Tagged: 1960s
Downhill Racer: Redford’s Blue Skiwear and Yellow Porsche
Robert Redford and Camilla Sparv with her Porsche on the set of Downhill Racer (1969)
Vitals
Robert Redford as Dave Chappellet, U.S. Olympic ski team star
Wengen, Switzerland, Winter 1967
Film: Downhill Racer
Release Date: November 6, 1969
Director: Michael Ritchie
Costume Designer: Edith Head (uncredited!)
Wardrobe Credit: Cynthia May
Background
Let’s kick off a winter #CarWeek with an Alpine vibe, specifically the yellow Porsche that Robert Redford motors through the Alps after a day on the slopes with Camilla Sparv in Michael Ritchie’s directorial debut, Downhill Racer.
Mad Men, 1970 Style – Don’s Denim Trucker Jacket
Jon Hamm as Don Draper on Mad Men (Episode 7.14: “Person to Person”)
Vitals
Jon Hamm as Don Draper, former ad man in search of himself
Bonneville Speedway, Utah, to California, Fall 1970
Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
Moving forward has been the theme of Don Draper’s life, a trajectory made plainly simple at the start of the final episode of Mad Men as a denim-clad Dick Whitman barrels toward the viewers through the desert at more than 130 miles per hour.
Back in New York, Don’s naïve secretary Meredith (Stephanie Drake) shares her concern with Roger Sterling that her former boss may have died, ultimately suggesting that “I hope he’s in a better place.” Geographically, maybe. Mentally, absolutely.
Alain Delon in Le Samouraï
Alain Delon as Jef Costello in Le Samouraï (The Samurai) (1967)
Vitals
Alain Delon as Jef Costello, slick, taciturn, and meticulous contract killer
Paris, April 1967
Film: The Samurai
(French title: Le Samouraï)
Release Date: October 25, 1967
Director: Jean-Pierre Melville
WARNING! Spoilers ahead!
Background
On Alain Delon’s 84th birthday, let’s explore Le Samouraï, arguably one of the best, most influential, and most stylish roles of Delon’s career and the frequent subject of requests from BAMF Style readers like Marcus and Mohammed.
Despite being Jean-Pierre Melville’s tribute to 1940s noir, Le Samouraï was also the maverick director’s first color production as he had evidently elected not to film in black-and-white. The color photography allows Melville to make the most of his shadowy settings from Jef Costello’s gray, barren apartment to the throwback glamour of the Parisian nightclub.
Delon stars as Jef Costello, a cold contract killer whose solitary lifestyle nods to Japanese lone warrior mythology—hence the title—and whose personal style co-opts the classic American noir anti-hero. Continue reading
Rod Taylor in The V.I.P.s.
Rod Taylor and Maggie Smith in The V.I.P.s (1963)
Vitals
Rod Taylor as Les Mangrum, gregarious Australian tractor manufacturing mogul
Heathrow Airport, London, Winter 1963
Film: The V.I.P.s
(also released as Hotel International)
Release Date: September 19, 1963
Director: Anthony Asquith
Costume Designer: Pierre Cardin (uncredited)
Background
A generation after Grand Hotel (1932) established the subgenre of the ensemble drama with a packed cast of international stars, Anthony Asquith updated the pattern for the jet age with the genteel director’s penultimate film, The V.I.P.s, which—appropriately enough, given its spiritual predecessor—had also been released as Hotel International. Continue reading
Mad Men, 1969 Style – Don Draper’s Brown Suit
Jon Hamm as Don Draper on Mad Men (Episode 7.05: “The Runaways”)
Vitals
Jon Hamm as Don Draper, displaced ad man seeking to salvage his professional and personal lives
New York City, Spring 1969
Series: Mad Men
Episodes:
– “Time Zones” (Episode 7.01), dir. Scott Hornbacher, aired 4/13/2014
– “A Day’s Work” (Episode 7.02), dir. Michael Uppendahl, aired 4/20/2014
– “Field Trip” (Episode 7.03), dir. Christopher Manley, aired 4/27/2014
– “The Runaways” (Episode 7.05), dir. Christopher Manley, aired 5/11/2014
Creator: Matthew Weiner
Costume Designer: Janie Bryant
WARNING! Spoilers ahead!
Background
On #MadMenMonday, we turn again to Don Draper’s style for the office with a chocolate brown suit that clothed our ad man through many episodes of the show’s penultimate season, set in the early months of 1969 as he flounders in virtual unemployment after his unpredictable behavior made the one-time advertising hotshot a liability for Sterling Cooper & Partners.
