Tagged: 1960s
Cape Fear (1962): Robert Mitchum’s Straw Hat and Striped Tee as Max Cady
Robert Mitchum as Max Cady in Cape Fear (1962)
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Robert Mitchum as Max Cady, psychopathic ex-convict
Southeast Georgia, Summer 1962
Film: Cape Fear
Release Date: June 15, 1962
Director: J. Lee Thompson
Costume Designer: Mary Wills
WARNING! Spoilers ahead!
Background
With the latest adaptation of Cape Fear earning strong reviews on Apple TV+, let’s look back to the release of the original film sixty-four years ago today on June 15, 1962. Adapted from John D. MacDonald’s suspense novel The Executioners, the first Cape Fear stars Gregory Peck as Southern attorney Sam Bowden and Robert Mitchum in a chilling performance as Max Cady, a psychotic ex-convict who, upon his release after serving eight years for sexual assault, sets out to exact revenge on the man he believes responsible for his incarceration. Continue reading
Keith David’s Printed Polo and Desert Boots in Dead Presidents
Keith David in Dead Presidents (1995)
Vitals
Keith David as Kirby, small-time neighborhood crime boss
The Bronx, Spring 1969
Film: Dead Presidents
Release Date: October 4, 1995
Directed by: The Hughes Brothers
Costume Designer: Paul A. Simmons, Jr.
WARNING! Spoilers ahead!
Background
Always the coolest guy in anything he’s in, the prolific Keith David was born June 4, 1956 and celebrates his 70th birthday today by receiving his long-overdue star on the Hollywood Walk of Fame. David’s strong screen presence shone from the start, from his credited screen debut in The Thing (1982) that launched an unstoppable career spanning nearly five decades and counting.
David co-starred in the Hughes brothers’ 1995 crime drama Dead Presidents as Kirby, an avuncular Bronx crook who acts as de facto second father to local youngsters like Anthony Curtis (Larenz Tate). Shortly before Anthony is shipped off to Vietnam with the Marine Corps in early 1969, he unknowingly becomes Kirby’s getaway driver while collecting some debts in the neighborhood. Continue reading
Gregory Peck’s Herringbone Tweed Huntsman-Tailored Suit in Arabesque
Gregory Peck with Sophia Loren on the set of Arabesque (1966)
Vitals
Gregory Peck as David Pollock, American hieroglyphics professor
London, June 1965
Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
The stylish espionage-themed romantic comedy thriller Arabesque was released sixty years ago tomorrow on May 5, 1966. Producer and director Stanley Donen had hoped to replicate Charade‘s success with Cary Grant in the lead, but the now-retired Grant wasn’t thrilled enough with the script to make this his return to the silver screen. Donen himself wasn’t impressed with the script either, adapted from Gordon Cotler’s 1961 novel The Cipher (published under his pseudonym Alex Gordon.)
With Gregory Peck and Sophia Loren contracted as the leads, the script was constantly being rewritten, but cinematographer recalled that “the more the script was rewritten, the worse it got,” and that Donen told him their “only hope was to make it so visually exciting the audience will never have time to work out what the hell is going on.” Continue reading
Sweet Bird of Youth: Paul Newman’s Cream Silk Sport Jacket
Paul Newman as Chance Wayne in Sweet Bird of Youth (1962)
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Paul Newman as Chance Wayne, charismatic gigolo
Mississippi, Easter Weekend 1962
Film: Sweet Bird of Youth
Release Date: March 21, 1962
Director: Richard Brooks
Costume Designer: Orry-Kelly
WARNING! Spoilers ahead!
Background
Happy Easter! Early in his screen career, Paul Newman reprised his stage role as Chance Wayne from Tennessee Williams’ play Sweet Bird of Youth, set across Holy Saturday into Easter Sunday in Chance’s fictional hometown of St. Cloud, Mississippi. Continue reading
Bullitt: Paul Genge as “Ice Pick Mike”
Paul Genge in Bullitt (1968)
Vitals
Paul Genge as Mike, silent syndicate hitman
San Francisco, Spring 1968
Film: Bullitt
Release Date: October 17, 1968
Director: Peter Yates
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Today would have been the 113th birthday of actor Paul Genge, born March 29, 1913. A U.S. Army Air Corps veteran, Genge’s screen career began after his return from World War II, almost always playing uncredited bit parts as cops, crooks, and the occasional coach. Despite these tough-guy roles, Genge was an advocate for regional theater whose penchant for performing Shakespeare included appearing in—and ultimately directing—stage productions of Hamlet and starring in the title role of King Henry IV when he was 26.
