Tagged: 1960s

Grand Prix: James Garner’s Derby-Style Jacket

James Garner as Pete Aron in Grand Prix (1966)

James Garner as Pete Aron in Grand Prix (1966)

Vitals

James Garner as Pete Aron, determined Formula One driver

Monaco, Spring 1966

Film: Grand Prix
Release Date: December 21, 1966
Director: John Frankenheimer
Costume Supervisor: Sydney Guilaroff

Background

The 2020 Monaco Grand Prix was to begin today, which also commemorates the 60th anniversary of the Monaco Grand Prix’s first inclusion in the inaugural FIA World Championship. Unfortunately, the spread of the dangerous coronavirus pandemic resulted in the race being cancelled for the first time since the 1954 Formula One season.

“In my opinion, still the best picture ever made about auto racing,” wrote James Garner in his memoir, The Garner Files, an opinion into which I put a lot of stock given the actor’s real-life passion for racing and his characteristic modest regarding his own cinematic career. Continue reading

Mad Men, 1970 Style – Don’s Finale Flannel

Jon Hamm as Don Draper on Mad Men (Episode 7.14: "Person to Person")

Jon Hamm as Don Draper on Mad Men (Episode 7.14: “Person to Person”)

Vitals

Jon Hamm as Don Draper, former ad man in search of himself

“Somewhere in California”, Fall 1970

Series: Mad Men
Episode: “Person to Person” (Episode 7.14)
Air Date: May 17, 2015
Director: Matthew Weiner
Creator: Matthew Weiner
Costume Designer: Janie Bryant

WARNING! Spoilers ahead!

Background

Five years ago today, Mad Men‘s final episode “Person to Person” aired on AMC, concluding a decade’s worth of storytelling as we followed advertising director Don Draper (Jon Hamm) and his family and colleagues as they navigated the tumultuous 1960s.

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Goodbye, Columbus: Neil’s Corduroy Blazer

Richard Benjamin as Neil Klugman in Goodbye, Columbus (1969)

Richard Benjamin as Neil Klugman in Goodbye, Columbus (1969)

Vitals

Richard Benjamin as Neil Klugman, listless library employee and Army veteran

Radcliffe College (Cambridge, Massachusetts), Fall 1968

Film: Goodbye, Columbus
Release Date: April 3, 1969
Director: Larry Peerce
Costume Designer: Gene Coffin

WARNING! Spoilers ahead!

Background

Based on a novella by Philip Roth, Goodbye, Columbus marked the first major screen appearances for both Richard Benjamin and Ali MacGraw, who would receive a Golden Globe for Most Promising Newcomer and a Laurel Award for Female New Face.

Goodbye, Columbus was released two years after The Graduate (though Roth’s source novella was published four years before Charles Webb’s The Graduate), and the similarities invited comparison between the two, with some critics like Dennis Schwartz favoring Goodbye, Columbus though it would be far lesser-known in the decades to follow. Continue reading

The Graduate: Dustin Hoffman’s Herringbone Tweed Jacket

Dustin Hoffman as Benjamin Braddock in The Graduate (1967)

Dustin Hoffman as Benjamin Braddock in The Graduate (1967)

Vitals

Dustin Hoffman as Benjamin Braddock, nervous and aimless college graduate

Los Angeles, Late Spring 1967

Film: The Graduate
Release Date: December 22, 1967
Director: Mike Nichols
Costume Designer: Patricia Zipprodt

Background

The myriad impacts of the worldwide COVID-19 epidemic has included a halt on college graduation ceremonies, which would typically be occurring around this time; indeed, my own commencement was on April 30, nine years ago today.

