger

Sean Connery as James Bond in Goldfinger (1964)

Sean Connery as James Bond in Goldfinger (1964)
(Photo sourced from thunderballs.org)

Vitals

Sean Connery as James Bond, British government agent

Miami Beach, Summer 1964

Film: Goldfinger
Release Date: September 18, 1964
Director: Guy Hamilton
Wardrobe Supervisor: Elsa Fennell

WARNING! Spoilers ahead!

Background

Happy birthday, Sean Connery! On his 90th birthday, let’s take a look at one of the Scottish legend’s most talked-about (and controversial) outfits as James Bond… and see how it can be updated for the modern Bond style enthusiast catching some late summer rays or rubdowns by the pool.

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Fun in Acapulco: Elvis’ Second Striped Shirt

Elvis Presley in Fun in Acapulco (1963)

Elvis Presley in Fun in Acapulco (1963)

Vitals

Elvis Presley as Mike Windgren, expat singer, part-time lifeguard, and former circus performer

Acapulco, Summer 1963

Film: Fun in Acapulco
Release Date: November 22, 1961
Director: Norman Taurog
Costume Designer: Edith Head
Tailor: Sy Devore

Background

On the anniversary of Elvis Presley’s death on August 16, 1977, I wanted to celebrate the entertainer’s legacy with a look at one of the singer’s under-celebrated summer films.

I imagine the debate about what to call the movie lasted no more than ten seconds (“What’s Elvis doing in this one?” “Having fun in Acapulco.” “There it is.”) Continue reading

Don Draper’s Teal-and-Turquoise Shirt in “Tomorrowland”

Jon Hamm as Don Draper on Mad Men (Episode 4.13: "Tomorrowland")

Jon Hamm as Don Draper on Mad Men (Episode 4.13: “Tomorrowland”)

Vitals

Jon Hamm as Don Draper, Madison Avenue ad man

Anaheim, California, October 1965

Series: Mad Men
Episode: “Tomorrowland” (Episode 4.13)
Air Date: October 17, 2010
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

During my latest Mad Men rewatch while on lockdown due to the coronavirus pandemic, I found myself so intrigued by the fourth season finale that I watched the episode back-to-back. For a show set so far into the past, it’s amazing how effective Mad Men can be at stirring a viewer’s enthusiasm for the future.

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The Graduate: Dustin Hoffman’s Seersucker Jacket

Dustin Hoffman as Benjamin Braddock in The Graduate (1967)

Dustin Hoffman as Benjamin Braddock in The Graduate (1967)

Vitals

Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate

Los Angeles, Summer 1967

Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt

Background

Dustin Hoffman may be turning 83 today, but for many he’ll always be the young Benjamin Braddock, freshly home from college with his entire adult life—with all of its expectations and inevitable disappointments—to follow.

Benjamin’s first summer as a college graduate is spent with lazy days by the pool and covert nights with Mrs. Robinson (Anne Bancroft), the domineering yet vulnerable wife of his father’s law partner. The Braddocks, obviously unaware of their son’s ongoing assignations with her mother, pressure him into taking Elaine Robinson (Katharine Ross). A Berkeley student, Elaine would be a more suitable partner for Benjamin due to age, temperament, and several other factors, but the formidable Mrs. Robinson—we never do learn her first name—won’t have it.

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