Bullitt provided Genge with one of his few credited movie roles, even though his character’s name isn’t uttered on screen—only referred to as “Ice Pick Mike” in the track listing for Lalo Schifrin’s jazzy soundtrack. Mike is arguably one of the most pivotal characters in this slick crime classic, as the slick triggerman whose execution of the witness known as Johnny Ross sets the action into motion. Continue reading
Steve McQueen’s Denim in Baby the Rain Must Fall
Steve McQueen in Baby the Rain Must Fall (1965)
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Steve McQueen as Henry Thomas, irresponsible musician and ex-convict
Columbus, Texas, Fall 1963
Film: Baby the Rain Must Fall
Release Date: January 23, 1965
Director: Robert Mulligan
WARNING! Spoilers ahead!
Background
Screen and style icon Steve McQueen was born 96 years ago today on March 24, 1930. After his breakthrough success in The Magnificent Seven (1960), The Great Escape (1963), and the TV series Wanted Dead or Alive, McQueen was plucked out of westerns and war movies into more dramatic fare like Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965).
Adapted by Horton Foote from his own play The Traveling Lady, the latter film was more aligned with McQueen’s rougher and tougher screen image. He stars as Henry Thomas, a small-time rockabilly singer estranged from his wife Georgette (Lee Remick) and their six-year-old daughter Margaret Rose (Kimberley Block), whom he’s never met… until the gals surprise him in his hometown of Columbus, Texas, where he’s recently been released from a jail stint. Continue reading
Duane Jones in Night of the Living Dead
Duane Jones in Night of the Living Dead (1968)
Vitals
Duane Jones as Ben, resourceful zombie-hunter
Rural Western Pennsylvania, Spring 1968
Film: Night of the Living Dead
Release Date: October 4, 1968
Director: George A. Romero
WARNING! Spoilers ahead!
Background
Especially here in western Pennsylvania, George A. Romero’s masterclass in economical filmmaking Night of the Living Dead has risen to mythic status among cinephiles. Though born in New York City, Romero graduated from Carnegie Mellon University in 1960 and remained local to Pittsburgh where he filmed short productions including a segment for Mister Rogers’ Neighborhood before his directorial debut that became a landmark in independent film, horror cinema, and movies at large.
Night of the Living Dead premiered at the Fulton Theater in Pittsburgh on October 1, 1968, three days before its wider release that drew controversy due to its violence and bleakness—simultaneously exemplifying what was increasingly permissible in American cinema in the wake of the crumbling Production Code that had restricted filmmakers for more than thirty years.
Despite this harsh reception from critics and audiences not prepared for its content, Night of the Living Dead developed a growing cult following to become one of the most profitable movies ever made. It recouped at least $30 million against its $125,000, which Romero had kept modest through guerrilla filmmaking techniques and casting local actors and friends like legendary Pittsburgh TV presenter “Chilly Billy” Cardille as himself, allowing Romero to reserve most of the modest budget for special effects.
While many rightly include this iconic horror flick among their spooky season watch-lists in October, Night of the Living Dead also qualifies as the rare “Daylight Saving movie”. The action is quickly established to be set on the Sunday in spring when clocks spring forward an hour—much to the chagrin of the cynical Johnny (Russell Streiner), who lost an hour of sleep on the morning he accompanies his sister Barbra (Judith O’Dea) to their father’s grave site, said to be “200 miles into the country” though actually filmed in Evans City… just 30 miles outside of Pittsburgh.
After one of the titular living dead attacks the siblings and knocks Johnny unconscious, Barbra manages to escape in his ’67 Pontiac LeMans and find refuge in an isolated farmhouse, where she comes face-to-face with Ben (Duane Jones)—a serious, resourceful man of action who quickly takes command of the situation… and their survival. Continue reading
Johnny Cash at San Quentin, 1969
Johnny Cash performing at San Quentin State Prison, February 24, 1969. Photo by Jim Marshall.