The Graduate provided Dustin Hoffman with his breakout role as Benjamin Braddock, a recent graduate suffering from the ennui of balancing one’s achievements and desires with what’s expected of them. After a humiliating 21st birthday party where his parents forced him to scuba dive into the family pool in front of their friends, Benjamin asserts himself by arranging his first assignation with the seductive and unsatisfied Mrs. Robinson (Anne Bancroft) at the Taft Hotel (in fact, L.A.’s famous Ambassador Hotel), where he chain-smokes Parliaments and nurses a highball while waiting for her in the hotel lounge. At her prompting, he nervously reserves a room for them under the unconvincing alias of “Mr. Gladstone.” Continue reading

Frank Sinatra’s Orange Cardigan

Frank Sinatra, photographed for the April 23, 1965 cover of LIFE magazine by John Dominis. The same cardigan would appear in Marriage on the Rocks (1965), released five months later.

Frank Sinatra, photographed for the April 23, 1965 cover of LIFE magazine by John Dominis. The same cardigan would appear in Marriage on the Rocks (1965), released five months later.

Vitals

Frank Sinatra as Dan Edwards, workaholic advertising executive

Los Angeles, Fall 1965

Film: Marriage on the Rocks
Release Date: September 24, 1965
Director: Jack Donohue
Costume Designer: Walter Plunkett

Background

On this #SinatraSaturday, we celebrate the famous singer’s favorite color by commemorating his appearance on the cover of LIFE magazine 55 years ago this week when he was photographed by John Dominis in an orange cardigan, white turtleneck, and houndstooth trilby for a cover story titled “Sinatra Opens Up”.

Around the same time, Frank Sinatra was filming the amusing ’60s romp Marriage on the Rocks with his friends and occasional co-stars Dean Martin and Deborah Kerr. The movie also provided Nancy Sinatra with her first opportunity to act opposite her father, playing his daughter on-screen as well. (The original title was Divorce American Style until Cy Howard’s original screenplay was deemed too offensive, resulting in rewrites under the title Community Property before all settled on the Rat Pack-friendly title Marriage on the Rocks.)

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Apollo 13: Gene Kranz’s Famous White Vest

Ed Harris as Gene Kranz in Apollo 13 (1995)

Ed Harris as Gene Kranz in Apollo 13 (1995)

Vitals

Ed Harris as Gene Kranz, determined, no-nonsense NASA flight director

Houston, Texas, April 1970

Film: Apollo 13
Release Date: June 30, 1995
Director: Ron Howard
Costume Designer: Rita Ryack

Background

Okay, Houston, we’ve had a problem here…

Apollo 13 astronaut Jack Swigert first transmitted this famous (and oft-misquoted) message 50 years ago today at 3:08 AM (GMT) on Tuesday, April 14, 1970, soon repeated by the mission commander Jim Lovell: “Uh, Houston, we’ve had a problem.” (At the Apollo Mission Control Center in Houston, it was still 10:08 PM on Monday, April 13.)

The craft had launched three days prior from Kennedy Space Center, manned by Swigert, Fred Haise, and mission commander Jim Lovell. The mission was intended to be the third of the American space program that would land on the Moon until the notorious “problem”—an explosion resulting from a failed oxygen tank in the service module—forced the three-man crew and their mission controllers in Houston to improvise solutions that ultimately resulted in the three astronauts safely returning to Earth, splashing down in the South Pacific on April 17 when they were swiftly met by a U.S. Navy recovery team.

While Apollo 13 was technically unsuccessful in its initial objective of a lunar landing, the mission and its outcome have been deemed “a successful failure” due to how different individuals, teams, and departments were able to work together in as tight timeframe to solve the almost-impossible task of bringing the three astronauts home safely, requiring not only the best efforts of Lovell, Haise, and Swigert, but also ingenuity and dedication from the Mission Control team centered in Houston under the “tough and competent” leadership of flight director Gene Kranz.

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Goodfellas: Tommy’s “Funny” Gray Silk Suit

Joe Pesci as Tommy DeVito in Goodfellas (1990)

Joe Pesci as Tommy DeVito in Goodfellas (1990)

Vitals

Joe Pesci as Tommy DeVito, volatile and violent Mafia associate

Brooklyn, New York, Summer 1963

Film: Goodfellas
Release Date: September 19, 1990
Director: Martin Scorsese
Costume Designer: Richard Bruno

Background

You mean, let me understand this cause, ya know maybe it’s me, I’m a little fucked up maybe, but I’m funny how, I mean funny like I’m a clown, I amuse you? I make you laugh, I’m here to fuckin’ amuse you? What do you mean funny, funny how? How am I funny?

