Tagged: 1960s
Terence Stamp’s Layered Neutrals in Teorema
Vitals
Terence Stamp as “The Visitor”, enigmatic young seducer
Milan, Italy, Spring 1968
Film: Teorema
(English title: Theorem)
Release Date: September 7, 1968
Director: Pier Paolo Pasolini
Costume Designer: Roberto Capucci (credited for Silvana Mangano’s clothes)
WARNING! Spoilers ahead!
Background
After Terence Stamp’s death last year, I realized how little of the actor’s filmography I had seen, particularly from early in his career when he and his then-roommate Michael Caine were the toasts of swinging London. Naturally, the first place I turned was the Criterion Channel, which included Teorema—a surrealist psychological drama that was director Pier Paolo Pasolini’s first film to feature primarily professional actors.
Stamp stars as a mysterious man known only as “the visitor”, whose seduction of every member of a bourgeois household forces the family to confront difficult truths about themselves—and whose eventual departure leaves an existential void in each person’s soul.
Translated to “Theorem”, as it was known in some English-speaking countries, Teorema premiered 58 years ago yesterday on September 4, 1968 during the 29th Venice International Film Festival, where it received a special award from the International Catholic Film Office—only for the award to be swiftly withdrawn after the Vatican criticized the film’s sexual content. It was widely released three days later. Continue reading
Charles Bronson’s Brown Suit in Farewell, Friend
Vitals
Charles Bronson as Franz Propp, opportunistic thief, pimp, and former French Foreign Legion sergeant
Paris, December 1963
Film: Farewell, Friend
(French title: Adieu l’ami)
Release Date: August 14, 1968
Director: Jean Herman
Costume Designer: Tanine Autré
WARNING! Spoilers ahead!
Background
Charles Bronson was a steady supporting tough-guy presence in films like The Magnificent Seven (1960), The Great Escape (1963), and The Dirty Dozen (1967), though the western Pennsylvania-born actor found his first major breakthrough fame in Europe after starring opposite French superstar Alain Delon in the Franco-Italian heist caper Adieu l’ami (Farewell, Friend), released this month in 1968. Continue reading
Frankie Avalon’s Red Paisley Party Shirt in Beach Party
Vitals
Frankie Avalon as Frankie, lovestruck surfer
Malibu, California, Summer 1963
Film: Beach Party
Release Date: August 7, 1963
Director: William Asher
Costume Design: Marjorie Corso & Renié
WARNING! Spoilers ahead!
Background
Four years after Gidget launched the beach party subgenre, the formula was refined with less morals and more midriffs in the simply titled Beach Party. Released 63 years ago today on August 7, 1963, Beach Party was the first of about a dozen similar movies released by American International Pictures that occasionally veered from the beach into ski country or the race track but almost always featured pop singers Frankie Avalon and Annette Funicello in leading roles.
Filmed across the beaches of Southern California over three weeks in the spring of 1963, Beach Party established a blueprint that most of its successors would follow: a score by exotica stalwart Les Baxter supplemented by the surf rock stylings of Dick Dale and his Del-Tones; a supporting cast of older, most established stars—like Bob Cummings, Dorothy Malone, and Morey Amsterdam in this first film; and the easy chemistry between Frankie and Annette.
Frankie and Annette played essentially the same teen lovers driven apart by an easily explained misunderstanding that is invariably resolved by the close of each approximately 90-minute runtime. In Beach Party, it’s Dolores’ hesitation that drives Frankie away—straight into the arms of the buxom “Hungarian goulash” Ava (Eva Six), one of the women whom he serenades with “Don’t Stop Now” during the raucous party at Big Daddy’s. Continue reading
Downhill Racer: Hometown Hero Redford’s Wrangler Denim and ’57 Chevy
Vitals
Robert Redford as Dave Chappellet, U.S. Olympic ski team star
Idaho Springs, Colorado, Summer 1967
Film: Downhill Racer
Release Date: November 6, 1969
Director: Michael Ritchie
Costume Designer: Edith Head (uncredited!)
Wardrobe Credit: Cynthia May
Background
To coincide with the United States celebrating its 250th anniversary today, let’s launch this summer’s Car Week with an all-American star driving an all-American car while sporting all-American denim.
Robert Redford starred in three films released in 1969, arguably a breakthrough year for the late screen icon. His most notable would be the latter role in Butch Cassidy and the Sundance Kid, though the contemporary sports drama Downhill Racer gave the ambitious future producer/director a taste of production as he wielded some of his newfound influence to recruit both screenwriter James Salter and director Michael Ritchie after Roman Polanski left the project.
Without having read Oakley Hall’s source novel, Salter followed Polanski’s original vision of adapting the High Noon concept on the Olympic slopes; instead of a downed sheriff requiring a replacement, it’s the U.S. national ski team who needs a replacement for its lead skier after an accident. Call in Redford’s arrogant but talented David Chappellet, inspired by elements of real-life skiers Billy Kidd, Spider Sabich, and Buddy Werner. Continue reading
Cape Fear (1962): Robert Mitchum’s Straw Hat and Striped Tee as Max Cady
Vitals
Robert Mitchum as Max Cady, psychopathic ex-convict
Southeast Georgia, Summer 1962
Film: Cape Fear
Release Date: June 15, 1962
Director: J. Lee Thompson
Costume Designer: Mary Wills
WARNING! Spoilers ahead!