Vitals
Johnny Cash, country rock superstar
San Quentin State Prison, California, February 1969
Film: Johnny Cash in San Quentin
Release Date: September 6, 1969
Director: Michael Darlow
Background
Today would have been the 94th birthday of Johnny Cash, born February 26, 1932 in Arkansas. After his initial success recording hits like “Folsom Prison Blues” and “I Walk the Line” for Sun Records, Cash began his tradition of performing concerts at prisons with a New Year’s Day 1958 gig at San Quentin State Prison, with a 19-year-old Merle Haggard among the inmates in attendance.
A decade later, Cash was retaking control of his life and career after both had been stalled by his narcotic addictions. It was a fortuitous time for his self-rehabilitation as Columbia Records had recently hired visionary producer Bob Johnston, who was more eager to entertain Cash’s unorthodox collaborations—including the singer’s long-expressed desire to record an album inside a prison. Folsom State Prison responded first after Johnston called them and San Quentin, resulting in Cash recording his now legendary concert there on January 13, 1968.
Despite little promotion from Columbia, At Folsom Prison revitalized Cash’s career as it rose to the top of the U.S. Top Country Albums chart and won a pair of Grammy Awards. A year later, Cash returned inside the walls of a California state prison to record yet another live album to an audience of inmates—this time returning to San Quentin, just north of San Francisco and 100 miles southwest of Folsom.
This was Cash’s first album recorded without longtime lead guitarist Luther Perkins, who died following an August 1968 house fire, so guitarist Bob Wootton joined bassist Marshall Grant and drummer W.S. “Fluke” Holland in Cash’s Tennessee Three backing band. Additional acts included Carl Perkins, the Statler Brothers, and the Carter Family—including June Carter, who had married Johnny the previous March, just weeks after his on-stage proposal in Ontario. The entire group arrived at San Quentin for a performance on February 24, 1969—two days before Cash’s 37th birthday. Continue reading
Mark Frechette’s Revolutionary Rags in Zabriskie Point
Mark Frechette and Daria Halpern in Zabriskie Point (1970)
Vitals
Mark Frechette as Mark, revolutionary college dropout and forklift driver
Los Angeles to Death Valley, California, Summer 1968
Film: Zabriskie Point
Release Date: February 5, 1970
Director: Michelangelo Antonioni
Costume Designer: Ray Summers
WARNING! Spoilers ahead!
Background
Michelangelo Antonioni refocused his existential “Antoni-ennui” lens onto the American campus counterculture for the offbeat drama Zabriskie Point, which premiered 56 years ago today on February 5, 1970, four days before its wider release. Poorly received by critics and audiences upon its release, Zabriskie Point earned a cult following in the decades to follow as newer audiences appreciate the raw style and performances, the deeply human story photographed by cinematographer Alfio Contini against the vast California desert, and a contemporary rock soundtrack featuring Pink Floyd, Jerry Garcia, The Rolling Stones, and The Youngbloods.
“Who the hell is he?” someone asks of our protagonist in the opening scene. Indeed, the moviegoing public may have wondered the same thing. After directing the likes of Alain Delon, Richard Harris, David Hemmings, Marcello Mastroianni, and Monica Vitti, Antonioni anchored Zabriskie Point with non-professional actors Mark Frechette and Daria Halprin in its leading roles. Casting director Sally Dennison discovered Frechette at a bus stop during the 20-year-old carpenter’s shouting match with a man leaning out of a window three stories above them. “He’s twenty, and he hates,” Dennison tersely explained in her recommendation to Antonioni. Continue reading
Our Man Flint: James Coburn’s Tuxedo
James Coburn in Our Man Flint (1966)
Vitals
James Coburn as Derek Flint, bon vivant superspy
New York City to Marseilles, Spring 1965
Film: Our Man Flint
Release Date: January 16, 1966
Director: Daniel Mann
Costume Designer: Ray Aghayan
WARNING! Spoilers ahead!
Background
James Coburn originated the character of Derek Flint in Our Man Flint, one of the many spy spoofs in the wake of ’60s Bondmania, released sixty years ago today. Technically, the film premiered a month earlier in St. Ann’s Bay in Jamaica, though it wasn’t widely in theaters until the American release on January 16, 1966. It would be followed the next year by a sequel, In Like Flint—which also happens to be Austin Powers’ favorite movie… and, indeed, you can see plenty of shagadelic DNA in the Flint series. Continue reading
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