Well, Tommy, it is April Fool’s Day. Continue reading

Once Upon a Time in Hollywood: Brad Pitt in Black and White

Brad Pitt as Cliff Booth in Once Upon a Time... in Hollywood (2019)

Brad Pitt as Cliff Booth in Once Upon a Time… in Hollywood (2019)

Vitals

Brad Pitt as Cliff Booth, swaggering Hollywood stuntman

Los Angeles, Summer 1969

Film: Once Upon a Time in Hollywood
Release Date: July 26, 2019
Director: Quentin Tarantino
Costume Designer: Arianne Phillips

WARNING! Spoilers ahead!

Background

Tonight the night? Why not?

When Cliff Booth poses himself this question on the night of Friday, August 8, 1969, he was merely considering whether or not he should partake in an acid-dipped cigarette he bought from “a hippie girl” six months earlier, but the night turns out to be far more eventful than a mere drug experiment.

Brad Pitt may have asked himself the same question a month ago during the 92nd Academy Awards when he won his first Oscar for acting in recognition of his performance in Once Upon a Time… in Hollywood, the ninth film from Quentin Tarantino as the auteur added his own revisionist touch to a consequential year for American pop culture.

As today is Friday the 13th, let’s take a look at one of Cliff’s less celebrated outfits on what started as a very unlucky night for the stuntman… until he turned the tables thanks to that acid-dipped cigarette, his pet pit bull Brandy, and a few decades worth of combat-honed grit.

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Don Draper’s Light Gray Thin-Striped Suit

Jon Hamm as Don Draper in "5G", Episode 1.05 of Mad Men.

Jon Hamm as Don Draper in “5G”, Episode 1.05 of Mad Men.

Vitals

Jon Hamm as Don Draper, mysterious advertising creative director

New York City, Spring 1960 and 1962

Series: Mad Men
Episodes:
– “5G” (Episode 1.05), dir. Lesli Linka Glatter, aired 8/16/2007
– “Red in the Face” (Episode 1.07), dir. Tim Hunter, aired 8/30/2007
– “The New Girl” (Episode 2.05), dir. Jennifer Getzinger, aired 8/24/2008
Creator:
 Matthew Weiner
Costume Designer: Janie Bryant

Background

Happy birthday to Jon Hamm, born March 10, 1971, and arguably most famous for his Emmy-winning performance on AMC’s Mad Men as suave 1960s ad man Don Draper.

Donald Draper? What kinda name is that?

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Rod Taylor’s Baracuta Jacket in The Glass Bottom Boat

Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)

Rod Taylor as Bruce Templeton in The Glass Bottom Boat (1966)

Vitals

Rod Taylor as Bruce Templeton, charismatic aerospace lab chief

Long Beach, California, Spring 1966

Film: The Glass Bottom Boat
Release Date: June 9, 1966
Director: Frank Tashlin
Costume Designer: Ray Aghayan (credited with Doris Day’s costumes only)

Background

In the years since I’ve started this blog, I’ve discovered that there are many unsung “style heroes” that are often lost in the discussion of Cary Grant, Clark Gable, and Steve McQueen, including actors like Rod Taylor who brought understated elegance to flatteringly tailored suits and timeless casual attire alike.

I was first familiar with Taylor in The Glass Bottom Boat, one of my grandma’s favorite movies and one that we used to watch until we wore the VHS tape thin. Last year, I was delighted to see that my friends Shawn Bongiorno and Ryan Hall had collaborated on a series of Instagram posts that highlighted a look from the movie, and that inspired us to put our heads together and take a deeper dive at a springtime essential that Taylor wears.

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