Background
With the latest adaptation of Cape Fear earning strong reviews on Apple TV+, let’s look back to the release of the original film sixty-four years ago today on June 15, 1962. Adapted from John D. MacDonald’s suspense novel The Executioners, the first Cape Fear stars Gregory Peck as Southern attorney Sam Bowden and Robert Mitchum in a chilling performance as Max Cady, a psychotic ex-convict who, upon his release after serving eight years for sexual assault, sets out to exact revenge on the man he believes responsible for his incarceration. Continue reading
Keith David’s Printed Polo and Desert Boots in Dead Presidents
Vitals
Keith David as Kirby, small-time neighborhood crime boss
The Bronx, Spring 1969
Film: Dead Presidents
Release Date: October 4, 1995
Directed by: The Hughes Brothers
Costume Designer: Paul A. Simmons, Jr.
WARNING! Spoilers ahead!
Background
Always the coolest guy in anything he’s in, the prolific Keith David was born June 4, 1956 and celebrates his 70th birthday today by receiving his long-overdue star on the Hollywood Walk of Fame. David’s strong screen presence shone from the start, from his credited screen debut in The Thing (1982) that launched an unstoppable career spanning nearly five decades and counting.
David co-starred in the Hughes brothers’ 1995 crime drama Dead Presidents as Kirby, an avuncular Bronx crook who acts as de facto second father to local youngsters like Anthony Curtis (Larenz Tate). Shortly before Anthony is shipped off to Vietnam with the Marine Corps in early 1969, he unknowingly becomes Kirby’s getaway driver while collecting some debts in the neighborhood. Continue reading
Gregory Peck’s Herringbone Tweed Huntsman-Tailored Suit in Arabesque
Vitals
Gregory Peck as David Pollock, American hieroglyphics professor
London, June 1965
Film: Arabesque
Release Date: May 5, 1966
Director: Stanley Donen
Tailor: H. Huntsman & Sons, London
WARNING! Spoilers ahead!
Background
The stylish espionage-themed romantic comedy thriller Arabesque was released sixty years ago tomorrow on May 5, 1966. Producer and director Stanley Donen had hoped to replicate Charade‘s success with Cary Grant in the lead, but the now-retired Grant wasn’t thrilled enough with the script to make this his return to the silver screen. Donen himself wasn’t impressed with the script either, adapted from Gordon Cotler’s 1961 novel The Cipher (published under his pseudonym Alex Gordon.)
With Gregory Peck and Sophia Loren contracted as the leads, the script was constantly being rewritten, but cinematographer recalled that “the more the script was rewritten, the worse it got,” and that Donen told him their “only hope was to make it so visually exciting the audience will never have time to work out what the hell is going on.” Continue reading
Sweet Bird of Youth: Paul Newman’s Cream Silk Sport Jacket
Vitals
Paul Newman as Chance Wayne, charismatic gigolo
Mississippi, Easter Weekend 1962
Film: Sweet Bird of Youth
Release Date: March 21, 1962
Director: Richard Brooks
Costume Designer: Orry-Kelly
WARNING! Spoilers ahead!
Background
Happy Easter! Early in his screen career, Paul Newman reprised his stage role as Chance Wayne from Tennessee Williams’ play Sweet Bird of Youth, set across Holy Saturday into Easter Sunday in Chance’s fictional hometown of St. Cloud, Mississippi. Continue reading
Bullitt: Paul Genge as “Ice Pick Mike”
Vitals
Paul Genge as Mike, silent syndicate hitman
San Francisco, Spring 1968
Film: Bullitt
Release Date: October 17, 1968
Director: Peter Yates
Costume Designer: Theadora Van Runkle
WARNING! Spoilers ahead!
Background
Today would have been the 113th birthday of actor Paul Genge, born March 29, 1913. A U.S. Army Air Corps veteran, Genge’s screen career began after his return from World War II, almost always playing uncredited bit parts as cops, crooks, and the occasional coach. Despite these tough-guy roles, Genge was an advocate for regional theater whose penchant for performing Shakespeare included appearing in—and ultimately directing—stage productions of Hamlet and starring in the title role of King Henry IV when he was 26.
Bullitt provided Genge with one of his few credited movie roles, even though his character’s name isn’t uttered on screen—only referred to as “Ice Pick Mike” in the track listing for Lalo Schifrin’s jazzy soundtrack. Mike is arguably one of the most pivotal characters in this slick crime classic, as the slick triggerman whose execution of the witness known as Johnny Ross sets the action into motion. Continue reading
Steve McQueen’s Denim in Baby the Rain Must Fall
Vitals
Steve McQueen as Henry Thomas, irresponsible musician and ex-convict
Columbus, Texas, Fall 1963
Film: Baby the Rain Must Fall
Release Date: January 23, 1965
Director: Robert Mulligan
WARNING! Spoilers ahead!
Background
Screen and style icon Steve McQueen was born 96 years ago today on March 24, 1930. After his breakthrough success in The Magnificent Seven (1960), The Great Escape (1963), and the TV series Wanted Dead or Alive, McQueen was plucked out of westerns and war movies into more dramatic fare like Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965).
Adapted by Horton Foote from his own play The Traveling Lady, the latter film was more aligned with McQueen’s rougher and tougher screen image. He stars as Henry Thomas, a small-time rockabilly singer estranged from his wife Georgette (Lee Remick) and their six-year-old daughter Margaret Rose (Kimberley Block), whom he’s never met… until the gals surprise him in his hometown of Columbus, Texas, where he’s recently been released from a jail stint. Continue reading










You must be logged in to post a comment.