John Slattery as Roger Sterling, hedonistic Madison Avenue ad executive
New York City, spring 1969 and spring 1970
Series: Mad Men
– “The Monolith” (Episode 7.04), dir. Scott Hornbacher, aired 5/4/2014
– “Severance” (Episode 7.08), dir.Scott Hornbacher, aired 4/5/2015
– “Person to Person” (Episode 7.14), dir.Matthew Weiner, aired 5/17/2015
Creator: Matthew Weiner
Costume Designer: Janie Bryant
Though we in the Northern Hemisphere welcomed spring yesterday, some cities (I can speak personally for Pittsburgh) were greeted by the new season with a fresh onslaught of snowfall.
Bitterness aside… spring often finds well-dressed gents pushing their heavy flannel suits to the back of the closet and bringing forth items perfect for greeting sunnier days ahead. The double-breasted navy blazer remains a stalwart menswear staple for transitioning into the warm and wonderful days of spring, whether sporting it for an evening in the Riviera, greeting the morning on your yacht… or spending the afternoon in your Midtown Manhattan office, counting down the days to retirement.
Naturally, the latter situation brings to mind one Roger Sterling, the increasingly redundant but effortlessly witty Madison Avenue executive on AMC’s Mad Men. Continue reading
Lee Marvin as Charlie Strom, professional mob hitman
Los Angeles, Fall 1963
Film: The Killers
Release Date: July 7, 1964
Director: Don Siegel
Costume Designer: Helen Colvig
WARNING! Spoilers ahead!
Happy first day of March! The observance of St. Patrick’s Day this month means plenty of focus on the “luck o’ the Irish”, so today’s post explores a suit sporting the “clover lapel”, a soft type of notch lapel named for its semblance to two leaves of a clover plant.
One character who took advantage of this unique but subtle type of lapel was Charlie Strom, the paid assassin who subverts “movie hitman” tropes by letting his curiosity get the better of him… why did Johnny North give up so easily? Bothered by this incongruity, Charlie and his partner Lee (Clu Gulager) set out to find the truth. Continue reading
Edward Fox as “The Jackal”, mysterious professional assassin
Southern France, near Grasse, August 1963
Film: The Day of the Jackal
Release Date: May 16, 1973
Director: Fred Zinnemann
Costume Design: Joan Bridge, Rosine Delamare, and Elizabeth Haffenden
The only time we see Edward Fox’s enigmatic Jackal in a non-earthtone ensemble outside of his numerous disguises is this brief interlude for a summer evening in the south of France, near Grasse, as he chats up Colette (Delphine Seyrig) in a hotel parlor. His seduction induces Colette into his cadre of temporarily useful – but ultimately disposable – assets as he kills his way across Europe to his ultimate target. Continue reading
Jack Lemmon as Stanley Ford, comic strip artist and dedicated bachelor
New York City, Summer 1964
Film: How to Murder Your Wife
Release Date: September 20, 1965
Director: Richard Quine
Wardrobe: Izzy Berne & Marie Osborne
Happy birthday to Jack Lemmon, a class act and one of my all-time favorite actors.
One of the first Jack Lemmon movies I had ever seen was the problematically titled How to Murder Your Wife, a VHS tape belonging to my grandma that she had I must have watched a dozen times during my childhood. Lemmon played Stanley Ford, an artist dedicated to two things: his espionage comic strip Bash Brannigan and remaining an unattached bachelor. The latter ambition is quelled during a drunken stag party when he meets and immediately marries a beautiful blonde stripper (Virna Lisi) who, as luck would have it, doesn’t know a word of English. Continue reading
Frank Sinatra as Tony Rome, private investigator and compulsive gambler
Miami Beach, Spring 1967
Film: Tony Rome
Release Date: November 10, 1967
Director: Gordon Douglas
Costume Designer: Moss Mabry
Over on my Instagram feed, I like to commemorate #SinatraSaturday each weekend, but today I felt Ol’ Blue Eyes deserved a dedicated post. Frank Sinatra starred as the titular character in Tony Rome, a 1967 adaptation of Marvin H. Albert’s novel Miami Mayhem. Tony Rome was Sinatra’s first cop role, playing a laidback private eye in the tradition of Humphrey Bogart who seems more interested in gambling, drinking, and skirt-chasing than actually solving a case. Continue reading
Cary Grant as Brian Cruikshank (aka Peter Joshua, Alexander Dyle, or Adam Canfield), U.S. Treasury agent
Paris, April 1963
Release Date: December 5, 1963
Director: Stanley Donen
Take your relaxing Saturday a step further during Cary Grant’s birthday weekend with a tasteful loungewear ensemble and a charming Archie Leach classic like Charade, one of the legendary actor’s final films before his retirement and the only one for which he was nominated for both a BAFTA Award and a Golden Globe.
After yet another death in Paris, Reggie Lambert (Audrey Hepburn) and a man she now refers to as “Adam Canfield” are mustered from their sleep by the industrious Inspector Grandpierre (Jacques Marin), setting the two back on their search for the film’s MacGuffin in the middle of the night. Continue reading
John Wayne as Michael “Guns” Donovan, island saloon owner and U.S. Navy veteran
French Polynesia, December 1963
Film: Donovan’s Reef
Release Date: June 12, 1963
Director: John Ford
Costume Designer: Edith Head
A decade after John Wayne traveled to Hawaii to play the titular anti-communist agent in Big Jim McLain, the actor returned for the production of Donovan’s Reef, a more lighthearted and less politically motivated film and the final of Duke’s many cinematic collaborations with prolific director John Ford.
Donovan’s Reef is set during the holidays in French Polynesia where ex-Navy gunner’s mate Michael “Guns” Donovan operates a saloon on the fictional island of Haleakaloha. Continue reading