Walter Matthau’s Navy Striped Suit in Charade
Walter Matthau as Carson Dyle in Charade (1963)
Vitals
Walter Matthau as Carson Dyle, posing as CIA administrator Hamilton Bartholomew
Paris, April 1963
Film: Charade
Release Date: December 5, 1963
Director: Stanley Donen
WARNING! Spoilers ahead!
Background
Today commemorates the 99th birthday of the great Walter Matthau, the New York-born actor and comedian. After playing heavies in movies like the Elvis vehicle King Creole (1958) and his self-directed Gangster Story (1960), Matthau got a chance to exercise his versatility and comedic chops with a delightfully duplicitous role in Stanley Donen’s romantic comedy thriller Charade (1963).
Yesterday, Today and Tomorrow: Mastroianni’s Beige Summer Suit
Marcello Mastroianni with Sophia Loren in the third and final segment of Yesterday, Today and Tomorrow (Ieri, oggi, domani) (1963)
Vitals
Marcello Mastroianni as Augusto Rusconi, bombastic Bolognese businessman and bon vivant
Rome, Summer 1963
Film: Yesterday, Today and Tomorrow
(Italian title: Ieri, oggi, domani)
Release Date: December 19, 1963
Director: Vittorio De Sica
Costume Designer: Piero Tosi
Background
“It is sometimes said that the French spend their money on their food, the English on their gardens, and the Italians on their clothes,” wrote Sir Hardy Amies for his seminal ABCs of Men’s Fashion in 1964. “Certainly the Italians give the impression of taking great pains with their appearance, especially in summer when we see most of them.”
As summer comes to a close, let’s heed Sir Hardy’s words by focusing on the warm-weather menswear worn by Marcello Mastroianni in Yesterday, Today, and Tomorrow, which marked the fifth of his 13 collaborations with his frequent screen partner and real-life friend Sophia Loren, who celebrates her 85th birthday today. Continue reading
The Graduate: Dustin Hoffman’s Corduroy Sports Coat
Dustin Hoffman as Benjamin Braddock in The Graduate (1967)
Vitals
Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate
Los Angeles, Summer through Fall 1967
Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt
Background
Dustin Hoffman’s Ivy style mastery in The Graduate has been a frequent request from BAMF Style readers including Kyle, Ryan, Zubair, and more, so—in the spirit of the “back to school” season—let’s take a look at one of the most iconic outfits that Hoffman wore as the listless Benjamin Braddock.
Benjamin is getting tired of his wordless, emotionless trysts with Mrs. Robinson (Anne Bancroft), the sultry and troubled wife of his father’s law partner. One night in their usual room at the Taft Hotel, Benjamin suggests that the two talk more. In the words of Simon and Garfunkel, “We’d like to know a little bit about you for our files / We’d like to help you learn to help yourself…”
Sidney Poitier’s Navy Jacket in To Sir, with Love
Sidney Poitier as Mark Thackeray in To Sir, with Love (1967)
Vitals
Sidney Poitier as Mark Thackeray, novice high school teacher
London, June 1966
Film: To Sir, with Love
Release Date: June 14, 1967
Director: James Clavell
Wardrobe Supervisor: John Wilson Apperson
Background
As many students are returning back to school at the end of August, BAMF Style takes a look at Sidney Poitier’s scholarly style as the patient teacher in To Sir, with Love, based on E.R. Braithwaite’s autobiographical novel from 1959. The film was produced, directed, and adapted for the screen by James Clavell, the prolific writer whose works include “the Asian Saga” (including Shōgun) and the screenplay for The Great Escape.
Sidney Poitier stars as Mark Thackeray, the determined teacher who takes his first appointment (or “job,” as he is politely corrected) instructing a senior class of troubled—and often troubling—high school students at the North Quay Secondary School in London’s East End just a few weeks before the students were scheduled to graduate.
Richard Burton’s Casual Big Sur Weekend in The Sandpiper
Richard Burton and Elizabeth Taylor at Big Sur during production of The Sandpiper (1965)
Vitals
Richard Burton as Dr. Edward Hewitt, self-righteous Episcopal boarding school headmaster
Big Sur, California, Spring 1965
Film: The Sandpiper
Release Date: June 23, 1965
Director: Vincente Minnelli
Costume Designer: Irene Sharaff
Background
After fighting his own urges for the better part of the movie, uptight headmaster Dr. Edward Hewitt succumbs to romantic temptation. Edward tells his loving wife Claire (Eva Marie Saint) that he must depart for San Francisco to conduct a fundraising drive for his church but instead arrives at the beach home of Laura Reynolds (Elizabeth Taylor), the Bohemian mother of one of his students and the object of his obvious affections, and the two embark on a three-day romantic interlude against the stunning backdrop of Big Sur. Continue reading
